Title: ACASA newsletter
Full Citation
Permanent Link: http://ufdc.ufl.edu/UF00103115/00042
 Material Information
Title: ACASA newsletter newsletter of the Arts Council of the African Studies Association
Alternate Title: Newsletter
Physical Description: v. : ; 28 cm.
Language: English
Creator: African Studies Association -- Arts Council
Publisher: The Council
Place of Publication: S.l
Publication Date: April 1996
Subjects / Keywords: Arts -- Periodicals -- Africa   ( lcsh )
Genre: periodical   ( marcgt )
Dates or Sequential Designation: Vol. 1, no. 2 (winter 1982)-
Numbering Peculiarities: Vol. designation dropped with no. 3 (spring 1983).
General Note: Title from caption.
General Note: Vols. for Aug. 1992- include Directory of members: addendum.
General Note: Latest issue consulted: No. 34 (Aug. 1992).
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Bibliographic ID: UF00103115
Volume ID: VID00042
Source Institution: University of Florida
Holding Location: University of Florida
Rights Management: All rights reserved by the source institution and holding location.
Resource Identifier: oclc - 09794003
lccn - sn 92017937
 Related Items
Preceded by: Newsletter of the Arts Council of the African Studies Association

Full Text

ACASA Newsletter
No. 45, April 1996
1996 Directory of Members

The Arts Council of the
African Studies Association


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ACASA Board of Directors

William Dewey, President
Rowland Abiodun, Past President
Kathy Curnow, Secretary-Treasurer

Directors Retiring at the ASA Meeting 1996
William Dewey
Nii Quarcoopome
Janet Stanley

Directors Retiring at the ASA Meeting 1997
Jean Borgatti
Eugenia Herbert
Dele Jegede
Chris Mullen Kreamer
Rosalind Willcox

Membership Information (for residents of North America, Europe, Asia):
Kathy Curnow, ACASA Secretary-Treasurer
Department of Art
Cleveland State University
Cleveland, OH 44115 USA
Telephone: (216) 687-2105
Fax: (216) 932-1315
e-mail: k.curnow@csuohio.edu

Annual dues are $25.00, payable in January. Checks payable to "ACASA" and
sent to Kathy Curnow. The ACASA Newsletter is published three times a year:
April, August and December.

Membership Information (for residents of Africa & the Caribbean):
Janet Stanley, ACASA Newsletter Editor
National Museum of African Art Library
Smithsonian Institution
Washington, DC 20560, USA.
Telephone: (202) 357-4600 extension 285
Fax: (202) 357-4879
e-mail: libem010@sivm.si.edu

Cover illustration from Sipatsi I by Paulus Gerdes and Guildo Bulafo. Maputo: Instituto Superior
Pedag6gico MoCambique, 1994.


ACASA Newsletter

No. 45, April 1996

The Editor thanks contributors to this April 1996 issue of
the newsletter. Jeremy Coote (Oxford); Chris Mullen
Kreamer (Washington, DC); Daniel Malcolm (Teaneck,
NJ); Barbara Frank (Stony Brook, NY); Joseph Opala
(Freetown); Philip Ravenhill (Washington, DC); Victoria
Rovine (Iowa City, Iowa); Celia Winter-Irving (Lusaka,
Zambia); Norma Wolff (Ames, Iowa); Grazyna Zaucha
(Choma, Zambia).

Order now while supplies last!!
ACASA Triennial tee-shirts and sweatshirts are still
available for sale individually and in bulk. Great as gifts
to friends, family and colleagues, and an attractive item
for sale in any museum shop or university book store.
Original design by well-known Nigerian artist, Moyo
Okediji, who recently completed his PhD in African Art
History at the University of Wisconsin, Madison.
Reduced Prices:
* Tee-shirt $10.00 each; $7.00 each if ordering 10
or more
* Sweatshirt $20.00 each; $17.00 each if ordering
10 or more.
Both are soft, comfortable, heavy duty cotton (sweatshirt
cotton blend and synthetic blend).
Shipping Charges:
* $250 mailing cost for individual orders
* if ordering in bulk, contact for shipping estimate
Make check payable to ACASA. Include your name,
address and a daytime telephone number.
Contact: Christine Mullen Kreamer, African Voices
Project, Dept. of Anthropology, MRC 112, National
Museum of Natural History, Smithsonian Institution,
Washington, DC 20560, USA. Tel: (202) 3574733.
Fax: (202) 357-2208. e-mail: cmk@sivm.si.edu.



ACASA Tee-Shirts 1
People in the News 1
Obituaries 1
Career and Research Opportunities 3
International News Round-Up 5
Traveling Exhibitions Bulletin Board 7
Noteworthy New Publications 8
Forthcoming Publications 8
Serial Notes 8
African Art on the Internet 9
Forthcoming Conferences 9
1996 Directory of ACASA Members 14

Alexis AdandE has been name new director of the West
African Museums Program (WAMP) in Dakar. He
succeeds Claude Daniel Ardoiun in that position.

Olayinka Burney-Nichol (1927-1996), Sierra Leonean
artist, died in London on February 19, 1996, following
an extended illness. "Olayinka" (as she was known
professionally) studied art in New York, London, and
Paris. In 1958 she was appointed Sierra Leone's
Government Artist; following Sierra Leone's
Independence she designed the country's flag and
costumes for the National Dance Troupe. A painter and
textile artist, Bumey-Nichol exhibited her work in West
Africa, Europe and North America.
Rufus Ogundele (1946-1996), one of the first generation
of Oshogbo artists, died recently in Oshogbo following

ACASA Newsletter / No. 45, April 1996 1

an illness. Rufus participated in the second Mbari Mbayo
workshop in 1963, which launched his career as an artist.

Ruth Schaffner, founder of Gallery Watatudin Nairobi,
died on March 15, 1996. She had actively promoted
Kenyan and other East African artists for many years.
She also founded the Watatu Foundation whose goals are
to document and materially support East African artists at
home and abroad.

Pierre Fatumbi Verger (1902-1996) died in Bahia,
Brazil, on February 11, 1996. Well-known scholar of
Yoruba religions in Benin, Nigeria and Brazil, Verger
began his career as a photographer, but his researches in
Benin took him further into ethnography and into
religious practice. When he became a babalawo, he was
given the name "Fatumbi." Verger was instrumental in
establishing the museum in Ouidah devoted to the history
of the slave trade. His dissertation dealt with the slave
trade and cultural relations between the "Slave Coast"
and Bahia. He founded the Pierre Verger Foundation in
Bahia; his last major work, recently published, is Ewd:
the use of plants in Yoruba society. (See ACASA
newsletter, August 1995, page 13, for details). An
obituary of Verger was published in West Africa, March
4-10, 1996, page 360.

Sylvia H. Williams, 60, director of the National Museum
of African Art, Smithsonian Institution, for thirteen years,
died February 28, 1996 in Washington, DC. She had
undergone emergency surgery a week earlier for a brain
aneurysm. Sylvia Williams joined the Smithsonian in
February 1983 and oversaw the move of the museum in
1987 from Capitol Hill to its current location on the
National Mall. Highly respected among museum directors
throughout the world, she served in 1994-1995 as
president of the Association of Art Museum Directors
and was on its board at the time of her death. She also
was a member of the board of trustees of Oberlin
College in Ohio and the Visiting Committee of the Allen
Memorial Art Museum there.
Sylvia Williams was well-known in the museum
community when she came to the Smithsonian Institution.
A scholar of Afncan art, she had served as a curator in
the Department of African, Oceanic and New World
Cultures at the Brooklyn Museum, where she directed the
re-installation of the museum's permanent African
collection and organized a number of traveling
exhibitions. At NMAfA, she oversaw the museum's five
inaugural exhibitions in 1987 and more than twenty other
exhibitions of traditional and modem art, including
sculpture, photography, textiles and utilitarian works.
During her tenure, the museum acquired 845 works. In
1994-1995, she served as curator and catalog author of
the exhibition "Mohammed Omer Khalil, Etchings/Amir
I. M. Nour, Sculpture." She had an interest in building
the museum's collection of modem art and, just prior to
her illness, had traveled overseas to meet with African
artists and to select works for possible acquisition.

Among her other publications was the catalog
accompanying the exhibition "Black South Africa"
(1976), as well as exhibition reviews and articles on
African art that appeared in Apollo, African arts and Arts
d'Afrique noire. She also was a contributor to African art
as philosophy (Interbook, 1974). Sylvia Williams lectured
on African art at numerous institutions, including the
Smithsonian, the Brooklyn Museum and the New School
for Social Research in New York City, and she served as
an adjunct assistant professor at the Graduate School of
Arts and Science at New York University. She was also
distinguished visiting professor of art at The American
University in 1988.
Smithsonian Secretary I. Michael Heyman said, "I
know I join many Smithsonian colleagues, and an even
wider circle of friends and admirers, in mourning
Sylvia's death. She built the National Museum of African
Art into a first-class center for the study and appreciation
of African art and culture. At the same time, she
remained a wise and fair-minded counselor to me and
other senior officials at the Smithsonian."
Several of her colleagues at AFA have also paid
tribute to the longtime museum director. Philip Ravenhill,
chief curator, wrote an appreciation of her in The
Guardian newspaper in London: Mrs. Williams "leaves
behind an exceptional legacy of commitment to Africa's
visual traditions, a commitment to quality, to integrity
and to sensitivity in the portrayal of Africa through its
vibrant visual arts."
Sylvia Williams received her bachelor's degree in art
history from Oberlin College in 1957 and a master's
degree in the same field from New York University's
Institute of Fine Arts in 1975. She also attended the
Columbia University School of Library Science in New
York and cole Practique de l'Alliance Francaise in
Paris. In 1989, Amherst College presented her with an
honorary doctorate of fine arts. Mrs. Williams was a
resident of Washington, DC. She is survived by her
husband, Chariton Williams, of Washington, DC; her
mother, Louise Hill, of Bronx, NY; her sister, Arden
Cumberbatch, of Mount Vemon, NY; and three nieces.

A memorial tribute for Sylvia Williams was held in
the Great Hall of the Smithsonian Institution on Monday,
March 25, 1996. Tributes were delivered by I. Michael
Heyman (Secretary of the Smithsonian), David Driskell
(Chairman of the Commission of the National Museum
of African Art), Alan Fem (Director of the National
Portrait Gallery), and Roslyn A. Walker (Senior Curator
of the Museum). Bemice Johnson Reagon, Curator
Emeritus, National Museum of American History sang
"Balm in Gilead" and "Amazing Grace."
The printed program for the tribute service contained
an extract of a talk that Sylvia Williams had given at the
Max Wasserman Forum on Contemporary Art, MIT
Council on the Arts in November 1993. It is reprinted

2 ACASA Newsletter / No. 45, April 1996

Giving Birth to Brightness: African Art in the
Post-Colonial World.
Sylvia H. Williams
"My struggle [with talking about modem African art]
is not easily articulated. Perhaps first and foremost is my
unease about the enormity and complexity of discussing
twentieth-century visual expression that emanates from
any one continent-particularly one as vast as Africa.
Second, the perimeters for our investigation have been
confined to Africa south of the Sahara. This reflects how
the discipline of African Art Studies, a discipline that did
not exist in the United States academic world until the
1950s, is organized.
"The discipline, wittingly or unwittingly, depending
on your point of view, drew a horizontal line across the
continent from the Western Sahara on the Atlantic to the
Red Sea. All of the regions south of the line fell within
the purview of the discipline of African Art Studies.
Those regions to the north were examined by Islamic art
historians, historians of classical art, or Egyptian art
historians and archaeologists. The reasoning was that the
before-mentioned art historians looked only to the
Mediterranean world rather than to so-called Black Africa
for their relationships.
"That outlook is viewed by many today as an
artificial intellectual barrier that is just as contemptible as
the partitioning of Africa in the nineteenth century. I, too,
am a product of this divided academic training, but I
recognize that to examine and understand
twentieth-century visual expression we must abandon the
separation. So let us agree that our discussion this
evening has serious omissions since we will not discuss
artists who are living in Morocco, Algeria indeed
throughout northern Africa and creating an
extraordinary body of work. We [in North America] are
abysmally ignorant about them and we should not be.
"African artists travel throughout their continent and
abroad. They see and they draw upon a multitude of
experiences. They resist being categorized even though
many in the West persist in doing so.... I agree with
Salah Hassan, professor of African art history at Comell
University, that the penchant of the West to fit an artist
into "a neat box," to define and distinguish different
types of artists as "international," "popular," "tourist," or
to determine in some finite sense what is "tradition" is
"So where does this leave the twentieth-century
African artist? I believe it is as the South African artist
Gavin Jantjes has written, the reality that:
'We have had to become this kind of adaptable,
ambitious and determined all-rounder, surviving by
our skills and through a familiarity with the cultural
environs we traverse...

[African artists'] 'attempts to develop new, syncretic
forms in their art constantly collided with the
modernist expectation that their work had to have a

single, "African" root. The dominant notion that all
cultural growth was tap-rooted, excluded the
possibility of rhizomatic growth; of cultures having
multiple origins instead of just one...

'What was overlooked...was the artists' ability to
straddle two worlds, to swim in salt and fresh water,
to hold a free and ambiguous position that
prevented them being trapped in either. ...they could
discover new domains in which their work could
"Jantjes' words aptly characterize the reality of
African artists living in or outside of Africa. African
cultures and visual forms have never been static. There
have been connections and interconnections and
influences for centuries, between peoples and over vast
"Let us examine this visual vocabulary called
modern African art, keeping in mind Albert Elsen's
comment that 'again and again the public has to set aside
or widen its notions of what art should be in order to
understand what the artist has done."
"Defining the world of African modernism and its
formal qualities is a challenge for the National Museum
of African Art. We seek to recognize originality- the
never before seen or imagined or expected. The artists
are delineating their role in Africa today. They synthesize
the old and the new, the familiar and the strange. It is an
exciting pictorial reality.
"Kirk Varedoe has said that 'modem art's most
salient and valued attributes have to do not with
absolutism and exclusivity, but with heterogeneous
inclusiveness and unprecedented open-endedness in its
means, its concerns, and its audiences.' It is in this sense
that the Museum will continue its commitment to
understand the visual vocabulary of the artists and to
listen to what they indeed Africa as a whole are
"The African artist as a cultural salmon: a view from the
frying pan," Third text (London) 23: 103-106, summer 1993.

In lieu of flowers, the family has requested that
contributions be made to: The Sylvia H. Williams
Memorial Fund for Acquisitions, National Museum of
African Art, Washington, DC 20560.

Art Historian, James Madison University. Seeks an
instructor or assistant professor specializing in African or
African-American art full time. Renewable three-year
contract (non-tenure track). Begins August 1996. Master
or Ph.D. rank/salary commensurate with experience. Will
teach general undergraduate survey courses, Survey of
African Art, and participate in interdisciplinary courses

ACASA Newsletter / No. 45, April 1996 3

for the African/African American Studies minor. Review
of candidates will begin April 15, 1996. Send inquiries or
application, curriculum vitae and three letters of reference
to: Kathleen G. Arthur (arthurkg@jmu.edu), Chair,
Art History Search Committee, School of Art and Art
History, James Madison University, Harrisonburg, VA
22807. Fax: (540) 568-6598.
Archaeology/Anthropology, The University of Chicago,
Department of Anthropology invites applications for
one or more tenure-track assistant professorships in
archaeology, to be filled in the next two years. The
newly configured, expanding Chicago archaeology
program emphasizes the study of complex societies from
a broad spectrum of methodological approaches,
including the use of historical and ethnohistorical
materials. The program stresses integration of social and
cultural theory in the practice of archaeology and the
close articulation of archaeology and sociocultural
anthropology. Seek scholars (Ph.D. already in hand) who
can enhance this collaboration with active field research
projects and innovative theoretical contributions.
Candidates with regional specialties in Mesoamerica or
sub-Saharan Africa are especially encouraged to apply.
Applicants should send a letter describing research and
teaching interests, a curriculum vitae, and the names and
addresses of three referees to: Michael Dietler,
Archaeology Search Committee, Department of
Anthropology, University of Chicago, 1126 East 59th
Street, Chicago, Illinois 60637, USA. Application
deadline: May 31, 1996.
Curator, The Mattye Reed African Heritage Center,
Greensboro. Renewable annually non-tenure teaching
track; position open until filled. The Mattye Reed African
Heritage Center of North Carolina Agricultural and
Technical State University in Greensboro, North Carolina,
is seeking a full time person for the position of Curator.
The qualifying candidate should have at least a M. A. in
one of the following fields: African or African American
History or Art History, and African studies. Other eligible
fields are Art Education, Museum Studies, Computer or
Library Sciences and Black Studies. Museum experience
is necessary and computer skills are very desirable.
The duties of the Curator include: assisting in the
cataloging, maintenance, and care of the Center's
extensive African art collection; assisting the Director in
the development of exhibitions; researching, publishing,
lecturing on art works and themes relating to the
collection, exhibitions and programs of the Center,
teaching in the University's Museum Studies Program.
The Mattye Reed African Heritage Center is administered
by the College of Arts and Sciences through the
Department of History at North Carolina A & T State
University. Application deadline: April 30, 1996. Send
resume and application letter, three letters of
recommendation and transcripts directly from all
institutions where degrees were earned to: The Director,
The Mattye Reed African Heritage Center, North

Carolina Agricultural and Technical State University,
1601 E. Market Street, Greensboro, NC 27411, USA.

Eleggua Project is organizing an "African Heritage in
the Americas" study tour to Cuba from June 23-July 7,
1996. The program is designed to allow persons with
various interests in Caribbean history and culture, and
with a desire to understand what Cuba has to offer, an
opportunity to see for themselves what is available.
"African Heritage" provides a comprehensive overview
program of field study in Afro-Cuban Religion, Culture,
History, and the Arts, with a focus on the contemporary
cultures of the central and eastern regions of Cuba. The
program will include personal interviews with believers
of various religious traditions including Santeria, Palo
Monte, Spiritism, Vodou, and expressions of these beliefs
in everyday lives, art and music. There will be public
and private ceremonies, lectures, visits to artists galleries
and studios, temple houses, and meetings with
community leaders. Areas of study include: folkloric,
Cuban-Yoruba, Cuban-Kongo, Cuban-Haitian,
Cuban-West Indian and syncretic popular traditions.
The Eleggua Project works in collaboration with the
Canada-Cuba Sports & Cultural Festivals (CCS&CF),
which provides all related travel services, including visas,
air travel, in-country housing, and transportation. For
more information on the curriculum, contact by e-mail:
moraf@pilot.msu.edu (for music curriculum);
lepore@u.washington.edu (for dance curriculum);
robertb@rom.on.ca (for African Heritage and Caribbean
Studies curriculum). The address of Eleggua Project is
7171 Torbram Road, Unit 51, Mississauga, Ontario
L4T 3W4, Canada. Telephone: (905) 678-0426. Fax:
(905) 678-1421. The Eleggua Project also published a

Letter to the Editor from Daniel Malcolm on ethics of
collecting, dated February 6, 1996: "What a hapless
fellow is the African art collector. If he sits quietly with
his collection his pieces are 'hidden in bank vaults or in
personal collections. Inaccessible to both the art historian
and the local defender of cultural patrimony, they are lost
to all.' If they are loaned for a prolonged period to an
exhibit seen by thousands, they are written off as
'undocumented works from private collections'2 When
private collections are donated to universities or museums
for educational purposes and scholarly study, the gifts
'cannot absolve all the rest' The Stanley donation is not
unique: witness the Rockefeller, Wunderman and Perls
collections at the Metropolitan Museum of Art in New
York, the Schindler in Dallas, the Richman donation to
the High Museum in Atlanta, and the Amett donation to
Emory University, all in recent times. What
documentation is considered acceptable in a university or
museum? The donated pieces will carry sales slips from
dealers or auction lot numbers.

4 ACASA Newsletter / No. 45, April 1996

"Why are art dealers and art collectors not
represented in panels that consider the ethics of
collecting antiquities? Is a distinction between antiquities
rand sculpture of more recent pre- and early colonial
Africa valid in this context? It is also fair, I think, to ask
if the workings of an art market are really within the
professional scientific purview of anthropologists. I can
understand professional art historical interest in the
workings of art markets, as the markets do bear on the
currents of art appreciation and the distribution of art
works; but even here historical interest is not to be
confused with ethical criticism. Should ACASA take a
view as a scholarly society in a commerce which is not
its direct concern?
"I am fully aware of the concerns of individuals who
witness with distress the results of theft and plunder in
Africa. I share these concerns. But there is need for a
more careful consideration of the motives of collectors
and their opinions about the ethics of purchases of pieces
in markets that are open (or, if private, not covert in a
conspiratorial sense) in Europe and America. I suspect
that many ACASA members think of collectors as
commodity investors, or dealers as criminal fences, and
of art market prices as manipulated for profit. These
perceptions are far from the whole truth. Why do
anthropologists and art historians speak for and about but
not with collectors and dealers?
"Last, although collectors and dealers are only 7% of
ACASA membership, I observed there were many of
these that were financial backers of the last Triennial.
This minority is surely to be respected for its interest in
African art and for its support of the scholarly work that
professionals do. The last ACASA newsletter did not
adequately reflect that commonality. Daniel Malcolm,
179 Cedar Lane, Teaneck, NJ 07666. Telephone: (201)
1 Ravenhill, Philip. "Beyond reaction and denunciation," African
arts 28 (4), page 56.
2 Amoldi, Mary Jo. "Ethics roundtable," ACASA newsletter no.
44, December 1995, page 5.
Eyo, Ekpo. ibid.

News from Great Britain
Pitt Rivers Museum, University of Oxford. There have
been a number of developments at the Museum in the
last few months that might be of interest to ACASA
members. Dr. Peter Mitchell has joined the Museum's
staff as Curator/Lecturer (African Archaeology).
Mitchell's main research interest is in the archaeology of
African hunter-gatherers, including such topics as
prehistoric exchange networks and the role of rock art in
the construction of cultural landscapes. He has been
pursuing these interests in the Lesotho highlands of

southern Africa and plans at least two further seasons of
excavation and survey work in the near future.
Mitchell is a direct replacement for Ray Inskeep who
retired in 1994. Before Mr. Inskeep left the Museum, he
prepared material for a permanent display of finds,
mostly collected by Henry Balfour in the early 1900s,
from Khami Ruins in Zimbabwe. This display is now
being installed in the Lower Gallery of the Main
Museum. Another collection from Zimbabwe has also
received close attention recently. As part of his work for
the Postgraduate Diploma in Field Archaeology (through
the University of Oxford's Department of Continuing
Education), Gilbert Oteyo of the British Institute in
Eastern Africa has produced a detailed report on the
material from Webster Ruins that was donated to the
Museum by Captain E. M. Andrews in November 1907.
Oteyo has now finished his placement at the Museum,
but hopes to do more work on this collection in the near
future and would be grateful to hear from anyone who
has information on Andrews, for despite publishing a
paper on the Webster Ruins in the Smithsonian
Miscellaneous Collections in 1907, he remains a shadowy
The Southern African theme will be continued after
Easter when a series of small displays of material from
South Africa will be mounted in the Museum's Balfour
Building at 60 Banbury Road. It is expected that these
will comprise displays on rock art, material relating to
the South African War, contemporary crafts, and dance. A
number of museum trails are also being prepared for the
Main Museum by the Museum's graduate students. A
major cataloguing project is being undertaken by
Marie-Claire Bakker, one of the Museum's graduate
students. She is writing her MPhil thesis on Algerian and
Tunisian amulets, looking both at indigenous medical
beliefs and practices as well as at the Euro-American
phenomenon of amulet-collecting at the turn of the
century. The focus of her research is the collection (of
some 500 or more amulets) made in North Africa in
1906 for Walter Leo Hildburgh by his father Henry. This
collection is part of the Hildburgh Collection of around
six thousand amulets and came to the Museum in the
mid-1980s as part of the Wellcome Amulet Collection,
numbering in excess of 30,000 items. As part of her
work, Bakker is putting the relevant part of the collection
on to the Museum's computer database as well as
transcribing some of Hildburgh's own notes and
unpublished papers. The Museum is currently looking for
funding to computerize further sections of the Wellcome
Amulet Collection. It is only when this is done that it
will be fully accessible to scholars.
Recent visitors to the Museum have included Patricia
Davison, Elizabeth Dell, Nessa Leibhammer, Kathleen
Bickford, Thierry Sacristan, Suzanne Gott and Ray
Silverman. The visit of Pippa Skotnes from the Fine Art
Department of the University of Cape Town has lead to
the Museum agreeing to loan seven early
nineteenth-century South African leather figures to the

ACASA Newsletter / No. 45, April 1996

South African National Gallery for what promises to be a
fascinating exhibition "Miscast in History: An
Exhibition of San History and Material Culture" at
the South African National Gallery in Cape Town.
Enquries abourthe Museum-and its collections may
be addressed to: Jeremy Coote, Pitt Rivers Museum,
South Parks Road, Oxford OX1 3PP, UK. Telephone:
44 1865 270929. Fax: 44 1865 270943. e-mail:

News from Nigeria
A Textile and Clothing Research Workshop was held
at the Polytechnic, Ibadan from July 13-15, 1995. The
Workshop was the result of a three-year collaboration
with the US-AID Iowa-Nigeria University Development
Linkages Project (UDLP) involving Iowa State
University, University of Iowa, University of Northern
Iowa, Des Moines Community College, The Polytechnic,
Ibadan, the University of Ibadan, Obafemi Awolowo
University, and The Nigerian Institute for Social and
Economic Research.
The Workshop brought together over fifty Nigerian,
American, and British academics and researchers who are
interested in Yoruba indigenous and contemporary textile
and clothing traditions. The participants represented many
different approaches to the subject: anthropologists,
sociologists, art historians, textile & clothing researchers,
working artists, geographers, town planners, economists,
and historians. Six sessions focused on Overviews of
Textile Research, Textile and Clothing History,
Technology, Entrepreneurship, Resources and Economics,
and Aesthetics. Following the formal presentations, focus
groups met to discuss future research needs and the
problems of research funding in Nigeria.
The Workshop was not seen as a culmination of a
project, but rather as part of an on-going program in
which scholars from Nigeria and the U.S. will continue
to collaborate and share resources. To this end an
International Consortium for Textile and Clothing
Research was formed with co-directors in Nigeria and the
U.S. to coordinate further collaborative efforts. A book
based on the research done by Consortium members is
planned for the future.
Further information about the Workshop Proceedings
of research paper and proposal abstracts (83 pages) and
the Consortium can be obtained from: Bolanle Wahab,
Department of Town Planning, The Polytechnic,
Ibadan, Nigeria or Norma H. Wolff, Dept. of
Anthropology, Iowa State University, Ames IA 50011,
USA. e-mail: nhwolff@iastate.edu.

News from the United States
Africa: The Art of a Continent lecture series. The
Adult School of Montclair is sponsoring a lecture series
on the art of Africa. Scheduled to begin April 2nd, this
series of four Tuesday evening slide-lectures will link

African history to the exciting new art emerging from
Africa today. It will help prepare participants for the
exhibition, "Africa: The Art of a Continent," coming to
the Guggenheim Museum in June 1996.
April 2 Ethiopia and Sudan Salah M. Hassan
April 9 African Art, Western Eyes Carol
Thompson (Museum for African Art, NY)
April 16 Nigeria, Ghana, and Zaire Sara J.
Hollis (Southern University at New Orleans)
April 30 South Africa Shotto Ainslie and
Rudzani Nemasetoni (independent artists)
For registration information: Telephone: (201) 746-6636.

University of Iowa Museum of Art. Forthcoming
exhibition: "Humans and Animals in Malian Art," June
1-Sepember 15, 1996. Will feature objects from the
permanent collection. Current exhibitions: "Horns,
Whistles and Drums: African Musical Instuments" (until
May 19th), primarily objects from permanent collection.
"Tinda Lwimba: A Contemporary Zairian Painter" (until
May 26th), collection of paintings by artist from
Lubumbashi, loaned by Bogumil Jewsiewicki. Brochure
with essays by Jewsiewicki and Rovine available. For
more information, contact: Vicki Rovine, University of
Iowa Museum of Art, Iowa City, IA. e-mail:

News from Zambia
"Zambian Graphics," a retrospective exhibition of
printmaking in Zambia opened on March 9, 1996 at the
Choma Museum, Zambia. The exhibition features
twenty-five years of printmaking in Zambia
demonstrating the changes through this period. Zambian
graphic art is not so much breaking new ground, but is
more concerned with the use of modem western heritage.
Although a general tendency towards figurative
representations is apparent, the leaning towards
abstraction and experimental art is also evident. The
works range in time from the early 1970s and
forerunners, such as Cynthia Zukas and Henry Tayali,
through the emergence of the self-taught Lusaka Artists'
Group and on to the current new generation of
formally-trained printmakers, featuring Lutanda Mwamba
and Patrick Mumba. The exhibition includes the romantic
etchings of Cynthia Zukas contrasted with the
expressionistic wood cuts of Henry Tayali. The hard core
of the exhibition consists of prints by members or the
former Lusaka Artists Group Bert Witkamp, David
Chibwe, Packson Kulya and Patrick Mweemba. Certainly
recognisable as a group in the use of mainly black and
white lino-cuts, these artists still maintain their individual
styles. Bert Witkamp graduates from decorative
representations towards simplified yet meaningful images.
David Chibwe shows a preference for a detached
documentary style. Packson Kulya and Patrick Mweemba
give priority to intuitive, sometimes naive, but personal
and inventive interpretations of life. The colorful

6 ACASA Newsletter / No. 45, April 1996

monoprints of Andrew Makromalis, nearly abstract
silk-screen prints of Patrick Mumba, and decorative
works of Lutanda Mwamba introduce a comparative tone
to the exhibition.
The sixty prints are presented against a background
of matching decorative patterns, purposefully applied to
the walls of the exhibition hall, enhancing the total
artistic experience. Separate portfolios offer prints for sale
with prices ranging between $30 to $300. Informative
leaflets about the exhibition and biographies of artists are
available. A basic catalogue commemorating the event
should be available by the end of March 1996. After
closing on June 9, 1996, the exhibition will travel to
Berlin, where it will have a second showing in a private
The Choma Museum is easily accessible to travellers
along the Lusaka-Livingstone road and is open daily
from 8 am to 5 pm. It brings out a bi-annual newsletter
distributed free of charge. For more formation, contact:
Grazyna Zaucha, Curator, Choma Museum, P. O. Box
630 189 Choma, Zambia. Telephone: 260-32-20394.
Fax: 260-32-20352.

Report from Lusaka / by Celia Winter-Irving. The
interface between Zambian artists, the burgeoning local
market, and the various modalities of art education suited
to their socio-cultural background has been strengthened
this and last year through a dynamic program of
exhibitions and workshops at the Henry Tayali Visual
Arts Centre, in Lusaka Showgrounds. The Centre is the
well-appointed home of the Zambia National Visual Arts
Council, an NGO officially recognized as an organization
of artist with an artists' elected Executive Committee as
serving the needs and meeting the requirements of the
artists of the nation. A Christian Images workshop raised
issues of syncreticism as it applies to the world views of
many Zambians. A Women's Workshop engaged women
in an anything and everything approach to the making of
art, and emphasized the educational value of self
expression and experimentation which is the hallmark of
art education in Zambia in the absence of adequate
formal academic training. The strong relationship
between Zambia and Norway the restoration of the
Tayali Centre and the purchase of a motor vehicle has
been funded by NORAD was further consolidated by
the visit of Agnes Buya Yombwe, National Treasurer, to
Oslo on an exchange program. This was presaged in
November 1994 when Celia Winter-Irving, official guest
of the Zambia National Visual Arts Council, and
Lawrence Yombwe, Vice Chairman of the Council,
presented papers at a conference in Oslo. Organized by
Gallerie Africaine, the papers challenged the stereotype
definitions applied to contemporary African art in the
The soon to be formed National Arts Council for
Zambia, which will streamline and facilitate the activities
of a registered arts associations, is indicative of the
Zambian government's strong current commitment to the
role of art in national development and a potential

foreign exchange earner. The landlock will further be
removed from Zambian art through an ambitious
documentation project funded by Lechwe Trust and the
Finnish Embassy, which will allow professional
presentation of Zambian art to overseas and regional
gallery in the hope of exhibitions.
Celia Winter-Irving's book Contemporary stone
sculpture in Zimbabwe (Craftsman House, 1993) was
launched at the Tayali Centre by Zimbabwe's High
Commissioner to Zambia. Tom Blomefield, of
Tengenenge Sculpture Community in Zimbabwe, brought
an exhibition of Tengenenge paintings to accompany the
launch. This opened opportunities for fruitful exchange of
artists between Tengenenge and Zambia. The
overwhelming hegemony of Zambian painting is
gradually being redressed by a sculpture exhibition and a
sculpture workshop to be held in October 1996, and the
Tengenenge opportunity could further assist the
development of Zambian sculpture.
William Miko former National Secretary of the
Council has been appointed program Coordinator for the
EEC-CICIBA project. Funding for Zambian projects of
both an academic and grass-roots nature has become
available from CICIBA in Libreville. The donor
community in Zambia is currently providing a sensitized
funding input into the development of the visual arts. So
far the Zambian artists have been subjected to the
cultural vivisection by those from outside who ostensibly
represent the interests of the arts. The links with the
outside world for Zambian artists are being developed in
quantum leaps by the Zambian National Visual Arts
Council, by Celia Winter-Irving and her colleague art
writer and critic Roy Kausa, and by the annual Mbile
Workshops. These Mbile Workshops create a national
dialogue between local and overseas artists, as did the
presence of two sculptors Flinto Chandia and David
Chirwa at the Yorkshire Sculpture Part (UK) at Africa '95.

"Divine Inspiration from Benin to Bahia," a
photographic exhibition by Phyllis Galembo, is available
to new venues for four to eight week bookings through
1996 and possibly beyond. Originally opened at the
International Center of Photography in New York in
1993, Galembo's photographic exhibition has traveled to
five galleries in California, Ohio, New Hampshire, and
New York. Consisting of thirty-four Cibachrome prints,
"Divine Inspiration" may be booked for $1,500 plus
shipping. Also available outside North America. "Divine
Inspiration" also appears as a book of the same title
(University of New Mexico Press, $60/$29.95). For more
information, contact: Traveling Exhibitions Department,
International Center of Photography, 1133 Avenue of
the Americas, New York, NY 10036. Telephone: (212)
768-3863. Fax: (212) 768-4688.

ACASA Newsletter / No. 45, April 1996 7

Guide for contemporary African art, 2nd edition,
January 1996, complied and edited by Nicole
Guez. Available from: Afrique en Creations, 51,
rue Sainte Anne, 75002 Paris, France. Telephone:
42-60-61-03. Fax: 42-60-60-82. Price: $50.00; 2
copies: $80.00; 5 copies: $180.00.

It's never too early: African art and craft in
KwaZulu-Natal 1960-1990 / by Jo Thorpe.
Durban: Indicator Press, University of Natal, 1995.
112pp. illus. Contents: 1960s emerging African
art; 1970s new talents and developments; 1980s -
moving to a new era; 1990 change begins.
Address: Indicator Press, Private Bag X10,
Dalbridge 4014, Durban, SA. Fax: (031) 260-2813.
Also available from Clarke's Bookshop, Cape
Town. Fax: 021 23-6441. e-mail:
clarkes@iafrica.com Price: R79.80.

PAWA: a memoir from the Belgian Congo, 1945-1949 /
by Frank L. Lambrecht. Santa Barbara, CA: Frank
L. Lambrecht, 1995. 112pp. A photographic
memoir of the MaBudu people in Pawa village,
where the author served as a health officer with the
Red Cross. Order from the author: Frank
Lambrecht, 333 Old Mill Road, #80, Santa
Barbara, CA 93110-4421. Telephone (805)
967-6908. Price: $17.95.

The rock paintings of the Upper Brandberg. Part III:
Southern Gorges / by Harald Pager; edited by
Rudolph Kuper. Cologne: H. Berth Inst., 1995.
(Africa praehistorica, 7). 543pp. ISBN
003927688096. Price: DM 183.00

Uzo Egonu: an African artist in the West / by Olu
Oguibe. London: Kala Press, [P. O. Box 3509,
London NW6 3PQ, UK] 1995. 176pp. ISBN
0947753-08-7. Price: 16.95.

Vital force: a study ofAse in the traditional and
neo-traditional culture of the Yoruba people / by
Roland Hallgren. Lund, Sweden: Univ. of Lund,
1995. (Lund studies in African and Asian religions,
10). ISBN 009122016090. Price: DM 38.00.

o r I Ic ionPu IcaIon

African ethonyms: index to art-producing peoples of
Africa / by Daniel Biebuyck, Susan Kelliher, and
Linda McRae. Boston: G. K. Hall, December 1996.
325pp. ISBN 0-7838-1532-8 cloth. Price: $95.00.

African ethonyms is a comprehensive index of more
than 2,500 names of ethnic groups taken from numerous

sources including linguistic and ethnographic surveys of
Africa. Its emphasis is on the art of sub-Saharan Africa,
with the term "art" interpreted broadly to include
ornamental design, architecture, textiles, and body
adornment, in addition to the more traditional arts of
masks and sculpture. In addition to compiling alternate
names and orthographies for various countries, cultures,
and political and ritual entities, the Index provides AAT
and LCSH preferred terms, cites references and further
sources of information on each main entry. Entries also
list the countries where groups are located and the
language name. A secondary index lists ethnic groups by
country and provides notes on historical colonial
occupation, language notes, and an extensive bibliography.

African material culture / edited by Mary Jo Amoldi,
Christraud M. Geary, and Kris L. Hardin.
Bloomington: Indiana University Press, 1996.

Clothing and difference: embodied identities in colonial
and post-colonial Africa / edited by Heidi
Hendrickson. Durham, NC: Duke University Press,
forthcoming 1996.

Contemporary art of Africa / edited by Andre Magnin
and Jacques Soulillou. New York: Harry N.
Abrams, June 1996. 317pp. ISBN 0-8109-4032-9.
Price: $60.00

A forthcoming book from Craftsman House, Australia, is
one on the visual arts and painting in Zambia,
Zimbabwe, Namibia and South Africa by Celia
Winter-Irving, with contributions by Roy Kausa, Mapopa
Mtonga, Annaleen Eins, and Philip Todres. Expected date
of publication: March 1997.

Du; die Zeitschrit flir Kultur (Zfirich), heft nr. 12/1,
December 1995-Januar 1996 is a special issue devoted to
African society and culture, which includes articles on
art, literature and cinema. Among the features are
photography in Africa by Akinbode Akinbiyi; the new
Revue noire by its editor Simon Njami; an overview of
contemporary art in Africa by Magda Gonzales; and
interviews with Twins Seven Seven (Nigeria), Ousmane
Sow (Senegal), and Willie Bester (South Africa). ISSN
0012-6837. Price: DM 18.

Ecrans d'Afrique/African screen; revue international
de cinema, tilivision et vidto = international magazine
of cinema, television and video, an international
magazine, published since 1992, is devoted to African
cinema, television and video both on the continent and in
the diaspora. Contact: Ecrans d'Afrique/African Screen,
COE via Lazzaroni, 8 20124, Milan, Italy. Telephone:
(39)-2-66-71-20-77. Fax: (39)-2-66-71-43-38. Subscrip-

ACASA Newsletter / No. 45, April 1996

tion prices: 170 FF (North America); 135 FF (Europe);
100 FF (Africa).
Glendora review; African quarterly on the arts. volume
1, no. 1, June-August 1995. ISSN 1118-146X. Editor
Dapo Adeniyi calls Glendora review a Nigerian review
with a broad international perspective in the tradition of
Okike, Black Orpheus, Positive review, and Transition.
The inaugural issue is devoted to contemporary Nigerian
music and literature. The second issue contains features
on filmmaking, poet Christopher Okigbo (1932-1967),
and artists Gani Odutokun, Bruce Onobrakpeya, Uche
Okeke, Victor Ekpuk, Ouattara, and Agbo Folarin.
Subscription price: $24.00 (North America) plus shipping
charges from Lagos. For more subscription information,
contact the editorial offices in Lagos: Glendora Review,
168 Awolowo Road, P. O. Box 50914, Ikoyi, Lagos,
Nigeria. Telephone (Lagos): 234-1-686870 or
234-1-2692762. Fax: 234-1-2618083 or their North
American representative: Glendora Review, c/o
Limbrock Books, 41 Perry Avenue, Norwalk, CT
Journal of material culture. Volume 1, number 1, March
1996. Sage Publications. A new international journal
devoted to the interdisciplinary field of material culture
studies, including anthropology, sociology, archaeology,
human geography, design studies, and museology. The
Journal of material culture is concerned with the
relationship between artifacts and social relations
irrespective of time and place. It will systematically
explore the linkage between the construction of social
identities and the production and use of material culture.
Topics for volume one include: museums as transitional
spaces; faking archaeological pottery; traps as artworks:
a theory of art; a critique of the attribution of meaning
to consumer goods; words as things; social relations and
prehistoric houses; understanding heritage; and clothing
and identity. Charter subscription prices: individual
$61.00 (usual $82); institutional $128. Order from journal
distributor or directly from publisher. Sage Publications,
P. 0. Box 5096, Thousand Oaks, CA 91359, USA.

Mackey, Eva. "Postmoderism and cultural politics in a
multicultural nation: contests over truth in Into the
Heart of Africa controversy," Public culture
(Chicago) 7 (2) no. 16: 403431, winter 1995.
illus., bibliog. (pp. 427-431). OCLC 18040687.

"Not out of Africa," (Chronicle of higher education,
February 16, 1996, pages A6-A7) reviews Mary
Lefkowitz' book Not out of Africa: how Afrocentricism
became an excuse to teach myth as history in which the
author refutes the Afrocentric views about Egyptian
influence on ancient Greece. Lefkowitz' book is an
expansion of her 1992 article in the New Republic, which
questions interpretations of ancient Egypt and Greece
within the racial context of 20th-century America. The

book is published by Basic HarperCollins (ISBN
0-465-09837-1. $24.00).

Kudos to the Elephant. Doran Ross' Elephant: the
animal and its ivory in African culture (Fowler Museum
of Cultural History, Los Angeles, 1992) was named one
of the "Outstanding Reference Books of 1995" by
Choice, the librarian's buying guide for new academic
books. (Choice, January 1996).

African Performing Arts. "Afrimuse" is an unmoderated
list that welcomes all discussions about music and the
performing arts of sub-Saharan Africa and the African
diaspora. To subscribe, send the following command in
the body of mail: sub afrimuse first name last name to
this address: listserv@iubvm.indiana.edu For more
information on Afrimuse, contact: Frank Gunderson at
e-mail: mpohl@indiana.edu
Olu Oguibe HomePage. Olu Oguibe has launched a web
site with an introduction to African art. The African page
is part of his art history classes on the web under
development. The sight is located at http://www.uic.
edu:80/-oogb/ For more information, contact: Olu
Olguibe. e-mail: oogb@uic.edu

The South African National Gallery (SANG), Cape
Town, now has two web sites. One site displays works
from SANG's permanent collection, their newsletter
Bonani, history of the gallery, current exhibitions, and
other news. This site is Global Electronic Messaging
(GEM). A second site where SANG is represented is the
iCafe, at a recently opened cafe in Long Street, Cape
Town, where visitors can drink coffee and surf the Net at
the same time. This site shows temporary exhibits from
SANG. Connections: GEM: http://www.gem.co.za/sang
and iCafe: http://www.icafe.co.za

May 1996: "Identity and Power in West Africa: An
International Symposium of Akan Studies," Urbino,
Italy, May 9-11, 1996. The broad topic of this
symposium is the Akan world in all its many aspects,
analyzed in a threefold perspective: anthropological,
historical and political. The organizers welcome studies
on Akan political tradition, touching on specific links
with the political and the religious, symbolic, ideological
and economic dimensions. Together with historical
analyses, contributions could center on current aspects of
Akan life in the wide context of Ghanaian and Ivoirien
societies; the place of wealth in the social and political
role of chieftaincy; the discourse on "ethnic" identity.
Equally welcome are contributions concerning the broad
implications for Akan studies within the wider current

ACASA Newsletter I No. 45, April 1996 9

debate in historical and anthropological fields, implying a
wholesale re-definition of their-epistemological meanings
and aims. The symposium is also intended to make the
point on the present state of Akan studies and to devise
new research perspectives. Many questions remain open,
for example, what is a satisfactory definition of "Akan
world" itself?; what is the nature of the pre-colonial
State?; what is the validity of "ethnic" categories?; what
is the historiographical reliability of oral sources?; what
are the new identity dynamics connected with urban-
ization and the "nationalization" of affiliation criteria?
The provisional list of participants includes: Awulae
Annor Adjaye III (B6nin), Nana Kwame Arhin Brempong
(Ghana), Jean-Pierre Chauveau (France), Harris
Memel-Fot6 (C6te d'Ivoire), Thomas McCaskie
(England), Mariano Pavanello (Italy), Claude-Hdlne
Perrot (France), Emmanuel Terray (France), Pierluigi
Valsecchi (Italy), Fabio Viti (Italy), and Ivor Wilks
(USA). For more information, contact: Pierluigi
Valsecchi, Universit' di Scienze Politiche, Istituto
Storico-Politico, via Bramante, 17, 1 61029 Urbino,
Italy. Fax: (39) 722-32 86 56.

June 1996: INROADS/AFRICA, An International
Conference on the Performing Arts of Africa, New
York City, June 5-8, 1996. This ground breaking event
will gather a distinguished group of artists, scholars and
thinkers from across the African continent for three days
to begin to address the many questions surrounding
U.S./Africa exchange through direct dialogue with the
U.S. arts community artists, scholars, presenters and
producers. Convened by Arts International, a division of
the Institute of International Education, and 651/An Arts
Center, in collaboration with Meet the Composer and the
Department of Africana Studies, Graduate School of Arts
and Sciences of New York University, the conference
will take place during the annual 651's World Series
organized by 651/An Arts Center.
Featured performances during the conference include
Les Go de Koteba from C6te d'Ivoire presented by
Aaron Davis Hall, and Compagnie Ebene from Burkina
Faso presented by 651/An Arts Center at the Brooklyn
Academy of Music Majestic Theater, among others.
Conference participants will also have an opportunity to
attend special viewings at the Museum for African Art of
the exhibition "Memory: Luba Art and the Making of
History," the first U.S. exhibition to present the art and
culture of the Luba in Zaire, and at the Guggenheim
Museum for the exhibition "Africa: The Art of a
INROADS/AFRICA will provide a forum for
dynamic interaction which is needed to seed long-term
relationships and lead to continued international contact
and collaboration between African and U.S. artists,
scholars, presenters, producers and other arts
professionals. Its ultimate goal is to provide the
information and tools presenting and producing
organizations will need as they introduce the
communities they serve to the quality, depth, and wide

range of contemporary and traditional African art. In
addition, INROADS/AFRICA will give participants the
unique opportunity to meet formally and informally with
colleagues from across the United States, the African
continent and the African diaspora, learn of each others'
activities in presenting international work, and past
experience in collaborating specifically in U.S./African
projects, and network for the potential touring and
presentation of African artists throughout North America.
Participants will also have access to the
INROADS/AFRICA Media and Resource Room that will
contain biographical information, work descriptions and
work samples of participating African artists.
INROADS/AFRICA will kick-off a series of
international conferences organized collaboratively by
Arts International/IE throughout the next three years.
Follow-up conferences will focus on the performing arts
of Latin America and Asia. These international gatherings
are part of Arts International's newest multi-faceted
initiative, INROADS, generously supported by the Ford
Foundation. INROADS includes a granting program that
will support planning residencies of artists from Africa,
Asia and Latin America working collaboratively with
U.S. artists and hosted by U.S. cultural organizations; the
development of information services for the field
including distribution of key publications and
dissemination of information through electronic media; as
well as the international conference series. The
INROADS Program is part of the Internationalizing New
Work in the Performing Arts Initiative of the Ford
Foundation. This national effort to link U.S. artists and
arts organizations with colleagues in Africa, Asia and
Latin America includes grants to the Department of
World Arts and Culture at UCLA, 651/An Arts Center,
Miami-Dade Community College, Wolfson Campus,
Northwest Asian American Theater, Guadalupe Cultural
Arts Center, and Meet the Composer.
INROADS/AFRICA will take place June 5-8, 1996
in New York City at The St. Moritz Hotel and Tishman
Auditorium of New York University. For further
information on the Inroads program, the conference and
registration material, or to obtain the conference report
and publication after June 1996, contact: Program
Manager Miriam Gonzalez Acosta: Telephone: (212)
984-5588. Fax: (212) 984-5574. e-mail: macosta@iie.org

August 1996: "Rock Art Research Moving into the
Twenty-First Century." The Southern African Rock Art
Research Association (SARARA) with the participation
of the East African Rock Art Research Association
presents their first international conference on "Rock Art
Research Moving into the Twenty-First Century," from
August 11-18, 1996, in Swakopmund, Namibia. The
preliminary programs is organized around six
methodological concems: (1) recording methods; (2)
dating; (3) meaning and motivation; (4) environmental
issues and site management; (5) education; (6) aesthetic
considerations. Papers are invited in each of these areas.
In addition to presentation of papers, there will be

ACASA Newsletter / No. 45, April 1996

exhibits of books, photographs, posters, rock art copies,
and plans and models of conservation programs. Pre- and
post-conference tours and field excursions are also to
planned to several destinations in Namibia (see below). A
post-conference tour is also being organized to Tanzania
to view rock art and archaeological sites. For information
contact: Southern African Rock Art Research
Association, P. O. Box 81292, Parkhurst, 2120, South

August 1996: Rock Art Dating Workshop,
Swakopmund, Namibia, August 11, 1996, to be held as a
pre-conference workshop of the SARARA conference
(see above). The workshop will cover radiocarbon dating
method, current techniques for dating rock paintings and
engravings, various carbon extraction and pre-treatment
methods, and potential contamination and other problems
associated with dating of rock art. There will also be an
opportunity (on August 12th) to visit a rock art site
where ethical aspects of sampling for dating will be
discussed and on-site practical aspects will be
demonstrated. For more information, contact:
Shirley-Ann Pager, P. O. Box 1285, Okahandjam,
Namibia. e-mail: shann@sararaalt.na

September 1996: Textile Society of America (TSA),
Fifth Biennial Symposium, September 18-22, 1996.
The fifth biennial symposium of the Textile Society of
America will be held at the Art Institute of Chicago,
September 18-22, 1996. The symposium will explore the
theme "Sacred and Ceremonial Textiles." This theme,
which covers private as well as public ceremonies,
invites an interdisciplinary approach and allows
participants to consider a broad range of textiles related
to rituals practiced throughout all parts of the world and
on all aspects of life. An examination of the role textiles
have played in ceremonies, traditional and current
practices, and modem adaptations of traditional textiles
will also be considered.
On the day preceding the academic program there
will be a morning of optional workshops introducing
members to five textile subject areas. For information,
contact: Rita J. Adrosko, Co-chair, TSA 1996
Symposium, Textiles NMAH 4131 MRC 617,
Smithsonian Institution, Washington, DC 20560. All
papers, as well as abstracts of poster displays and videos,
will be published in the conference's proceedings that
will be sent to all members in 1997 as a benefit of
membership. Each of the proceedings of previous
symposiums may be purchased for $25.00, including
postage. These include: Textiles as primary sources
(1988), Textiles in trade (1990), Textiles in daily life
(1992) and Contact, crossover, continuity (1994).
Membership applications and publications (accompanied
by a check drawn in U.S. dollars on a U.S. bank or by
VISA credit card information) may be obtained from:
Textile Society of America, 4401 San Andreas Avenue,
Los Angeles, CA 90065-4134.

September 1996: CIDOC Conference in Nairobi,
Kenya, September 23-28, 1996. The 1996 meeting of
CIDOC will take place in Nairobi woth the National
Museums of Kenya as host. Local organizers are: Omar
Bwana and Tony Theuri. The preliminary program
Monday, September 23rd. A pre-conference day,
this day is reserved for workshops and training
programs for African museum professionals.

Tuesday, September 24th. The formal CIDOC
conference starts, with business meetings and
two general sessions on specific themes,
including: Museum Documentation in Africa;
Illicit Traffic of Cultural Heritage Objects.

Wednesday, September 25th. The Wednesday
program focuses on three items: a general
session, Working Group meetings, and "behind
the scenes" at the National Museums of Kenya.

Thursday, September 26th. This day can be regarded
as a separate one-day mini-conference showing
the possibilities of modem information
technologies. It focuses on research of databases
and the use of Internet. The day will be a
combination of the CIDOC and AFRICOM
(museum/cultural heritage) perspective.
For more information: e-mail: buroimc@mail.euronet.nl
November 1996: ASA Annual Meetings, San
Francisco, November 23-26, 1996. The San Francisco
ASA meetings will overlap with those of the American
Anthropological Association, also in San Francisco,
which is scheduled for November 20-24.

January 1997: Conference on Thomas Baines,
University of Cape Town, January 19-20, 1997. The
History of Art Department at the University of Cape
Town, South Africa, will be hosting a conference on
Thomas Baines on Friday the 19th and Saturday the 20th
of January 1997. Papers are invited for the proposed
conference on Thomas Baines. Consideration of all
aspects of Baines' work, life and times is encouraged and
contributions from different disciplines are welcomed. It
is hoped to publish selected papers from the conference
as a book. Deadlines: Abstracts of proposed papers, May
1, 1996. Completed papers for pre-circulation, November
15, 1996. For more information, contact: Michael
Godby, Department of History of Art, University of
Cape Town, Private Bag, Rondebosch 7700, South
Africa. Telephone: 650-2685. Fax: 650-3726. e-mail:
February 1997: College Art Association, New York,
February 12-15, 1997. Eli Bentor is coordinating the
ACASA panel for the 1997 College Art Association
conference. Paper proposals are sought for this
ACASA-sponsored panel which is entitled "Images of

ACASA Newsletter / No. 45, April 1996

Africa in African American Art: Between Culture
Memory and Intellectualisw."
Artists and scholars alike have long accepted that
works of art produced by American artists of African
descent reflect a connection and even continuity with
cultural and artistic expressions of Africa. The aim of this
panel is to address the nature and character of this
connection. The dominant assumption in studies of
African American artists is that of 'culture memory.' It
postulates a connection grounded in an unconscious link
of the artist to a collective past. The culture memory
argument is notoriously hard to investigate. The purpose
of this panel is to explore the methodological issues
involved with this approach and to examine alternatives.
Panelists are invited to present case studies or
critique previous studies to examine the culture memory
argument. What are the psychological assumptions
involved? Are there any political motivations behind this
claim? Are there alternatives to this dominant paradigm?
Of particular interest are discussions of works by African
American artists whose reference to Africa is explicit.
Such references may be stylistic, thematic, or even literal.
Participants in the panel are urged to explore the
possibility that rather than a subconscious continuity,
many African American artists have made explicit and
strategic choices in their use of African elements in their
art. Panelists are invited to explore the process by which
African American artists gained their knowledge and
formed their view of Africa. To some it has been a
detached view that sees in Africa a mirror image of their
realities in America. Other artists learned about Africa
through books and academic studies reflecting an image
of Africa from a point of view of foreign scholars. Many
artists discovered Africa through their encounter with
African art in Paris. Several artists have visited the
continent, and their experience led to a variety of artistic
reactions. Is an individualized intellectual perspective a
negation or a complement of the claim of an unconscious
collective memory?
Submit paper proposals to panel's chair: Eli Bentor,
Department of Art and Design, Winthrop University,
Rock Hill, SC 29733. Telephone: (803) 323-2126. Fax:
(803) 323-2333. e-mail: bentore@acad.winthrop.edu
Deadline: April 10, 1996.
Other CAA panels of interest:
* "Modernism and the Reception in the United
States of the Arts of Africa, Oceania, and the
Americas." Chair: Helen Shannon (Columbia
University), 300 Cathedral Parkway, #5H, New York,
NY 10026.
One of the unique US responses to modernist
primitivism was the remarkable number of
exhibitions of "primitive" art held between 1914 and
1984. They included African art: (Gallery "291,"
1914; Brooklyn, 1923; Harlem Museum of African
Art, 1927; MoMA, 1935, 1972); Oceanic (Newark,
1929-1930); MoMA, 1946); Pre-Columbian (MoMA,
1933, 1954); Native American (Grand Central

Galleries, 1931); MoMA, 1941); Mexican (MoMA,
1940). Several assessed relationships between
modern and primitive arts (Whitney Studio Club,
1923; MoMA, 1936, 1984). This panel addresses
issues raised by such exhibitions in moderist venues
in the United States. What is the condition of
primitivism in a multi-racial, multi-ethnic society?
What was the impact of nativist thought on
American primitivism? What differences arose with
the arts of those whose diversity was not racial, but
ethnic or religious, i.e., the Shakers? How did artists
of color relate to modernism and their ancestral
cultures? Did 1984 mark the point at which the
modernist site ceded legitimacy to the culturally
specific museum? What qualities of the American
character produced a primitivism different from that
of European modernism?
S "Geire and the Rethinking of the 'Traditional
Arts," Chair: Zoe S. Strother, Department of Art
History and Archaeology, Schermerorn 826,
Columbia University, New York, NY 10027.
Modernism has constructed itself in shadow play
with its alter ego "tradition" as a history of
disjunctive breaks with the past. In response, whole
fields, such as African, Native American, and Pacific,
have been designated "traditional" arts, and
scholarship has responded by emphasizing the social
and communal. Today, in the wake of postmodernist
reappraisals of "originality," genre has emerged as a
critical tool for rethinking tradition, modernity, and
their interrelationship. Such critics as Todorov, Jauss,
Jameson, Cavell, and Dickstein have rejected the old
understanding of genre as a static constellation of
form and meaning. Many stress the role of genre as
open texts read against other works within the genre,
as well as against other genres. Most emphasize the
historicity of genre as an institution. This session
seeks papers on aspects of genre theory helpful for
art historians in rethinking the dynamics of their
fieldss. For example, how would masks be read as
genres rather than as "types"? How would modernist
paintings be analyzed as genre, as Todorov
scrutinized the novel or the "text"?

February 1997. "Great Benin: Its Past, Present, and
Future," Benin City, Nigeria, February 1997. As part
of the centenary recognition of the Punitive Expedition of
1897, which "halted the independence of one of Africa's
most vibrant and dynamic cultures," an international
symposium is announced for February 1997 by the
Organizing Committee of the Great Benin Centenary
Celebration, Benin City, Nigeria. This committee,
established by the Oba of Benin, Omo n'Oba, Uku
Akpolo-kpolo, Erediauwa, invites proposals for papers on
any topic relating to the Benin Kingdom, its past, present
and future. Abstracts are requested by May 1, 1996.
Contact: The Secretary, Symposium Committee, Great
Benin Centenary Organizing Committee, c/o Benin

12 ACASA Newsletter / No. 45, April 1996

Traditional Council, P.M.B. 1025, Benin City, Nigeria.
Telephone: 052-200400 or 052-240097.
November 1997: ASA Annual Meetings, Columbus,
Ohio, November 1997.
April 1998: 11th Triennial Symposium on African Art,
New Orleans, April 8-12, 1998. Plans are underway for
the 1998 Triennial to be held in New Orleans. William
Fagaly is heading a local planning and coordination

November 1998: ASA Annual Meetings, Chicago,
November 1998. The 1998 annual meetings of ASA will
celebrate the 50th anniversary of the African Studies
Program at Northwestern University, the oldest such
program in the United States.

ACASA newsletter seeks items of interest for publication.
Our newsletter reaches many who are not able to attend
meetings. Linking our members via the newsletter is,
therefore, crucial. Suggested news items you can send:
news of members (job changes, new staff); activities
(fieldwork, travel, research in progress); conferences;
exhibitions; job openings; fellowship opportunities; new
publications. We are particularly eager to receive
contributions from members in Africa. E-mail, snail mail,
fax or phone. The next ACASA newsletter will be August
1996. Deadline for submitting news items is July 15,

Janet L. Stanley
National Museum of African Art Library
Smithsonian Institution--MRC 708
Washington, DC 20560, USA
Telephone: (202) 357-4600 extension 285
Fax (202) 357-4879
e-mail: libem010@sivm.si.edu.

ACASA Newsletter / No. 45, April 1996 13

-ACASA 1996 Directory of Members

North America, Europe, Asia

African Arts
African Studies Center
University of California
Los Angeles, CA 90024-1479
Office: 213-825-1218

African Studies Association
Emory University
Credit Union Building
Atlanta, GA 30322
Office: 404-329-6410

Laurel Birch de Aguilar
Dept. of Social Anthropology
St. Andrews University
St. Andrews Fyfe KY16 9AL
Home: 1-334-477626

Tavy deLacy Aherne
103 E. Southern Drive
Bloomington, IN 47401-6505
Home: 805-773-6082

Thomas Alexander III
Alexander Gallery
4100 Laclede
St. Louis, MO 63108
Office: 314-534-8700
Martha Anderson
64 W. University St.
Alfred, NY 14802
Home: 607-587-9550
Office: 607-871-2468
Fax: 607-871-2490

G.A. "Jay" Anderson
112 Springwood Avenue
Little Rock, AR 72211
Home: 228-0710
Alessandra Antinori
Piazza Cardelli, 4
Roma 186
Home: 6-6873680
Office: 6-5923059-57
Fax: 6-5919132

Andrew Apter
Dept of Anthropology
University of Chicago
1126 East 59th Street
Chicago, IL 60637
Home: 312-324-3229
Office: 312-702-7735
Fax: 312-702-4503
email: aapter@midway.uchicago.

Mary Jo Aroldi
Smithsonian Institution
Dept.of Anthropology NHB 112
Washington, DC 20560
Office: 202-357-1396
Fax: 202-357-2208
email: mnhan033@sivm.si.edu
Lisa Aronson
Dept. of Art and Art History
Skidmore College
Saratoga Springs, NY 12203
Home: 518-458-2491
Office: 518-584-5000 x2741
Fax: 518-584-3023
email: laronson@skidmore.edu
Loyce Arthur
P.O.Box 4338
Stony Brook, NY 11790-0906
Home: 516-736-2823
Office: 516-632-7276
email: loyceA@aol.com
Suzanne Bach
Brodie Mountain Road
Williamstown, MA 01267
Home: 413-738-5194
Joan Bacharach
1435 4th Street, SW
Washington, DC 20024
Home: 202-484-8944
Fax: 202-484-8944
email: joanbacharach@nps.gov

Robert Bamett
Board Office
Royal Ontario Museum
100 Queen's Park
Toronto, Ontario M5S 2C6
Office: 416-586-5711
Fax: 416-586-5733
email: robertb@rom.on.ca
Simon P.X. Battestini
3405 Q Street, NW
Washington, DC 20007-2719
Home: 202-333-5146
Office: 202-687-4139
Barbara Beall
2716 Via Anita Est
Palos Verdes Estates, CA 90274
Home: 310-373-5851
Eli Bentor
Department of Art and Design
Winthrop University
Rock Hill, SC 29733
Home: 803-325-1534
Office: 803-323-2126
Fax: 803-323-2333
email: bentore@acad.winthrop.
Judith Bettelheim
5308 Manila Ave
Oakland, CA 94168
Home: 510-653-1769
Office: 415-338-2176
Fax: 415-338-6537

David Binkley
Nelson-Atkins Mus of Art
4525 Oak Street
Kansas City, MO 64111
Home: 816-523-8482
Office: 816-751-1210
Fax: 816-561-7154

Gregory Bishopp
Saddleback College, Div of Fine
28000 Marguerite Pkwy.
Mission Viejo, CA 92692
Home: 714454-9677
Office: 714-582-4747
Fax: 714-347-0580
email: bishoppG@sccp.cc.ca.us.

14 1996 Directory of ACASA Members

Barbara W.'Blackmun
9850 Ogram Drive
La Mesa, CA 91941
Home: 619-461-5930
Office: 619-627-2928
Fax: 619-279-5668
email: 76256.2125@compuserve.com

Letty Bonnell
2 Lakeside Drive
Greenbelt, MD 20770
Home: 301-220-1752
Arthur P. Bourgeois
22910 Bruce Dr.
Richton Park, IL 60471
Home: 708-747-4546
Office: 708-534-4012
Fax: 708-534-7895
email: A-Bourge@acs.gsu.bgu.

Peter Brach
240 Park Street
Haworth, NJ 07641
Home: 201-385-2869
Office: 212-612-0395
Sarah Brett-Smith
287A Nassau Street
Princeton, NJ 08540
Home: 609-921-3463

Karen Hull Brown
1823 Fillmore Street
Caldwell, ID 83605
Home: 208-454-5649
email: kbrown@stimpy.acofi.edu
Alice Burmeister
Fine Arts 132
Indiana University
Bloomington, IN 47405
Office: 812-855-9556
email: aburmeis@ucs.indiana.edu

Eugene C. Burt
P.O. Box 30789
Seattle, WA 98103
Home: 206-783-9580

Theodore Celenko
Indianapolis Museum of Art
1200 West 38th Street
Indianapolis, IN 46208
Office: 317-923-1331
Fax: 317-926-8931

Marvin Chatman
2270 Atkinson
Detroit, MI 48206-2011
Home: 810-691-7689

Christa J. Clarke
3828 Livingston St. N.W.
Washington, DC 20015
Home: 202-537-0908
email: clarkec@wam.umd.edu
Cleveland Museum of Art
Library-Serials Dept
11150 East Blvd.
Cleveland, OH 44106
Office: 216-421-7340 x550
Fax: 216-421-0411
e-mail: bm.cmt@rig.bitnet
Herbert M. Cole
Art History Department
UC-Santa Barbara
Santa Barbara, CA 93106
Home: 805-682-1809
Office: 805-893-3501
Fax: 805-893-7117
email: skipcole@humanitas.ucsb.

College Art Association
275 Seventh Avenue
New York, NY 10001
Office: 212-691-1051
Priscilla Colt
45 Gramercy Park North
New York, NY 10010
Home: 212-982-5764

Michael Conner
821 W. 6th Street
Bloomington, IN 47404-3633
Home: 812-334-0131
Office: 812-334-0131
Fax: 812-323-1438
email: conner@indiana.edu
Jeremy Coote
Pitt Rivers Museum
South Parks Road
Oxford OX2 ODD
Office: 1865-270929
Fax: 1865-270943
email: jeremy.coote@prm.oxac.

Justine M. Cordwell
437 W. Belden Avenue
Chicago, IL 60614-3815
Home: 312-528-2128
Office: 312-348-2695
Fax: 312-348-9952

Elisee Coulibaly
12 Rue Fessart
Paris 75019

Chester Cowen
4725 West Lakes Dr.
Norman, OK 73072
Home: 405-364-0280
Office: 405-522-5208
Fax: 405-521-2492

Kathy Cumow
3233 Bradford Rd.
Cleveland Heights, OH 44118
Home: 216-932-3213
Office: 216-687-2105
Fax: 216-932-1315
email: k.cumow@csuohio.edu
Warren D'Azevedo
1755 Allen Street
Reno, NV 89509
Home: 702-786-5331
Office: 702-784-6704
Patricia Darish
5825 McGee
Kansas City, MO 64113
Home: 816-523-8482
Office: 913-864-4713
Fax: 913-864-5091
email: pdarish@falcon.cc.ukans.
Kent Davis
3964 Magazine
New Orleans, LA 70115
Home: 504-897-0780
Fax: 504-897-0248

Louis de Strycker
Av. des Prisonniers Politique 2/12
B-1150 Brussels
Edward DeCarbo
568 Grand Avenue
St. Paul, MN 55102
Home: 612-225-8943
Fax: 612-225-8943

Diggs Gallery
Winston Salem State University
601 Martin Luther King, Jr. Drive
Winston-Salem, NC 27110
Office: 910-750-2458
Fax: 910-750-2459
David Doris
Yale University
Dept. of the History of Art
P.O. Box 208272
New Haven, CT 06520
Home: 203-787-9227
Office: 203-787-9227
email: dtdoris@minerva.cis.yale.

1996 Directory of ACASA Members 15

David Dorward
African Research Institute
LaTrobe University
Bundoora, Victoria" 3083
Home: 03-439-2936
Office: 03-479-2431
Fax: 03-479-1942

Devin Dougherty
118 First Place #2
Brooklyn, NY 11231

Henry Drewal
Dept. of Art
History- ElvehjemMus. of Art
University of Wisconsin-Madison
Madison, WI 53706
Home: 608-233-2348
Office: 608-263-9362
Fax: 608-265-6425
email: hjdrewal@facstaff.wisc.edu
Martha J. Ehrlich
338 N. Fillmore Street
Edwardsville, IL 62025-1758
Home: 618-692-6262
Office: 618-692-3183

Joanne B. Eicher
2179 Folwell Avenue
St. Paul, MN 55108
Home: 612-645-2914
Office: 612-624-7710
Fax: 612-624-2750
email: jeicher@che.che2.umn.edu

Barbara Elsbeth
RR#I, Box 344
Waitsfield, VT 05673
Home: 802496-5135

Tonye Erekosima
11700 Old Columbia Avenue, #1212
White Oak Towers
Silver Springs, MD 20904
Kate Ezra
Department of Art and Design
Columbia College
600 South Michigan Avenue
Chicago, IL 60605-1996
Home: 312-955-0413
Office: 312-663-1600 x5749
Fax: 312-663-1707
email: kate.ezra@mail.colum.edu
William A. Fagaly
15 Saint Philip St.
New Orleans, LA 70116-2407
Home: 504-522-9142
Office: 504483-2630
Fax: 504-484-6662

Richard J. Faletti
3165 E. Stella Lane
Phoenix, AZ 85016
Home: 602-224-9297
email: rfaletti@aol.com
Marc Leo Felix
20 Avenue Marie-Clotilde
B-1170 Brussels
Home: 32-2-672-7054
Office: 32-2-672-7054
Fax: 32-2-672-6176

Lauri Firstenberg
Fine Arts Dept., Harvard Univ.
Sackler Art Museum
485 Broadway, 2nd Floor
Cambridge, MA 02138
Home: 617-864-1029
email: lmf@tiac.net
Barbara Frank
Dept. of Art
The University at Stony Brook
Stony Brook, NY 11794-5400
Home: 516-474-2986
Office: 516-632-7250
Fax: 516-632-7261
e-mail: bfrank@ccmail.sunysb.edu
John Patrick Frazier
800 N.Smith Rd
Apt. 2 I
Bloomington, IN 47408
Home: 812-336-6178
Fax: 812-855-9556
email: jfrazier@indiana.edu

Andrea Frhne
P.O. Box 57
Macomb, IL 61455
Home: 309-833-1080
email: frohnem@ccmail.wiu.bgu.

Jerelyn S. Fyvolent
4941 Bayshore Blvd.
Tampa, FL 33611-3800
Home:: 813-837-2653

Christraud M. Geary
National Museum of African Art
MRC 708
950 Independence Avenue, SW
Washington, DC 20560
Home: 202-863-9468
Office: 202-357-4600 x280
Fax: 202-357-4879
email: afaem016@sivm.si.edu

Janet Goldner
52 Warren St.
New York, NY 10007
Home: 212-766-1910
Office: 212-766-1910
Fax: 212-766-1910
email: jgoldner52@aol.com

Janine Gugler
53 Monticello Lane
Storrs, CT 06268
Home: 203-429-3417

Rosalind IJ. Hackett
University of Tennessee
Department of Religious Studies
501 McClung Tower
Knoxville, TN 37966-0450
Office: 615-974-2466
Fax: 615-974-0965
email: rhackett@utk.edu

Barry Hallen
W.E.B. Dubois Institute
Harvard University
26 Church St.
Cambridge, MA 02138
Home: 617-876-4534
Office: 617-496-5760
Fax: 617-496-8547
email: hallen@fas.harvard.edu
Judith Lynne Hanna
8520 Thomden Terrace
Bethesda, MD 20817
Home: 301-365-5683
Office: 301-365-5683
Fax: 301-365-5683
email: jhanna@bssz.umd.edu

Emily Hanna-Vergara
1571 Delia Drive
Decatur, GA 30033
Home: 404-934-5071
Office: 404-681-3643 x7609
Fax: 404-934-5071
Kris Hardin
13550 Skunk Creek Rd.
Bozeman, MT 59715
Home: 406-6864980
Office: 406-994-5242
Fax: 406-686-4496
e-mail: krhardin@aol.com

Beverly May Harding
917 15th Avenue, #2
Seattle, WA 98122
Home: 206-323-8650
Office: 206-654-3147
Fax: 206-654-3135

1996 Directory of ACASA Members

William A. Hart
University of Ulster-Coleraine
County Londonderry
BT52 ISA Coleraine
Office: 01265-44141
Salah Hassan
Africana Studies and Research Ctr.
Comell University
310 Triphammer Rd.
Ithaca, NY 14850
Office: 607-255-0528
Fax: 607-255-0784
email: sh40@comell.edu
Jurgen Heinrichs
PO Box 205 88
New Haven, CT 06520-5887
Home: 860-444-1190
Office: 203-432-2667
Fax: 203-432-7462
email: juergen.heinrichs@yale.edu
Marilyn Heldman
6010 Eitman Avenue
St. Louis, MO 63139
Home: 314-781-0807
Fax: 314-241-1870
Hildi Hendrickson
Department of
Long Island University
Brooklyn Campus
Brooklyn, NY 11201
Home: 718-624-5370
Office: 718-488-1058
email: hhendric@homet.liunet.edu
Arthur Henning
2616 N. Clark St.
Chicago, IL 60614-1531
Home: 312-404-7441
Office: 312-549-1854
Fax: 312-549-1849
Eugenia Herbert
Mount Holyoke College
Department of History
South Hadley, MA 01075
Home: 413-536-3864
Office: 413-538-2094
Fax: 413-538-2513
email: eherbert@mhc.mtholyoke.

Priscilla Hinckley
69 Pine Grove
Amherst, MA 01002
Home: 413-253-3776

Leon V. Hirsch
25 Oakland Drive
Port Washington, NY 11050-4125
Home: 516-767-9243
Office: 516-876-3331
Fax: 516-876-3360
Laura Bassett Ho
1144 Nielson Court #2
Ann Arbor, MI 48105
Home: 313-995-1640
Office: 313-763-6113
email: lbassett@umich.edu
Raymond Holbert
1879 San Juan Avenue
Berkeley, CA 94707
Home: 510-524-2192
Office: 415-239-3459
Camara Holloway
265 College Street
Apt. 8B
New Haven, CT 06510
Home: 203-777-5059
email: camaradh@minerva.cis.
Alona Horn
665 S. Skinker Blvd #9E
St. Louis, MO 63105
Office: 314-727-4552

Marilyn H. Houlberg
The School of the Art Inst. of
37 South Wabash Avenue
Chicago, IL 60603
Home: 312-666-4420
Office: 312-899-5188
Fax: 312-263-0141

Bertina Carter Hunter
505 LaGuardia Place
Apt 10C
New York, NY 10012-2002
Home: 212-777-3316
Mame Jackson
1336 Nicolet Place
Detroit, MI 48207
Home: 313-259-9093
Office: 313-577-2980
Fax: 313-259-9093

Reinhild Kauenhoven Janzen
17610 NW Prairie Creek Road
Newton, KS 67114-8004
Home: 316-799-2585
Office: 913-864-4245
Fax: 316-799-2585

dele jegede
2623 Harrison Avenue
Terre Haute, IN 47803
Home: 812-232-0038
Office: 812-237-3722
Fax: 812-237-4369 or 2567
email: arjeged@ruby.indstate.edu
Sabine Jell-Bahlsen
451 Broome Street #PHW
New York, NY 10013
Home: 212-226-7854
Office: 212-226-7854
Fax: 212-226-7854
Della Jenkins
P.O.Box 336
June Lake, CA 93529
Home: 619-648-7391
Fax: 619-648-7632
email: djenk@gnet.com
Maria Kail
10301 Grosvener Place
Apt. 312
Rockville, MD 20852
Home: 301493-6703
Office: 202-473-4878
email: mkail@worldbank.org
Ivan Karp
921 Virginia Circle, NE
Atlanta, GA 30306
Home: 404-874-9298
Office: 404-727-6391
Fax: 404-727-2370
email: ikarp@emory.edu
Kinsey Katchka
641 Woodbridge Drive
Bloomington, IN 47408-2752
Home: 812-334-7041
email: kkatchka@indiana.edu

Carolee Kennedy
1050 N. Stuart St. #229
Arlington, VA 22201
Home: 703-841-5871
Office: 202-401-4130
Mr. and Mrs. Jerome Kenney
1136 Fifth Avenue, #13A
New York, NY 10128
Barry A. Kitnick
314 Meadowbrook Drive
Santa Barbara, CA 93108
Home: 805-969-5690
Office: 805-969-6359
Fax: 805-9696850
email: zobwai@aolcom

1996 Dimtory o( ACASA Members 1,

1996 Dirertory of ACASA Members


Corinne A. Kratz
Emory University
Institute of African Studies
101 Social Sciences Bldg
Atlanta, GA 30322
Office: 404-727-1036
Fax: 404-727-0274
email: ckratz@emory.edu

Betty LaDuke
610 Long Way
Ashland, OR 97520
Home: 503-482-4562
Office: 503-552-6389
Alisa Lagamma
c/o Falk
2 Peter Cooper Rd.
Apt. 13G
New York, NY 10009
Home: 212-260-2355
Office: 212-650-2598
email: al26@columbia.edu
Frederick Lamp
Baltimore Museum of Art
Art Museum Drive
Baltimore, MD 21218
Home: 410-235-6130
Office: 410-396-7056
Fax: 410-396-6562

Raoul Lehuard
Arts D'Afrique
B.P. 24
Amouville 95400
Office: 39872752
Richard A. Long
883 Edgewood Avenue
Atlanta, GA 30307
Office: 404-727-6454
email: rong02@emory.edu
Carol Ann Lorenz
Dept. of Art and Art History
Colgate University
Hamilton, NY 13346
Home: 315-893-7296
Office: 315-824-7184
Fax: 315-824-7787
email: clorenz@colgate.edu
Kristyne S. Loughran
Lungamo Senistori 9
Florence 50125
Home: 39-55-234-10-76
Fax: 39-55-234-67-32

Nancy Neaher Maas
6 Sunset West
Ithaca, NY 14850
Home: 607-347-4590
Office: 607-753-4316

James K.Makubuya
P.O. Box 641274
Los Angeles, CA 90064
Home: 310-390-2004
Office: 310-390-2004
Drs. Daniel & Marian Malcolm
99 Oxford Dr.
Tenafly, NJ 07670
Home: 201-567-3038
Office: 201-836-2730
Amanda Martin
611 W. 6th St.
Lawrence, KS 66044
Home: 913-832-2937
Office: 913-842-0077
Babalorisa John Mason
Yoruba Theological Archministry
488 Putnam Avenue
Brooklyn, NY 11221
Home: 718-453-5550
Office: 718-453-5550

Barbara Mauldin
Museum of International Folk Art
P.O. Box 2087
Santa Fe, NM 87504-2087
Office: 505-827-6350
Fax: 505-827-6349
Rita Parham McCaslin
School of Art & Art History
James Madison University
Harrisonburg, VA 22807
Office: 540-568-3486
Fax: 540-568-6598
email: mccaslrp@jmu.edu

Harriet McGuire
AmEmbassy- Canberra
Box 18-PSC277
APO AP, 96549
Home: 61-6-285-2994
Office: 61-6-285-2994
Fax: 61-6-270-5825
email: 100406.1461@
Pamela McKee
3512 Carolyn St.
Ann Arbor, MI 48104
Home: 313-973-9358
email: ppmckee@umich.edu

John A. McKesson III
880 5th Avenue
New York, NY 10021-4951
Home: 212-794-0933
Fax: 212-794-9211

Louise Meintjes
1704 Garden Street # C
Austin, TX 78702
Home: 512-469-0583
Office: 512-471-5689
Fax: 512-471-6535
email: lm@ccwf.cc.utexas.edu
Brigitte Menzel
Bismarckstrasse 57
47799 Krefeld

Nancy Mikelsons
528 So. Humphrey Avenue
Oak Park, IL 60304
Home: 708-386-2633
Fax: 708-386-2414
Karen Elizabeth Milboume
425 East Jefferson St. #2
Iowa City, IA 52245
Home: 319-337-8957
Office: 319-335-1771
email: kmilbour@blue.weeg.

Kimberly Miller
302 Norris Ct. #3
Madison, WI 53703
Home: 608-256-1456
Office: 608-263-2371
email: kamille3@students.wisc.

Minneapolis Institute of Arts
c/o Louise Lincoln
2400 Third ve. South
Minneapolis, MN 55404
Office: 612-870-3175
Fax: 612-870-3004

Brenda Molife
630 Reno St.
Iowa City, IA 52245
Home: 319-339-1638
email: brenda-molife@iowa.edu
Kazadi wa Mukuna
Kent State University
School of Music
Kent, OH 44242
Office: 216-672-3041
Fax: 216-672-7837
email: kentvm.kent.edu

1996 Directory of ACASA Members

John Mulvaney
Chair, Art Dept.
Columbia College, Chicago
600 S. Michigan Ave
Chicago, IL 60605
Office: 312-663-1600

Marilyn Nance
P.O. Box 521
Adelphi Station
Brooklyn, NY 11238
Home: 718-636-1665
Office: 718-636-1665
Joseph Nevadomsky
California State University
Dept. of Anthropology
Fullerton, CA 92634-9480
Office: 714-449-5335
Fax: 714-773-2209

Robert Nicholls
Division of Education
University of the Virgin Islands
Charlotte Amalie, St. Thomas
Virgin Islands 00802-9990
Home: 809-777-1649
Office: 809-693-1184
Fax: 809-693-1185
email: micholl@jazz.uvi.edu
Andrea Nicolls
1311 Delaware Ave SW #S730
Washington, DC 20024
Home: 202-484-0088
Office: 202-357-4600 x234
Fax: 202-357-4879
email: afaem021@sivm.sl.edu

Northwestern University Library
Evanston, IL 60208
Office: 708-491-7684

John Nunley
St. Louis Art Museum
Fine Arts Drive
Forest Park
St. Louis, MO 63105
Home: 314-727-3671
Office: 314-721-0072 x217

Ann O'Hear
P.O. Box 114, Bridge Station
Niagara Falls, NY 14305-0114
Home: 716-282-5487
Office: 716-286-8074
Fax: 716-286-8349
email: ohear@niagara.edu

OAN/Oceanie Afrique Noire
c/o Gail Magaliff Feher
15 West 39th St.
New York, NY 10018-3806
Home: 212-427-3821
Office: 212-840-8844
Fax: 212-840-3304

Joanna Ochsner
Indiana University
906 East Hillside Dr.
Bloomington, IN 47401
Home: 812-334-7932
email: jgrabski@indiana.edu
Simon Ottenberg
University of Washington
2317 22nd Avenue East
Seattle, WA 98112
Office: 206-322-5398
Sharon F. Patton
209 S. Fourth Ave 2A
Ann Arbor, MI 48104
Home: 313-662-8944
Office: 313-763-5522
Fax: 313-763-0543
email: sfpatton@umich.edu
Philip M. Peek
Drew University
Department of Anthropology
Madison, NJ 07940
Home: 201-822-3425
Office: 201408-3383
Fax: 201-408-3768
email: ppeek@drew.drew.edu

Judith Perani
74 South Shannon Ave
Athens, OH 45701
Home: 614-593-3811
Office: 614-593-4288
Fax: 614-593-0457
email: perani@ouvaxa.cats.ohiou.

Louis Perrois
19 rue Esquirol
Paris 75013
Home: 33-1-45-82-2773
Office: 33-1-48-02-5645
Fax: 33-1-48-02-5643
Constantijn Petridis
Emiel Hoetlaan I
2630 Aartselaar
Aartselaar 2630
Home: 32-3-281-03-28

Luigi Pezzoli
Viale Gorizia, 22
20144 Milano
Home: 2-8393725
Office: 2-48952236
Fax: 2-48954120

Barbara Plankensteiner
74 Garfield St.
Apt. #3
Cambridge, MA 02138
Home: 617-491-7640
Fax: 617-431-7640
Sharon Pruitt
510-12 Treybrooke Circle
Greenville, NC 27834
Office: 919-328-1300
Fax: 919-328-6441
Elisha Renne
Office of Population Research
21 Prospect Avenue, Rm. 205A
Princeton University
Princeton, NJ 08544-2091
Home: 609-279-0970
Office: 609-258-1390
Fax: 609-258-1039
email: renne@opr.princeton.edu
Josephus V. Richards
6 Justice Dr.
Amherst, MA 01002

Arnold M. Rogoff
Ethnographic Arts Publications
1040 Erica Rd
Mill Valley, CA 94941
Home: 415-388-9788
Office: 415-383-2998
Fax: 415-388-8708
email: eapl040@aol.com
Rhoda Rosen
1122 West Pratt #1W
Chicago, IL 60626
Home: 312-761-1597

Vicki Rovine
University of Iowa Museum of Art
150 N. Riverside Dr.
Iowa City, IA 52242-1789
Home: 319-354-7439
Office: 319-353-2468
Fax: 319-335-3677
email: victoria-rovine@uiowa.edu

1996 Directory of ACASA Members

Karl-Ferdinand Schaedler
Georgenstrasse 85
D-80798 Munich
Home: 49-89-6090495
Office: 49-89-2710594
Fax: 49-89-2780366
Michael Schlottner
Oberstrasse 2
Willmenrod 56459
Home: 69-705241
Office: 69-705241

Cynthia Schmidt
209 S. Eyberg Ave
Treynor, IA 51575
Home: 712-487-3735
Fax: 712-487-3475
Elizabeth Ann (Betty) Schneider
876 Melville Ave
Palo Alto, CA 94301
Home: 415-328-3448
Office: 415-328-3448
Trevor Schoonmaker
205 N. Division St.
Apt. #2
Ann Arbor, MI 48104
Home: 313-213-1169
email: tschoon@t.imap.itd.umich.
Thomas K. Seligman
Stanford University Museum of Art
Stanford, CA 94305-5060
Home: 415-661-3654
Office: 415-725-0462
Fax: 415-725-0464
email: hf.tks@forsythestanford.
Juanita Sheffield
21 Cerone Court
West Orange, NJ 07052
Home: 201-325-6313
Office: 201-325-6313

Roy Sieber
114 Glenwood East
Bloomington, IN 47401
Home: 812-332-6945
Office: 812-855-1098
Fax: 812-855-9556

Raymond A. Silverman
Michigan State University
Art Department
East Lansing, MI 48824
Home: 517-336-9230
Office: 517-353-9114
Fax: 517-432-3938
email: bonduku@msu.edu
Debra Singer
125 E. Pedregosa St.
Santa Barbara, CA 93101
Home: 805-569-9734

Fred T. Smith
Kent State University
School of Art
Kent, OH 44242
Home: 216-678-1556
Office: 216-672-7853
Fax: 216-672-4729
email: fsmith@kentvmkent.edu
Neal Sobania
A3930 Beeline Rd.
Holland, MI 49423
Office: 616-394-7605
Fax: 616-395-7937
email: sobania@hope.edu
Robert T. Soppelsa
1655 Illinois Street
Lawrence, KS 66044
Home: 913-841-1935
Office: 913-231-1010 x1324
Fax: 913-231-1089
email: zzsopp@acc.wuacc.edu
Teri Sowell
1228 Lexington Drive
Vista, CA 92084-5724
Home: 619-631-1753

Anne M. Spencer
The Newark Museum
Box 540, 49 Washington St.
Newark, NJ 07101
Home: 908-561-6385
Office: 201-596-6663

Janet Stanley
1791 Lanier Place NW, Apt.23
Washington, DC 20009-2138
Office: 202-357-4600 x285
Fax: 202-357-4879
email: libem010@sivm.si.edu

Sasha Stollman
Canterbury Museum
Rolleston Avenue
Home: 64-3-366-8379
Office: 64-3-366-8379
Fax: 64-3-366-8379
email: sstollma@cantmus.govt.nz
Zoe Strother
Dept. of Art History and
Schermerhorn Hall 826
Columbia University
New York, NY 10027
Home: 212-864-9615
Office: 212-854-4230
Fax: 212-854-7329
email: zssl@columbia.edu
Ilona J. Szombati
Pres. Kennedylaan 143
1079 ME Amsterdam
Olufemi Taiwo
Department of Philosophy
Loyola University
6525 N. Sheridan Road
Chicago, IL 60626
Office: 312-508-2302
Fax: 312-508-2292
email: otaiwo@orion.it.luc.edu
William E. Teel
University Prints
21 East St.
P.O. Box 485
Winchester, MA 01890
Office: 617-729-8000
Fax: 617-729-8024

Robert Farris Thompson
Yale University
Dept. of the History of Art
New Haven, CT 06520
Barbara Thompson
205 Hawkeye Court
Iowa City, IA 52246
Home: 319-353-4368
email: bthomps@blue.weeg.

University of Kansas Libraries
Serials Departmenta
Lawrence, KS 66045

1996 Directory of ACASA Members

Marissa Vincenti
1634 Wyandotte Avenue, UP
Lakewood, OH 44107-4738
Home: 216-521-5873
email: c4887@cleveland.freenet.
Maude Southwell Wahlman
1125 Howell Creek Drive
Winter Springs, FL 32708
Home: 407-699-1002
Office: 407-823-5925
Fax: 407-699-6777
e-mail: wahlman@pegasus.cc.ucf.
Roslyn A. Walker
1301 Delaware Avenue, SW, N-516
Washington, DC 20024
Home: 202-484-1358
Office: 202-357-4600 x236
Fax: 202-3574879
Jack V. Wallinga
1235 Yale Place
Minneapolis, MN 55403
Home: 612-333-5985

Betty Wass
1010 Edgehill Drive
Madison, WI 53705
Home: 608-233-9259
Fax: 608-262-6998
e-mail: wass@macc.wisc.edu

Anna Wexler
241 Walnut Street
Brookline, MA 02146
Home: 617-739-1827
Thomas Wheelock
7 East 84th Street
New York, NY 10028
Office: 212-794-4720
Fax: 212-794-7010
Rosalinde G. Wilcox
Div. of Fine Arts, Saddleback
28000 Marguerite Parkway
Mission Viejo, CA 92692
Home: 714-248-2768
Office: 714-582-4404
Fax: 714-347-0580
email: wilcox.r@al.sccd.cc.ca.us.
Frank Willett
583 Anniesland Road
Glasgow, Scotland G13 1UX
Home: 41-959-3424
Office: 41-959-3424
Fax: 41-954-7028

Hans Witte
Museum Kamstraat 55
6522 GB Nijmegen
Home: 024-3238930

Marcilene K. Wittmer
University of Miami
Department of Art/Art History
Coral Gables, FL 33124
Home: 305-661-9069
Office: 305-284-2542
Fax: 305-661-9069
Norma Wolff
Iowa State University
Dept of Anthropology
319 Curtiss Hall
Ames, IA 50011
Home: 515-232-2857
Office: 515-294-5599
Fax: 515-294-1708
e-mail: nhwolff@iastate.edu
Stephen Wooten
506 West Healy St. #2
Champaign, IL 61820
Home: 217-359-7503
Office: 217-333-3616
Fax: 217-244-3490
email: s-wooten@uiuc.edu
Kenji Yoshida
National Museum of Ethnology
Senri Expo Park
Suita, Osaka 565
Home: 0726-94-3483
Office: 06-876-2151x8288
Fax: 06-878-7503

ACASA 1996 Directory of Members

Africa and the Caribbean

Dr. Arthur Abraham
Institute of African Studies
Fourah Bay College
University of Abuja Library
P.M.B. 117
Abuja, Federal Capital Territory,

Dr. George H. O. Abungu
Coastal Museums
Programme/Coastal Archaeology
Fort Jesus Museum, PO Box 82412
Mombasa, KENYA

Dr. Numdeen Abubakar
Center for Nigerian Cultural Studies
Ahmadu Bello University
Zaria, Kaduna State, NIGERIA

1996 Directory of ACASA Members

Mr. Samuel Aco
Institute National du Patrimoine
C.P. 1267
Luanda, R.R. ANGOLA
Dr. Alexis Adand6
West African Museums Project
B.P. 357
Dakar, S.ENGAL

Dr. Codjovi Joseph Adand6
B.P. 06-1275
PK3 -Cotonou
Tel: (229) 33 3690
Fax: (229) 33 4239

Addis Ababa University Library
P.O.B. 1176
Addis Ababa
Mr. Bayo Adebowale
African Heritage Research Library
P.O. Box 121
Ila Orangun, Oshun State, NIGERIA
Mr. Nath Mayo Adediran
Gidan Makama Museum
P.O. Box 2030
Kano, Kano State, NIGERIA

Mr. Oluremi F. Adedayo
National Museum
P.M.B. 54
Minna, Niger State, NIGERIA

Mr. Coffi Guillaume Adjaho
Conseiller Technique h la Culture
B. P. 120
Tel: (229) 31 2227
Dr. C. O. Adepegba
Institute of African Studies
University of Ibadan
Ibadan, Oyo State, NIGERIA
Dr. Adimado AduayomD6partement
University du Bdnin, B.P. 1515
Lom6, TOGO
Centre de Recherches Culturelles
B.P. 276
Mbandaka, ZAIRE

Mr. George B. Affia
University of Port Harcourt Library
P.M.B. 5323
Port Harcourt, NIGERIA
Ms. B. M. Pfukani
Africa University Library
P. 0. Box 1320

African Art Centre
8 Guildhall Arcade
35 Gardiner Street

Dr. Babatunde Agbaje-Williams
Institute of African Studies
University of Ibadan
Ibadan, Oyo State, NIGERIA
Mr. Kokie Agboutaen-Eghafona
Department of Sociology and
University of Benin
Benin City, Edo State, NIGERIA

Mr. L onard Ahonon
Musde Historique d'Abomey
B. P. 25
Mr. A. M. Ahuwan
Department of Industrial Design
Ahmadu Bello University
Zaria, Kaduna State, NIGERIA

Mr. Frank Olusanya Ajayi
Department of Fine Arts
College of Education
Ikere-Ekiti, Ondo State, NIGERIA

Mr. Martins O. Akanbiemu
National Museum
P.M.B. 12556
Onikan, Lagos, NIGERIA
Ms. Justina E. Akata
National Museum of Colonial
P.M.B. 7116
Aba, Imo State, NIGERIA

Mr. Donatus M. Akatakpo
11, Bassie Ogamba Street
Mr. Toyin Akinosho
Festac News
Plot 43B, First Avenue
Festac Town, Lagos, NIGERIA

Mr. David A. Akinpelu
National Museum
P.M.B. 12556
Onikan, Lagos, NIGERIA

Mr. Kola Akintola
Gallery 365, c/o Tunakin Group of
18 University of Ibadan Bodija
Express Road
P. O. Box 7141 Secretariat
Ibadan, Oyo State, NIGERIA

Dr. Tunde Akinwumi
Department of Industrial Design
Yaba College of Technology

Director, Akbdi Afrika
P.M.B. 1004
Iffe-ljimu, Kogi State
Professor E. J. Alagoa
P.O. Box 125
University of Port Harcourt
Port Harcourt, NIGERIA

Ms. Jacqueline Alewsse
Centre Culturel Americaine
Boulevard de la Rocade
01 BP 1866
Ms. Sanaa Ali
Curator, Luxor Museum
Luxor, EGYPT

Mr. Zaccheus Sunday Ali
Centre for Black and African Arts
and Civilisation
National Theatre, P.M.B.12794

Dr. Idris O. O. Amali
Department of English
University of Maiduguri, P.M.B.
Maiduguri, NIGERIA
Mr. Gilbert Amegatcher
College of Art
University of Science and
Kumasi, GHANA

Mr. El Anatsui
Department of Fine & Applied Arts
University of Nigeria
Nsukka, Enugu State, NIGERIA
Professor Bassey Andah
Department of Archaeology
University of Ibadan
Ibadan, Oyo State, NIGERIA
Department of Archaeology
University of Nigeria
Nsukka, Enugu State, NIGERIA
DrJames Anquandah
Department of Archaeology
University of Ghana
P.O.Box 3
Legon, GHANA

Ms. C. F. Anyaegbuna
National Museum
P.M.B. 1285
Enugu, Enugu State, NIGERIA

Dr. Starling E. N. Anyanwu
National Museum
P.M.B. 036
Ms. Peggy Appiah
P.O. Box 829
Kumasi, GHANA

Professor David Aradeon
Faculty of Environment Design
University of Lagos
P.M.B. 12003
Dr. David A. Aremu
Department of Archaeology &
University of Ibadan
Ibadan, Oyo State, NIGERIA
Dr.P. S. O.Aremu
Department of Fine Arts
Obafemi Awolowo University
Ile-lfe, Oshun State, NIGERIA

22 1996 Directory of ACASA Members

Mr. Adebowale B. AreoNational
P.M.B. 5515, Enuwa Square
Ile-Ife, Oshun State, NIGERIA
AREWA House Library
Ahmadu Bello University
P. 0. Box 2006
Kaduna, Kaduna State, NIGERIA
Dr. Kwame Arhin
Institute of African Studies
University of Ghana
Legon, Accra, GHANA

Mr. James E. Arhuidese
Institute of Archaeology/Museum
Jos, Plateau, NIGERIA
Mr. Emmanuel Arinze
Heritage Consultancy Bureau
P. O. Box 71041
Victoria Island, Lagos, NIGERIA

Dr. Marion Arnold
15 Polo Road, Observatory
Cape Town 7925, SOUTH AFRICA

Ms. Ibironke P. Ashaye
National Museum
P.M.B. 1469
Ilorin, Kwara State, NIGERIA
Dr. Raymond N. Asombang
Centre for Anthropological Studies
and Research
B.P. 1844

Mr. Romain-Philippe Assogba
Musee d'Ethnographie
B. P. 299
Tel: (229) 21 25554
Mr.Bemard Ayuk
Ministry of Information and Culture
National Museum

Dr. Daniel Ola Babalola
Department of Fine Arts
Ahmadu Bello University
Zaria, Kaduna State, NIGERIA

Mr. Ibare E. Bagodo
B.P. 1057
Porto Novo

University de Bangui
B.P. 1450
National Cultural Foundation
West Terrace
St. James
Musde National de Prehistoire et
d'Ethnographie du Bardo
3 me Franklin Roosevelt
Algiers, ALGERIA

Ms. Lesley Barrow-Whatley
Barbados Museum & Historical
St. Ann's Garrison
St. Michael, BARBADOS
Mr. Boubacar Barry
re L.G. Damas X F
Fann Residence

Bayero University Library
Nigeriana Section
P.M.B. 3011
Kano, Kano State, NIGERIA
Dr. Rayda Becker
University Art Galleries
University of the Witwatersrand
Private Bag 3, Wits 2050, SOUTH
e-mail: 131rayda@atlas.witsac.za

Ms. Emma Bedford
South African National Gallery
Government Avenue, POB 2420
Cape Town 8001, SOUTH AFRICA

Dr. Henry Bell-Gam
Department of Creative Arts
University of Port Harcourt
Port Harcourt, NIGERIA

Dr. Sule Bello
National Council for Arts & Culture
Iganmu, National Theatre
P. O. Box 2959
Surlere, Lagos, NIGERIA

University Library
University of Benin
Benin City, Edo State, NIGERIA
University Nationale du B6nin
Bibliothbque, B.P. 526

University du B6nin Bibliotheque
B.P. 1515
Lom6, TOGO
Professor Lucius Tokan Bentu
Department of Fine Arts
Ahmadu Bello University
Zaria, Kaduna State, NIGERIA
Mr. Rory M. Bester
Department of Art History
University of the Witwatersrand
P. 0. Wits 2050, SOUTH AFRICA
e-mail: 023rob@cosmos.wits.ac.za

National Museum and Art Gallery
Independence Avenue
P.O. Box 114
Gaborone, BOTSWANA
University of Botswana Library
Private Bag 0022
Gaborone, BOTSWANA
Ms. Barbara Buntman
History of Art
University of the Witwatersrand
WITS 2050, Johannesburg, SOUTH

Periodicals Department
J. W. Jagger Library
University of Cape Town
Rondebosch 7700, SOUTH AFRICA
Mus6e National du Congo
B.P. 459

British Institute in Eastern Africa
P.O. Box 30710
Nairobi, KENYA

Mr. Jerry Buhari
Department of Fine Arts
Ahmadu Bello University
Zaria, Kaduna State, NIGERIA

University Officielle de Bujumbura
B.P. 1320
Bujumbura, BURUNDI
Dr. Omar Bwana
National Museums of Kenya
P. 0. Box 40658
Nairobi, KENYA
Ms. Sibonisiwe Cala
11 Bolton Avenue
Bulawayo, ZIMBABWE

1996 Directory of ACASA Members 23

University of Calabar Library
P.M.B. 1115
Calabar, Cross River State

Abdourman Bignd Camara-
Direction Nationale de la Culture
B.P. 617
Mr. Mamadou Camara
C. N. Gunes Co., B. P. 964

Mr. Bolaji Campbell
Department of Fine Arts
Obafemi Awolowo University
Ile-Ife, Oshun State, NIGERIA

Mr. Leonard Cardoso
B. P. 338
Fax: 20 1400
Dr. Charles V. Carnegie
African-Caribbean Institute of
12 Ocean Boulevard, Kingston Mall
Kingston, JAMAICA

Centre Amadou Hampat6 Ba
B. P. 1511, Missira Rue 20x35
Bamako, MALI

Centre Culturel Africain
Rue Victor Hugo
Bell Village -Port-Louis
Centre for Cultural Studies
University of Lagos
Akoko-Yaba, Lagos, NIGERIA

B. P. 770
Centro Estudios Africa Medio
Ave 3ra 1805 e/18 7 20
Miramar, Havana, CUBA

Dr. J. C. Chakanza
Department of Religious Studies
Chancellor College, P. O. Box 280

Mr. Martin Chembere
5 Chatima Road
P. O. Box Mbare

Ms. Bemadette Chevalier
Musde d'Ethnographie
65-67 Bd.Carl-Vogt
Mr. C. T. Chimimba
Museums of Malawi
P. O. Box 30360
Blantyre 3, MALAWI
Ms. Gloria Chianu Chuma-Ibe
Centre for Black and African Arts
and Civilisation
National Theatre, P.M.B. 12794

Dr. V. E. Chikwendu
Department of Archaeology
University of Nigeria
Nsukka, Enugu State, NIGERIA

Mr. Chinedu Chukueggu
Department of Creative Arts
University of Port Harcourt, P.M.B.
Port Harcourt, Rivers State,

Mr. B. K. Chukwuezi
Department of
University of Nigeria
Nsukka, Enugu State, NIGERIA

Dr. Bernard Clist
B. P. 1456
Libreville, GABON
Fax: 77 2994
Mr. C. Bellarmia Codo
B. P. 03-2891
Fax: (229) 31 4666

Ms. Mary O. Coker
Old Residency Museum
P.M.B. 1180
Calabar, Cross River State,
Community Arts Project (CAP)
Sir Lowry Road, P.O. Box 13140
Cape Town 7900, SOUTH AFRICA

Bibliotheque Universitaire
B.P. 2025
R6publique Populaire du CONGO

Mr. Roy Cook
Matombo Gallery
6 Zimre Centre, 114 Moffatt Street

Mr. Alda Costa, Director
Departamento de Museus
Minist6rio da Cultura, Casa de Terro
C. P. 2702

Musee Nationale d'Abidjan
B.P. 1600
Abidjan 225, COTE D'IVOIRE
Mr. Themba Dakamela
15 Dunblane Road
Bulawayo, ZIMBABWE
Ms.Elizabeth Dalotta
Tanzania Library Service
PO Box 9283
Dar es Salaam, TANZANIA

University of Dar es Salaam Library
P.O.B. 35092
Dar es Salaam, TANZANIA
Ms.Patricia Davison
Department of Ethnography
South African Museum
P.O.Box 61
Cape Town 8000, SOUTH AFRICA
e-mail: davison@uctvax.uct.ac.za

Mr. Ahmed Dawalbeit
Project Ecomus6e Urbain de Dakar
ENDA Tiers-Monde
B.P. 3370
Dakar, S~NIGAL
Mr. G. W. K. Dawson
Dawson Art Centre
P. 0. Box 2
Nima, Accra, GHANA

Ms. Henrietta Dax
Clarke's Bookshop
211 Long Street
Cape Town 8001, SOUTH AFRICA
Fax: (021) 23 6441
e-mail: clarkes@iafrica.com

Ms. Elizabeth Dell
Department of Art History
University of the Witwatersrand
P. 0. Wits 2050, SOUTH AFRICA

Mr. FranCois de Necker
Department of Fine Art
University of Namibia
Private Bag 13301
Windhoek 9000, NAMIBIA

Mr. Abi A. Derefaka
University of Port Harcourt Museum
Choba, P.M.B. 5323
Port Harcourt, NIGERIA

1996 Directory of ACASA Members

Mme.Rachida De Souza
Musde Ethnographique de Porto
SB.P.299, Porto Novo
Dr. Victor Diabete
Institute d'Histoire, d'Art et
d'Archoologie Africains
University d'Abidjan
08 B.P. 945, Abidjan, COTE
Mr. M. Diaby
B. P. 25
Djennd, MALI
Fax: 22 2515

Mr. Ibnou Diagne
B. P. 5303
Dakar-Fann, SENEGAL
Tel: (221) 24 6370
Mr. Tiohona Moussa Diarrassouba
Institute d'Histoire, d'Art et
d'Archeologie Africains, Universite
08 B.P. 945
Dr. J. I. Dibua
Department of History
University of Benin
Benin City, Edo State, NIGERIA
Dr.Chike Dike
National Gallery of Modem Art
National Theatre
Mr. Ifedioramma Dike
Department of Fine & Applied Arts
Nnamdi Azikiwe University
Awka, Anambra State, NIGERIA
Ms. Ndidi Dike
230 Awolowo Road, Flat #3
P.O. Box 51866, Ikoyi Post Office
Falamo, Ikoyi, Lagos, NIGERIA

Ms. Marie-Amy Mbow Diop
Mus6e d'Art Africain de Dakar
B. P. 6167
Dakar-Etoile, S]NEGAL
Tel: (221) 21 4115
Fax: (221) 24 4918
Mr. Denis C. Dohou
Mus6e Historique
B.P. 25

Mr. Graham A. Dominy
Natal Museum, Private Bag X9070
Pietermaritzburg 3200,
Kwazulu-Natal, SOUTH AFRICA
Tel: (27) 331 451404
Fax: (27) 331 450561
Dr. Francis Duah
Ghana National Museum
P.O. Box 3343
Accra, GHANA

Mr. Todd Dube
25 Pardon View Flat
Bulawayo, ZIMBABWE
Mr. Neville Dubow
Michaelis School of Fine Art
University of Cape Town
Rondebosch 7700
Ms. Abgail & Mr. Isaac Dzingire
5696 Juluka Road
Bulawayo, ZIMBABWE
Mr. Christopher Ebigbo
Department of Fine Arts
University of Benin, P.M.B. 1154
Benin City, Edo State, NIGERIA
Mr. Joe Eboreime
National Museum
P.M.B. 1115
Benin City, Edo State, NIGERIA

Mr. Osa D. Egonwa
Department of Fine, Applied and
Performing Arts
Delta State University, Abraka
Abraka, Delta State, NIGERIA
Ms. Annaleen Eins
National Art Gallery of Namibia
P. 0. Box 994
Windhoek, NAMIBIA
Dr. L. C. Ekechukwu
Department of Archaeology
University of Nigeria
Nsukka, Enugu State, NIGERIA
Ms. Violetta I. Ekpo
National Museum
P.M.B. 1109
Uyo, Cross River State, NIGERIA
Mr. Rod Adoh Emi-Oliseyenum
Department of Fine Arts
Ogun State College of Education
P.M.B. 2118
Ijebu-Ode, Ogun State, NIGERIA

Mr. Joseph I. Enuechie
Delta State Council for Arts and
P. O. Box 71
Ogwashi-Uku, Delta State,
Mr. Toni Eseagwu
Department of Industrial Design
Ahmadu Bello University
Zaria, Kaduna State, NIGERIA

Mr. Nsikek Essien
Department of Fine Arts
Institute of Management &
Enugu, Enugu State, NIGERIA
Dr. J. M. Essomba
Department de l'Histoire
University de Yaounde
Mr. Patrick C. Ezeh
National Museum
P.M.B. 1585
Owerri, Imo State, NIGERIA
Ms. Anthonia K. Fatunsin
National Museum
P.M.B. 5524
Ibadan, Oyo State, NIGERIA
Mr. Manzambi Vivu Femando
Museu Nacional de Antropologia
C.P. 2159
Luanda, ANGOLA

Mr. Manuel Figueira
Centro Nacional de Artesanato
S. Vicente
Mr. Kunle Filani
Department of Art
Federal College of Education

Dr. C. A. Folonmso
Department of Archaeology
University of Ibadan
Ibadan, Oyo State, NIGERIA

Ms. Nancy Forgione
46 Melvill Road
Illovo 2196, SOUTH AFRICA
University of Fort Hare Library
Private Bag 1313
Alice 5700, Ciskei

1996 Directory of ACASA Members 25

Fort Jesus Museum Library
P.O. Box 82412
Mombasa, KENYA

Mr. Kojo Fosu
Department of Art Education
University of Science and
Kumasi, GHANA
Institute of African Studies Library
Fourah Bay College
Dr. M. Oladipo Fowowe
Department of Fine and Applied
University of Benin
Benin City, Edo State, NIGERIA
Tel: (52) 243631
Mr. Japhet Funwayo
853 Old Magwegwe
P. 0. Magwegwe
Bulawayo, ZIMBABWE

Professor C. Magbaily Fyle
Institute of African Studies
Fourah Bay College

Mr. Degife Gabre-Tsadik
Institute of Ethiopian Studies Library
P.O.B. 1176
Addis Ababa University
Addis Ababa, ETHIOPIA
Dr. Boube Gado
Institute de Recherches en Sciences
Humaines, Universit6 de Niamey
B.P. 318
Niamey, NIGER

Ms. Helen-Afi Gadzekpo
Ghana Film Industry Corporation
P. 0. Box M83
Accra, GHANA
Mr. Nalikuleni Gama
56717 Old Lobengula
P. O. Magwegwe
Bulawayo, ZIMBABWE

Gambia National Library
Reg Pye Lane PMB
Mr.Peter Garlake
P.O.Box BW 238, Borrowdale

Ms. Rosalina Gauffin
Institute Nacional des Artes
Direcgao Feral da Culture
C. P. 338
- Ms. Mariame Gba
Bibliothaque Municipal
Avenue Crosson duPlessis, B.P.
Mr. Kolawole Patrick Gbaja
National Museum, P.M.B. 2004
Idi-Aba, Abeokuta, Ogun State

Dr. Emmanuel A. Gbajavi
NW5/259, Idior Ekotedo
Ibadan, Oyo State
Dr. Yaro Gella
National Commission for Museums
and Monuments
P.M.B. 12556
Onikan, Lagos, NIGERIA
Balme Library
University of Ghana
P.O.Box 24
Legon, Accra, GHANA
Mr. Ablade Glover
Department of Art Educa:ion
University of Science and
Kumasi, GHANA

Professor Michael Godby
Department of the History of Art
University of Cape Town
Private Bag Rondebosch
Cape Town 7700, SOUTH AFRICA
e-mail: michael@beattie.uct.ac.za
Ms. Colette Gounou
Mus6e Honme
B. P. 299
Porto Novo
Fax: (229) 21 2525
Mr. Felizardo A. J. Gourgel
Museu do Dundo
C.P. 54
Musde National du Costume
Grand Bassam 225

Museu da Guind-Bissau
C.P. 37
Mus6e National du Guin6e
B.P. 561
Mr. Roy Guthrie
Chapungu Sculpture Park
Msasa, P. O. Box 2863
Regional Director
Zimbabwe Military Museum
P. 0. Box 1300
Ms.Beverly Hall-Alleyne
Institute of Jamaica
12-16 East Street
Kingston, JAMAICA
Mr. Magdy Sayed Kalifa Hassanein
Cairo Museum
Kasr El Nile, Tahrer Square
Cairo, EGYPT

Reverend Joseph Healey
Maryknoll Language School
P.O. Box 298
Professor Paulin J. Hountondji
Interafrican Council for Philosophy
B.P. 1268
Mr. Wessel van Huyssteen
Visual Arts and Craft Academy
46 President Street
Germiston 1401, SOUTH AFRICA

Reference Librarian
University of Ibadan Library
Ibadan, Oyo State
Mr. Anselm Ibeanu
Department of Archaeology
University of Nigeria
Nsukka, NIGERA
Mr. Ba Ibrahima
Service du Patrimoine MJS/C
B.P. 215
Niamey, NIGER
Dr. Benjo N. Igwilo
Department of Fine & Applied Arts
University of Nigeria
Nsukka, Enugu State, NIGERIA

1996 Directory of ACASA Members

Dr. Bashir Ikara
AREWA House, Ahmadu Belkr
P.O. Box 2006
Kaduna, Kaduna State, NIGERIA
Mr. Okay Ikenegbu
P. O. Box 9032
Enugu, Enugu State
Mr. Peter Ikechukwu O. Ikwueme
National Museum
9 Ogui Road, P.M.B. 1285
Enugu, Enugu State, NIGERIA
Mr. C. Krydz Ikwuemesi
Equemesy Place, P. O. Box 134
Ogidi, Anambra State

University Librarian
Obafemi Awolowo University
Ile-Ife, Oshun State
University of Ilorin Library
P.M.B. 1518
Ilorin, Kwara State, NIGERIA
Institute des Musdes Nationaux de
B.P. 4249
Kinshasa, ZAIRE
Museum, Institute of Ethiopian
Addis Ababa University
P.O.B. 1176
Addis Ababa, ETHIOPIA
Mr. Levi Izuakor
National Museum
P. M. B. 12256
Tel: 1-263-6075
Fax: 1-263-3098

Mr. Jacob Jari
Department of Fine Arts
Ahmadu Bello University
Zaria, Kaduna State, NIGERIA
Dr. J. F. Jemkur
Centre for Nigerian Cultural Studies
Ahmadu Bello University
Zaria, Kaduna State, NIGERIA

Professor Elias Jengo
Art, Music & Theatre Department
University of Dar es Salaam
P.O. Box 35044
Dar es Salaam, TANZANIA

Mr. B. F. Jenkins
Department of Fine Arts
Yaba College of Technology
Mr. Rashid Jogee
144 Fourth Street
Bulawayo, ZIMBABWE

Johannesburg Art Gallery Library
P. 0. Box 23561
2044 Johannesburg, SOUTH
Jos Museum
Jos, Plateau State

Mr. Abdu Rahman Mohamed Juma
Zanzibar Museum
P.O. Box 116
Zanzibar, TANZANIA

Mr. Joseph Jumah
33 Jarvis Road
Queenspark West
Bulawayo, ZIMBABWE
Ms. Otilia Kadenge
National Gallery of Zimbabwe
P.O. Box CY 848, Causeway
Dr. R. O. Rom Kalilu
Department of Fine & Applied Arts
Ladoke Akintola University of
P.M.B. 4000
Ogbomosho, Oyo State, NIGERIA
Mr. Muhammed Kamoga
African Research Center for the
Preservation of Islamic Heritage
P.O. Box 9312
Kampala, UGANDA

Mr. Ephrim R. Kamuhangire
Department of Antiquities &
P. 0. Box 5718
Kampala, UGANDA
Ms. Aneesa Kassam
P.O. Box 40319
Nairobi, KENYA
Ms. Carol Kaufmann
South African National Gallery
Government Avenue, POB 2420
Cape Town 8001, SOUTH AFRICA

Mr. Roy Kausa
c/o Zambia National Visual Arts
Henry Tayali Visual Arts Centre,
Lusaka, ZAMBIA
Fax: 260-1-251880

National Museums of Kenya Library
P.O. Box 40658
Nairobi, KENYA
Kenyatta University Library
P.O. Box 43844
Nairobi, KENYA
University of Khartoum Library
P.O.B. 321
Khartoum, SUDAN

Mr. Jean-Baptiste KiethBga
B.P. 4278
Ouagadougou, BURKINA FASO

Dr. Sandra Klopper
Department of the History of Art
University of Cape Town
Private Bag Rondebosch
Cape Town 7700, SOUTH AFRICA

Dr. Donna Rey Klumpp
P.O. Box 526
Machakos, KENYA
Mr. David Koloane
303 Fattis Mountain
66 Harrison Street
Johannesburg 2001, SOUTH
Dr. Moussa Konrouma
Mus6e Nationale
B. P. 262

Mr. Joseph Kpobly
Association des Artistes Plasticiens
du B6nin
B.P. 04-0001
Mr.Mamman Kuku
Government Teachers' College
P.M.B. 1017
Wukari, Gongola State, NIGERIA

Mr. Nkosizile Kumalo
437 A Square, Njube Suburb
P. 0. Mpopoma
Bulawayo, ZIMBABWE

1996 Directory of ACASA Members 27

Mr. M. G. Kumwenda
Museums of Malawi
P.O. Box 30360, Chichiri
Blantyre, MALAWI
University of Kwa Zulu Library
Private Bag
Kwa-Dlangezwa via Empangeni
Natal 3880, SOUTH AFRICA
Mr. Atta Kwami
College of Art
PO Box 50
University of Science & Technology
Kumasi, GHANA
Mr. David M. Kyule
Department of History
University of Nairobi, P.M.B. 30197
Nairobi, KENYA

Ghandi Library
University of Lagos
Akoko-Yaba, Lagos
Dr. Tahirou Diaw
Musee d'Art Africain de Dakar
B.P. 6167
Dakar-Etiole, SENEGAL
Lamu Museum Library
P.O. Box 48

Mr. Djould6 Laya
Centre d'Etudes Linguistiques et
Historiques par la Tradition Orale
B.P. 878
Niamey, NIGER

Ms. J. C. Leeb-Du Toit
Department of Fine Art and Art
University of Natal
Private Bag X01
Scottsville 3209, SOUTH AFRICA

Ms. Nessa Leibhammer
Johannesburg Art Gallery
P. 0. Box 23561
2044 Johannesburg, SOUTH

National University of Lesotho
P.O.B. Roma
Mr. Sikiru Akinlabi Liasu
National Museum
P.M.B. 2031

Livingstone Museum
Mosi-oa-Tunya Road
P.O.B. 60498
Livingstone, ZAMBIA
Mr. Yves Chan Kan Lon
Mahatma Gandhi Institute

Mr.Carios Lopes
Institute Nacional de Estudos e
Ms. Bente Lorenz
P. O. Box 50079
Lusaka, ZAMBIA
UniversitV Nationale
Bibliothbque Centrale
Campus de Lubumbashi
B.P. 2896
Lubumbashi, ZAIRE

Mr. Jose Garcia Lumanisakio
Museu de Angola
C.P. 1267C
Luanda, ANGOLA
Mr. Lindile Lusinga
64647/64 Tshabalala
Bulawayo, ZIMBABWE
Mr. Rufaro Mahonde
National Museums and Monuments
of Zimbabwe
P. 0. Box 8540, Causeway

University of Maiduguri Library
P.M.B. 1069
Maiduguri, Borno State
Mr. Olakunle Williams Makinde
P.M.B. 1285
Ogui Junction
Enugu, Enugu State, NIGERIA

Mr. Andrew Makromullis
Meridien BIAO Bank
P. O. Box 37158
Lusaka, ZAMBIA

University of Malawi Library
Chancellor College
P.O. Box 280
Service de Documentation
Musde National
Bamako, MALI

Mr. Haladou Maman
Musde National
B.P. 248
Niamey, NIGER
Mr.Matsemela Manaka
Funda Centre
P.O.Box 359
Orlando 1804, SOUTH AFRICA

Edna Manley School for the Visual
1 Arthur Wint Drive
Kingston 5, JAMAICA

Dr. Sabine Marschall
Department of Fine Arts and
History of Art
University of Durban-Westville
Private Bag X54001
Durban 4000, SOUTH AFRICA

Marcus Garvey Uhuru Library
c/o A.H.R.L.
P.O. Box 121
Ila-Orangun, Oshun State, NIGERIA

Dr. Fidelis T. Masao
Archaeology Unit
University of Dar es Salaam
P.O. Box 35050
Dar es Salaam, TANZANIA
Regional Director
National Museums and Monuments
Private Bag 9158
Masvingo, ZIMBABWE

Mr. Stanley Matengwa
National Gallery in Bulawayo
75 Main Street/Leopold Takawira
P. 0. Box 1993
Bulawayo, ZIMBABWE
Dr. F. Matipano
National Museums and Monuments
of Zimbabwe
P.O. Box 8540, Causeway

Bibliotheque Nationale du
B.P. 20
Nouakchott, MAURITANIA

Ms. Winnie C. Mayindi
Vista University
Private Bag X205
Benoni 1500, SOUTH AFRICA

1996 Directory of ACASA Members

Mr. Patrick Mbunwe-Samba
Association for Creative Teaching
ACT Office, KRC, P.O. Box 510
Bamenda, N.W. Province,

Museu Nacional de Arte
C.P. 1403
Museu de Historia Natural
C.P. 1780
Arquivo do Patrimonio Cultural
(Projecto ARPAC)
C.P. 1742

Department de Arqueologia e
Universidade Eduardo Mondlane
C.P. 257
Mr. Georges Meurillon
Mus6e National
B.P. 159
Bamako, MALI
Mr. Tony Mhonda
3 Arndel School Road
Mount Pleasant
Michaelis Art Library
Johannesburg Public Library
Market Square
Johannesburg 2001, SOUTH

Mr. William Miko
Kabulonga Girls Secondary School
P. O. Box 320098
Lusaka, ZAMBIA

Ms. Elza Miles
3a Main Road East
2092 Melville
Johannesburg 2000, SOUTH
Mr. Adriano Mixinge
Museu Nacional de Antropologia
C.P. 2159
Luanda, ANGOLA

Ms. Yaleng Green Mkandawire
57587 New Lobengula
P. O. Magwegwe
Bulawayo, ZIMBABWE

Mr. Dominic Mkhosi
Mzilikazi Art and Craft Centre
P. O. Box 2034
Bulawayo, ZIMBABWE
Mr. Rdmy Mongo-Etsion
B.P. 890
Brazzaville, CONGO
Mr. Lawrence C. Moore
National Museum
P.M.B. 1115
Benin City, Edo State, NIGERIA
Mr. Tumelo Mosaka
60 Ascot Road
Bertrams 2094, Johannesburg

Dr. Kiure Francis Msangi
Department of Fine Art
Kenyatta University
P.O. Box 43844
Nairobi, KENYA
Dr. Fadhili Mshana
Department of Arts, Music and
P. O. Box 35044
University of Dar es Salaam
Dar es Salaam, TANZANIA

Mr. Charles Msimanga
5903 Luveve (5)
P. 0. Luvene
Bulawayo, ZIMBABWE
Mr. Mantando Mukela
Moto Moto Museum
P.O.B. 420230
Mr. Zacharia Mukwira
Southern Africa Federation of the
P. 0. Box 2247
Bulawayo, ZIMBABWE
Ms. Carol Muller
Department of Music
University of Natal
King George V
Durban, 4001, SOUTH AFRICA
Tel: (27) 31 260 1348
Fax: (27) 31 260 1048
Mr. D. Mumba
Museums of Malawi
P.O. Box 30360
Blantyre 3, MALAWI
Mr. Patrick Mumba
Kamwala Secondary School
P. O. Box 30505
Lusaka, ZAMBIA

Mus6e National du Chad
Institute National des Sciences
B.P. 503
N'Djamena, CHAD
Dr. Agnes Koki Musyoki
Department of Environmental
University of Botswana
Private Bag 0022
Gaborone, BOTSWANA

Regional Director
Mutare Museum
P. O. Box 920
Mr. George Mvenge
National Museums and Monuments
Box CY 33, Causeway
Ms. Verna Naidoo
Centre for African Studies
University of Cape Town
Private Bag Rondebosch 7700
Work: (021) 650-2308
Fax: (021) 650-3274
e-mail: socsci\naidoo@uct.ac.za
Institute of African Studies
University of Nairobi
P.O. Box 30197
Nairobi, KENYA
State Museum of Namibia
P.O. Box 1203
Windhoek, NAMIBIA
Mr. Oumarou Nao
03 B.P. 7021, Ouagadougou 03
Tel: (226) 30 7318
Fax: (226) 30 7242
Department of Visual Arts
University of Namibia
Private Bag 13301
Windhoek 9000, NAMIBIA

Natal Museum Library
Private Bag 9070
Pietermartizburg 3200

Periodicals Librarian
University of Natal Library
Private Bag X01
Scottsville 3209, SOUTH AFRICA

1996 Directory of ACASA Members 29

Dr. Alexander Nati
Department of Sociology and
University of Asmara
P. 0. Box 1220
National Archives of Zimbabwe
Private Bag 7729, Causeway
National Commission for Museums
and Monuments Library
National Museum
Onikan, Lagos, NIGERIA
National Gallery in Bulawayo
75 Main Street/Leopold Takawira
P. O. Box 1993
Bulawayo, ZIMBABWE

National Gallery of Zimbabwe
P. O. Box CY 848, Causeway
Mr. Dumisani Ndlovu
72644 Lobengula West
P. O. Magwegwe
Bulawayo, ZIMBABWE
Mr. Newman Ndlovu
National Gallery in Bulawayo,
Studio 8
75 Main Street/Leopold Takawira
P. O. Box 1993
Bulawayo, ZIMBABWE
Dr. Karel Nel
Department of Fine Arts
University of the Witwatersrand
1 Jan Smuts Avenue
Johannesburg, SOUTH AFRICA

Dr. Anitra Nettleton
History of Art Department
University of the Witwatersrand
1 Jan Smuts Avenue
Johannesburg 2001, SOUTH
e-mail: 023anit@musearts.wits.

Ms. FranCoise N'Goran
Bibliotheque Centrale
University d'Abidjan, 08 B.P. 859

Bibliothbque de la Facult6 des
University de Niamey
B.P. 418
Niamey, NIGER
University of Nigeria
Enugu Campus Library
Enugu, Enugu State, NIGERIA
Dr. Joseph Nkrumah
Advance Afrika (Int.) Dynamics
P.O. Box 16666
Accra-North, GHANA
Tel: (233) 221 225880
Fax: (233) 221 225880
Mr. Billy Nkunika
Centre for the Arts
University of Zambia
P. O. Box 32379
10101 Lusaka, ZAMBIA

Nnamdi Azikiwe Library
University of Nigeria
Nsukka, Enugu State
Mr. Coustant Noanti
Musde Historique d'Abomey
B. P. 25
Tel: (229) 50 0314

Mr. Rukeme Noserime
Department of Fine Arts
Yaba College of Technology
P.M.B. 2011
Yaba, Lagos, NIGERIA
Dr. Jean-Paul Notu6
B. P. 1857

Dr. Lubasa N'ti Nseendi
Department of English
University of Maiduguri, P.M.B.
Maidiguri, NIGERIA
Tel: 23 2655 ext. 195
Mr. Pitika P. Ntuli
Department of Fine Arts and
History of Art
University of Durban-Westville
Durban 4000, SOUTH AFRICA

Dr. Oledinma P. Nwanna-Nzewunwa
PO Box 64, University of Port
P.M.B. 5323
Port Harcourt, Rivers State,
Mr. Uloaku Nwaozuzu
Department of
University of Nigeria
Nsukka, Enugu State, NIGERIA
Dr. Ade Obayemi
O-kun Cultural Centre
P.M.B. 1004, life (Ufe)-Ijumu
Kogi State, NIGERIA
Mr. Jonathan Chukwuemeka Obi
National Museum
P.M.B. 1285
Enugu, Enugu State, NIGERIA

Dr. Tayo Obielodan
Department of Curriculum Studies
& Educucational Technology
University of Ilorin, P.B.M. 1515
Ilorin, Kwara State, NIGERIA
Dr. A.B.C. Ocholla-Ayayo
Kenya Archaeological &
Ethnographic Research Agency
P.O. Box 10614
Nairobi, KENYA

Ms. Naana Ocran
Ghana Tourist Board
P. 0. Box 847
Cape Coast, GHANA
Dr. Okello Oculi
Department of Political Science
Ahmadu Bello University
Zaria, Kaduna State, NIGERIA

Mr. Law. Kester Odeyemi
National Museum
P.M.B. 1004
Oron, Akwa Ibom State, NIGERIA

Mr. Adisa Ogunfalakan
Department of Fine Arts
Obafemi Awolowo University
Ile-Ife, Oshun State, NIGERIA
Dr. Olufemi Ogunyipe
Department of Modem European
Ogun State University
P.M.B. 2002
Ago-lwoye, Ogun State, NIGERIA

1996 Directory of ACASA Members

Mr. Sylivester Ohloo
Erusui Secondary School
P. 0. Box 219
Serem, KENYA
Mr. Bankole Ojo
Department of Industrial Design
Federal University of Tehcnology,
Akure, Ondo State, NIGERIA
DrJ. R. O.Ojo
Department of Fine Arts
Obafemi Awolowo University
Ile-Ife, Oshun State, NIGERIA

Mr. Adedapo Ojo-Ade
c/o Ms. C. O. Ojo-Ade
Obafemi Awolowo University
Ile-Ife, Oshun State, NIGERIA
Mr. Boniface Okafor
Department of Fine & Applied Arts
Federal Polytechnic, P.M.B. 21
Oko, Aguta, Anambra State,

Dr. Tunde Okanlawon
Box 583
Saba, Lagos
Department of Fine and Applied
University of Nigeria
Nsukka, Enugu State, NIGERIA

Mr. Chika Okeke
P. 0. Box 3032
Department of Fine and Applied
University of Nigeria
Nsukka, Enugu State, NIGERIA
Professor Uche Okeke
Asele Institute
P.M.B. 1001
Nimo, Anambra State, NIGERIA

Mr. Kelechi Jasper Okezie
20 Eaza Road
P. O. Box 708
Abakalili, Enugu State, NIGERIA
Mr. Silas Okita
Centre for Nigerian Cultural Studies
Ahmadu Bello University
Zaria, Kaduna State, NIGERIA
Mr. Fryde Okoh
P. 0. Box 9284
Enugu, Enugu State, NIGERIA

Mr. Tonie Okpe
Department of Fine Arts
Ahmadu Bello University
Zaria, Kaduna State, NIGERIA
Mr. Patrick Okpoko
Department of Archaeology
- University of Nigeria
Nsukka, Anambra State, NIGERIA
Dr. R. A. Olaoye
Department of History
University of Ilorin
Ilorin, Kwara State, NIGERIA

Dr. Morompi Ole-Ronkei
Maasai Cultural Center
P. 0. Box 10749
Nairobi, KENYA
Ms. Ana Maria de Oliveira
P. 0. Box 1970
Luanda, ANGOLA
Dr. Ola Oloidi
Department of Fine & Applied Arts
University of Nigeria
Nsukka, Enugu State, NIGERIA

Mr. A. E. Olorunnipa
National Museum, P.M.B. 1115
Benin City, Edo State
Ms. Malaika Olugbuyi
International Black Cultural
Whyte Street, Sauteurs
St. Patricks, GRENADA

University Omar Bongo
B.P. 13131
Libreville, GABON
Mr. Duro Oni
Centre for Cultural Studies
University of Lagos, Akoka, Yaba
Mr. Chidum F. Onuchukwu
Department of Fine and Applied
Ahmadu Bello University
Zaria, Kaduna State, NIGERIA

Mr. Emmanuel C. Onwuzolum
Department of Seminars &
National Museum, P.M.B. 12556
Onikan, Lagos, NIGERIA

Mr. Umebe N. Onyejekwu
National Museum
P.M.B. 2004
Abeokuta, Ogun State, NIGERIA
Mr. Joseph A. Opala
Department of Linguistics and
African Languages
Fourah Bay College
Mr. Kelechi John Opara
P. O. Box 3424
Owerri, Imo State

Dr. Elizabeth C. Orchardson-Mazrui
P. O. Box 40536
Nairobi, KENYA
Mr. Kolade Oshinowo
Department of Fine Arts
Yaba College of Technology
Yaba, Lagos, NIGERIA
Mr. Anthony A. Otoibhi
P. 0. Box 16571
General Post Office
Ibadan, Oyo State, NIGERIA

Bibliothbque Universitaire
University de Ouagadougou
B.P. 7021
Ouagadougou, BURKINA FASO
Mr. Tiona Ouattara
08 B. P. 945 Abidjan 08
Tel: 25 5690

Dr. Lekan Oyegoke
Department of English
Ogun State University
P.M.B. 2002
Ago-Iwoye, Ogun State, NIGERIA
Ms. Pat Oyelola
P. 0. Box 30385
Secretariat P. O.
Ibadan, Oyo State, NIGERIA

Ms. Carolyn Annanusa Panaki
National Museum
P.M.B. 102294
Makurdi, Benue State, NIGERIA

Dr. Richard Pankhurst
Institute of Ethiopian Studies
P.O.B. 1176
Addis Ababa University
Addis Ababa, ETHIOPIA

Mr. Seye Peleyegu
G.P.O. 2383, Duigbe
Ibadan, Oyo State, NIGERIA

1996 Directory of ACASA Members 31

Mr. O. Gushem Philip
Department of Fine Arts
Ahmadu Bello University -
Zaria, Kaduna State, NIGERIA
Mr. Martin Phiri
Zambia National Visual Arts Council
P. O. Box 30029
Lusaka, ZAMBIA
Mr. Thabani Phuthi
3394 Nkulumane
P. 0. Nkulumane
Bulawayo, ZIMBABWE
Dr. Odoch Pido
P. 0. Box 526
Machakos, KENYA

Dr. Guy de Plaen
Mus6e National de Lubumbashi
B.P. 2375
Lubumbashi, ZAIRE
Port Elizabeth Technikon Library
Private Bag X6001
Port Elizabeth 6000

Ms. Eleanor Preston-Whyte
Department of Social Anthropology
University of Natal
King George V Avenue

Dr. Sally Price
Anse Chaudiere
97217 Anses d'Arlet
Dr. Henri Rahaingoson
East African Centre for Research on
Oral Traditions and African
National Languages
Zanzibar, TANZANIA

Dr. Aderemi Raji-Oyelade
Department of English
Obafemi Awolowo University
Ile-Ife, Oshun State, NIGERIA
Mr. Jean Aime Rakotoarisoa
Musee d'Art et d'Archeologie
University d'Antananarivo
B.P. 564
Tananarivo, MADAGASCAR

Dr. Elizabeth Rankin
Department of Art History
University of the Witwatersrand
1 Jan Smuts Avenue
Johannesburg, SOUTH AFRICA

Dr. David Rasamuel
Centre d'Art et d'Archeologie
- University de Madagascar
B.P. 4129, 45-47 ave. du 26 juin
Tananarivo 101, MADAGASCAR

Research Library on African Affairs
P.O.B. 2970
Accra, GHANA
Dr. Liza Van Robbroeck
Department of Fine Art & Art
UNISA, P.O. Box 392
Pretoria, 0001, SOUTH AFRICA
Mr. Steven Sack
1 Magnet Street
Kensington 2094
Johannesburg, SOUTH AFRICA
Mr.B. K.Sagnia
Vice President's Office
Oral History and Antiquities
National Museum

Ms. Marta Heloisa Leuba Salum
Rua Leiria, 03 ap. 104
CEP 09725-140
Sao Bemardo do Campo
Sao Paulo, BRAZIL

Dr. Klena Sanogo
Institute des Sciences Humaines
B.P. 159
Bamako, MALI
Mr. Yaya Savan6
MusQe National
01 B.P. 1600
Abidjan 01, COTE D'IVOIRE

Mr. Sayed Mahdi Satti Salih
Ethnographical Museum
P.O.B. 178
Khartoum, SUDAN
Mr. Godfrey Setti
Private Bag 322X
Ridgeway 15102
Lusaka, ZAMBIA

Dr. Abdul Sheriff
Department of Archaeology,
Museums & Antiquities
P. O. Box 116
Zanzibar, TANZANIA

Mr. Rakiya U. Shonekan
National Museum
P.M.B. 2127
Kaduna, Kaduna State, NIGERIA

Mr. Ali Ould Sidi
Centre Ahmed Baba de Tombouctou
B. P. 14
Timbukto, MALI

Sierra Leone Library Board
P.O.B. 326
Sierra Leone National Museum
Cotton Tree Building
P.O.B. 908
Mr. Lunda F. J. Sinkamba
National Heritage Conservation
Heritage House, Musi-o-Tunya Road
P. 0. Box 60124
Livingstone, ZAMBIA

Slave Route Committee
Ministry of Culture
B. P. 120
Tel: (229) 31 4666
Fax: (229) 31 4666

Dr. Sultan Somjee
National Museums of Kenya
Ethnography Department
P. O. Box 40658
Nairobi, KENYA
Dr. Robert Soper
Department of History, Archaeology
University of Zimbabwe
P.O.B. MP 45, Mt. Pleasant

Ms. Jennifer Sorrell
ADA -P. O. Box 16093
Vlaeburg 8018, SOUTH AFRICA

Mr. Elis6 Soumonni
B. P. 04 0265
Tel: (229) 30 1933
Fax: (229) 31 4666
Ms. Denise Sossouhounto
MinistBre de la Culture et des
B. P. 04

1996 Directory of ACASA Members

University of South Africa Library
P. 0. Box 392
Pretoria 0001
South African National Gallery
Government Avenue
P.O.B. 2420
Ms. Leslie Spiro
Johannesburg Art Gallery
P. 0. Box 23561, Joubert Park
Johannesburg 2044, SOUTH
Mr. Ignatius Sserlyo
Margaret Trowell School of
Fine Art
Makerere University
Kampala, UGANDA
Swaziland National Museum
P.O.B. 100

University of Swaziland Library
Private Bag
Kwalusene, SWAZILAND
Mr. Abdoulaye Sylla
Musde National du Mali
B. P. 159
Bamako, MALI
Tel: 22 3486
Fax: 22 1909
Mr. Lansana Sylla
Centre National de Documentation
et d'Information pour le
B.P. 1789
Dr. Taddesse Tamrat
College of Social Sciences
Addis Ababa University
P.O.B. 1176
Addis Ababa, ETHIOPIA
Dr. Julio Cesar de Souza Tavares
Institute de Arte e Communica(ao
Universidade Federal Fluminense
Rua Prof. Lara Vilela,126-CEP
24210-590 Niter6i
Rio de Janeiro, BRAZIL

Dr. Toussaint Tchitchi
University Nationale du B1nin
B. P. 526
Tel: (229) 32 1418
Fax: (229) 36 0199
Ms. Elizabeth Terry
Design and Development Services
P.O. Box 83
Windhoek, NAMIBIA
Tel: 264-61-226231
Fax: 264-61-227618
e-mail: dds@windhoek.com.na
Professor Edmund Tetteh
Department of Paintings and
University of Science and
Kumasi, GHANA
Mr. Voti Thebe
National Gallery in Bulawayo
P. 0. Box 1993
Bulawayo, ZIMBABWE

Dr. Robert Thornton
Department of Anthropology
University of the Witswatersrand,
P.O. Wits
Johannesburg 2050, SOUTH

Ms. Margo Ursula Timm
University of Namibia
P. O. Box 8221
Windhoek 9000, NAMIBIA

Centre de Documentation et de
Recherches Historiques "Ahmed
B.P. 14
Tombouctou, MALI
Musee National de Togo
Departement Cultural Affairs
Lome, TOGO
Mr. Samson Uchendu
Department of Fine Arts
Institute of Management &
Enugu, Enugu State, NIGERIA
Mr. Obiora Udechukwu
Department of Fine & Applied Arts
University of Nigeria
Nsukka, Enugu State, NIGERIA

Uganda Museum
5-7 Kira Road
P.O. Box 365
Kampala, UGANDA
Mr. Ogbuefi Vincent Ughenu
P. O. Box 37
Nkpor, Idemili Local Government
Anambra State, NIGERIA

Mr. Dil Humphrey Umezulike
Department of Fine and Applied
University of Benin
Benin City, Edo State, NIGERIA
Mr. Uyilawa Usuanlele
National Council for Arts & Culture
P.O. Box 2959, Surulere
University of South Africa Library
-Serial Division
P. 0. Box 392
Pretoria 0001, SOUTH AFRICA

University of Uyo Library
P.M.B. 1017
Uyo, Akwa Ibom State
Dr. J. A. Van Schalkwyk
National Cultural History Museum
P.O. Box 28088
Sunnyside 0132, SOUTH AFRICA
Ms. Glenda Venn
28 Fulham Road
Brixton 2092
Tel: (27) 11 486-1660

Dr. E. Viviers
P. 0. Box 905
Ifafi 0260
Ms. Kerstin Volker-Saad
German Development Service
P. 0. Box 4885

Dr. James H. Wade
P.O. Box 5441
Maiduguri, Bomo State
Ms. Bolanle Wahab
P. O. Box 22182
University of Ibadan POast Offi
Ibadan, Oyo State, NIGERIA

1996 Directory of ACASA Members

Dr. Solomon Irein Wangboje
Creative Arts Centre
9 Utomwen/Owoseni Street
P.O. Box 3596, New Benin
Benin City, Edo State, NIGERIA

Ms. Ann Wanless
Africana Museum
Market Square
Johannesburg 2001, SOUTH
Institute of African Studies
University of Nairobi
P.O. Box 30197
Nairobi, KENYA

University of the West Indies
Mona, Kingston 7
Ms. Celia Winter-Irving
c/o Zambia National Visual Arts
Henry Tayali Visual Arts Centre
Lusaka, ZAMBIA
Fax: 260-1-251880

Mr. Stephen Williams
P. 0. Box 1809
Bulawayo, ZIMBABWE
University of the Witwatersrand
Private Bag 31550
Braamfontein, Johannesburg 2017
Yaba College of Technology Library
P.M.B. 2011
Yaba, Lagos, NIGERIA

University de Yaounde
B.P. 1312

Mr. Lawrence Yombwe
Matero Boys Secondary School
P. 0. Box 32494
Lusaka, ZAMBIA
Mr. Gavin Younge
Michaelis School of Fine Art
University of Cape Town
Rondebosch 7700, SOUTH AFRICA

University of Zambia Library
P.O.B. 32379

National Heritage Conservation
Commission (Zambia)
Chishimba Falls Road
P.O.B. 60124
Livingstone, ZAMBIA

Ms. Grazyna Zaucha
Choma Museum
P. 0. Box 630189
Tel: 032-20394
Fax: 032-20352

Mr. Ahmed Zekarias
Institute of Ethiopian Studies
Addis Ababa University, P.O.B. 1176
Addis Ababa, ETHIOPIA

Zimbabwe Museum of Human
P. 0. Box 8006, Causeway
Zimbabwe Museum Natural History
Leopold Takawira Avenue & Park
P.O. Box 240
Bulawayo, ZIMBABWE

34 1996 Directory of ACASA Members

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