Title: Kevin M. McCarthy
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Kevin M. McCarthy

Kevin M. McCarthy, professor of English and Florida Studies at the University of Florida,
talks about his current projects and his personal and academic background on page 1,
followed by his experiences studying abroad on pages 1-2. He explains his field of, and
interest in, Florida Studies on pages 2-3. He details how he is attracted to particular topics
and his process of writing on pages 3-4, with particulars on page 7-8. His research
methods are treated on pages 8-10.

On pages 5-7, Professor McCarthy introduces his two recent books on sports, which he
subsequently discusses at great length. The first, a co-authored book on the University of
Florida-Florida State University football rivalry, is covered on pages 10-19. Some
noteworthy discussions center on the importance of college football in Florida (page 12)
and college athletes and their academic studies (page 17).

From page 19 through 37, Professor McCarthy talks about his other recent book Baseball
in Florida. Particular topics of this conversation center on baseball in small Florida towns
(19), baseball and race relations (page 21; 26; 27), the relationship between baseball and
Florida (page 22), women's baseball (page 25), Buck O'Neil (page 29), and Babe Ruth
(page 35-7)

The rest of the interview relates Professor McCarthy's writing habits, publishing process,
and his "crusade" to instill Americans with a deeper appreciation for Florida culture and
overturn the frequent stereotypes associated with this state.

C: Today is Monday, November 8, 1999. I am speaking with Dr. Kevin M. McCarthy
in his office at 4-0360 Turlington Hall at the University of Florida. Dr. McCarthy is
a full professor of English and Florida Studies at the University of Florida and is
the author or co-author of sixteen books and the editor of six books. He has
written two sports books, Baseball In Florida and The Gators and the Seminoles:
Honor, Guts, and Glories. You are working on three new books. What are they
and when are they to be published?

M: The first one is Babe Ruth in Florida, the story of his spring-training for about
fifteen years with the Yankees and the Braves in Florida, the second one is the
story of aviation in Florida, and the third one is the story of Christmas and how it
has been celebrated over the centuries in Florida.

C: Do you have any titles yet, and do you have any publishing dates?

M: The aviation one will be published in 2001. The Christmas book will be published
in the fall of 2000. The Babe Ruth book, I have not finished yet [so] I do not

C: Where and when were you born?

M: I was born on October 15, 1940, in Dumont, New Jersey. I spent ten years in
north Jersey, in Dumont, and then, in 1950, my family and I and my brother
moved down to south Jersey to live for ten years in Collingswood, New Jersey. I
have a twin brother who is an aeronautical-engineer who has worked for NASA
[National Aeronautics and Space Administration] for thirty years.

C: Where did you go to undergrad and where did you go to graduate school, and
what did you study?

M: I graduated from LaSalle College in Philadelphia in 1963 with a B.A. in English.
Then I spent two years in the Peace Corps in Turkey teaching English as a
foreign language to Turkish students from June of 1963 to July of 1965. Then I
entered the University of North Carolina at Chapel Hill in September of 1965,
earned a master's degree in American literature in the summer of 1966, switched
to the field of linguistics and earned a Ph.D. in that field in January of 1970 from
the University of North Carolina, Chapel Hill.

C: In your biography, it says you lived in Turkey, Lebanon and Greece. When did
you end up in Florida?

M: In the summer of 1968 while I was in graduate school, I went to Cairo, Egypt, to
study Arabic for a summer. Then, after I finished studying at the University of
North Carolina in the summer of 1969, I came down to the University of Florida in
August of 1969 and began teaching here. In 1971, I went to Beirut, Lebanon, to
be a Fulbright lecturer in linguistics and English literature at the Lebanese

UF 313 page 2

National University for one year, returned to UF in the summer of 1972, and went
back to the Middle East in 1982 to be a Fulbright lecturer in English as a second
language at King Saud University in Riyadh, Saudi Arabia, for two years, the
summer of 1982 to the summer of 1984. Then I taught in Greece in the summer
of 1992, the summer of 1998, and I will teach in the summer of 2000 in Greece. I
teach a course on the maritime history of Greece there.

C: Did you choose Florida yourself, or did you take a job here?

M: I took a job here. The two job offers I had, actually in the same night-- I was
offered in Minnesota and then offered a job in Florida. So it was an easy choice
just from the weather point of view.

C: Going through school, you had some different majors.

M: When I was an undergraduate, I liked to read and write, so I chose English as a
major. When I was a graduate student, after returning from Turkey, I continued
on in English and then took one course in the study of language, or linguistics,
and was so inspired by that course that I switched fields and earned a Ph.D. in
linguistics. When I came down here to the University of Florida, there was not a
lot of need for the teaching of Turkish or advanced linguistics, so, though I
continued to teach linguistics at the graduate and undergraduate level, about ten
years ago, I began to write in the field of Florida Studies.

C: And what is Florida Studies?

M: Florida Studies refers to the literature, history, culture, [and] lifestyle of the state
going back to the beginning in the sixteenth century up to the present-time. I
realized there was not much done in the field, especially in terms of literature, so
I decided to specialize in Florida literature, at first, and then moved on from that
to subjects in Florida history, all as an offshoot of my studies in Florida literature.

C: Your bio says you are a professor of Florida Studies. As you said, there was not
a lot written about it. Did you create the professor role?

M: I did not create the area. I just became the only person teaching Florida literature
in the English department here. Then I began to see that there was a need for
studying and writing about the area. It actually began in 1976. My family was
away and I had a vacation here for several weeks, so I bought a pup-tent and
camped my way around the state of Florida. When I would go into a town, I
would ask anybody who I would see what the literature was of that town, who the
authors were who lived there, what works of literature were written about the
place or in the place, even if set elsewhere, what movies were made there or set
there and if someone wanted to read about the history of the town or county,
what works would they read? In doing so, I accumulated a lot of information

UF 313 page 3

simply for my own use. I then began to go around the state to talk to anybody
who would listen for free about the subject of Florida Studies. From that, I began
to see and write about Florida issues.

C: What attracts you to the topics of your books?

M: Two of the books I wrote were about grammar, one called Grammar in Usage in
1980. The other one was called Grammar and Paragraphs in 1986. The first one
I wrote because a publisher happened to come on campus and came into my
class. I was teaching a class of over 300 students in English grammar, and he
thought there was a real need for a book because I was actually mimeographing
hundreds and hundreds of pages and handing them out to the students. That
was just a lot of work, and he saw a need for that. He was the one who said I
should write a book about grammar, and I did. It went on to sell 10,000 copies or
so. The second book, Grammar and Paragraphs in 1986, for that, I was
contacted by Harcourt Brace Jovanovich in Orlando, and they asked me to write
a book on remedial-English, which became one of the biggest projects of its kind
in the teaching of remedial-English to students. The book that I produced cost
$10,000 if you want to buy it. What it is, is a book plus about forty-two carousels
full of slides that a student would use. It would take about a year to go through
this course, and that student would learn the basics of English and become much
more proficient in English. This was a system adopted by, for example, the state
of Tennessee to teach its remedial-students the basics of English. Then, a third
book I wrote was about Saudi Arabia. While I was in Saudi Arabia, I saw a note
asking if anybody knew anything about foreign countries to make a proposal to
write a book by Dillon Press out of Minneapolis. So I proposed a book on Saudi
Arabia and they said yes, and they produced it in 1986. It was revised in 1996.
Other than that, the books I have written are basically about Florida. I began in
1986. I was the acting chairman of the Department of English here at UF, and I
was contacted by a group of people over in Trenton, Florida, and they asked me
to write a history of their county. I had never done a history or anything about
Florida other than articles. So I went over to Trenton and met with the people and
saw that there was a real need for this book and interviewed lots of people over
there, got lots of photographs, and actually had the prison over there near
Trenton produce the book, because they could do it cheaply. This was a book
called the History of Gilchrist County that was initially done to raise money for the
Women's Club over there. So I earned almost no money from that book, but I
wanted the experience of writing it. That got me involved in writing about Florida.
Then I produced a book in 1989 called Florida Stories, which was a collection of
seventeen stories by pretty well-known authors like Ernest Hemingway and Zora
Neale Hurston and Marjorie Kinnan Rawlings. That was published by the
University of Florida Press in 1989. Then, a follow-up to that is in 1996, called
More Florida Stories, same publisher, dealing with more authors and more
stories about Florida. Because the first book did so well, the press wanted to do a
second one. Then, in 1990, I made a collection of Nine Florida Stories by Marjory

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Stoneman Douglas. When she was ninety-nine years old, I contacted this lady
and produced a collection of her stories that she had written back in the 1930s
and 1940s, which were pretty inaccessible, because they were in the Saturday
Evening Post. Most people did not have access to that magazine on microfilm.
When she was 100 years old, the book was published. Then, in 1998, I did a
second volume called A River in Flood and Other Florida Stories by Mariorie
Stoneman Douglas, again produced like the first one by the University Press of
Florida, though she died right before it came out. She died at the age of, about,
105. It came out in 1998. The two other books, I edited a collected series; one
was called The Book Lover's Guide to Florida. It was produced by Pineapple
Press in 1992. That is my favorite book because that is almost a mile-by-mile
literary survey of Florida. I had eight other writers work with me on that and,
together, we produced a book that deals with 2,000 authors of Florida and 5,000
works of literature. That took about three years to do because it was so hard to
deal with so many different other authors. Then I had another ten authors write
what I called inter-chapters. In the book, there was an inter-chapter on Key West
as a literary haven, a book on Florida and poetry, a book on mystery stories set
in Florida. So that is a book that I am really proud of. The last edited book I did
was called Alligator Tales, again produced by Pineapple Press in 1998. It is a
collection of stories about alligators, some of them from Native Americans, some
of them from modern-day newspapers. I worked with John Moran, the prize-
winning photographer from the Gainesville Sun. He has a lot of color
photographs of alligators. That was a fun book to do because alligators are
probably the most popular tourist animal in the state of Florida. When people
come here, they want to know and see and get as close as possible to alligators.
That may lead to a book I am going to do in about two years called Fish Tales,
fish stories about and in the state of Florida. So I primarily deal with two presses,
the University Press of Florida and Pineapple Press. The first one is academic.
The second is more of a commercial press. So the book I do at any given time, I
will send to one or the other of the publishers, depending on what the subject
matter is.

C: Did you give them a proposal, or did you just start work on the book and then
shop it out? How do you usually do it?

M: At this point in my career, what I do is make a proposal. Basically in the
beginning, because I write non-fiction books, I would make a proposal. For
example, I made a proposal to do a book on Florida lighthouses, and the
University Press of Florida said that is a great idea. I found a man named William
Trotter, who had a lighthouse museum in Jacksonville Beach, Florida. After about
five minutes of meeting him, I said to him, I would like to work with you on putting
together a book about Florida lighthouses, because he paints pictures of Florida
lighthouses, and he said fine. So, since that time, we have done about six books
together. I give him the subject and I will give him the chapter I am writing about
a lighthouse or a shipwreck or a pirate, and he will paint a picture, sometimes of

UF 313 page 5

100 years ago, what the scene looked like back then. That led to Florida
Lighthouses, produced by the University Press in 1990. After that, in 1992, we
did Thirty Florida Shipwrecks, published by Pineapple Press. Then, we did a
book called Twenty Florida Pirates, produced by Pineapple in 1994. Then, we
branched out and did a book called Lighthouses of Ireland, produced by
Pineapple in 1997. Then, in 1998, Pineapple produced our Georgia's
Lighthouses and Historic Coastal Sites. And, now, he is working with me on the
book about aviation in Florida, which should come out in 2001 or 2002, and our
next project, I hope, will be Lighthouses of Scotland.

C: Introduce your two sports books.

M: I got involved in sports because I did a book called African Americans in Florida
in 1993 with Professor Maxine Jones at FSU and, in there, I dealt with some
Florida sports athletes like Bob Hayes, who was a famous African American in
sports. Then I did a second book by myself which is called Black Florida.
Technically, it is called The Hippocrene USA Guide to Black Florida, published
out of New York in 1995 by the Hippocrene Press. There, I also noted that there
were some African American athletes. I taught a course several springs ago, and
I have done it for about three years, Baseball in Florida, and I am teaching now
for the second time a course on the history of football and writing about football.
As the twenty-fifth anniversary of the rivalry between the Gators and the
Seminoles was approaching in 1993, I realized that there was no book on the
rivalry between the two sports teams. I contacted a man named James P. Jones,
a former chairman of history at Florida State University. He had written two
books on the Seminoles in Tallahassee and the history of their football team. I
asked him who his publisher was and what the prospects of that publisher
publishing a book about the Gators and the Seminoles, and he asked me who
my co-author was in Tallahassee. I said I did not have one, that I was going to do
it myself, and he told me that I would not sell any copies in Tallahassee because
they could not believe anybody in Gainesville would be objective. So, I asked him
if he would co-author it with me. To make a long story short, he agreed. The
difficulty was, what do we call it? As an English professor, I wanted to do it
alphabetically; I wanted to say the Gators and the Seminoles. As a historian, he
said, no, because in recent history in the early 1990s, the Seminoles had been
dominant. He wanted to call it the Seminoles and the Gators. So, we flipped a
coin. The winner got to choose the title, [and] the loser got to have his name first.
So, we flipped a coin and I won, and it became The Gators and the Seminoles:
Honor, Guts and Glory by James P. Jones and Kevin M. McCarthy. We got
Coaches Bobby Bowden and Steve Spurrier [from FSU and UF, respectively] to
write forewords to the book, Bowden from a coach's point of view [and] Spurrier
from an athlete's and a coach's [point of view], what it was like on both sides.
Then we had one of the players in the late 1960s, John Reaves, write a comment
about what it was like to be a quarterback in the late 1960s and early 1970s for
the Gators. He went on to become a coach here at Florida and also, later on, at

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South Carolina, as well as other places. We got a second person from the FSU
point of view, T.K. Weatherell, who was at the time (I think he was) Speaker of
the House in Tallahassee. He wrote what it was like to be a Seminole in the mid-
1960s playing [in] that rivalry. We had a short history of the Gators and the
Seminoles up until 1958. Then we featured each year from 1958 through 1992, a
summary of the scores, a listing of the lettermen of each school, a bibliography.
There probably will be a follow-up to this book in a few years because there was
such interest. The book was published by Maupin Press of Gainesville. They
happened to be neighbors of mine, and I went to them and said, would you be
interested in publishing this book? They saw the need for it and produced it. They
produced about 3,000 copies, and they sold over 2,000 copies in just a matter of
a few weeks, because it came out in the fall of 1993 as the rivalry was heating up
toward early November. That was a lot of fun to do. I did not mention this before,
[but] I am finishing another book. I will finish it in January of 2000. It is going to be
a photo history of the University of Florida Gator football team back to the
beginning. It has about 200 photographs with commentary captions of each
photograph. The reason I got so interested in football was, I found out that the
first unofficial coach of the Gator football team was the chairman of the English
department when the University was up in Lake City. His name was James Farr.
He became a coach before the Gators really became an established team down
in Gainesville. That got me very interested in football, so the book I did and the
book I am doing now and the course I teach has gotten me very involved in
football. I played football in college but not as an intercollegiate player; I just
played in intramurals. I enjoy the game a lot. I enjoy watching it.

C: Your other book is Baseball in Florida.

M: The Baseball in Florida book was an outgrowth of the course I taught for several
springs here. In 1996, I produced this book published by Pineapple Press, and it
deals with such topics as early baseball in Florida, youth baseball, college
baseball, women in baseball, the fact that the All-American Girls' Professional
Baseball League trained in South Florida in the 1940s when the major leagues
were hurting for attendance. Another chapter is on African Americans in baseball
and all the African Americans who came from this state, ending with Buck O'Neil,
probably the most famous African American in the Negro Leagues [and] who was
featured in Ken Burn's History of Baseball on PBS [Public Broadcasting System
TV network]. Then I have a chapter on the minor leagues, spring- training, the
major leagues, and other baseball leagues and players in the state of Florida, for
example, the group of seventy-five-plus years of softball players down in St.
Petersburg, the Kids in Kubs softball team. I have always liked baseball. I have
gone to spring-training games, I have gone to local games, and I have
accumulated a lot of photographs from different archives around the state dealing
with baseball. When I dealt with spring-training and the major leagues, I realized
how important Babe Ruth was to the state, so I am writing a manuscript about
the influence of Babe Ruth in Florida, and of Florida on Babe Ruth, developing

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from a young immature ball-player into the best ball-player of the time, perhaps
of all time.

C: Other than living here, what drives you to Florida as a setting?

M: We have, of course, about 15,000,000 people in the state of Florida, but more
importantly, we have over 40,000,000 people a year visit Florida. I wanted to
write books that would be of interest to them, to sell a lot of copies, of course, but
also to make the state better-known. When most people think of Florida, they
think of such things as Disney World and Sea World and beaches, spring break,
and they do not think of it in cultural terms. Therefore, the first books I did dealt
with the cultural-literary part of Florida, and that led to the history I have done,
and that has led to the sports books I have done. I also got involved in writing a
column, a sports column. In 1994, there was an attempt by the local newspaper
to produce a sports magazine called Sports 2. So I wrote to them in the early
spring of 1994 and said to them that I would like to write for free a column on
sports in Florida, not from a normal point of view, but from a language point of
view because I teach linguistics, which is basically the study of language. So I
produced, and they published, thirteen columns before the newspaper folded in
the fall of 1994, and what I emphasized was nicknames in sports [and] things like
the eephus pitch. Do you know what an eephus pitch is? It is a lob-ball. Where
does it come from? Who did it? Where did it get its name? My idea was to deal
with baseball in the spring, football in the fall, and basketball in the winter, and I
would have done that if the newspaper had continued on. I may now use these
thirteen by-lined articles to write to a syndicate that is interested in producing
syndicated-columns on sports. Now that I have some clips about this, I would like
to go national. For example, what influence does cricket have on sports in
America, and what expressions from cricket do we have in baseball? Nicknames
of the Yankees-why were they called the Highlanders? All the different kinds of
nicknames of different athletes in different sports. Where does the work balk
come from? It goes back to Old English, a little-known fact about that. I have a lot
of interesting anecdotes from the language point of view. There have been so
many books written about sports, especially baseball. I understand there is
something like a baseball book produced every four days in America, so I wanted
to have a different perspective, a different angle, when I did this column, and I
have gotten so involved in sports that I would like to follow this up and try to do it
at a national level.

C: So, the eephus pitch, where did that word come from?

M: The eephus pitch is a high-arcing lob that can go as high as twenty-five feet. It
was most famous by a pitcher named Rip Sewell. The origin of the name is
unknown. We do not where it comes from, but he was the one who, I guess,
came up with the name. There are lot of interesting things, like why do we have K
for strikeout? And why, for example, is Dwight Gooden called Dr. K? Why would

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he not be called Dr. G for his last name or Dr. S for strikeout? Well, the reason
we have K is because S was already taken in the first abbreviation for
scorekeeping. S was taken, I think, for sacrifice. So, the man who came up with
the idea of using letters for different parts of the baseball game realized that K
was the last important sound of strike, so he came up with the idea of using K for
strike or strikeout. There are a lot of little things like that, that people use and see
and know but do not know the origin of it. It is fun.

C: So sports books are not like a storyline; they are more of a survey?

M: Yes. Both of them are basically surveys because I deal with the history of sports,
and I try to be as complete as possible. When I finish a book, whether it is on
football or baseball, I will have an expert read the book over to make sure that I
have done it accurately. Baseball, in particular, is full of statistics and figures,
more so than other sports and, therefore, I went back to the beginning of
baseball and tried to find early records of baseball. I have become very big on
reading very old newspapers in Florida. You can see that large machine in my
office is a microfilm reader. I have, probably, the best private collection of Florida
newspapers on microfilm of anybody in the country. I have collected these over
the years. These go back to about 1783 and up to the present. I have made a
survey of Florida newspapers. When I read these old newspapers on microfilm, I
began to see, for example, the influence of baseball in the nineteenth-century,
how important baseball was for little towns in Florida. For example, one town like
Palatka would challenge a bigger town like Jacksonville to a baseball game on
Memorial Day or Labor Day and would take great pride in beating the bigger
town, because each town could only put nine players at a time on the field. Of
course, sometimes the town would bring in ringers, semi-professionals, disguised
as local residents to beat the bigger, more important town. But, the amount of
pride that a local town would have in its baseball team really made me realize
how important baseball was, and especially to Florida, because Florida, though
the first settled, 1564, was really the last colonized on the east coast. Therefore,
[Florida] has always been the Johnny-come-lately in a lot of areas, but in sports,
it could excel because we have good weather all year round [and] we have a flat
terrain, and, therefore, baseball is a natural. It is easy to produce a baseball field.
It is very cheap to produce a baseball field, a flat ground with four bases.
Therefore, teams began to establish baseball teams in the nineteenth century
and have gone on to produce some really good ballplayers out of the high
schools and colleges of the state.

C: Would you say your newspaper research, and the small stories included in those
newspapers, make you choose little profiles of persons or towns in your books?

M: Right. I divide all the books I do into smaller segments, whether it is shipwrecks
or pirates or football or baseball, and try to put in one synopsis, one chapter, the
most important events, facts, of that. Rather than writing a whole book on one

UF 313 page 9

pirate, I chose to do a book on twenty pirates, because I think the reading public
is more interested in reading about a lot of different parts all on the same subject,
pirates or shipwrecks or lighthouses.

C: Is it your personal preference as well?

M: Yes, mine too. Every day, I read several different newspapers. I am a newspaper
junkie, addict, and I read newspapers on the Internet. Therefore, I think today,
people like to read smaller excerpts rather than 300 or 400 pages on one minute

C: What kind of research, specifically [for] the baseball book and the football book,
have you done, and has this evolved with the Internet? Did it change your
research process?

M: What I did with the baseball book was to begin with the old nineteenth-century
newspapers, and then that would lead me to local histories of towns [and]
counties in Florida. Then, I would also go to different libraries around the state,
different archives that I knew were good in baseball history. I would interview
people I knew were involved in baseball, especially modern baseball. Then, I
went up to the National Baseball Hall of Fame in Cooperstown and spent some
time up there in their archives dealing with sources that are not available
elsewhere, old copies of baseball journals [and] magazines. They have a very
good clipping-service where somebody has gone through hundreds, if not
thousands, of journals and newspapers and cut out articles dealing with
particular topics. So, I could go to, for example, spring-training, and they had lots
of folders on that and I could easily use their photocopy-services up there. Doing
the book on Babe Ruth, I contacted them and had someone there go into their
Babe Ruth file instead of my going up there a second time, and they photocopied
for me any relevant article about Babe Ruth in Florida. Baseball is a little bit
easier to write on because there is so much more written about baseball,
especially the history of baseball, so that we have baseball biographies of all the
major players. And, now, the Negro Leagues are beginning to be documented
more. People have collected paraphernalia, documents, records of baseball, I
think, far better than other sports. I do not know why they do that rather than
other sports, but they do. So, baseball is really a fun topic to research because
there is so much out there. What I do is, I approach it from a different point of
view. There was never a history of baseball of this state, but there were histories
of major league teams and of spring-training and of the Women's Baseball
League and of the Negro Leagues. So I would go through these books and cull
out the important points dealing with Florida baseball. Football, because I was
only dealing with the history of the Gators and the Seminoles since 1958, what
my co-author and I did was, we went back to newspapers, and that was relatively
easy to do because we have such good newspaper records of football. Football
is such an important sport in this state, in this town, at this university, that that

UF 313 page 10

was relatively easy to research. In doing the history of the Gator football team
back to the beginning, it is a little bit more difficult because the earlier records
were really inexact. For example, with Georgia, we are still not sure how many
football games the Gators and the Bulldogs have played. The Bulldogs say that
there is one more game that we do not recognize. Who is right? I do not know.
So football is a little bit different. Football is a little easier in another sense
because there are so many old-timers who have followed the Gators over the
years and know the team well. I have been able to talk to some of them, and they
are very interested in talking about Gator football.

C: Specifically, Honor, Guts and Glory is only going back to...?

M: 1958. We have a summary of the Gators back to the beginning of their history
and the Seminoles back to the beginning of their history, but the emphasis is on
each of the games since 1958 through 1992.

C: You say you usually do not use the Internet?

M: I have not done it yet, no. I have not really had to. Now, the Internet, really only in
the last two years, has become very big. The books I am doing now, especially
with aviation, I am using the Internet more and more. On the Internet, you have
to be careful because anybody can put anything on the Internet and, therefore, to
use the Internet, you really have to be careful. You have to be able to double-
check it. So, with aviation, the work I am doing there, I can write to the individual
companies through the Internet, through e-mail, and that is easy. But I am very
cautious about using the Internet for research.

C: How long did you spend on Honor, Guts and Glory?

M: Normally, it takes me one year from start to finish. When I start the book, I make
a proposal to a publishing company, and then they say yes or no. If they say yes,
I begin to research it, and a year later, the publisher has a manuscript in hand.
That means I have done the research, I have written the book, I had experts
check it, I have copy-editors copyedit it, and it is ready to go to press.

C: And that includes Baseball in Florida, too?

M: Yes.

C: Let's start on Honor, Guts and Glory. We may have covered all of this, but I just
want to make sure. When was this published and by whom?

M: It was published in 1993 by Maupin Press in Gainesville. I had begun it in 1992
when I realized that the twenty-fifth anniversary of the rivalry was approaching in

UF 313 page 11

C: Okay, and we said that James P. Jones was a history professor at FSU, and you
said that old players and coaches talked, Bowden and Reaves and Spurrier and

M: Yes. They were very willing to write something about what the game rivalry
meant to each of them. Then I had Norm Carlson, who has been the long-time
sports information director at UF, read over the manuscript, and he made helpful

C: In your book, you have a little bit of a history. When did this rivalry begin?

M: Interestingly, there had been a football team, believe it or not, at the school in
Tallahassee that became Florida State University. It was in 1902, and [the Gator
football team] played the men's school there. That school eventually became the
Florida State School for Women and, eventually, Florida State University. But,
the very first victory the Gators had was against that men's school from
Tallahassee. We won six-to-nothing. You might say that is not really Florida State
University, but it is the school that became Florida State University.

C: Does Florida State recognize it as a loss?

M: I doubt it. I do not think so. Then, in 1903, the following year, Florida State
College in Tallahassee beat the Gators twelve-to-nothing, after which the Florida
coach quit and resumed his law practice in Jacksonville. He could not stand to
lose to the school in Tallahassee. Eventually, that school became all women, but
then when it became co-ed, I think in 1947 after the war, when men began to
come back to the different schools and UF became co-ed and FSU became co-
ed, the Florida State students began to have a football team beginning in 1947,
and they struggled at first. Then, in the early 1950s, a movement [began] at
Florida State to play the Gators down at Gainesville, but the University of Florida
was very reluctant to play the FSU Seminoles, because we had nothing to win
and everything to lose. If we beat the Seminoles, people would say, well, you are
a much bigger school and, therefore, you are expected to beat them. If we lost to
the Seminoles, it would be a disgrace because we were so much bigger and they
were so much newer and smaller. So, for a number of years, the UF
administration hesitated to sign a contract to play FSU in football. Finally, in the
1956-1957 [school year], there was a rumor that the legislature in Tallahassee
was going to get involved in this and was going to force the two schools to play.
Finally, the two presidents got together and said, we better play football or we are
going to have this legislated for us. So, in 1958, the two teams met in Gainesville.
The first six games that were played were all played in Gainesville because the
contract said that the game would not be played in Tallahassee until FSU
expanded Doak Campbell Stadium and made it a lot larger. So, for six years, the
Gators could use the excuse, well, that stadium up in Tallahassee is too small

UF 313 page 12

and, therefore, we are not going to play them up there. Finally, in 1963-1964
[school year], FSU expanded its stadium up there and forced us to have a home-
and-away schedule with FSU. So, since 1964, when the game was played in
Tallahassee, we have gone back and forth, so that in 1999, the game will be
played in Gainesville and the next year in Tallahassee and back and forth.

C: Why is college football particularly so important in Florida?

M: I think it is important in Florida because the state of Florida has produced so
many good football players who have for years gone out-of-state to other
powerhouses like Notre Dame and Michigan and Southern Cal[ifornia] and so on.
Only in the last fifteen years or so have the three major schools, UF, FSU and
Miami, begun to successfully keep those athletes in the state of Florida, so that if
schools could use only players from their own states, Florida, Texas and
California, I think, would be the three big states that would successfully compete
on the gridiron. Also, I think football is important because it has brought in so
much money from the alumni. I think if one were to go back and see what type of
contributions poured into Miami, FSU and UF after the individual teams won the
national championship, I suspect that the amount of money was quite significant
in the following years. I have no trouble with the support of football at this school.
I know a lot of the faculty probably do not like the emphasis on football, but to
me, that not only brings a high degree of spirit along the alumni and students, but
it also brings in a lot of money from television, from bowl games, from ticket
sales, into the University of Florida. That money does not all go to the Athletic
Association. That association has very generously funded a huge buying of
computers for the libraries, has funded summer-school at UF, and has probably
helped pay my salary, so I have no trouble with all of the emphasis on football in
this state [and] in this town.

C: What do you think in regards to the players coming here for just the scholarships
and all the money they produce?

M: There is an argument that those players should be paid something, and I think
they should be paid something. I think college athletes should be paid as if they
had an ordinary job. They are not allowed to have jobs because they are so busy
practicing, especially football in the fall, and they bring in so much money to the
schools that they should take some; they should be able to have some benefit
from that financially. I know they get scholarships and they get books paid and
tuition [paid], but I really believe that college athletes eventually will be paid
something, really a decent wage, for what they do on the football field. They
practice so much. They are under such tremendous time-constraints because of
how they fit in their football schedule and their studies and their social life. It is
really remarkable what they do. Now I know that they can come to a school like
UF and have national TV-exposure week after week, which is going to help them
greatly if they are good in making the jump to the pros, and I know that the

UF 313 page 13

school, therefore, does provide them with a lot of benefits for their future careers,
but there really is a two-way street there and I think we should eventually pay

C: Is there more to say about getting the football rivalry started, [which] involved J.
Wayne Reitz, the governor of Florida, the legislature?

M: Yes. There probably would have been a law passed by the legislature the way, I
think, up in Kentucky there is a law passed by the legislature to have UK and
Louisville play, at least in basketball. I think that would have happened here and,
finally, the two presidents saw the writing on the wall and agreed to have the
game, reluctantly on the part of UF at first, but in the end, it has benefitted both
schools. A more interesting question these days is, should the game be played
earlier in the season? And the answer is probably yes. As we saw this past
weekend, when a team like Penn State, second in the country, loses at the end
of the season, that loss has far greater repercussions than a loss in the early part
of the season, as happened with the Gators, so that when the FSU team comes
here in another few weeks to play the last regular season game, one of the
teams is going to lose and drop drastically in the polls. Right now, FSU is number
one, and the Gators are number four or number five. That number is going to fall
for one of the two, whoever loses. If the rivalry had the game played earlier in the
season, for example, the first or second game, the loss to one of the teams
would not be as serious as it would be at the end of the season. And there is a
second reason, I think. At the end of the season, if Florida has won its SEC
division, it is looking forward more, probably (in my opinion), to the SEC
Championship game than it is to the rivalry with FSU, because we have to win
the championship game this year in Atlanta in order to then go on to, maybe, play
in the national championship. Therefore, I think that in the past few years when
Florida has won its division in the SEC, it has perhaps held out some of its top
players when we play FSU in order for them not to get hurt when we play the
SEC championship game. If we play the FSU game at the beginning of the
season, we would not have that problem. Both teams would go full-force, and
there would not be, perhaps, the injury-factor as there often is at the end of the
regular season.

C: Over the whole series, who comes out on top? Who has dominated this series?

M: Interestingly, it really goes by decade. From 1958 to, basically, 1966, the Gators
were dominant. Then, in the late 1960s and early 1970s, up to 1976, the Gators
again were dominant. But then, in 1977, 1978, 1979, 1980, the Seminoles won.
Then, in the 1980s, 1981, 1982, 1983, 1984, 1985, 1986, the Gators won. Then,
1987, 1988, 1989, 1990, the Seminoles won. So it is interesting that one team
has dominated, almost in huge blocks of years. In the 1990s, when Spurrier
arrived on the scene, it became a much more evenly-fought battle. Again, in the
late 1980s, the Seminoles began to dominate. In the 1990s, they have gone back

UF 313 page 14

and forth. No one team dominated. It has been a very equal match, so that in
1996, when the Gators lost once and it happened to be the Seminoles, we went
on to play the Seminoles in the Sugar Bowl for the national championship. It just
showed that the two best teams were probably FSU and Florida. So the two
teams are very equal now. Both have produced Heisman Trophy winners,
Charlie Ward [for FSU] and Danny Wuerffel [for UF]. I think it is a very equal
rivalry at the moment. To me, a lot depends on where the game is played. I think
the home-field advantage is one touchdown for that home-field team.

C: What is the significance of the 1964 game, which was the first time Bobby
Bowden was involved and the first time Spurrier was involved?

M: Spurrier as a player? Well, in 1964, that was the first time that FSU won. In
1961, there was a three-three tie. 1964 was the first time the game was played in
Tallahassee, and they won sixteen-to-seven, clearly a big score. I mean, they
won decisively, so that really put FSU on the big-time football map. They proved
that they could play with the Gators, and they went on to really do well.

C: Was that Spurrier's first game or so? It might have been.

M: 1964 was Steve Spurrier's first game as a quarterback against FSU, and he did
well. He really almost led his team back, but he was sacked and had two
interceptions and the Seminoles went on to win the game, perhaps because the
game was played up in Tallahassee. Again, to me, the home-field advantage is
really important. That was the first game up in Tallahassee, and that may have
helped them a lot. As I said, if you take one touchdown away from that, you are
down to a nine-to-seven game. That is a close game.

C: The 1966 game is called the most infamous game.

M: Especially in terms of the Seminoles. If you ask most Gator fans who Lane
Fenner was, they probably do not know who he was, but he has meant a great
deal in Tallahassee to the Seminoles. What happened was, there was a very
controversial play that dealt with Lane Fenner toward the end of the game.
Fenner was a receiver for the Seminoles, and toward the end of the game, he
was sprinting down the right-sideline and got into the end-zone. The ball was
thrown in Fenner's direction. Fenner and two Gator players leapt for the ball.
Fenner came down with it. The referee, Doug Moseley, started to raise his hands
for a touchdown, which would have won the game for FSU but a split-second
later reversed himself and said, no touchdown, pass incomplete. This game was
played up in Tallahassee, and this was before the days of instant -replay, when
there was no replay allowed and no big screen to show it, but the people in the
stands could not believe that it was an incomplete pass. The clock eventually ran
out and UF won the game, but for the next week or month in Tallahassee, there
were large blown-up photographs of Fenner clearly catching the ball and in

UF 313 page 15

bounds. I remember talking to one of the Gator players who was guarding
Fenner and he said, there was no question that Fenner was out of bounds before
he had control of the ball. Well, Fenner and the Tallahassee Seminole fans said,
crazy, that is wrong; he clearly had the ball. The picture I have in the book seems
to indicate that Fenner is in bounds and has the ball, but he bobbles it. I have no
opinion on whether he caught the ball or not. I do not know. I was not there. The
Gator fans, I think, dodged a bullet, because I suspect if you had instant-replay
today, you would have the touchdown counted and, therefore, FSU would have
won it. That game still means a lot to Tallahassee fans. It does not mean much to
Gator fans. They have forgotten all about who Lane Fenner was.

C: How many players did you speak to in total?

M: I talked to, maybe, a dozen players from the different years, different decades,
some of them in my class. I always, of course, would get the Gator point of view,
and my co-author got the Seminole point of view, and we tried to coordinate it.
We would always read each other's chapter so that nobody, except him and me,
knows who wrote which chapter, because we tried to be as objective as we could
and not favor the school we belong to. We have been pretty objective, and no
one has ever criticized us for being favorable to one school or the other.

C: So, you are saying that you wrote, separately, these chapters.

M: I wrote half the chapters and he wrote half the chapters, but nobody knows which
half I wrote. It was not necessarily the games that the Gators won. It was just that
we divvied them up in certain ways. Only he and I know who wrote which
chapter, but it did not matter because then we would give each other the
chapters we wrote and we would correct, critique, add, [and] delete what the
other person had written. So, it was a really joint effort, which is not always easy
to do. When you jointly co-author something, it is oftentimes very difficult
because one person will normally say, well, I did most of the work; I deserve
most of the credit. That is not true in this book. We really did half the work, each
of us. It was a pleasure to work with him. We want to work together again
because it was such a pleasurable experience. That is not true in a lot of other
cases that people co-author books in.

C: In your experience?

M: No. I have had luck because the people I have worked with, I have chosen
carefully. Some people, I cannot work with, but others that I have picked, I can
really work well with.

C: That is interesting. Have you ever started a book and had to walk away from it?
M: No, because I would realize before I started that this is not the person I want to
work with, that I am going to do something else and let him go on to do his own,

UF 313 page 16

the book by himself, for example.

C: Have you gotten responses from people about this book?

M: When this book came out in the fall of 1993, I went around to a lot of Gator
booster groups and spoke about Florida football from the Gator point of view and
ended up selling a lot of these books myself. It was an unusual experience
because normally when I make an academic presentation, it is to a group of
academics. For example, in the last month, I have made three major
presentations around the state of Florida about a book I wrote about Native
Americans of Florida. There, the reception is very different because they look on
my writing from an academic-objective point of view, but when I talked before
these groups, they were, I guess, always pro-Gators. If I ever mentioned
anything favorable about the Seminoles, they would politely boo me and hiss,
and I was shocked. So I have had to be careful. I knew what they wanted and,
therefore, I would emphasize the Gators and de-emphasize the Seminoles in the

C: Do you think one of the reasons you were able to write this book is because you
did not grow up here?

M: Sure. I can be objective.

C: Are you a Gator fan?

M: Yes, I am a Gator fan. I enjoy watching the Gators more than any other college
team because I like the Fun-n'-Gun offense [Spurrier's high-yardage pass-heavy
offensive strategy], but more importantly, I know the students. Some of them
have been in my classes, and I know them on a personal basis. When I taught
the writing about football class in the fall of 1998, I had Jesse Palmer in my class,
and he was the starting quarterback before he got hurt. It was fun to talk to him
on the Tuesday after the game, in class, about what it was like to play in front of
100,000 fans in Knoxville, Tennessee. Why did you change the play? What is it
like to receive a call from Spurrier on the sideline? How do you determine what
play to call or to change the line of scrimmage? Therefore, I know the players. I
have known a lot of players over the years, and it is more fun to watch players I
have come to know a team I do not have any relationship with.

C: How do you feel these players fit into the academic community and the university
community and being in school?

M: I think it is very hard, as I said before, in how they juggle time. Athletes of any
sport on this campus, on any campus, how they can practice several hours a day
during the season, take three or four courses that season, and have a life outside
football and the classroom is really remarkable.

UF 313 page 17

C: Do you find they have proper respect for the classroom?

M: Yes. If they do not, they are not allowed to continue on the team. For example,
the athletic coaches here are so closely in touch with teachers. They notify us
several times a semester and ask us how a specific players are doing. We have
to respond, yes, so-and-so is doing well; no, so-and-so is not attending class;
have them come to class. There is a tight rein on the athletics, and academics is
stressed more and more.

C: Is there a different kind of reaction to the classroom for athletes--are more

M: I do not know. I do not think they would come to class as much if they were not
required to come, because students in general oftentimes will sleep in. I teach
early classes, early in the morning, and they might sleep in. They might have a
party the night before. But the athletes come. I remember on year having the
basketball team. I had a class of, maybe, 500 students, and I had the whole
basketball team there. They would all come, all sit together, all take notes
together, and they had their own proctor who kept track of who came to class. If
they did not come to class, they better be there the next time. I did not have to
keep track of which basketball players came because they were always there, in
general. That was impressive, and when other students saw how often these
students came, it had to impress the other students. One of the best students I
had in the summer of one year was Danny Wuerffel, the quarterback. He came to
class every day and was well-prepared, and it was a pleasure to have him in the
class. He went on to win the Heisman Trophy that following year, and it was fun
to see him do so well because he was such a really outstanding person, apart
from a great football player.

C: Back to the coaches, how about [when] Bowden really came in? That was FSU
started to really change things. And what did Spurrier mean to this team?

M: Bowden brought a high level of coaching ability to the team. Before then, the
Seminoles, like the Gators before Spurrier, struggled and had a lot of coaches
who really were not very successful. Bowden, with his good coaching methods
and strict discipline, really did a good job in turning around FSU's program. [He]
has really helped the rivalry a great deal.

C: Who are some of the players who have come out of these schools?

M: Two of the ones in the late 1960s are John Reaves and Carlos Alvarez. I
remember I was at the 1969 game against Houston when, the third play of the
game when the Gators had the ball, John Reaves threw a long pass to Carlos
Alvarez, who caught the ball and scored a touchdown. That was the beginning of

UF 313 page 18

one of the most successful seasons ever for the offense on this team. It showed
how wide-open football was going to be in the Ray Graves era. Ray Graves was
the head coach at that time. It was exciting to watch the Super Sophs
(Sophomores), as they were called, go on to set lots of records that year.

C: Who is Ray Graves? How long did he coach for?

M: Ray Graves coached in the 1960s, 1960 to 1969, and had a record of seventy-
thirty-one-and-four. He was replaced by Doug Dickey in the 1970s, Charlie Pell,
for about three and a half years, Galen Hall, Gary Darnell, and then Steve
Spurrier in 1990. [Spurrier] has been the coach of the 1990s.

C: How about giving me some names of famous players who have come out of
these two schools?

M: Some of the players who have gone on to play in the NFL, for example, more
recently, you have Reidel Anthony, who plays for the Tampa Bay Bucs; Shane
Matthews, Chicago Bears; Ike Hilliard, New York Giants; Jacquez Green, Tampa
Bay Buccaneers.

C: Looking at the pictures in the Gators and Seminoles book, before the mid-1970s
there are few to no African American faces. That seems to change in the mid-
1970s and kind of an even-split after then. Is that something that happened in the
culture of the schools, or is there a reason for that?

M: In the early 1970s, there was a movement nation-wide to have more African
American players. Even in the South, the Deep South, African American players
were making their mark more and more. I think one of our first African American
players was Willie Jackson. [His father] Willie Lee Jackson, Sr. played for the
Gators and may have been the first African American [to do so]. Then, Willie
Jackson Jr. became an end in the 1970s. In the 1970s, more opportunities arose
for African Americans at UF and other schools, and they have really gone on to
do well. That has led to NFL careers for a lot of them. In the 1950s and 1960s,
you would have a hard time finding African Americans on any team.

C: Was this policy, at least at UF, in the 1950s and the 1960s?

M: It is hard to say. If you asked any administrator, they would probably say no. Up
until 1954, the schools were segregated in the South, and when the Supreme
Court overturned that and made integration the law of the land, it slowly began to
permeate through high schools and colleges so that in the late 1950s and in the
1960s, more and more African Americans applied to and entered colleges
around the nation, especially in the South.
C: When they did start to integrate the footballs teams, was it a problem?

UF 313 page 19

M: No. This school has a good tradition of good relations between the races. I have
never heard of any problems between the races. It just never came up. People
were given opportunities based on their abilities. Willie Jackson, Sr. was the first
African American to play here, and from that, it just opened up the opportunities.

C: Baseball in Florida was published by Pineapple Press in 1996. You said to
research this book, you went to a lot of small-town archives. Were you surprised
what you could find out about baseball?

M: I would go to the small-town libraries and especially to their clipping files. A lot of
towns have a good clipping-file where some librarian has faithfully over the years
cut out articles from newspapers dealing with different subjects, and they would
organize these by subject. The libraries that did that often had a good clipping
file, and it really made my work a lot easier. I was interested in local personages
who did well in baseball at any level and how well the team did at a regional and
national level from that town.

C: Were you surprised by any of the towns you went to?

M: What surprised me, for example, was a town like Palatka on the St. Johns [River]
that had a baseball school, the Ray Doan Baseball School, in the 1930s, and one
of its instructors was Babe Ruth. After he basically retired from the Yankees and
the Dodgers, he went around and became a hitting instructor for schools like this.
I interviewed a man who lived next to Babe Ruth in Palatka. As a child, this fellow
used to see Babe Ruth go off to the baseball field each day and teach the local
youngsters how to play baseball, and he had a baseball signed by Babe Ruth.
The number of schools in Florida surprised me. For example, there was an
umpire school down in West Palm Beach where Joe DiMaggio would be an
instructor after he retired from baseball. There are still baseball schools in Florida
that are really well-known. Because the weather is so nice, baseball can be
played all year round. Youngsters from, for example, the cold North can come
down here to play baseball at some of these schools and go on to colleges with
scholarships after learning better how to play baseball here.

C: When you go look at these things, would the clippings be in folders? Or would
you have them on microfilm?

M: Basically folders. Some of the folders had really old articles about, for example,
baseball. Maybe no one had ever looked at these articles before, but they were
all in a folder about baseball in that town. Basically newspapers.

C: You must have found some of this stuff was falling apart.

M: Oh sure. It was seldom if ever preserved well, but it had such valuable
information from the local level, in the local newspaper, that no other newspaper

UF 313 page 20

would have picked up.

C: So you would just go and handle them and put them back.

M: Right. Again, I have used an awful lot of microfilm around the state for old
records, old newspapers. The most difficult part was trying to find records of
African Americans in Florida, as elsewhere, because records were not kept. I
know that African American teams were at some of the big hotels on the East
Coast. For example, Henry Flagler, the man who built the railroad down to Key
West, built some really big hotels in St. Augustine and Palm Beach and Miami.
To entertain the guests, he would often have the bellhops and custodial workers
in the different hotels, who were African American, play baseball in the afternoon
for the enjoyment of the white patrons of the hotels. No records were kept of
these games. They were not important games at the time. So it has been hard to
get records of African American players and teams. There was a player in
Palatka, a young man who went on to become one of the best baseball players in
the Negro Leagues. His name was John Henry, and his nickname was Pop
Lloyd. Well, he went on to be inducted into the National Baseball Hall of Fame,
but most people do not realize he grew up in Florida, in Jacksonville and Palatka,
and went on to play for some African American teams in the Negro League. He
never had a chance to play in the white leagues, but I remember once he played
against Ty Cobb in Havana and played better than Ty Cobb did. Cobb would not
shake his hand; Cobb was such a racist. I remember getting quotes about John
Henry Lloyd. When asked if he were born too soon, he once said, I do not
consider that I was born at the wrong time; I felt it was the right time, for I had a
chance to prove the ability of our race in this sport, and because many of us did
our very best to uphold the traditions of the game and of the world of sport, we
have given the Negro a greater opportunity now to be accepted into the major
leagues with other Americans.

C: So Flagler's team and Pop Lloyd are not well-documented.

M: No.

C: Do you find this information from interviews or through clips?

M: Yes, to some degree. I had a lot of that up at the Hall of Fame in Cooperstown.
Another little-known fact about African Americans is the fact that Jackie Robinson
integrated Major League Baseball's modern color-line not in Brooklyn but in
Daytona Beach. The first time he put on a uniform, he was actually with the
Dodger's farm team, the Montreal Royals, which was in Daytona Beach. To
honor that fact, Daytona Beach now has a plaque in Daytona Beach and has
renamed the baseball field there where the Daytona Cubs play the Jackie
Robinson Ballpark. There is a statue of Jackie Robinson outside the ballpark with
two youngsters, one black, one white, to indicate that is where Jackie Robinson

UF 313 page 21

had his debut.

C: But it was not actually an easy integration.

M: Oh, it was terrible. [The towns of] Sanford, DeLand and Jacksonville wanted to
throw him out of the game, tried to arrest him. I remember in one of those towns,
he was forced out of the game because the local police chief did not want him to
play, so that in Sanford, the chief of police walked onto the field when Robinson
was playing and demanded that the manager remove Robinson and another
African American. The manager had to do it, or the game would have been
stopped. In Jacksonville, the game was not allowed to begin because Robinson
was going to play. The local authorities would not allow the game to be played.
That is disgraceful.

C: Did Dodgertown have something to do with that? Did they try to integrate it first in
Daytona? Is that where they ran into trouble?

M: Yes, and I think that Branch Rickey [Brooklyn Dodgers leader] established
Dodgertown in Vero Beach in 1948 in order to integrate his team from the
harassment that the black players were getting, so that Dodgertown is a place
which still exists where the players could be basically by themselves in a part of
Vero Beach away from everybody else. They would play baseball in their private
ballfield and would not have the trouble of segregation that they had to deal with
outside in outside towns.

C: There are a lot of photographs in this book. Where did you find them?

M: If you look at any of the books I do, I really emphasize photographs, because I
know that when people pick up a book in a bookstore or library, they are going to
first look at the photographs. I took some of the photographs myself. I got some
of the photographs from the Baseball Hall of Fame. I also have discovered what
photo archives are available around the state. For example, Tallahassee has a
good one, the Florida State Archives, for the whole state. Tampa has a very good
one. Lakeland has a good one. I sometimes wrote to individual teams and said,
can you send me a photograph? I wrote to Bill Wright, for example, who was the
first African American who was the president of the National League, and he sent
me a photograph for use in this book. Photographs are often hard to get, hard to
get permission to use, but they really do make a book much more readable and

C: Why has baseball been so important in Florida, and why has Florida been so
important to baseball?

M: Baseball has been important to Florida because it has enabled a lot of
youngsters to go on to the major-leagues. In the back of this book, I have a list of

UF 313 page 22

several dozen Florida players who have gone on to careers in the major-leagues.
Florida has been important for baseball not only for providing a lot of players, but
an awful lot of places in Florida have provided sites for spring-training. Other than
Arizona, Florida has been the dominant place for spring-training, so that even
today, something like eighteen to twenty of the major-league teams have spring
training in Florida. That brings in, each year, about, I think I saw, $300,000,000 a
year. That is a lot of money for six weeks to bring into Florida. That is not only the
teams playing here, having hotels, food, but the thousands of visitors who come
to Florida for spring-training [and] the TV rights to spring- training games. It is
only a short season, five or six weeks, but that is a lot of money brought into the
state. Therefore the different cities that have had spring- training sites, like
Lakeland and Vero Beach and Sarasota and Fort Lauderdale, have begun to
compete with each to see which city can lure the major-league teams. That is
one of the negative parts of spring-training, that a place like Homestead, Florida,
will build a large state-of-the-art facility to attract a major- league team, and then
something like a hurricane comes along and damages the city and the team
says, we do not want to go there anymore; we have decided to go elsewhere.
Well, who is going to pay for that stadium for the next fifty, sixty-plus years? The
locals citizens have to pay for that stadium. So it is nice if a city can attract a
team for a long time, like St. Petersburg and the Yankees or Fort Myers and the
Red Sox or Fort Myers and the Twins. But it is really hard, financially, on these
towns to build these huge stadia and have the teams only stay a few years.

C: So when and where did baseball start in Florida? Florida has some claim to
Abner Doubleday.

M: Right. If you believe that Abner Doubleday began baseball-which is not true, by
the way, it is a hoax-then he might have invented it in Miami because he was
stationed at Fort Dallas on the Miami River during the Third Seminole War, 1855-
1858, so then Miami could have laid claim to the National Baseball Hall of Fame.
Cooperstown claims that Doubleday began baseball, but he really did not.
Baseball in the nineteenth century was attractive to Florida because...you have to
remember that this state, as I said before, was the first settled but last colonized,
really. Because Florida was founded and settled by the Spanish, it was Catholic
and non-English. So when Florida became a state in 1845, Floridians wanted to
prove that they were as American as the people in the thirteen colonies to the
north of here, thought that baseball was the true American pastime and,
therefore, adopted baseball very readily as an Americanization process. So,
baseball, as a social phenomenon, is important. I think it helped Florida become
much more Americanized than it might have become with the Spanish/Catholic
influence. We had the good weather. We had the flat terrain. We had ideal
conditions for promoting baseball. Again, it did not cost much to have teams. You
did not need the equipment you needed in football. Therefore, baseball became
very popular in this state.

UF 313 page 23

C: Where do we see our first baseball teams and the first baseball leagues?

M: Normally in the northeast. Florida developed very slowly to the south. Small
towns in the north, for example, Sanford, Tallahassee, Palatka, Jacksonville and
Gainesville began baseball in a serious way in the 1870s, 1880s. Then, from time
to time, professional teams would tour Florida before the regular season began
and allowed Floridians to see a higher-quality of game. Finally, in the late 1880s,
one team chose to come down to Florida to have spring training. That really
made major-leaguers aware of Florida and Florida aware of attracting more and
more major-league teams.

C: When was the first spring-training site?

M: In 1888, when the Washington Capitals of the National League arrived in
Jacksonville to train for three weeks. They had struggled, and did struggle even
after that, to do well in the National League and were trying to have a new
location for spring-training. They came down to Jacksonville and had a terribly
hard time finding a place to stay because baseball at that time had a very low
reputation, rightly so. The players were often tobacco-chewing, cigar-smoking,
illiterate players who caroused a lot and were not upstanding citizens that we
may think of today. So they had a terrible time finding a hotel. Finally, they found
a hotel, but the hotel player insisted that the ballplayers not eat in the same
dining room with the other guests, not mingle with the other guests, and not even
mention their profession to the guests. He wanted them to be isolated and to not
promote baseball at all.

C How do you narrow down your information and decide what to write about, what
was important and what to leave out?

M: Almost always, I end up at a different place from where I thought I was going to
end up. When I began this project, I just thought I would write about the history of
baseball at the major-league level in Florida, but then I began to realize that the
history of it back in the nineteenth century was important from a sociological point
of view, as I said, to show the towns that, yes, we are pretty good in relationship
to a bigger town like Jacksonville. Then, when I discovered that women trained in
Florida for professional baseball in the 1940s, that surprised me [and[ the fact
that the Negro Leagues had some really important players in Florida and played
in Florida against white teams and other Negro League teams. Then the minor-
leagues surprised me, too, the fact that they were so strong. And then, of course,
the major-leagues. So it evolved into a number of clearly delineated chapters. I
have nine chapters in here with about five appendices. The division was pretty
easy to do after I began to look into the subject.

C: When you talk about a specific minor league or a specific player, how do you
choose one person?

UF 313 page 24

M: I tried to be as inclusive as possible and, therefore, I have the list of all the major
league players. That took a lot of work. I went through the Baseball
Encyclopedia, several thousand pages long, line-by-line, trying to determine who
was from Florida, who played in Florida, who went to school here and so on. That
was a lot of work. Even high school. I remember one review of the book said,
yes, it is a great book if you want to know which high-school teams were
champions or runner-up in different years. That is only one small appendix, and I
was disappointed that the reviewer picked on that to emphasize in his criticism of
the book. To me, that is a useful part if anybody is interested in high school
baseball to look at the appendix and find out which teams won and which year. I
thought what a more important contribution of this book was, was the whole
overview of a major sport in a state not associated with baseball other than
spring-training. It surprised me and surprises the reader to find out what a long
history this sport has in this state. Let me give you one interesting anecdote.
National Public Radio [has] a two-hour broadcast every day (used to be seven
days a week) that reaches millions of listeners every day of the week. I was
called one morning at, I think it was, five-thirty in the morning by Bob Edwards,
the host of National Public Radio. Now, I knew he was going to call because the
day before, his staff said, we are going to call you tomorrow morning. So he
called me at five-thirty, and for five minutes, he asked me questions about
something that happened in a little tiny town in Florida about ninety years ago. It
was the town of Webster, Florida. What happened was, at the beginning of this
century, baseball was banned in that town. A local law was passed banning
baseball. In the 1990s, somebody was going through all the old laws of Webster,
Florida, in Webster, and found that law banning baseball and wondered why it
was banned. Well, nobody was alive in the 1990s who was active back in the
early part of this century and could remember why the baseball sport was
banned. So, the town was going to un-ban it, was going to allow baseball to be
played in 1998, I think. So, he called me up and said, why was it banned? I gave
my opinion, which is as good as anybody else's, because we do not know. My
opinion was that baseball had such a bad reputation at the early part of this
century that Webster probably did not want anything to do with this unsavory
sport. That tells a lot about Florida, about baseball, about laws being passed
banning a sport, than we might otherwise have known about. This one small
anecdote that I happened to come upon that is of interest to historians as well as

C: What do you think that tells about Florida? Do you think it tells a bigger

M: Maybe. It does relate to the fact that baseball had a bad reputation, that laws
could be passed about this, that somebody probably was, maybe, making a joke
and said, let's ban baseball. Well, it became a law. It is fun to speculate because,
again, nobody is alive, but it is fun to speculate why a major sport would be

UF 313 page 25

banned in a state that promotes baseball now. Maybe other towns have the
same type of old, anachronistic law.

C: Women's baseball in Florida--you said they used to train here?

M: Right. What happened in the early 1940s, as more and more men from the Major
Leagues were being drafted into the armed services, Philip Wrigley, who owned
the Chicago Cubs, wanted to keep baseball in front of the public eye, so he
started the All American Girls Professional Baseball League, AAGPBL, in the
early 1940s to keep people going to the ballpark. At first, it was just going to be a
fun thing; let's watch women play baseball. But a number of teams in the
Midwest, especially Wisconsin, Illinois, and maybe Indiana, really got into this
and established these teams and played successfully in front of large groups of
people. They needed a place to train. It was too cold for baseball in January,
February and March in the Midwest, so they decided to come to Florida. It also
helped that the president of the league, Max Carey, who was a Hall of Famer,
lived in South Florida, near Miami Beach. He invited them down. So, these
women came down to play baseball in training in South Florida, also to recruit
potential players from women who were probably usually good at softball. The
baseball league wanted to recruit the women softball players to make the switch
to baseball, which they did. So they played down here a number of springs, and
they brought good publicity to places like Opa-Locka, for example, and Fort
Lauderdale and Miami Beach. And they played baseball. Though the league
eventually died, it succeeded in what it attempted to do, keep baseball in front of
the public eye. It also allowed a lot of women and a lot of young girls to become
interested in a sport that they might not have become interested in, because they
had a chance to play at a professional level. The young girls got to see role
models playing sports at a professional level. The women earned a nice salary
while they played and showed that they were good ballplayers. It was a win-win
situation. When the men came back after World War II ended, the league slowly
disbanded, as the men took up the former major-league positions. But do not
forget, in the 1990s, the Silver Bullets are around. The Colorado Silver Bullets is
a professional baseball team of women. There are some women's teams in
Florida still and there are some women playing college baseball, so women have
a place in baseball, not only to play but also to be spectators and know more
about the sport.

C: You said the league just disbanded when the male players came back from the
war. They had all-right attendance, you said, during the [war]?

M: It helped attendance a lot in the mid-1940s. Toward the end of the 1940s, when
the men were playing, the league began to die. Finally, in 1954, it died out,
simply because televised-baseball took over. The women's league was no longer
a new thing, and it could not attract attendees.

UF 313 page 26

C: Was this "A League of Their Own," that same league they were showing in the

M: Yes.

C: About African Americans in baseball: March 17, 1946, was Jackie Robinson's
first professional baseball appearance, and that was in Florida. I do not know
when society in Florida became desegregated, but how did the players deal with
[this] from the time baseball was desegregated to the time society was

M: You can argue that baseball, in integrating itself with the Dodgers in the mid- to
late-1940s, led to the integration of our society, and I think that is partly true, that,
in this sense, sports helped integrate our society as a whole, so that when people
could see the different races playing together without any problem on the
baseball field, or gridiron, maybe some people thought, maybe we can do it in
our ordinary lives. I think that may have helped. I remember, for example, with
the St. Louis Cardinals, they had a real big problem with desegregation in terms
of spring-training. When the St. Louis Cardinals used to, as late as the early
1960s, be segregated in different motels, ballplayers like Bob Gibson and Bill
White said, this is not right; we need to integrate our teams; we need to live in
the same motels with the white ballplayers on our team. I think the Cardinals
were leaders in the integration of baseball in spring-training. Remember that
Florida is part of the Deep South and, therefore, reluctant in the 1940s and 1950s
to integrate all its facilities. I think baseball helped, by having professional teams
come here, by having Jackie Robinson integrate the Dodgers in the late 1940s. I
think both of those helped integration in Florida itself. Florida was very slow to
change, and baseball helped.

C: Where were the Cardinals? Where were they based for spring training?

M: In St. Petersburg.

C: And there were a couple of teams there?

M: Yes, there have always been a couple of teams there. St. Petersburg, to me,
would be the capital of baseball in Florida, because of its spring-training, because
of its minor-league experience, and because they held there every year what was
called the Governor's Dinner, where the governor of Florida would meet with
representatives of spring-training teams once a year, celebrating baseball and its
contribution to the state's income [and] image.
C: In integrating baseball, a lot of towns would not let Jackie Robinson play.

M: Right.

UF 313 page 27

C: Was there a lot of conflict over the years? Did the baseball team and the players
face a lot of harassment?

M: Yes. The baseball players faced a lot of harassment from the different teams. I
remember, for example, Monte Irvin, when he played baseball, he was so upset
at the discrimination he saw in spring training. For example, the African
Americans in St. Petersburg had to stay in a run-down boardinghouse with one
toilet, whereas white players had individual hotel rooms, individual toilets, and
could order dinner from a full menu cart. The African Americans had to eat
whatever was shoved in front of them. That is really awful, the experiences they
had in this state.

C: Who is Monte Irvin?

M: He was a major-league baseball player. Another one was Roy Campanella [from]
the Dodgers. He experienced segregation once he left Dodgertown out of Vero
Beach. What a lot of them had to do was, when the team would go into another
town to play a spring-training game, the African Americans would be taken to the
African American part of the town and be housed in individual boardinghouses or
individual homes whose owners would be paid by the team. But the African
Americans then would be totally segregated from not only their white teammates
but the white people of that particular town.

C: How many years, would you say, Florida was behind the rest of the nation?

M: Florida has been behind the rest of the nation in this case, probably fifteen to
twenty years.

C: Did any teams leave because of these problems?

M: I do not think so, because they were all owned by white owners and the white
owners were having good financial benefits from being in these towns and did
not want to pack up and leave. It was too expensive, and where were they going
to go? They had to train in the South, for weather purposes. Where else could
they go in the South where they would have integration? I mean, it was a long
time coming.

C: I notice a lot of these spring-training sites are in the middle of the state.

M: That is for convenience' sake. They are basically Tampa down to Lakeland over
to Vero Beach, Melbourne, but that is simply in order to take advantage of the
closeness of the teams. The teams, today even, play almost every day during the
four or five weeks they are here. If they have to travel long distances, if they have
to go from North Florida to Miami, that is going to take a whole day to get there,
especially by bus before they used to fly. Therefore, they would play basically

UF 313 page 28

along 1-4 and down along 1-75 down to Fort Myers. You do not get teams in North
Florida, and you do not get teams down in the Everglades and Miami anymore,
or the Keys.

C: Why did you choose this picture, which says Colored Section, that shows African
Americans, watching a baseball game?

M: This is a double-spread picture on pages eighty and eighty-one in this book
Baseball in Florida that I wrote. As you say, it is a picture of African Americans
watching a game, probably in the mid-1950s in St. Petersburg. It is a picture of all
African Americans, young and old, men and women, all dressed as if they are
going to church, which is unusual. Nowadays, we dress so casually in Florida to
attend baseball games. You do not see any shorts. Men have ties and jackets,
and women have dresses and stockings. Some of the men have formal hats on.
What, to me, was unusual was that it was a segregated situation as late as the
1950s, probably into the early 1960s, but they were often watching African
Americans playing major-league baseball. It is ironic that the African Americans
in the stands were segregated, whereas the African Americans on the ballfield
were integrated. This seemed to be a strange situation.

C: And how long would segregation in the stands continue?

M: I think that went all through the 1950s and into the early 1960s.

C: Then, you mentioned Henry Flagler, the developer with the hotel teams. Those
were all-black teams and, in some way, they were professional teams.

M: Right. He began this idea up on Long Island where he had a hotel. The Cuban
Giants used to play up there on Long Island. He got this idea of entertaining his
[white] guests by having a baseball game between African Americans. The
guests liked it. The ballplayers had a chance to get a job, play baseball, be paid
for what they enjoyed doing, playing baseball, and a lot of people got to see
these African American teams.

C: Who are the Cuban Giants?

M: The Cuban Giants were a team of African Americans who were named Giants
because Giants was one of the most popular names among African American
teams, emulating the New York Giants baseball team, but they could never play
the New York Giants.

C: How big was this league, or was it just at his hotels?

M: It was at his hotels. It was not so much a league as the hotels would have
individual teams. They would not go from hotel to hotel. They would simply stay

UF 313 page 29

there and play each other for the benefit of the white guests.

C: We have talked about John Henry "Pop" Lloyd and John Buck O'Neil.

M: Buck O'Neil is probably the best known native-born Floridian. He was a man who
was born in the little tiny town of Carrabelle, near Tallahassee, in 1911. He grew
up in Sarasota, wanted to play baseball. He also wanted to go to school in
Sarasota, but because he was going to school in the 1920s [when] Sarasota
High School was segregated, he was not able to go there, so he had to go to
black school in Jacksonville. It is interesting, years later, I think in 1995, he
returned to Sarasota and had a clubhouse and four baseball fields named after
him, called the Buck O'Neil Baseball Complex, where the Baltimore Orioles
leaguers train. He was asked, how do you feel about this? Gosh, you could not
play at this field if you were a youngster back in the 1920s. He said, do not feel
sorry for old Buck; I had a great life; I was right on time. But, he said, I was most
disappointed in not being able to go to Sarasota High School and the University
of Florida. He said, I always wondered if I could have become an engineer, but
there were no opportunities for me back in those days to go on to engineering
school, to go on to the big white university in Gainesville, so I had to go to black
segregated schools along the way. I went into baseball, had a good career in
baseball, but I always wondered if I could have gone on to become an engineer if
the times had been ripe and right for that. He never would know. But this was a
man who became well-known by baseball fans when Ken Burns [documentary
filmmaker] made his baseball special. He was the black man who was
interviewed extensively in that baseball special, and he went to become
president, where I think he still is, of the Negro League's museum in Kansas City,
where he played baseball for the Monarchs.

C: The segregated schools, were they lower-quality schools?

M: I think so, yes. They were lower-quality schools, and very, very few of the
graduates went on to college. There were so few opportunities available for
African Americans in the early part of this century, and they had to go into things
like menial jobs [or] sports, where they earned much less money.

C: Were the Negro Leagues strong in Florida?

M: No, they were not strong in Florida. A lot of players from Florida played in the
Negro Leagues, but, normally, they played elsewhere, especially in the Midwest.
From Kansas City north to Chicago, the Negro League was very strong up there,
and toward Pennsylvania and New Jersey, over toward Newark. I do not think
they played much at all in the Deep South.

C: Why not?

UF 313 page 30

M: For segregation purposes. They were not allowed to play white teams, and
people did not want to pay money to go out to see African Americans play
baseball. So they struggled.

C: What is the SALLY League?

M: The SALLY League is where Hank Aaron played. It is the South Atlantic League.
Hank Aaron, when he played for the SALLY League, broke the color-barrier. This
was in 1953. He and two other black players played in Jacksonville for the South
Atlantic League, and he became the player of the year in 1953 and helped
desegregate Jacksonville baseball, for example.

C: He did not have a very good experience here. He said, we stayed at a very nice
home in the Negro section, but playing in the SALLY League was quite a bad
experience for me.

M: Right. But, interestingly, a writer for the Jacksonville Journal newspaper wrote
after Aaron's career, I sincerely believe Aaron may have started Jacksonville
down the road to racial understanding. Because Aaron was such a decent man
and a great ballplayer and did not fuss or fight against what was happening and
just showed people that he could play with whites as well as they could and not
have fights among the ballplayers.

C: What about Satchel Paige in Florida?

M: Satchel Paige, the ageless wonder, played baseball too early, really, to play in
the major-leagues. He did play for Cleveland in 1948 when he was forty-two
years old, but he really never did have much of a chance to play. However, after
he retired, he went on to play for a team down in Miami called the Miami Marlins.
The manager had an easy chair put out in the outfield for Satchel Paige to sit in
because Paige was so old. Paige was really upset at that. He wanted to play ball.
He was finally allowed to pitch and did so well that he became a pitcher for that

C: Who are the Ethiopian Clowns?

M: The Ethiopian Clowns were one of the baseball teams in the Negro Leagues.
They got the name Ethiopian because that was associated with Africa. Clowns,
they got [that] name because they were supposedly putting on a show for the
white spectators. Both names were misnomers. They should not have been
called either one. But it was an example of a team in the Negro Leagues.
C: Obviously Cuba is practically off the coast of Florida.

M: I think the fact that Cuba is so close to Florida has had a lot of advantages. Cuba
is one of the best places in Latin America for baseball, and if we ever have

UF 313 page 31

relationships restored with Cuba, I think there will be a lot of baseball played with
Cuba. Interestingly, because we are so close to Cuba and have attracted so
many refugees, including those in life rafts. Cubans have defected [to] Florida,
have been recruited to defect and have been signed to nice contracts by agents
in Florida, and went on to play for teams like the Marlins. Because the Marlins
have such a strong Hispanic presence, both on the field and in the stands, as
well as the Spanish broadcast, the Cuban ballplayers have felt at home in Miami
on the Florida Marlins baseball team. So, a big advantage of Florida's geography
has been the proximity to Cuba. I remember reading years ago, one of the
ballplayers who became a major-leaguer arrived in a raft, escaping from Cuba,
leaving his family behind, and was signed up to become a major-league

C: What is the Florida State League?

M: The Florida State League is a minor league that has operated in Florida for
decades. It has enabled a lot of teams from smaller towns to have ball teams.
Gainesville was an example of that. It was founded in the 1920s. It had teams in
the beginning [like] Bartow, Bradenton, Lakeland, Orlando, Sanford, Tampa. It
was organized through the years, up years, down years. Then teams like
Daytona Beach and DeLand and Gainesville and Palatka, Sanford and St.
Augustine have had teams that play each other, and it gives potential big
leaguers a chance to play baseball at a semi-professional level. For example,
Stan Musial played in Daytona Beach in 1940, and other players have played in
the Florida State League and got their first chance before breaking into the

C: Moving to pro baseball: what is the Thunderdome?

M: It is now called the Tropicana Dome. It is where the Devil Rays play.

C: It kind of has a history to it.

M: What is interesting about that is, when the Tropicana Dome was first built, St.
Petersburg was trying to attract a major-league team, and people down there in
St. Petersburg thought, if you built a dome, they will come (a take-off on "Field of
Dreams" [baseball-themed movie]). They built this enormously expensive dome
stadium and nobody would come down to St. Petersburg to relocate. A number
of teams like the San Francisco Giants said they were going to come, and St.
Petersburg got all excited, but then the San Francisco team used that
acceptance by St. Petersburg as a way to get San Francisco to have better
concessions out in the Bay Area. Finally Florida got a team when Wayne
Huizenga got the Florida Marlins. People in the Tampa Bay area thought that
Huizenga kept out a major-league team from Tampa Bay so as not to compete
with his Florida Marlins. Even the name, it is not the Miami Marlins; it is the

UF 313 page 32

Florida Marlins, as if the whole state is part of the Marlins' domain. People think
that he may have kept out another major league team. Finally, Tampa Bay got its
team, I think much later than it would have, because the two cities could not
cooperate, if St. Petersburg and Tampa had both agreed to cooperate and to go
together and get a team, but instead they both tried to get a team, and Major
League Baseball said, there is not enough interest down there for two teams; get
together, and come forward for one team. There is also a theory that Senator
Connie Mack, who is related to the original Connie Mack, was going to have an
investigation into baseball's monopoly over the complete control over players that
baseball has. Major League Baseball said, we better give Florida something or
Senator Mack is going to have these hearings. I believe that because Senator
Mack was going to have hearings into baseball and its monopoly that Major
League Baseball said, okay, we will give you a team, to keep him quiet, and it
worked. He kept quiet.

C: Who is Rube Waddell at Rollins College?

M: Rube Waddell was a ringer. College baseball has always been strong in this
state, and teams like Stetson and Rollins have always been good baseball teams
at their level. But, back in the early part of this century, I know that Rollins, for
example, was playing Stetson in some really tightly-fought games. Rollins
recruited Rube Waddell, who went on to become not only a great major-league
pitcher but a Hall of Famer. His catchers were both hired by Rollins, who
pretended they were registered students at Rollins. They were not students at
Rollins. They were professional baseball players, but in order to have them play
for Rollins, Rollins said, well, they are students. That is how serious baseball was
back in the early part of this century, where colleges would recruit professional
baseball players in the off-season to play for the local college.

C: What are the big college teams in this state? What are the big rivalries?

M: The big rivalries, consistently, if you look at the World Series of college baseball,
it is Miami and/or Florida State and/or Florida. All three teams, especially Miami
and Florida State, have consistently gone to the World Series and have been up
in the top five, year after year.

C: Rube Waddell comes up again with the Brunette Girls. Do you know who the
Brunette Girls are, in Coffeepot Bayou?

M: Oh, that is over in St. Petersburg. That is probably dealing with Babe Ruth and
the alligators. The first day in 1925 that the Yankees were having spring-training
in St. Petersburg, the city had rushed to put together a major-league training field
and had not put fences around the ballfield, which was right on this lake, this
pond. Babe Ruth went out to play left field and, after a few minutes, rushed back
into the dugout. His manager said, Ruth, what is the problem? And Ruth said, I

UF 313 page 33

am not going out there to play; there are alligators out there. And there were. The
alligators had heard the noise, the ballplayers, and had come out of the lake up
onto the ballfield to see Ruth and these other ballplayers playing ball.

C: Who is John J. McGraw?

M: John J. McGraw was the manager of the New York Giants. He tried to recruit
Babe Ruth at one point and was thwarted and, therefore, was always very testy
toward Babe Ruth the rest of his career. He never liked Ruth that much and used
to harass Ruth a lot. At one point, McGraw said that when the manager for the
Red Sox was debating whether Ruth would play as pitcher or an outfielder, if he
played as an outfielder, he would play every day; if he played as a pitcher, he
would play, maybe, every fourth day. So, McGraw said, if Ruth plays baseball
every day, then the bum will hit into 100 double plays before the season is over.
From then on, whenever Ruth's team would be playing McGraw's team at spring
training, if Ruth hit a long ball off one of McGraw's pitchers, as Ruth rounded the
bases, he would yell over to McGraw, how is that for a double-play ball, Mac?

C: And what was his connection to early baseball?

M: That is very interesting. McGraw was a Hall of Famer who set twenty-four
records as a manager, thirteen of which have never been broken. He got his start
in Florida. In 1891, he was seventeen years old, and he arrived in Gainesville to
play shortstop for a team. His contract stipulated that he would be fed and
housed, given money for shaving and washing, and provided with one cigar a
week. When his team went to Jacksonville to play the Cleveland Spiders, he did
so well there that he received offers to play baseball for different teams. Later, he
became the manager for the New York Giants, and he returned to Gainesville in
1918 to hold spring-training at the campus of the University of Florida. He was
inducted into the Hall of Fame in 1937.

C: How many teams had their spring-training at the University of Florida?

M: Just the New York Giants.

C: How many years?

M: One. The Giants trained here in 1919. The Phillies trained here in 1921.
[McGraw] was here while there was an election for mayor, and he was so
popular in Gainesville that he got some votes to be mayor of Gainesville. As a
joke, but he got some votes.
C: What is Red Barber's connection to baseball and connection to Florida?

M: Red Barber is a man who grew up in Sanford, Florida. He played for a high
school baseball team called the Celery-Feds, because where he grew up was a

UF 313 page 34

good place for growing celery.

C: What is Feds?

M: Maybe Federal. He came to the University of Florida and began working at the
school radio station and went on to become a broadcaster for the Cincinnati
Reds, the Brooklyn Dodgers, and the New York Yankees. Then, he spent his
final years in Tallahassee, where every Friday for twelve years, he was featured
on National Public Radio for a weekly commentary about baseball and life, a very
popular series. After he died, Bob Edwards wrote a book called Fridays With
Red, showing how important he was to baseball in life, but how baseball fits his
own part of life. Interestingly, the microphone that Red Barber used at the
University of Florida is in a special exhibit at the National Baseball Hall of Fame
in Cooperstown, New York, where Barber is a member of the Broadcaster's

C: Another name that comes up a lot is Dick Houser.

M: Now, Dick Houser was a really nice man. He grew up in Miami. He was born in
Miami in 1936, grew up in West Palm Beach, and became a two-time All
American shortstop at Florida State University. He played in the minors and the
majors. For eight years, he played in the majors. He coached at Florida State
University in 1979. He became the manager of the New York Yankees and
Kansas City Royals, and he won the world championships with the Royals in
1985. He died two years later of cancer. He is the man who is honored in
something called the Dick Houser Memorial Award that goes to the nation's
outstanding college baseball player each year.

C: Who is Sidd Finch?

M: Sidd Finch is a hoax. He never existed. What happened was, in 1985, in Sports
Illustrated, there was an issue that came out on April 1, and that date (April
Fool's Day) should have given away what was about to happen. People did not
realize it at first. A story came out in Sports Illustrated on April 1, 1985, called
"The Curious Case of Sidd Finch," and it was by George Clifton, the
writer/athlete. He claimed that the New York Mets had just recruited to St.
Petersburg, where they were having spring training, a young man named Sidd
Finch, who could throw a fastball 168 miles an hour. Finch was a young man who
had gone east to Tibet where he got a lot of inspiration from the monks in the
mountains of Tibet, the Himalayas. He never wore shoes, was really an odd ball,
and showed up at training camp. So many people believed the story that a lot of
Met fans bought season tickets, even though in the subsequent issue-there was
a magazine April 8 and April 15-the story was told to be a hoax. The editor said,
this is just a hoax, folks. People still believed that he existed, perhaps wanting to
believe it, especially Mets fans who had struggled for so long, wanting to believe

UF 313 page 35

that the Mets had found this guy in the Himalayan Mountains. So, today, the
name Sidd Finch still comes up from time to time around April 1.

C: Did people show up in Florida, do you know?

M: They did show up, yes, but he was never available for the press. We even know
that some other managers were recruited into the hoax. The guy just never
showed up and, finally, he quit. He said, I do not like professional baseball, and
he quit and left, and he was never seen again. But, there was a picture of him in
the magazine. What happened was, I think, a friend of the photographer, a young
man from Illinois, was recruited to pose barefooted with a baseball for the
magazine. I think he is a high school teacher in Illinois. He told later on who he
was, and a whole book was written on this by George Clifton. So many people
wanted to believe in this phenomenon. It is one of the great baseball stories in

C: Who did you interview for this book and how many interviews did you do?

M: Probably a dozen interviews of people around the state, some by phone,
coaches of baseball teams around the state, and I wrote to people, but the big
sources was the archive at the Cooperstown Hall of Fame and the archives
around the state and the photo archive in Tallahassee.

C: When you were writing and researching this book, were there any things you
found out that surprised you?

M: I was surprised at the Negro presence, the African American presence in the
hotel teams, the fact that John Henry "Pop" Lloyd and Buck O'Neil came from
Florida and went on to the Hall of Fame; the fact that the women played in South
Florida during the 1940s when they were taking their lead; the fact that so many
towns have competed really nastily with each other to lure big teams, big name
teams, for spring-training, and how much that has cost the towns; how much
Florida has gained, financially, from baseball, $300,000,000 a year; and how
many players, dozens of players (whom I have listed in the book), who came
from Florida and went on to the major-leagues. That surprised me.

C: You are writing now a book on Babe Ruth. Why Babe Ruth? He is also in
Baseball in Florida.

M: When I did the book Baseball in Florida, I had a couple of anecdotes about Babe
Ruth, and I thought I would look into it in more detail. So, I have gone back and
looked at the fifteen-plus springs when Ruth played for either the Boston Red
Sox or the New York Yankees or the Boston Braves or the Brooklyn Dodgers and
trained in Florida and how much he grew up here. When he began here in 1918
[or] 1919, Florida was young, in terms of statehood, Ruth was young, and, in a

UF 313 page 36

sense, they both grew up together, during Prohibition, how that affected him in
Florida. Even after he retired, he continued to come back to Florida to see some
spring-training, to take advantage of the golf-he loved golf-and fishing in Florida,
whether in St. Petersburg or Miami. So I looked at all of these old newspapers
from 1918 on and found out where he lived in Florida, how he cavorted, how he
got out of one marriage, got into another marriage, how marriage affected him in
Florida, how he influenced the image of baseball in Florida among youngsters,
how some of them were influenced dramatically by him, not only in Florida but
elsewhere, who came to Florida. For example, he had a contest one year where
he invited one boy from each of the fifty states to come to Florida to be his
guests. Actually, there were fifty guests...there were not fifty states then, but
there were fifty boys invited to Florida to be his guests for three or four days at
his expense. He had to pay for a lot of it because it was found out to be against
the law for an oil company, I think Shell Oil Company, to sponsor such contests.
So he ended up paying a lot of it himself. He had all these boys come down to St.
Petersburg by train. In some cases, they had never been out-of-state before.
They spent three or four days with him, followed him around the golf links,
watched him play baseball, played baseball with him, sat around the hotel talking
baseball with him. When they returned home, he sent each one of them a crate
of oranges, much of it at his own expense. None of the boys ever went on to
become major-league baseball players, but their memories were so vivid. I talked
to one guy who is now, I think, in his sixties up in Maryland who was one of the
boys and how much of an impact that had on his life and how much admiration
he and the other boys and all the boys of the nation, basically, had for Ruth. He
loved children and was so popular with children.

C: Is this book going to be on Babe Ruth in Florida?

M: Yes. I am not sure. I may expand it to be Babe Ruth in spring-training. That
would include Arkansas and Louisiana. He also played there.

C: Is it going to be a tabloid-type, or is it going to be a story?

M: It is going to be year-by-year, about twenty years, of how much he changed in
spring training, how he did his spring training, and how that presaged what he did
in the regular season. Was spring-training a good indication of what he would do
in the regular season? How he was experimented with as pitcher, outfielder,
infielder, and how he learned to be a better ballplayer in spring-training, how he
learned to be a baserunner, how he learned how to slide the bases, how he
learned how to pitch with the ballplayers in spring-training.

C: You said he was here during Prohibition. Were there any kind of problems?

M: Oh sure. He had access to liquor. He got it.

UF 313 page 37

C: How did he get it?

M: Easily, because he had money and there were lots of bootleggers around. The
enforcement of the Prohibition Amendment was not very strong because so
many people violated it. One time, he was with the Yankees, who were training in
Jacksonville, and he went down to Miami to play a ball game with the Yankees. A
lot of locals in Miami wanted to make the Yankees feel at home, so they got a lot
of liquor, especially rum from the Bahamas, which was close by, and some of the
Yankees got really quite drunk. On the way back, the team stopped off in Palm
Beach to play a local team, an exhibition game, and Ruth passed out.
Apparently, he ran into a tree because he was so drunk. The Yankee owner said
he would never take his team back to Miami again, especially during Prohibition,
because they could not handle liquor well. So I have a lot of stories like that
about the influence of spring-training on Ruth and vice versa.

C: Did they ever return?

M: No.

C: When is that book coming out?

M: I do not know. I gave it to the University Press of Florida, and they did not like it
because they thought it was too localized. So I am going to change it and maybe
include all of spring-training.

C: How do these books sell? What is your big seller?

M: Sports books do not sell that well, so publishers are reluctant to do sports books.
As I said, baseball books come out every four days.

C: Why do they come out every four days if they do not do that well?

M: I am not sure why. There are a lot of people, especially in baseball, who like to
read about baseball. I think baseball does better than any other sport in terms of
books that sell well. My theory is that fans go to games and do not read books.

C: Who reads books?

M: People who do not have access to games, for example.

C: So, if you say they do not sell well, why would you want to [write them]?
M: I enjoy doing it. I have written a lot of the Babe Ruth. What I normally do is write
to a publisher first and say, would this interest you? If they say no, I do not do it. I
asked a couple of publishers about Babe Ruth and they said, no, we are not
interested. But I am doing it anyway because I think the story should be told.

UF 313 page 38

Now, if it does not work as a book, I will piecemeal it out as articles to different
magazines, like Jacksonville magazine and the Yankee's magazine about the
New York Yankees. I think I have enough articles in there to make it worthwhile
as articles rather than as a full-fledged book.

C: How many proposals do you do a year? How many do you get accepted?

M: I probably do only about five or six proposals a year because I get a lot of them
accepted. Right now, I am writing two, three books at the same time, and if I
have a deadline, I try to keep to the deadline. So I have several other proposals
out there now, and if they are accepted, I am going to be in trouble because I do
not think I can get all the books done.

C: Was it your early grammar books, do you think, that got you the introduction to
the publishers? How did you first get introduced to the publishers?

M: I began writing academic articles, and I have written dozens of academic articles
that are read by very few people. I did an article on Turkish references in
Finnegan's Wake. Well, maybe one person has read that, maybe two, in the
history of that article. The academic articles I have done have not ever, ever
generated any argument or discussion, so I decided I wanted to write for the
mass market. So I have sold about 80,000 copies of my books.

C: Which ones do sell?

M: They all usually sell between 3,000 and 5,000 copies a piece, over their lifetime.
Now, the Florida lighthouse one sold 10,000 copies, and that has done the best.
None of my books ever, I am convinced, will be a bestseller in one year. I will
never sell 100,000 copies of one book in one year, but over the lifetime of the
books, they probably will not, usually, go out of print. The subjects I do, pirates
and shipwrecks and lighthouses, African Americans, they do not usually go out of
print. I just did a book on Native Americans. I think these books will be, in the
next ten years, in print, which is longer than most books.

C: Why do you think you will never sell 100,000 copies of one book?

M: Because I do not do fiction, and I think fiction is a big seller. The books I write are
often impulse-buys, where someone looks [at it and thinks], oh, I like that book,
and I am going to buy it. But non-fiction books seldom will sell 100,000 copies in
one year.

C: How do you get publisher to read the manuscript? They must get a lot of

M: They get a lot. You normally have to have an agent, which I do not have. Most of

UF 313 page 39

my books are about Florida and, therefore, I know who will publish books about
Florida, publishers in the state of Florida. The first book I had published was the
grammar book and, there, a publisher came to me and said, I see all the people
in your course; they will all buy a book; let's publish it. That was 1980. I have
written books that are sitting in my file cabinet that will never be published. I
wrote them and the publishers [said], no, we do not like that idea.

C: How does that feel?

M: Terrible. In one case, I had a contract to write a book on composition, wrote it,
and the editor lost the job and another editor came in and said, I do not like that
book, so we are not going to publish it. I had no recourse, even though I had a
contract that said they would publish it, because it was the other editor who
signed the contract.

C: Did you ever get forwarded?

M: I got one $8,000 advance. I did not expect it. It just came in the mail. They sent
me one and I said, I do not want an advance; I do not want the pressure to do
this. And they ignored me and sent me the check for $8,000. I bought my
daughter a car with the money. I do not like advances. I love to write. I am going
this Saturday to give a talk to 125 women about how to market your book.
Marketing is the secret to getting books sold. You have to market well.

C: Why do you not ever open up your topics to a national topic?

M: That is a good question. I have begun a little bit with Georgia and Ireland and
maybe Scotland. There is so much for me to do in this state, and we have such a
potential market here, 15,000,000 residents [and] 40,000,000-plus visitors a year.
That is a lot of people. I want to hit those people.

C: Do you write to write, or do you write to be read?

M: Both. I really love to write. I get up every morning at 5:15. My wife and I get up
very early, and we cannot wait to get to our computers, our jobs. We love it, love
to write. She is a writer. She is a professor of classics. She writes the learned
books. She writes books about Homer and classical theater. I do not do that. I
used to be interested in that, but I am no longer interested in it. I want to be read
by a lot of people. I go to writers' conferences to learn and to speak, and I go out
to conferences of librarians, museum people, teachers, to promote my books. I
just came back from a conference of social-studies teachers, and I talked about
Native Americans of Florida, the book I wrote. I want all fourth and eighth graders
to buy this book in Florida. That is a lot of books.

C: Could you make a living writing this type of book, other than being a professor?

UF 313 page 40

M: No, I do not think so. If you write fiction, you may be able to do it, if you get [to]
the big-time. I suspect 95 percent of writers do not make a full-time living from
writing. But I do not write for the money. Otherwise, I would be writing fiction. I
am on a crusade, believe it or not, to try to write as many books as I can about
Florida, to get the knowledge out there and to make it readable for everybody.

C: Can't you do that in a fiction setting?

M: Some people can, but I do not have the talent to write the fiction. I have never
done it. I do not read much fiction. I am interested in non-fiction.

C: Who do you read?

M: That is a good question. I read non-fiction.

C: Do you read according to writers or to topics?

M: Whatever interests me. I read a book called The Madman and the Professor,
about a mad guy in an insane asylum who helped write the Oxford English
Dictionary. That interested me. I read books about maritime subjects. I love
maritime subjects. I like histories, all kinds of histories. It does not have to be in
Florida; it could be any history. I really am interested in the Middle East. It has
nothing to do with Florida. I love to read about archeology. It may never have
anything [to do with] my writing, but I like that kind of stuff. I get ideas about style,
subjects. I read books about Texas. Why? Because Texas is similar to Florida, in
terms of weather, history, people. In books about Texas, I got the idea for the
Gators and the Seminoles book, because I read a book about the [Texas A&M]
Aggies and the [University of Texas Long]Horns. And I said, gee, there is a book
about a football rivalry; I could write a book about our football rivalry. That is
where I got the idea from. So, I look at books that do well in Texas and I think,
wow, maybe I could do that here.

C: How many hours a week do you spend writing?

M: A lot. I try to spend several hours every day, especially in the morning when I am
not teaching. Four hours a day, maybe, sometimes six hours a day, researching
and writing, every day, seven days a week. I love to do it. My wife says, gee, you
spend a lot of time. I say, I could be out at bars. I could be seeing porno movies.
But I want to write and I want to research, and research more.

C: Have you ever thought that maybe you should stop, pick a topic, and stay there?

M: No. I would get bored with it.

UF 313 page 41

C: You have to mix up book topics.

M: Yes. I work with people who have spent their whole careers on one subject. I
cannot do that. I admire them for doing that, but I cannot do that.

C: What has attracted you to lighthouses?

M: I grew up on an island on New Jersey, and there was a lighthouse on one end of
it. My brother and I used to sail up around to see the lighthouse. When I came
down here, I saw some lighthouses built by the same man who built the one up in
New Jersey, General George Meade. I got into lighthouses and I thought, there is
no book on lighthouses in Florida. So, I wrote to a publisher and said, there is no
book on this subject; why don't we do a book? He said, good idea; do it. So I did
it, and that got me started on Florida subjects.

C: All right. Sounds good. Thank you very much for your help.

M: My pleasure.

[End of interview.]

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