Group Title: CARIFESTA Newspaper Clippings
Title: Banjo Man lives up to its reputation
CITATION PAGE IMAGE ZOOMABLE
Full Citation
STANDARD VIEW MARC VIEW
Permanent Link: http://ufdc.ufl.edu/CA00199964/00001
 Material Information
Title: Banjo Man lives up to its reputation
Series Title: CARIFESTA Newspaper Clippings
Physical Description: Book
Creator: Osman, Raschid
Publisher: Guyana Graphic
Publication Date: 9/11/1972
 Subjects
Subject: Carifesta (1st : 1972 : Guyana), Festivals - Caribbean Area
Caribbean   ( lcsh )
Spatial Coverage: South America -- Guyana -- Georgetown
Caribbean
 Notes
Funding: Support for the development of the technical infrastructure and partner training provided by the United States Department of Education TICFIA program.
 Record Information
Bibliographic ID: CA00199964
Volume ID: VID00001
Source Institution: Caribbean Community (CARICOM) Secretariat
Holding Location: Caribbean Community (CARICOM) Secretariat
Rights Management: All rights reserved by the source institution and holding location.
Resource Identifier: CARIFESTA I 1972

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MAMA STANMO (Olga 'Osbourne) poses with the Tlng and Queen of La Hose Just before
theY leave for a street recession a"u their confrtsation with the rlval Marguerite ftatlon.


'The Banjo Man' lives



up to its reputation
ft UIA8CHX OMWa -tepiw,, the 3auo Man Wtth V am
a NUav-e sowftsm uqm P41 MIIbIcXloir' but-
RODMCfCK WALCCIrS fectay ,omlolled, never let- tc6 as: Thekaebi elsho and
4.9e Da3njo MAn" camle to g h both malsed by St8 Re
Carfifta last Saturday night; hann : the it at of the Mo*
and a -jami-packed Usufline n ents I b Wrid _t a ast dy on
Conwent Han was delighted But kt is fm Augurt SO) square t ELke
to find that all Ihe glowing the btaltratte, of the 14 RosB fJ~thiq oCkZ W1Ji1
publicty Whieh had preceded e an his Wife, Ma ewp 41he battle, but aft
this St. Luda contribution to stanio. vii~day brouglA to life toVV 1b dance arot1d In
drama at the Caribbean Fes- by Howqlak Elcock and Olga d t:.l en4 'snont
tivall 9t Crpawtve Arts wa Osbounne, Vtat .-Me Banjo ~ taL f lfe~ceth
far from riduplaced. Mano" whtiers gat s deal of epit* duel' svt to' dr~I~iv
Even tti dimconi a R3 f0 olhydtuhns and the &uel-
-ed in tle overpacked Us tlti resplendent In glitter-
As the bots of a pre La ing ftery of coals and, cra-
-hall. with windowa sat one Rose Rrocession oncatio -
band cuvtaied to keep out the and a vost procession fete, V-4UP -Gpd w aai r gaw;
strgee~t-lifts. aiild o1t dC1 they are Aodheocw ont Miss 'ih~blhbtiwe "eia b"iiwjos .i
tract from the iMOMIN0oence Os ne crates the epft=ai-e fWbfYiofted fts I
Of 'Wimtft' s toak i UX*aL ol rtesriaroh fun-t o
with 4ta Uniquo its, 1Ity-Ti- loQ1z*j fiwi btIsit ugWb. 'sDiwt
or, 1.!C1;111;t.:4r iii'gri ode js~ 4 nNW~,it~tp8~~b~~~ P~
cal t !.j~4~x\ '~t~ ~ p if. ~ sneverlp' than ben "ere -Aiq ni's Iting
quiafit fussy eOtew g, itas 1tii her husband or dibhiglng toi W.e tvr
tasteul h reogrqaphyend its a sifigci it 4!p draw Sxb*r2o -
catehy folksey ttZsb. ta rfon, but at all timet hapy timtlit' oe ai
UUUIX* IDA uiice p1wI. lot ekt bos* wi&o never a 0147 s an, he ieavep oj
"PTe A o' ?UI" MpMe lq*$" 4ir gue1ststo 1e -
frnewtokiflM slo' Li itry cor fta. a sour note and those he
ea& sequence e devp10- '' Ae Osbocumne pr~ojec% -I*- 'behind are not too
mont qzthe thme i O ?eo1 n t e w reappear
With hirly daytime for di- fect4sut e yisn h e k, v ~e*. =ra L oe Day.
revnogirt Whtch is aso iezie at iBut there will always be
CONQUESTS 1rqtt MII b an te-
crafring a credible perform- Ph= 10 "With,
ManwUMa M* qIta resi-t`- ance.. rmuic irleving, from 4taL. as
WoIin, 1.?Ur dMr Nexeit to his overwhelnmlng YIs look past' her shoulder'
Boiie *ot. unftere4 with wife. Axd~iophioqis tixista Insld 'Pie, Uik-6 her one tear
hsk .5 hts yaof. 61hi !iI muted contentment, drawing %i the h.lrn of a-
* IM bt 4.hS inn eoYftn Tya Stanrdo's unlimited 1
&MbT tIft VMA hsMU streaamof exuberance. He has
his Caw* *uauuad GBe Belle his moienets too, but these
MONPAle i mch Yew MW tTA all senp to depend on his
n"& Ootother hbal, very much as the
remi~bert f0610Ot 0st~oonrelies on the suuns re-
$ I) 2M 11 W M flectilon to create its cool
"'% ofw hk -O~~ moornti~ht.
Of bY4014, Mee 11 "The B oanjo Uvan" opens
alig -oft W tww Am in W100. with a devastating Prologue
erdit bitag hthnsttwhich the La Rose end
Eb tu,9 arguei'ite act (rival




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