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THE SHPIEL VOLUME 5 Issue 1 2 Sh'vat 5768 14 Sh'vat 5768 January 9, 2008 January 21, 2008 Book Rocks Foreign Policy V BY BEN CAVATARO SHPiEL staff writer A book on American foreign policy and Israel published by two professors continues to spark controversy more than six months after publication. "The Israel Lobby and U.S. Foreign Policy," by University of Chicago political science professor John Mearsheimer and Harvard international relations professor Stephen Walt caused an uproar after it was first published in September 2006. The authors' thesis, that "the United States has been willing to set aside its own security in order to advance the interests of another state" and that U.S. policy in the region is largely the result of the work the Israel Lobby, a "loose coalition of individuals Vorld and organizations who actively work to steer U.S. foreign policy in a pro-Israel direction," precipitated enormous debate. Arguing that such groups as the American IsraelPublic Affairs Committee had undue influence, Mearsheimer and Walt said that misleading charges of anti-Semitism and a "controlling debate" at universities affects open discussion of the Lobby. The nearly 500-page work was called anti-Semitic by some critics, such as Harvard Law School professor Alan Dershowitz. TheAnti-DefamationLeague criticized the book as an "amateurish and biased critique of Israel, American Jews, and American policy." ADL Director Abraham H. Foxman wrote "The Deadliest Lies: The Israel Lobby and the Myth of Jewish Control," in rebuttal. The Kennedy School of Government at Harvard, where Walt teaches, had its logo removed and emphasized its disclaimer in the book, saying that the university valued academic freedom but it wanted to make clear that it did not take positions on works by faculty. The book's appearance touched on a range of sensitive topics. U.S. Rep. Eliot L. Engel called Mearsheimer .and Walt "dishonest so-called intellectuals... entitled to their stupidity" that others had the right to "expose...for being the anti-Semites they are." On the other side, ex-Ambassador Edward Peck wrote that "The expected tsunami of rabid responses...validated both the lobby's existence and aggressive, pervasive SEE LOBBY, PAGE 3 From Birthright to Death: Trip offers new perspective BY DOUGLAS SHARF SHPiEL staff writer Most organized trips to Israel, and Birthright especially, visit the same landmarks and do similar activities. I could go on about how amazing my Birthright experience was and expound upon an itinerary that you already know by heart. Instead, I'm going to narrow it down to one event. The military cemetery at Mount Hertzl is an alarm clock for young American Jews. Slowly wading through the graves, my eyes darted from headstone to headstone. I saw numbers like 19s and 20s and 21s. I did not want SEE BIRTHRIGHT, PAGE 8 the onk, Stu I.Mpaperin m. e country v NEWS The SHPiEL:Volume 5, Issue 1 Teaching Torah through Stones and Theater Percent of votes Obama received in Iowa: Percent of votes Huckabee received in Iowa: Number of Americans that understand how a caucus works: Consecutive years American presidency will be ruled by two families if Hillary is elected: Days till Florida's primary: Technical worth of Florida Democrats vote in primary (by any. measurement): Consecutive days Dennis Kucinich has probably tripped oi mushrooms: Percentage of Americans that secretly wish Bill Richardson was their grandpa: Percentage of Florida Democrats that should still take the primary seriously and vote: 38 34 374 24 21 0 83 65 100 The SHPiEL does not guarantee that the information or statistics in this table are either factual or accurate, and in fact we probably just made half of this crap up. So please don't hold us accountable if you try to show off your new knowledge in front of all your friends and someone calls you out on your idiocy. Harerol sti nbltf BY ZAHARA ZAHAV SHPiEL staff writer Mr. Miller's song begins every Saturday morning as the prayer before the Torah reading is sung from the bimah. It starts with slow, steady breathing that whistles on the inhale. His respiratory system eventually relaxes as his head is tilted over the top of his chair. Mr. Miller's snoring never quite matched the pitch and pace of the trope. But who could blame him? The Torah reading is a couple thousand years old tradition, which attempts to reveal each week the meaning of Judaism to its congregants. Others simply take the opportunity to get some holy sleep. Most Jews attending synagogue in America do not have a solid grasp of Hebrew. And even if they do, a story about nomads in a desert may still seem irrelevant and outdated. Storahtelling is a group that wants to change that. As their web site declares, the group is a "radical fusion of storytelling, Torah, contemporary performance art and traditional ritual theatre." Storahtelling uses four methods to reach out to the modern Jew in order to share the meaning and significance of the Torah in the 21st century. "Shultime" includes all synagogue rituals. "Showtime" denotes theatrical adaptations of Jewish myths and rituals for a popular audience. "Schooltime" is a training program to spread the message of Storahtelling to artists and educators. And "RituaLab" is an updated version of worship for a modern Jewish community. The story of Storahtelling begins with Amichai Lau-Lauvie, a teacher of Torah for secular adults in Israel. His ideas about popularizing Torah came from his awareness of Jews' lack of inspiration from such a rich text. The Only Student-Run Jewish Campus Newspaper in the Country, Right Here at the University of Florida E~l 0r Editor-in-Chief Giselle Mazur theshpiel@gmail.com Managing Editor Joshua Fleet joshlf@ufl.com News Editor Ben Cavataro cava'taro@ufl.edu Scene Editor Douglas Sharf dsharf88@ufl.edu Executive Advisor/Mentor Rabbi Yonah Schiller ravyonah@ufhillel.org Web Director Lori Finkel lmfinkel@ufl.edu Layout Editor Jackie Jakob jjakob@ufl.edu Public Relations Brittany Smaridge bviesti@ufl.edu Photo Editor Jeremy Fields froma@ufl.edu National Affairs Hilary D'Angelo hilaryd@ufl.edu '- Corey Smith corsha@ufl.edu Political Cartoonist Jamie Caceres jnc5122@ufl.edu He believed the biggest obstacle in understanding and appreciating the weekly Torah reading at services was the language barrier. Lau-Lauvie's first performance of "Saturday Morning Live" was in November 1998. It included the original Hebrew chanting in traditional Moroccan tunes, animated English translation, and active audience participation and music. The excitement and interest in this new programming led him to create Storahtelling, a collaborative effort between musicians and artists to infuse energy back into synagogues. In the past eight years, Storahtelling has produced over 500 performances and educational programs. Its vision of art, dance, and music as a representation of Jewish tradition and culture has gained worldwide recognition. Amichai and his organization are viewed as groundbreaking pioneers, steering a course for younger Jews to connect to the stories of their ancestors from thousands of years in the past. Storahtelling is innovative and progressive and could be the key to draw a younger generation of Jews whose detachment from their religion results from its seemingly archaic messages. Traditions established before the Middle Ages are sometimes difficult to connect with and the modern Jew can become exasperated seeking meaning under such circumstances. Storahtelling is doing its part to revive that connection by removing the obscure mysteries of the Torah through lively performance pieces. Such a goal may be necessary if Judaism intends to keep its chosen chanting. One thing is definite: Mr. Miller would have a difficult time sleeping through a song and dance routine about jealousy, murder, love, betrayal and other universally human elements in the Torah, which are often overlooked by even the most alert synagogue-goer. The SHPiEL:Volume 5, Issue 1 NEWS 3 book bashing backlash LOBBY, FROM PAGE 1 presence." Eliot Cohen of the Johns Hopkins University School of Advanced International Studies told the Washington Post that the book and the paper it was based on are anti- Semitic, and "fundamentally an attack on the loyalty of American Jews." Cohen, speaking about his son who serves in Iraq, said that to "have anybody impugn my loyalty is just outrageous." The authors responded to the criticism, writing that "both of us are philo-semites and strongly support the existence of Israel" and that they did not suggest the existence of a "well-organized Jewish conspiracy" (as suggested by some who compared Mearsheimer and Walt to conspiracy theorists) but instead as a "loose coalition of individuals and organizations without a central headquarters." Scholars and foreign policy watchers p, v Lv u l .t u, I Jl.Ult.ry have yet to come to a conclusion. Even those who have been critical of the Israeli government in the past, such as Noam Chomsky, were skeptical of Mearsheimer and Walt's conclusions: "There are far more powerful interests that have a stake in what happens in the Persian Gulf region than -does AIPAC, such as the oil companies, the arms industry and other special interests whose lobbying influence and campaign contributions far surpass that of the much- vaunted Zionist lobby." A Whole New World: Being Reform in an Orthodox home BY DAVID CUMMING SHPiEL contributing writer It's only 9 p.m. when our wine glasses fill up and a dozen thirsty Jews suddenly walk in the door. Thinking on my feet, I rummage through our carefully labeled "meat" and "dairy" cupboards for a sign of several more chalices. Sure enough, I find some shiny glassware, completely unacceptable to the average wine aficionado, tucked away like a last-minute resort. Being our first wine party of the semester, it feels like a heroic feat as I deliver our guests some of the finest Livingston Cellars Merlot this side of Albertsons. Out of my peripheral I see a figure with familiar peyot danglyy sidecurls) lingering by our newly cleaned kosher kitchen. My eyes become fixated on my new orthodox roommate's brow, which reddens at the sight of the empty bottle in my left hand and the full glass of red in my right. Emitting a Chewbacca-like cry, I know something is wrong. I had been caught red-handed literally - and knew I needed to turn myself in. But what exactly was my kashrut crime? Growing up as a Reform Jew, there weren't many ritualistic guidelines of which I needed to be conscious. Eating a cheeseburger was no sweat, take-out couldn't hold me down and chicken cordon bleu whatever that is I could scarf clean off my plate. Consequently, in my new home a list of kosher rules was stuck to the refrigerator; a list I thoroughly scan before getting my eat on every day. According to the grapevine, wine that is treif (non-kosher) cannot be served in glasses, or else those glasses cannot be certified as kosher again. This rule is one of the tiny, last- minute amendments the powers made to the kosher constitution, and one I still do not fully understand. Following this happy episode, I was reassured by my roommate that if one makes something treif by accident, just fess up and fix it. Making something treif is similar to a one-night-stand: first comes regret, second comes learning from ones mistakes and lastly one tries to forget about it. One of the great facets about my living situation is that everything is clearly labeled so even a shmegege like myself can understand which food goes where. Since I already used my "get out of Jewish guilt for eternity free card" on the wine fiasco, I now think twice before slicing cheese on the "meat" cutting board. After all of the food issues were sorted out, I gradually became akin to the likes of the self-proclaimed "Friends & Friends" household, where one is sure to find a stash of eclectic individuals, day in and day out. Already the nights were filled with beating drums and klezmer nigunim (tunes). By the time the High Holy Days rolled around I didn't know what to expect. Sukkot presented an opportunity to utilize our gigantic front yard to construct our very first Sukkah. The massive edifice turned dog- walking neighbors' heads but nevertheless provided cover for our clear, dreamless nights under the brilliant sky. The journey continued with the inaugural "Jews in the House," a Shabbat celebration which brought over 60 people together for an evening of prayer, dancing, singing and of course, tasty kosher cuisine. Never in my life had I felt such a sense of harmony and contentment. The Jewish tradition teaches that bringing people together is a commandment. Now, my days are filled with a constant stream of mitzvoth (commandments) and a firm appreciation for kosher meat. ~a~li~bSW~t~ I I U ShIorts IBrielfs BY BEN CAVATARO Holocaust survivor to retire from Congress) U.S. Rep. Tom Lantos (D) announced that he would not run for reelection in his California district in November. Lantos, 79, has spent 30 years in the House of Representatives and will retire following a diagnosis of esophageal cancer. Born in Hungary, Lantos was a Holocaust survivor and immigrated to the United States, where he became an economics professor. In the House, he represented parts of San Mateo and San Francisco counties for 14 terms. As chair of the Committee on Foreign Relations he used his position to act as an advocate for human rights. In 2006 Lantos was arrested with four other Democratic representatives at a demonstration in front of Sudan's embassy in Washington to protest the genocide in the Darfur region. (Worid Jewish population rises} The number of Jews worldwide grew by 200,000 from 2006, according to the Jewish People Policy Planning Institute, a Jerusalem- based think tank. In a 92-page document the group reported that the 2007 population was 13.2 million. The number of Jews outside Israel dropped by 100,000, but the loss was offset by a jump in Israel's Jewish population, which grew by 300,000. About 41 percent of Jews now live in Israel. [Miniseries ,on American Jews to be aired) A six-hour documentary on American Jews from the early colonial era to the present day will be aired on PBS. The series, written, directed and produced by David Grubin, is set to play on three Wednesdays-Jan 9, Jan. 16, and Jan. 23. The story combines narrative and historical facts, with content on the Jewish arrival in America (1654 in Manhattan, when a group of Brazilian Jeiws were nearly expelled from then-New Amsterdam), Jewish participation in the Civil Ward(7,000 Jews fought with the Union, 3,000 for the Confederacy), and both anti-Semitism and acceptance. The documentary cost $3 million and took four years to make. {Israel commits to settlement removal) Ahead of talks with President George W. Bush on Jan. 9, spokesmen for Israeli Prime Minister Ehud Olmert reported that Israel was prepared to commit to the "expeditious" removal of outposts in the West Bank. Mark Regev, the spokesmen, said the new commitment was an effort to adapt to changing conditions following November's Annapolis conference. Under-the 2003 U.S.-packed "road map to peace" Israel committed to remove unauthorized settlements built after March 2001 and place a freeze on new settlements. But the plans stalled after renewed conflict between Israeli and Palestinian leaders. Estimates on the number of such "wildcat" settlements, often establishedby hard-right Israelis, number between two dozen and 50. Regev offered no specific deadline for removing the settlements. (Blacks, Jews pledge unity in New York) Following a recent outbreak of anti-Semitic and racist incidents in New York City, black and Jewish leaders pledged to work together to combat prejudice. The establishment of the Jewish Black Alliance in Brooklyn followed the discovery of a noose at the office of a professor at Columbia University and of a spray-painted swastika on a synagogue. The group, headed by Orthodox Jew and state assemblyman Dov Hikind, includes over two dozen politicians, rabbis, and community leaders. I I 1 I -~c 41 SPORTS New Team, Old Tricks BY NERI STEIN SHPiEL staff writer Ah, the Fake Punt. As courageous as it is foolish. Usually used when a team is down and needs some offense to get riled up on yet another fourth down. It also typically comes when a team is too close to punt the ball or too far to kick a field goal. If it works the coach is hailed as a genius and his team gets those ever coveted and elusive "style points." If unsuccessful, whoever called that play gets credit for the likely loss. Most teams and coaches never execute a Fake Punt in a season. But Florida isn't most teams and Urban Meyer is certainly not most coaches. In the 2006 SEC Championship Game, UF stunned everyone when they faked a punt on fourth-and-10 from their own 15-yard line in the third quarter. This one worked and got the team into good field position for a fantastic Joey Ijjas punt which buried Arkansas inside the 5-yard line. Florida went on the win the game and later the National Title. During the Capitol One Bowl it became clear that, though the Gators are not that same National Champion team, Urban Meyer is the same coach. Down by a touchdown at fourth-and-7 from inside their own 25-yard line in the third quarter, the Gators got a much needed first down from a fake punt. The ensuing drive led to a game tying touchdown. Alas, the outcome would not be the same as the last time Urban Meyer called such an unforeseen play. Though the Gators scored 35 points and caused 4 turnovers, the Michigan Wolverines underdogs going into the game, beat the Gators on January 1, 41-35. Apparently the Gator defense stayed in Gainesville for the New Year. Actually, allowing 41 points means they were a lot farther than 120 miles away. And the score would've been worse without the help of Mike Hart, Michigan's star running back who hadn't lost a fumble in over 1000 carries. He fumbled twice on the goal line but the Gators were only able to convert one of these turnovers into a touchdown. The Gators also scored off a Chad Henne interception. Still, for every time Tebow led the team down the field, the Gator defense let the Wolverines do the same thing. SMichigan sent 'their head coach Lloyd .Carr into retirement with Q * his first bowl win since 2002 when .' his Wolverines .. beat Freshman r .( ' Chris Leak and . Coach Ron Zook in his first year as Gator head coach. . Florida's loss marks the third consecutive year that, after recieving the award, the Heisman winner lost his bowl game. Troy Smith and Ohio State lost last year in the title game and Reggie Bush and USC lost in the title game two years ago. Bottom line, the Gators didn't play like the defending national champs this year. A quarter of the players actually saw significant play-time last season. But on the flip side, the team is young on both offense and defense. This was a rebuilding year. And most programs would kill for a rebuilding year like the Gators had this year. The Gators ended their season 9-4 with the youngest Heisman winner in the history of the award. And Tebow will without a doubt be in the Heisman race during his two remaining years with a chance at becoming the first and only repeat winner since Ohio State's Archie Griffin. Gator basketball is running strong with only two losses and SEC play about to begin but this team is also young. Though additional national titles seem unlikely this season, next year, with a good portion of LSU's and USC's players in the pros, the Gators are going to be at the bottom of every team's list of who they want to play. W.W. Gay Mechanical Contractor, Inc. FLORIDA (904) 388-2696 Jacksonville Gainesville Orlando St. Augustine Little Rock, AR FOR 7 E. 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Proud Supporters of Hillel at UF and The ShPiel The SHPiEL: Volume 5, Issue 1 The SHPiEL:Volume 5, Issue 1 SCE NEI -Spring Welcome Week -S0IOM WW W Day Event: Spread Your Seed Time: 12pm-2pm Location: Plaza of the Americas Description: Join us in plaza of the Americas for some delicious food with your friends while we spend the afternoon decorating small clay pots and planting small trees that you can take home. Night Event: Green Festival w/ Speil Time: 6pm-9pm Location: Hillel Description: Come with your friends and get your green on at Hillel where speakers will be talking to us about becoming more eco-friendly while enjoying delicious munchies around a hukkah! Day Event: Smooze at the Reitz Time: 11am-2pm Location: Collinade Description: Come enjoy delicious pizza and hang out with your friends! Night Event: Skatestation Funworks Time: 9pm-llpm Location: Skate station Funworks on Newberry Rd. Description: Come out for a night on the town with your friends grade school style where you can race on go carts, skate, play mini golf, and much more. Wednesday, January 23 Thursday, January 24 Day Event: Breakfast at Broward Time: 11am-1pm Location: Outside Broward Dorms Description: Come enjoy a delicious and free breakfast outside Broward Hall complete with bagles and juice! Night Event: Swamp Social Time: 10-2am Location: Swamp Restaurant- Friday, January 25 Gator Shabbat at Hillel and Chabbad Going Green with Guster's Gardner BY LORI RIEGEL Contributing writer Indie rocker, environmental activist and nice Jewish boy-what's not to love about Adam Gardner? Gardner, vocalist and guitarist of Guster, is pioneering a movement to reduce pollution from live concerts. He educates young people on how they can help by making small changes in daily choices. His non-profit organization, Reverb, co-founded with his wife, Lauren Sullivan, began with the idea to "start with something small [and] make a simple change." He described the idea as getting "inertia moving." Since its inception in 2004, Reverb has partnered with over 43 touring bands to lessen the impact of a live concert. Reverb builds on the connection between fans and musicians. The organization finds positive solutions to reducing their effect on the environment, while keeping the experience fun and interesting. To date, Reverb has reached over 4.4 million fans, and its participating artists include the Dave Matthews Band, The Fray and Barenaked Ladies. Participating events often set up an eco-village at the concert, providing a venue for organizations to educate concert goers. Gardner explains the "main goal [is to] educate and engage fans into awareness and action." As an example, a recent Guster tour ran on bio-diesel and used solar-powered fans. To further drive the message home, they had someone making french fries at the concert, then used the oil as fuel to power a car. Gardner's activism is not just something he takes on tour. He's also environmentally conscious at home. The first time we met, he recommended the book "The Omnivore's Dilemma" by Michael Pollan. The book delves into the process by which a meal ultimately makes it to the table-from the origins of the food to the impact the choices of food make on the environment. Gardner describes himself as a "pseudo-vegetarian" and explains that his choices have "more to do with being low on the food chain." In their home in Portland, Maine, he and his wife try to keep their carbon footprint-their impact on the environment- as small as possible. They often walk to work and buy their food and other household items from local growers and suppliers. Gardner explains that small choices, such as reusing shopping bags and not using air conditioning, can have a big impact. When painting their home, the couple used low-VOC (Volatile Organic Compounds) paint, which is less harmful to human and environmental health. They also use aerators-on their sinks and motion-sensor lights. Under their kitchen sink, you'll find post- consumer recycled paper towels and non-toxic cleaning products. Gardner said he tries to eat as raw as possible in the summer because it doesn't require energy to cook the meal. He said another benefit of eating raw foods is that nutrients don't get cooked out of the food. The previous night, Gardner and his wife made gazpacho using all locally grown vegetables. Although it can be difficult to eat locally grown food while on tour, the band tries to make the best choices they can to reduce waste and pollution. While on tour, they ask for whole foods and reusable water bottles. Incidentally, the last time I saw Guster in concert I noticed that all of the water bottles.on stage were the non- disposable variety. At larger venues with an eco-village, fans can often find jewelry made out of recycled guitar strings. Gardner said the idea is to take a look at waste and ask, "Is this truly garbage, or can we use it for something?" Gardner's activism and drive to educate fans is a strong example of tikkun olam, or repairing the world. Three out of four members of Guster are Jewish. The non-Jewish band member, Joe Pisapia, explained that he is the "token goy." I gave him my blue. "Shalom" wristband so he wouldn't feel left out of the tribe. Although Gardner describes himself as a "Bu-Jew," (short for Buddhist Jew) he enjoys the family, food and fun of Judaism, appreciates the tradition and "knowing where you come from." His favorite Jewish holiday is Passover, because of the gathering of friends and family and the focus on sharing a meal. Gardner's side project, The Leevees, is worth checking out. The music is strong enough to stand on its own without having to rest on the novelty of the songs' Chanukah themes. For more information on Reverb, visit www. reverbrock. ora. CN L( >, 3 C -o I- 61SCENE The SHPiEL: Volume 5, Issue 1 Getting Territorial A Sandel BY ELAINE WILSON SHPiEL staff writer The West Bank now has its very own Romeo and Juliet story. In director Ari Sandel's Oscar-winning short film, West Bank Story, a young Israeli man, David, and Palestinian woman, Fatima, fall in love despite their families' feuding falafel stands. Oh, and the centuries-old adversity. fuels the fire of forbidden love too. West Bank Story is a musical comedy that is pro-peace and even-handed with a heavy influence from West Side Story. An accomplished Israeli composer, Yuval Ron, arranged the music blending Arab and Israeli sounds, while giving it a Broadway feel, which director Sandel said was essential in accentuating the characters. The lyrics also give the movie a certain flavor. Ben Newmark, playing Jewish border patrol guard David, agonizes over approaching the beautiful Fatima singing, "If only I had a good shpiel/ Then I could tell her how I feel." In the names of credibility and balance, actors playing Israeli characters were actually Israeli or Jewish, and Palestinian characters were portrayed by Muslims and Palestinians. The film's dance numbers feature Palestinian and Israeli styles, and for every joke flung at one group, another is shot at its counterpart. West Bank Story has been screened in many countries and has received an overall positive response. Yet, some controversy has arisen concerning the portrayal of both ethnic groups. Still, the film's aim is not to create an accurate portrayal of the situation in the Middle East but to show that Israelis and Palestinians are actually similar to one another and that peace is possible in the region. Director Ari Sandel was gracious enough to answer a few questions concerning the making of the film for the SHPiEL over the phone: Q: I know this film had been an idea of yours for some time, and the project was shelved for five months-did you feel strongly about a musical from its conception, or did it bud into a West Side Story type film? A: The idea was always to do a musical inspired by West Side Story for sure. I didn't know how to attack the concept without making it trite or trivial. Originally, it was about suicide bombers and it just wasn't funny. That's why it got shelved for five months. But from conception it was West Side Story-based. Q: The songs, like the rest of the film, exhibit balance between the two cultures with the styles of music and, of course, lyrics. Did you choose Yuval Ron because of his background, or did he hear about the project and get on board of his own interest? A: I found him and it was a good fit right off the bat. He is very knowledgeable and there was no doubt he was right. I interviewed a lot of composers, but once I found him, it was over. Q: This film, despite controversy, has been greeted with a lot of positive responses as is evidenced by your awards. How does it feel to have won an Oscar and to have had so many screenings? A: It's amazing. It's fantastic, unexpected, and it's a wild ride. You don't ever think of success as getting an Oscar or traveling the world. Q: I have heard some people have criticized the actress who played Fatima because she is an Indian Muslim, and this allegedly separates her from the issue. How do you feel about such critiques? A: If it were a documentary I could see it as a problem. Truth is, it's hard to find a Palestinian actor in Los Angeles. I think part of it is cultural. Most are 1st or 2nd generation immigrants and it's not considered a legitimate career. When [actress] Noureen came in she was very talented. Not only is she beautiful, but she's been in a lot of comedies. She's got great comedic timing. Originally I wanted a Palestinian actor but you have to ask yourself: do you want great acting or a Palestinian actor? Not to say that Palestinians aren't good actors, but they are just hard to find in L.A., and you have to make sacrifices. Q: I understand that to shoot domestically it is much cheaper, but despite the economic setback would you have chosen the West Bank to film? A: Sure. I didn't have the resources, manpower, or connections necessary, and you need connections in L.A., but I didn't want to attach another hurdle. But sure, if I could do it again I would film it over there. Q: The topic of conflict in the Middle East is certainly a point of interest for you. Can we expect more films concerning such from you in the future? A: Yeah, I think so. There are things I want to say still. For more information be sure to visit www.westbankstory.com to watch the trailer, read more interviews, get cast bios, and listen to mp3s of selected tracks. The SHPiEL:Volume 5, Issue 1 r -" a ; .., A- '". I~s-:1. The Weissest Music Choices of 2008 BY RYAN WEISS SHPiEL staff writer Though, a breath of fresh air could be taken in after gems such as Radiohead's "In Rainbows" and The Arcade Fire's "Neon Bible" were released, restoring every music fan's sanity, 2007 was an atypical year in the world of music. An entirely new generation of twelve- year-olds could fist pump to "Don't Stop Believing" (thanks Tony Soprano), two or three Bjork albums were released (about which no one really cared) and of course, the unintelligible young Soulja Boy showed us how to crank...himself? Forget it all, 2007 is over and we can look forward to the year 2008. Perhaps the most anticipated release in the upcoming year is that from Dr. Dre, titled "Detox." Though the production is likely to be excellent, Dr. Dre's "I'm not going to talk about blunts and cars anymore" shpiel puts a huge damper on the excitement. Remember when T.I tried to sway from the path of unrighteousness? It was called "ATL" and it was possibly the worst film released this decade. Another one to look out for is the new album by The Mars Volta, "The Bedlam in Goliath." The album was indirectly inspired by the holiest of cities. That's right, I'm taking about Jerusalem. On a trip to the city, the band picked up a Ouija board. Shortly thereafter, they received strange messages and unlikely incidents began occurring. Team members quit, others went insane and an album documenting the madness will be available soon. "Soothsayer," the Ouija board, is now buried in an undisclosed location. Mike Jones is releasing an album titled "Voice of the Streets" and Simple Plan (who knew they were still around?) is putting out an album as well. Please disregard both. However, the tenth studio album by The Roots is set to drop sometime in May and that will definitely be worth checking out. After a successful U.S tour and numerous performances at prominent music festivals, The Roots have decided to try a more electric, or "synthy" sound, "the musical equivalent of Blade Runner," said the band, Surprises are always nice, and the mid-December release by the Wu-Tang Clan is exception. After the loss of their charismatic lead vocalist, O.D.B, it was questionable if the Clan could ever bounce back. Bouncing back is unlikely, but "8 Diagrams" is nothing to be ashamed of. RZA's production, Raekwon's verses, and Method Man talking so much sh*t... he's got halitosis. Clashes between RZA's "hip hop hippie" persona and typical Wu-Tang gang banging make for an entertaining blend of melodic beats and inventive lyrics. 71 .''.." i~ld~~E~ rX+bl : NVu 01, 1 'N ik LAW- SCENE 17 I , i). 8]KVETCH The SHPiEL: Volume 5, Issue 1 sacrifice keeps matches from striking BIRTHRIGHT, FROM PAGE 1 to believe those numbers. I wanted those numbers to signify battalions or regiments. But no matter how hard I wished, the average age of those buried in the military cemetery of Mount Hertzl is still 20. Eight Israeli soldiers were given a five'day leave to be with my Birthright bus to hang out, make friends, teach and learn. Just before we entered the cemetery, the tour leader asked, "How many of the soldiers here with us know someone that was killed in war?" All eight raised their hands. And these weren't old men longing for a heroic death on the battlefield that they know - these were their friends and their family. . As I walked, coming to terms with people my age dying for their country, I saw a funeral. The mourners engaged in the common prayer for the dead- the Mourner's Kaddish. I couldn't help but say it with them. I turned and saw a mother at her son's grave. In University of Florida senior Joe Eisenberg's account, the mother was struggling to strike a match to light a Yarzheit (memorial) candle because her hands were shaking too much. One of our soldiers offered her a lighter, but her hands kept trembling. The soldier finally lit the candle for her. In a perfect world a parent would never bury her child. Though, in a perfect world there would be no use for a military cemetery. Each image my eyes found would choke me up more than the one before. I hadn't cried in years. I couldn't even cry at my grandma's funeral, but I felt tears for the first time since I could remember. Then, the hardest blow of all landed. The eight soldiers gathered around a grave, heads covered, faces sullen. They were mourning the death of a friend from their unit. One of the soldiers lit a Yarzheit candle and the solemn Hebrew prayer followed. Mourners pay their respects at the Military Cemetary at Mount Herzl. The worst part is knowing that mourning a friend is not uncommon in Israel: it's normal. How is it normal? While the average 1&-21 year old American is skipping class at college, smoking pot on the couch or even working hard at a job or in school, the common Israeli of the same age is learning how to drive a tank and disarm a man holding a knife up to his throat. Israelis don't go to college after high school; they first go to the military for two or three years. And they are not fighting for oil or for whatever else George W. Bush has our troops senselessly dying. They are fighting and dying so that the Jewish people can have a tiny patch of land, smaller than New Jersey, to call their home. After the prayer of the eight Israeli soldiers, I didn't know what the word 'perspective' meant anymore. I just knew that one day not too far in the future I needed to be part of something bigger. Hopefully, through Birthright, more and more young American Jews will begin to understand the meaning of the lives of our peers in Israel. And not just because it's good to be informed, but because in one way or another, it will make them better people in the end. '- TUN! The grave of Theodore Herzl, the founder of Modern Zionism, rests atop Mount Herzel Cemetary. S SUSAN NEUGROSCHEL, GRI, CRS TA \Ill'H I 'VI%,' i (3 5-i J72 137. LS. IN,,1 '" '-1,06" TOLLL IREt susawlellg@aol cou .. M. M. PARRISH. REALTLORS 36M0 NW 83Id Sm%" (;ain-vilr. Fl. 32606 mvwwrmaparris.com Tonya Blackman TERRITORYW MANAGER Phone: (800) 258-2861 Fax: (877) 942-4135 www.myserviceoffice.com e-mail: t.lackmm~ erievieffiee.om Tl'HE SHPiEL Opinions expressed in this section do not necessarily reflect those of The SHPiEL. We encourage comments from readers who possess all points of view. No, really, we're interested in what you have to say. Feel free to write a letter to the editor or you can contact us with a column idea. Please send comments to theshpiel@gmail.com. The SHPiEL:Volume 5, Issue 1 Thinking Outside the Lox with Rabbi Y Jews-We Got A Problem Jewbulicious, the new fruity Jewish gum, is setting all sorts of sales records. In its first week on the shelves, distributors consistently sold out of their stock of Jewbulicious. What is it that separates Jewbulicious from the rest of jaw chompin' fare? As the label reads, you take just three chews of Jewbuilcious and not only do you get a mouthful of flavor, you also become infused with a rush of inspired, well balanced, prideful Jewish identity that lasts for generations. Wouldn't that be nice? The reality is there is no such gum' or product that accomplishes this. Instead there are conferences attended by hundreds of Jewish professionals (Jews working Jewish jobs with other Jews) who are investing time and energy trying to figure out how to "foster meaningful Jewish experiences" for the increasingly disenfranchised millennial generation of Jews...namely, you' The question that all these professionals are stuck on is: "How do we get more Jews to care about being Jewish?" The knee jerk, this-generation, American Jewish response to this question is: "Who cares?" Not so many, relatively speaking. That's why crazy money is being spent on these conferences and their organizations with the sole purpose of getting more people to care. It's hard to compete with the ever-pressing career path, the parties, sports, going Green, and the exploration that happen while you're away at school. Who cares about little ol'.Shlomo? He's not going to get you a paid internship upon graduation, he doesn't get high and he's not going to get you laid. But you 'are reading this article, which means that maybe, on some level, you already have Some amount of concern for the Jewish people. I guess the possibility exists that my writing is so compelling, so moving, that I would have your attention even if I were discussing toe fungus (next week's topic). Putting aside the "Rabbi Yonah factor," the reader of this article could be placed in one of seven categories: 1) You are very Jewishly identified and want to read yet another article commenting on Jewish life at UF 2) You are marginally involved/ interested, and this article is something of a curiosity, and you may pick up some Jewish knowledge 3) You were always taught that rabbis have something to say 4) You are not Jewish, but all your friends are, and you want to stay current 5) You are Jewish but none of your friends are, and you hope no one sees you reading the Jew paper 6) You are confused about your identity and beliefs but you are always open to "getting some" 7) You pride yourself on not being confused, and you are either looking for validation from or want to disagree with an authority figure (me) Leon Wieseltier, an author and literary critic who often speaks his mind. with staggering intelligence and insight, accurately defines the generation's Jewish ambivalence as a problem of "Jewish literacy." ' As a whole, our current level of knowledge of our tradition and scholarship is equivalent to a second grade reading level. But please don't pout. This is not your fault. Rather, onah it is the fault of rabbis and all the educators who failed to raise a generation of inspired Jewish lives. Don't get mad either, not all is lost. It doesn't take much to get on the fast track to Jewish knowledge of world dominance. Joking. Really, all that is involved in turning the tides of ignorance is to commit a half hour a week toward Jewish learning. I personally can hook you up with a sweet deal that will land you however much time you want a week or month with a rabbi or educated Jew. No charge, no hassle, no shame. I personally do this with dozens of students a week, all from different places on the list of the "seven categories". Simply shoot me an email at RavYonah@ufhillel.org or IM me at YonahRabbi and we'll make Jewish future happen together. Start the semester inspired and make a tangible addition to your life. Questions? Comments? A topic you want addressed? Hit up Rabbi Yonah at ravyonah@UFHillel.org. Megachurch Christian Leader Ditches Fire and Brimstone for Electric Guitars FARYNHART Picture e this: 90,716 perspiring ar worshipers cram the t temp 1 e, screaming to the heavens for the victory of their army in battle; Budweisers in hand and orange and blue paint dripping from their cheeks. It's a Saturday and the Gators are pulverizing the Seminoles. Almost a fifth of that number repeats this every Sunday at Lakewood Church, a megachurch in Houston that seeks to serve every person regardless of background, economic status or denomination. With the blaze of Hanukkah candles and hum of holiday carols in the air, I settled down for an episode of Larry King Live in which the seasoned man susses out the brains behind the expansive Texas congregation. The Rev. Joel Osteen and his wife, Victoria, lead the fastest growing ministry in the U.S. At Lakewood Church, 38,000 worshipers attend weekly services. A television broadcast of that service reaches 200 million homes in the U.S. alone. Osteen founded the church on Mother's Day in 1959, and the services were held in an abandoned feed store in Houston. After Pastor John's death in 1999, his son Joel became pastor. Due to the rapid expansion of the community the church sought a new home in the Summit Arena in of which the Houston Rockets once competed and The Who were performance pioneers in 1975. Osteen and Victoria stand on the stadium's stage rather than a pulpit, and preach words of faith and victory to the many loyal attendees. The couple pass on practical irreligious advice for life improvement and transformation. A new-age message, along with electric guitars and projector screens, replace the fire and brimstone sermons and stained glass windows of old. And though their service attracts Jews, Hindus and other followers, they still call for the development of a relationship with the "Son of God" and for submission to his word. Though the words of the blue- eyed minister reach over 100 faithful nations around the world, Osteen has faced criticism for his lack of theological training. He studied television and radio communications at- Oral Roberts University, a charismatic Christian university in Tulsa, Okla., for a semester before returning to Houston where he broadcast his father's sermons on television. Osteen, a marketing man with an positive message of victory and peace, is a genius. He provides an upbeat, optimistic service of hope and encouragement rather than focusing on eternal damnation and the punitive God whose words blazes from the mouths of many a Turlington regular. It's promising to see another charismatic influence with a fellowship that could mirror those of Gandhi, The Beatles, J.K. Rowling, and Oprah Winfrey. Osteen provides another opiate for those sick of hearing that even sneezing is now sinful. He is a motivational success because it seems he is fulfilling his divine purpose making church relevant and catering to a generation that is not looking for theology. I would like to say a Yashir koyech. I do not need to like all musicians to appreciate music and will continue to enjoy my gefilte fish as I watch this spokesman streaming across the globe. KVETCH 19 101 ARTS & ENTERTAINMENT The SHPiEL: Volume 5, Issue 1 Film Junky James' Cinema Highlights of Winter Break BY JAMES WILKEY SHPiEL contributing writer This winter saw the release of several great and terrible movies, from which, via a rigorous selection process involving but not limited to Milk Duds, I have chosen the top three moments of the holiday cinema season. "No Country for Old Men": Tommy Lee Jones gets frustratingly close to solving a murder mystery when, in the midst of a senior moment, he describes the murderer's method without realizing it. "No Country for Old Men" almost missed the list due to its early release, but this movie came so close to giving me a heart attack just enough times that I was forced to include it. Written and directed by Ethan and Joel Coen, "No Country for Old Men" delivers'a dark and suspenseful modern % western filled w ith plenty of guns and gore. A soon-to-be retired small-town sheriff (Toimy Lee,.:one s. a brutally disturbing villainn (Javier.Bardernm and a Texas trailer parkee (Josh Brolini chase each other and a lot of moneN across the desert while bodies fall around. The trio gives superb performances in one of 2007's best. If you can't finrid it in a theatre, check out "No Country for Old Men" when it's released on DVD later this year. "Juno": A girl gets "Knocked Up" by that kid from "Superbad" who plays a guy who should have grown up to be the "40- Year-Old Virgin," and Judd Apatow had nothing to do with it. When "Juno" started I %as ivorried-the dialogue felt awkward and the actors seemed uncomfortable with their characters, but after a few minutes the awkwardness and discomfort faded a\ad\ and "Juno" evolved into a funny movie about a very touchy subject teen pregnancy.- I \as surprised by how emotional the final third of "Juno" became and how well the film and cast carried that emotion. This emotional depth elevates "Juno" from another good comedy\ to a great movie. . . .. . Honorable Mention: "Enchanted"- All of New York breaks into an elaborate, well- sung, and slightly plausible song and dance number in Disney's real-world fairy-tale. Look, it's hard for me to admit this, but Disney actually made a genuinely funny live-action comedy. "Sweei f I' Thbe, of Fleet Street": Johnny Depp sings a moving, heart-felt ballad to a straight- edge razor which he intends to use to avenge his dead wife. '..' The upbeat yet.depressing arn of "Sweeny Todd" lends itself-.tbTim Burton's dark and ironic style. The cast.o-fie ery Tim Burton film returns covered in bloo -'and performs as admirably as always. Helena BonharnCarteris particularly noteworthy as Mrs. LoyVett, Sweeney Todd's admirer and slightly deranged voice, ofireason. Though the tunes can sometimes seem discordant that discord really helps set'"Todd's" sound apart from other musicals. The more traditional music didn't impress me nearly as much. Sweeney Todd gets big, bloody thumbs up from me. S- -- .,~~ .* -5-.-: ,- .r---, -- -- !.-.- ~~~~~~~~. ....... ...Jr. ........... -.~. : ~ . . . ..-.- "." -. ... -"- ' ~~I ~-----""~---"~-'--** i The SHPiEL:Volume 5, Issue 1 CALENDAR & GAMES I11 Sunday Monda Tuesday Wednesday.Ts day Friday6Satu Israel Student Organization's Movie Night UF Hillel 7 10 pm / I L" I / 1UI Falafel on the Plaza Plaza of the Americas 11 am 2 pm Last Chance to catch Lust, Caution at the Hippodrome 7pm & 10 pm Theatre Strike Force in: "This is COLLEGE" Constans Theater 8 pm Last day of drop/add Morningbell The Side Bar 9 pm $5 Romance & Cigarettes Hippodrome 7 pm & 9 pm The Dead Gu, pes~ at The Hippodrdone 8pm 3 Men's Basketball vs,Auburn Velveteen Pink Market Street Pub 10:30 pm $6 Dan in Real Li Reitz Union Aud ril 8pm & 10:30 p Band of Brothers Reitz Union Cinema 6 pm 3:10 to Yuma Reitz Union Cinema 8pm & 10:30 p Band of Brothers Reitz Union Cinema 6 pm 3:10 to Yuma Reitz Union Cinema 8pm & 10:3m m Sinst Me!: est of Hope Benefit mmon Grounds 7 pm $10 Twilight Tuesdays 7 pm Dr. Jack Kevorkian O'Connell Center 8 pm Falafel on the Plaza Plaza of the Americas 11 am 2 pm Sidewalk Fiction The Side Bar 9 pm $5 Man in the Chair Hippodrome 7 pm & 9 pm Shoot Em Up Gator Nights 6:30 pm, 10:30 pm & 11:45 pm 1-8 Men's Basketball vs. Kentucky Matt Hobbs & Sidewalk Fiction Market Street Pub 10pm $6 Martin Luther King Jr. Day No Class Indigenes Hippodrome 6:30 pm & 9:15 pm . Eastern Promises Eastern Promises Reitz Union Cinema Reitz Union Cinema 8pm & 10:30 pmn 8pm & 10:30 pmn D*Qm Cuw p. t *t t Availal ^ * t * ^ 4 f Gopyrnc .:Syndic 1le from Coi * # 4 - ~ * - - - Ihted Material-- dw 0. Aft ated Content imercial News Providers" ,- .o - * 4 o W. Sa- - - ~ 4444 44', 10 - - I P / r z -- - 4h. 4b. 4 ,ft. a & & & j 12 FEATURE The SHPiEL: Volume 5, Issue 1 I' .- *- ~. 'i a-, *' "" "" 4 ' |- "1 , *'" '! -- :;. "- .''--: : / ^ ' i. :' _"- - '. - '^ ^ ^ ^* -^:^ I |
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