Florida weekly

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Florida weekly
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Began with: Vol. 1, No. 1 (October 14-20, 2010)

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ROGER WILLIAMS A2 OPINION A4 PETS A10MUSINGS A15 BUSINESS A16 NETWORKING A18-19, 22REAL ESTATE A21ARTS B1 EVENTS B6-7 FILM REVIEW B11SOCIETY B12-14 CUISINE B15 PRSRT STD U.S. POSTAGE PAID FORT MYERS, FL PERMIT NO. Vol. I, No. 17  FREE WEEK OF FEBRUARY 3-9, 2011POSTAL CUSTOMER DATED MATERIAL REQUESTED IN-HOME DELIVERY DATE: FEBRUARY 3, 2011 Feathered friendsResident swans at Embassy Suites are favorites of guests, staff. A16 X ‘The Rite’ is wrongOur film critic says save your money, don’t see this. B11 X Gardens SocietySee who’s out and about in Palm Beach County. B12-14 X First readingFlorida Stage hosts fest to hear new works by edgy playwrights. B1 X INSIDE Mother-daughter team keeps traditions alive on the air CHANNELING PHOTOS BY SCOTT B. SMITH FLORIDA WEEKLYBY SCOTT SIMMONSssimmons@” 20 DRAWBRIDGES GRACE THIS COUNTY ALONE, FERRYING A SHIFTING SUBSET OF HUMANITY ON LAND AND WATER BY TIM NORRIStnorris@” CALL JUPITER ISLANDS 707 TWO-LEAF BAScule, or any of its open-and-shut breth-ren, the Mystery Bridge. Often viewed, from one limited angle or another. Rarely understood. This schooner here, after waiting its turn near mid-morning one recent Wednesday, comes at the 707 Bridge, a two-lane drawbridge spanning the Intra-coastal Waterway between Jupiter Island and the mainland just east of U.S. 1, in a It was 1971. Jan Greene needed a job.She was recently divorced and had four children to raise. She knocked on the door at the WRYZ radio station off Indiantown Road. At the time, Jupiter ended a few blocks west of Military Trail. It was at the end of civiliza-tion and the beginning of scrubland that gave way to the Everglades. WRYZ offered her a job in sales.She accepted and nearly 40 years later, Jan Greene, now Jan Davisson, shares the airwaves on WJTW-FM 100.3, Jupiters Hometown Radio,Ž with her daughter Kathy Greene. Its not the first time the women have worked together. Both worked for Burt Reynolds Dinner Theatre (Mrs. Davisson was the public-ity director at the theater and Ms. Greene waited tables) and at the Burt Reynolds Institute for Theatre Training. And they have performed in community theater together (The Sound of MusicŽ at Stuarts Lyric Theatre, among others; actor Judge Reinhold also was in the cast.). I think thats why I know lines so well,Ž Ms. Greene says of her ease behind the microphone. Mrs. Davisson says she got her first taste of broadcasting in advertising.SEE BRIDGES, A8 X The bridge on S.R. 707 opens for traffic on the Intracoastal. COURTESY PHOTODick Cavett helps Jan Davisson co-host “Hilton Talk” in the early 1980s from the Singer Island Hilton.SEE RADIO, A14 X

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And they are known for achieving consistently excellent outcomesƒ which is just what you expect from leaders in the “ eld.THE PATIENT AND ANY OTHER PERSON RESPONSIBLE FOR PAYMENT HAVE THE RIGHT TO REFUSE TO PAY, CANCEL PAYMENT, OR BE REIMBURSED FOR ANY SERVICE, EXAMINATION OR TREATMENT WHICH IS PERFORMED AS A RESULT OF AND WITHIN 72 HOURS OF RESPONDING TO THE ADVERTISEMENTS FOR THE FREE, DISCOUNTED OR REDUCED FEE SERVICE, EXAMINATION OR TREATMENT.Thomas Ashton, M.D., FACPh $IPLOMATEOFTHE!MERICAN"OARDOF0HLEBOLOGY (Board Certi“ ed) 'ARDENS#OSMETIC#ENTER 0'!"LVDs3UITE0ALM"EACH'ARDENS&, -EDICAL)NSURANCE-EDICARE!CCEPTED CALL FOR YOUR FREE CONSUL TATION & SCREENING A $200 V ALUE! Mr. Williams, I much enjoyed your article I lift my lamp beside the golden door and I find that strange since, usually, you seem to write very conservative commentaries. I cannot get through them without disagreeing with you.ŽWhen someone of good will wrote to accuse me of being a conservative, I responded appro-priately: I wailed in despair, gnashed my teeth, and tore out my hair „ the last one on top. I even considered dressing in black from head to foot for 40 days. I prefer pink, of course. A conservative, of all things. Call me the devil, why dont you? Call me a low-down Yankee liarŽ (Shane to the black-hat gunfighter Jack Wilson in the 1953 movie, ShaneŽ). Call me a miserable muckraking SOB, a commie pinko, or even, if you have to, a Generation Xer or Yer or Zer. Im not any of those things, but you can call me that. Just dont call me a conservative.The fact of the matter is, Im an unrepentant, uninhibited, unaltered and frequently unintelligible liberal. Dyed in the wool. A lefty. A knock-kneed, flower-waving, open-minded pissant, as my football coach and my drill instructors used to say. Ive never been sure what a pissant is, or a conservative either, really „ but it cant be good. When some thin-lipped, square-jawed, crew-cut block of chromosome X calls you a pissant at the top of his lungs from a point six inches north of your nostrils, you feel bad. Even your gas-operated, air-cooled, light-weight, hand-held, shoulder-fired M-16 rifle that fires a 5.56 mm round at 3,100 feet-per-second, a creature not known for sensitive feelings, probably feels bad. But when an intelligent liberal calls you a conservative, thats even worse. Most likely, it violates the Geneva Convention. Its a form of torture, in my book. The thoughtful letter suggested first, that we should solve the problem of illegal immi-grants with better laws to control immigration and a policy of amnesty for those already here; and second, that I should stick to writing about dogs (a previous column) and not politics. Both very good points.The letter also forced me to think about those two work-horse terms: Conservative,Ž and Liberal.Ž Conservative comes from the Latin conservare (conservo, conservare, conservati, conservatium): To maintain existing views, marked by moderation or caution (and) tra-ditional norms of taste, elegance, style or manners.Ž Could that define me or you?If, by those traditional norms you mean racism, sexism, religious intolerance, greed, self-righteous profiteering, and intolerance, then no. I could not be those things. But if by conservativeŽ you mean the willingness to live with others who hold different opinions in the moment (thats a traditional American norm), or the willingness to defend our universal rights to freedom of speech, reli-gion, lifestyle or equal treatment with arms, or the unrelenting determination to make our own way and help those who cant (remember the traditional parable of the good Samaritan?), then yes. I hope Im a conservative, difficult as that is to admit. Oddly enough, all of those terms describe traditional norms or values, both good and bad. So the question becomes not, Are You a Conservative?Ž but What Kind of Conserva-tive Are You?Ž Which brings us to Liberal.ŽThe word springs from the Latin, liberalis, defined as freedom, or befitting the free.Ž Could we be defined as liberals „ as people in favor of freedom, and things befitting the free, such as free speech, worship uncensored by government and equal opportunity? Well, of course. You and I arent interested in the freedom to abuse anybody we please anytime, or the freedom to compel our divine right to the exclusion of everybody elses, are we? Maybe I am, I admit. But I know you arent.Which proves that whoever you are, youre a GotDanged Liberal, too, just like me. And here all this time youve been telling your friends and family youre a conservative. But come to find out, youre aƒaƒaƒ.a GD Liberal. And here I come to find out that Im aƒaƒaƒ. GD Conservative.If theres a closet close by, maybe we should hide in it. On second thought, lets not. The peo-ple who traditionally hide in closets might be hiding in there as we speak. It could get ugly.Nowadays, of course, the words conservativeŽ and liberalŽ have slipped their halters and gotten out in the big pasture. Conserva-tive, loosely applied, means a Republican. And liberal, just as loosely applied, means a Democrat. At best its sloppy. Is a Conservative supposed to be against all government programs and social regulation, for big capitalism and unrestrained markets, against the little guy or gal and for big weapons and armies in a hostile world? I know some conservatives who refuse to be pigeon-holed like that. And is a Liberal supposed to be for all government programs and social regulation, against unrestrained markets, for the little guy and gal and against big weapons and armies, whether the world is hostile or not? I know some liberals who refuse to be pigeon-holed, too. Just so you know, a Conservative is not supposed to like preserved wetlands, a clean environment and fair wages for workers if they get in the way of the American greenback and its prolific multiplication, along with flag waving. A Liberal is not supposed to like a successful corporation, a strong army, fiscal discipline and a competitive market if they get in the way of kissing and hugging, along with flower waving. Conservatives are not supposed to like Liberals, either, and vice versa. But you know what? Some of the finest human beings and most faithful friends Ive ever known are GD Conservatives, surprising as that is. And I hope some of them (perhaps the more foolish) could say that about a GD Liberal like me. What I conclude from all this is that dogs are probably far ahead of human beings „ they dont worry about whos liberal or con-servative. And my correspondent is probably far ahead of me. Which is why I should probably stick to writing about dogs. Q You can call me a pinko, just don’t call me a Conservative roger WILLIAMS O rwilliams@floridaweekly.comCOMMENTARY Frenchmans Crossing 4031 Hood Road, Suite C-108, Palm Beach Gardens Corner of Hood Road and Alt. A1A 561.842.6822 Salon Hours: Monday/Wednesday/Friday/Saturday til 5pm Tuesday/Thursday til 7pm **" /r /-,rn"r rU7‡ -7rn"r /nr,/n/r-6r GRAND OPENING SPECIAL! FREE Haircut with any Color Service (New clients only. With this ad.) NEW LOCA TION! Dont forget gift cer ti“ cates for Valentine s Day!


FLORIDA WEEKLY WEEK OF FEBRUARY 3-9, 2011 NEWS A3 Time to clean out that garage? If youd like to make some cash on your stuff, hit the Palm Beach Gardens Yard Sale. The city of Palm Beach Gardens recreation department will host the sale on Feb. 26 from 7:30 a.m. to 11:30 a.m. Its indoors, in the North Gym at the Burns Road Rec-reation Center, 4404 Burns Road. If youd like a spot contact the recreation department „ spaces are limited and go fast. Spaces are $25 each. Refreshments will be available for purchase. See or call 630-1100. Q More than 20,000 people particip ated in the 20th Susan G. Komen Race for the Cure in West Palm Beach on Jan. 29 Donations so far total nearly $1 million. The BallenIsles team of more than 160 members, from the gated commu-nity in Palm Beach Gardens, has raised more than $9,000 and was ranked fifth among teams for raising funds. The South Florida Affiliate of Susan G. Komen for the Cure provides services in Palm Beach, Martin and St. Lucie counties. Susan G. Komen is the largest source of non-profit funds dedicated to during breast cancer. The organization has raised more than $1.3 billion in the past 25 years. Q Got stuff? Gardens offers sale spaceKomen race donations near $1 million pbgfl .com or ca ll 630-1100. Q

PAGE 4 FLORIDA WEEKLYA4 NEWS WEEK OF FEBRUARY 3-9, 2011 PublisherMichelle Nogamnoga@floridaweekly.comEditorBetty Reporters & ColumnistsScott Simmons C.B. HanifJan Norris Hap Erstein Dan Hudak Tim Norris Mary Jane Fine Bradford Schmidt Artis Henderson Jeannette Showalter Bill Cornwell Linda LipshutzPhotographersScott B. Smith Rachel Hickey Jose CasadoPresentation EditorEric Raddatz eraddatz@floridaweekly.comProduction ManagerKim Carmell kcarmell@floridaweekly.comGraphic DesignersJon Colvin Paul Heinrich Hope Jason Natalie Zellers Dave AndersonCirculation ManagerClara Edwards clara.edwards@floridaweekly.comCirculationSteve West Jessica Irwin Shawn SterlingAccount ExecutivesBarbara Shafer Diana De Paola Nardy Kindra Lamp klamp@floridaweekly.comSales & Marketing Asst.Maureen DzikowskiPublished by Florida Media Group LLCPason Gaddis Jeffrey Cull Jim Dickerson Street Address: FLORIDA WEEKLY 11380 Prosperity Farms Road, Suite 103 Palm Beach Gardens, Florida 33410 Phone 561.904.6470  Fax: 561.904.6456 Subscriptions:Copyright: The contents of the Florida Weekly are copyright 2011 by Florida Media Group, LLC. No portion may be reproduced without the express written consent of Florida Media Group, LLC.Call 561.904.6470 or visit us on the web at and click on subscribe today.One-year mailed subscriptions: $29.95 in-county$49.95 in-state  $54.95 out-of-state OPINION PARK CITY, Utah „ This small, alpine mountain town is transformed every winter during the Sundance Film Festival into a buzzing hive of the movie industry. While much of the attention is focused on the celebrities, Sundance has actually become a key intersection of art, film, politics and dissent. It is where many of the most powerful documentaries pre-miere, films about genuine grass-roots struggles, covering the sweep of social justice history and the burning issues of today. They educate and inspire a grow-ing audience about the true nature, and cost, of direct democracy. The Last MountainŽ is a documentary about the threat to Coal River Moun-tain in West Virginia, which is slated for destruction by mountaintop removal coal mining, one of the most environ-mentally devastating forms of mining being practiced today. The worst offend-er is the coal giant Massey Energy and its former CEO, Don Blankenship. A broad coalition of activists from around the world has been active in trying to stop Massey, led by regular, working-class people from the surrounding towns and hamlets of Appalachia. Robert F. Kennedy Jr., a longtime environmentalist and lawyer, joined them in the fight and is featured in the film. I asked him about the struggle: This film is about the subversion of American democracy. Last year, the Supreme Court overruled a hundred years of ironclad American precedent with the Citizens United case, and got rid of a law that was passed by Teddy Roosevelt in 1907 that saved democracy from the huge concentrations of wealth that had created essentially a corporate kleptocracy during the Gilded Age, and Americans had forfeited their democ-racy during that time. ... For the first time since the Gilded Age, were seeing those kind of economic concentrations return to our country.Ž Kennedy describes the subversion by corporate power of the press, the courts, and Congress and state legislatures: The erosion of all these institutions, I think, of American democracy have forced people who care about our coun-try, and who care about civic health, into this box of civil disobedience and local action.Ž This is a historic month for Robert Kennedy Jr.: It is the 50th anniversary of his uncle John Kennedys inaugura-tion as president, and also of his father Robert Kennedys inauguration to be U.S. attorney general. I asked him about those two, felled by assassins bullets: To me, the most important thing that John Kennedy did, and my father was trying to do, was to stand up to the mil-itary-industrial complex, which ... Presi-dent Eisenhower, in his final speech just before my uncle took the reins of power, said this is the greatest threat to Ameri-can democracy in the history of our republic, ever: the growth of an uncon-trolled military-industrial complex in combination with large corporations and with influential members of Congress, who would slowly but systematically deprive Americans of the civil rights and the constitutional rights that made this country an exemplary nation.Ž In a moving moment here at Sundance, Kennedy, who had just flown in from the funeral of his uncle, Sargent Shriver (founder of the Peace Corps), came out after a screening of The Last Mountain,Ž and was embraced by Harry Belafonte, himself the subject of the film that opened this years festival, the breathtaking biopic of the singer and activist called Sing Your Song,Ž which is really a chronicle of the movements for racial and economic justice of the 20th century. Belafonte was one of Dr. Martin Luther King Jr.s closest confidants. I spoke with Harry about his lifetime of activism, and about his feelings about President Barack Obama. He told me, During his campaign for the presidency, he was talk-ing before businessmen on Wall Street in New York. I said, Well, you know, I hope you bring the challenge more forcefully to the table. And he said, Well, when are you and Cornel West going to cut me some slack? I said, What makes you think we havent?Ž Belafonte was a friend of Eleanor Roosevelt, who told him of an exchange between her late husband, President Franklin Roosevelt, and A. Philip Ran-dolph, a key organizer of the 1963 March on Washington, and before that the major force behind the black train conductors union, the Brotherhood of Sleeping Car Porters. Randolph described what need-ed to happen to improve the condition of black and working people in the country. Roosevelt said he did not disagree with anything Randolph said. Retelling the story here to me at Sundance, Harry leaned back in his chair and repeated what Roosevelt told Randolph: Go out and make me do it.Ž Q „ Amy Goodman is the host of Democracy Now!,Ž a daily international TV/radio news hour airing on more than 800 stations in North America. She is the author of Breaking the Sound Barrier,Ž recently released in paperback and now a New York Times best-seller.Sundance and the art of democracyIt detains almost 200 people at Guantanamo Bay, the facility that Amnesty International calls a global symbol for injustice and abuse.Ž It will resort to military tribunals for those detainees it chooses to try. Dozens of the rest will simply be held indefinite-ly „ international opinion be damned. It relies on Gen. David Petraeus to turn around a difficult war of counterin-surgency. Hes an extraordinary warrior for the American people,Ž it insists. It surges American troops into the field, disregarding American public opinion and the opposition of the left. It refuses to heed the protests of antiwar activist Cindy Sheehan. It fails to forge a peace agreement between Israel and the Palestinians, or even stop the Israelis from building set-tlements. It is not talking to North Korea or Iran. It believes it has the right to kidnap people in the tactic known as rendi-tion,Ž without due process. It targets people for assassination, without due process. It rains missiles down on countries, Pakistan and Yemen, with which we arent at war and profess to be friendly. It reserves the right to assassinate American citizens, and has targeted one U.S. citizen for killing in Yemen. Hes a Muslim religious leader not indicted for any crimes, let alone convicted of any. It embraces the Patriot Act and its repeated reauthorization without hesita-tion. It ignores critics of the law like for-mer Amnesty International USA chair Chip Pitts, who warns of the institu-tionalization of this and other egregious infringements on freedom.Ž It relies on the National Security Agency for a sweeping program of ter-rorist surveillance and brushes aside all legal challenges to it. It bristles at congressional interference with, as the attorney general puts it, the authority of the executive branch to determine when or where to prosecute terror suspects.Ž It is prone to what advocates of government transparency criticize as the overclassification of government docu-ments. It invokes the state secrets doctrineŽ to get court cases it finds inconvenient dismissed, including one by former U.S. detainees alleging abuse. It issues signing statements challenging parts of laws passed by Congress, a practice that lawmakers of both parties have criticized and the American Bar Association calls unconstitutional. It outrages civil libertarians. They denounce it for making impunity for torture the law of the landŽ (the ACLU). They inveigh against it for asserting that the government shall be entirely unac-countable for surveilling Americans in violation of its own lawsŽ (Electron-ic Frontier Foundation). They lament its policies for their repressivenessŽ (Glenn Greenwald of Salon). While it is attacked by the left for its robust assertions of executive power in a global war on terror, it is defended by Dick Cheney for the same. It prods the Arab world to reform, issuing a blunt warning that its founda-tions are sinking into the sand.Ž And it lectures China for violating of the rights of its people. It flatly boasts that we are the greatest nation on Earth.Ž But enough about the Obama administration... Q „ Rich Lowry is editor of the National Review.Where have we heard this before? amy GOODMAN Special to Florida Weekly O rich LOWRY Special to Florida Weekly O GUEST OPINION

PAGE 6 FLORIDA WEEKLYA6 NEWS WEEK OF FEBRUARY 3-9, 2011 Celebrate Super FUN with us! Championship tumblers available Feb. 9!1201 U.S. Hwy 1 /1BMN#FBDIt4PVUIPG1("#MWEn tUFSWJTDPN 2011 NFL Properties LLC. Team names/logos are trademarks of the teams indicated. All other NFL-related trademarks are trademarks of the National Football League. 15 MINUTES Just try to drive the speed limit: You’ll fast be flotsamHeres an invitation to a daring experiment on a local three-or-four lane street or a freeway, on the way to whatever youre doing next: Drive the speed limit.I am not about to finger-wag about scofflaws or neer-do-wells. My fingers are wrapped around the steering wheel, where they belong. Both hands, 10 oclock and 2. I am not talking on a cell phone or checking my stocks or tweeting my sec-ond cousin on a hand-held. I am not jug-gling CDs or futzing with broadband or satellite radio. I am not squeezing a two-patty burger, trying to keep gooey onions or pickle from falling on my lap. At least, right now Im not.With my hands and my feet, especially the right one, hovering between accel-erator and brake, I AM driving the speed limit, right here on Military Trail in Palm Beach County, for all to see. The posted limit, on this stretch, is 45 mph, and the needle of my speedometer is feathering right between the 4 and the 5. From this unusual vantage, I am trying to do what the Florida Department of Transportation encourages in its drivers manuals, to move with the flow of traffic. I am also conducting my own random, informal, independent survey. No hard numbers. No charts or graphs or mea-sures of dispersion or coefficients of variation. Just eyeballing. A whole lot of folks are blowing my doors off. They come up alone and in twos and threes, mostly. Some are the big bopper trucks and utility vehicles I might expect, many just your standard van or sedan. Now and then theres a classic VW bug or a Mini-Cooper. Since Im keeping mainly to the middle lane of three, all-too-many passing pairs seem to enjoy splitting the difference. Look here, this Lincoln Town Car on the left, in what used to be the passing lane; that Ford Focus on the right, which in song and story used to be the slow lane. I say this as I remember yesterday on I-95, watching a hunched motorcyclist and then some guy in a white two-door sedan come slamming within a lifes-breath of bumpers and then juke right and then left, at something near 100 mph, in a snake dance of defiance. In that and this traffic flow, going the maximum posted speed, I am flot-sam. Never mind the researchers and the traffic engineers who study how we act behind the wheel and what our behavior does to each other. They know the numbers better than most: 33,963 men, women and children dead in traf-fic crashes in 2009, drunken driving involved in 32 percent of the deaths, speeding involved in 31 percent. Speed still DOES kill. Poking along well under the limit doesnt help, either. In this Florida traffic stream, as in most, there is even slower flotsam. At 45 per, who am I passing? Not always whom Id expect. Sure, the moving van and the pickup truck hauling a trailer carrying a bunch of palm trees or a gardening crew usually slides to the rear. Some very small, super-annuated driver bent over the wheel of a very large luxury sedan might lag. How about this sports car, here? OK, I DO get a little thrill when I ease or bust on by, especially past that Maser-ati convertible, there, with the top down, or (a real rarity) that 2-ton enormity with the four rear wheels. I flash back to childhood, bouncing around the fold-down rear half of a sta-tion wagon in some wide-open space, back when we were seeing the U-S-A in our Chevrolet, scanning a poky vehicle just ahead and calling out, Cmon, Dad! PASS im!Ž Then feeling all superior when we did. Still, coming up quick on a slow-mover can grab your gut as surely as a blow-by. Maybe lethargy, or at least the contrast in the flow between fastest and slowest, can kill, too. But the issue goes deeper, I think. And it doesnt have that much to do with background or age or occupation. It has a lot to do with that much-touted word, attitude. According to a Midwest-based group called the National Motorists Associa-tion, dedicated to helping you and me fight our speeding tickets, drivers are mostly likely to get a citation in Florida, followed by Georgia and Nevada (tied for second). New York is seventh, New Jersey 10th. You can find their figures online, along with a host of lawyers advertising ways to help you beat the fine. Americans, by jiminy and jaminy, want to get ahead! For a look at speeding, ego provides the perfect lens. Motor vehicles are not just mechanical conveyances, not just gas-powered buggies or wagons on wheels. They are our LIVING, our HOMES-AWAY-FROM, our ESCAPE, our forms of personal expression, our gas-powered, metal-shelled armor against our own softness and a world of trouble. They are our defenders, our champions. Our alter egos. They carry our dreams.Our dreams, these days, are fed by fantasy, supplied in large part by commerce, by movies and advertising. Example: What do car and truck commercials push hardest? Maybe a wave at safety, a holler at prestige or luxury. Mostly, they push Power. Speed. Freedom. Indepen-dence. Derring-do. In a culture still built on suburbs and distant destinations, on getting to work fast and back home or to places of entertainment faster, that intersection is deadly. OK, so what are some 10,000 lives lost (never mind the injuries and emotional trauma) by speeding in motor vehicle accidents last year against The Dream? Dream on. Couldnt dreams have a speed limit? Highways do, but whos heeding them? I am, just now, eyes catching every speed limit sign, but the flow of traffic is push-ing around me, and I can already see the needle on the speedometer pushing me ahead, out of my argument. Bet I can beat you through the yellow light. Q BY TIM NORRIS____________________tnorris@”


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Experience in Cosmetic Injectables. n n n r rn! n Spies, spies, everywhere spies In January, Saudi officials detained a vulture from Tel Aviv University (part of endangered-species research), calling it a spy and alarming its Israeli handlers that the bird might face a grues ome execution as an espionage agent. Then, a day later, Iran reportedly detained an Arab-American woman crossing its border from Armenia „ after discovering a spy microphoneŽ in her teeth. (A week later, she was allowed to travel to Turkey.) In December, after an Egyptian woman was killed by a shark at a Red Sea resort, the local governor in Egypt accused Israels spy agency, Mossad, of releasing attack sharksŽ in order to stifle tourism. Q Cultural diversity A supposedly centuries-old Korean health treatment „ the vaginal steam bath „ has become a popu-lar fad recently in Southern California, according to a December Los Angeles Times report. As the client squats on an open-seated stool, vapors of herbs such as wormwood supposedly fight stress, infections, hemorrhoids, infer-tility and irregular menstrual periods. Thirty minutes treatment runs $20 to $50, and according to a prominent Bev-erly Hills gynecologist, the procedure actually could be beneficial. Among the dont-miss tourist attractions in Thailand, according to author Jim Algies recent guide (Bizarre ThailandŽ): the monkey hospital in Lopbun, where terminal patients are treated with utmost respect (pending, of course, their immi-nent reincarnation); Tortoise TownŽ in Khon Kaen province, where those crit-ters outnumber humans by 4-to-1 and dominate the streets with shell-butting mating-rights competitions; and the Buf-falo Head Temple near Bangkok, where the abbots pagoda, for some reason, is made of 6,000 water buffalo skulls. Chinas dynamic economy has created Western-style insecurities, includ-ing young womens anxieties about beauty and self-improvement as they search for employment. Consequently, China has become the worlds third-largest consumer of plastic surgery ser-vices „ with demand that perhaps chal-lenges the supply of skilled surgeons. Women typically want wider eyes, slicedŽ eyelids, narrower noses and jaws, and smaller chins, and both men and women seek height by attempting the painful (and usually unsuccessful) heel implantŽ procedure. (A currently popular, less invasive remedy for imme-diate body streamlining „ as when preparing for a job interview „ involves ingesting eggs of the ringworm, so that the worm devours food before the stom-ach can digest it.) Every Dec. 24 in Sweden, at 3 p.m., a third to a half of all Swedes sit down to watch the same traditional television program that has marked Christmas for the last 50 years: a lineup of his-toric Donald Duck cartoons. According to a December report on, the show is insinuated in the national psyche because it was the first big holiday program when Swedes began to acquire tele vision sets in 1959. Entire families still watch together, repeating their favorite lines. Q Sounds like a joke When longtime Orange County, Calif., inmate Malcolm King demanded kosher meals and double helpings, jail-ers resisted, and Mr. King went to court. Judge Derek Johnson asked Mr. King if his demands were religion-based, and Mr. King said yes „ citing FestivusŽ (a joke religion popularized on the SeinfeldŽ TV show). According to a December Orange County Register report, Judge Johnson approved Mr. Kings demands. A 2010 Chicago Tribune publicrecords examination of suburban Chica-go traffic-stop drug searches found that sniffer dogs are usually wrong „ that 56 percent of all positiveŽ signals by dogs yielded no contraband (73 percent fail-ure if the driver was Hispanic). Q Latest cutting-edge research Georgia Tech scientists tested (for an October publication) the oscilla-tory shakingŽ they witnessed by wet mice and various-sized wet dogs as they shook water off „ finding an inverse ratio between size and speed, from 27 cycles per second by a mouse to 5.8 by a mid-sized dog. Their original hypothesis was that speed would decrease according to torso radius,Ž but they forgot to factor in the length of the animals fur. Israeli researchers, writing in the journal Fertility and Sterility, found that women undergoing in-vitro fertilization were almost twice as likely to conceive if they had been made to laugh by a hos-pital clownŽ entertaining them as soon as their embryos were implanted. Q NEWS OF THE WEIRD BY CHUCK SHEPHERDDISTRIBUTED BY UNIVERSAL PRESS SYNDICATELatest religious messagesThe General Authority of Islamic Affairs and Endowments in Abu Dhabi (United Arab Emirates) announced in December that it issued 350,000 fatwasŽ in 2010 „ not the death toŽ fatwas, but rather, Quranic interpretations govern-ing everyday life. (The Authority ruled last year, for example, that car raffles are bad; that vuvuzelas are acceptable if kept under 100 decibels; that afternoon naps are prohibited because time should be better spent; and that half-sisters may shake hands with their brothers, even if their mother is Christian.) Q People are strange Which Branch Is Best? Dustin Jakes, 27, an Army soldier, was arrested for shooting drinking buddy David Provost, 24, a Navy sailor, in Florence, Ariz., on Christmas Day. They argued over which service was better (and since Jakes had the gun, the answer was ArmyŽ). Q

PAGE 8 FLORIDA WEEKLYA8 NEWS WEEK OF FEBRUARY 3-9, 2011 purposeful, motor-driven glide. The boater might be a celebrity, but he has no special privilege, just a mast higher than the down spans 25-foot clearance. He asks for passage on the marine radio, joins what bridge-monitors and traffic-counters call the queue,Ž waits his turn. The bridge must open. The 707 (named for its route, SR 707) is an on-demand, or, as its operators, in a spirit of cooperative goodwill, prefer, an on-requestŽ bridge. Some other drawbridges open on scheduled fractions of the clock, hour, half-hour, 15, 20, 40 or 45 after. Even those are subject to circumstance. A slow-moving and long-ap-proach tug-and-barge, a flotilla of vessels from a boat show, a government priority vessel, an accident or other emergency, all can prolong an opening, and the citi-zens being held up rarely realize why. Repair, improvement and new construc-tion force longer pauses, sometimes months longer. Without traffic, this bridge can yawn open and clam shut in two minutes. Mostly, the bridges called drawŽ gape and seal again within five or six minutes. For many waiting at the gates or pausing at the span, thats still too long. Looking out at the water, Chuck Bahnerd, 707s bridge tender, recognizes the boater just below him right off. Thats Alan Jackson, the coun-try singer,Ž he says. Does he mean the Alan Jackson who wrote and sang 25 No. 1 hits on the Billboard charts and landed in the Country Music Hall of Fame? Yeah,Ž Mr. Bah-nerd says, and thats him, in the white shirt, right there.Ž Maybe Mr. Jackson appreciates whats about to happen. Very few do, on land or water. One who does is standing behind Mr. Bahnerd, just now, in the bridge house. Barry Meve worked his way through electri-cal duty and traffic signals through the bridge department to his current job, Palm Beach Countys Superintendent of Bridges, Road and Bridge Division, Department of Engi-neering and Public Works. As overseer of the countys more than 300 spans, he understands how and why bridges can go wrong and appreciates how often, how overwhelmingly often, they go right, and what it takes to keep them doing that. Hes well-versed, too, in the catalog of public responses, including what he calls the one-finger salute.Ž He also knows that each bridge has its routine and its own character. Each of the 20 movable bridges in Palm Beach County is engineered and built in a unique shape to ferry a shifting subset of humanity between two particular spans of land on varying roadway across a par-ticular stretch of water. At this moment at the 707 Bridge traffic waits, the landlocked kind and also the waterborne kind, anticipating the action of a great mechanism but under-standing nearly nothing of it, looking up at the bridge house, scanning the bridges immense spans, commandeered by one person working with his or her own eyes and a c onsole of push-b uttons. Thirty-five full-time tenders and 12 who are on-call control the countys drawbridges. This one, Chuck Bahnerd, is wearing the hat of the NFLs Cleveland Browns. Im from Cleveland, moved away when I was 11 years old, been back one time,Ž he says. I have a lot of fam-ily up North, so I have to stick with my team.Ž Locally, he and his co-workers might seem almost as anonymous. Barry Meve says, A lot of people, we might start talking about bridges, and I say how many do you drive over when you go to work, and they say I dont know. Well, you probably drive over 20 of them and never think about it.Ž Until theyre up,Ž Mr. Bahnerd says, and youre sitting back there and saying, Cmon, Im late! Everybodys late.Ž At bridge-level, at least, who you are, or how late, or what you can buy or bully or inveigle for yourself, doesnt matter. Each week, from 6 a.m. to 2 p.m. Tuesday and Wednesday and 2 p.m. to 10 p.m. Saturday through Monday, Chuck Bahnerd runs this bridge. He runs it with the authority of Palm Beach County and the state of Florida and, in support, the U.S. Coast Guard and the Army Corps of Engineers, and he may give a hoo-hah about a boats celebrity occupant or low-er-profile pedestri-ans he greets every morning as they jog or bicycle by, but he doesnt give an inch. A bridge itself is democratic and exacting, too. If you think the 707 is big, Mr. Meve says, wait until you see the next one, over on Donald Ross Road, where just about now tender Tom Ringelstein is letting a high-masted schooner through. The 707, built in 1969, shows two lanes, two leaves, four gates; the Donald Ross, opened in 1990, features four lanes, 18 gates, and the latest in safety, including protective barriers for pedestrians and wayward vehicles and extra lanes and wide approach areas that allow traffic to move both ways over one span when the other is closed. For all a casual onlooker knows, bridges run on a single switch, possibly by computer from some remote locale. Guess again. The 707 plays Mr. Bahnerds tune. He commands the keyboard, which con-nects through lines and switches to the engine-works and counterweight below, and to traffic signals and gates and warn-ing and search lights and a sound system for bells and horn. He also knows where to look, and when, and where at least most of the surprises come from, like that inlet here or that marina over there. I used to work for Publix,Ž Mr. Bahnerd says. My knees finally collapsed, and I needed new knees put in. Then this (left) one got broken. So I gave up Publix, and my wife was watching on TV, went on the Palm Beach County channel and saw the ad and said, Oh look, why dont you become a bridge-tender? I wanted to do something instead of collect Social Security or dis-ability, so I went down and they hired me right away. Ive been here ever since, about 10 years now.Ž He turns to the console, his eyes on scan.Ž Lights flash first, then bells clang, 20 times. Traffic signals jump from green to yellow to red. Mr. Bahnerds hands, just now, work the butt ons on 707s control console, in sequence. Stopping-gates drift down, off-going first, then oncom-ing. A horn sounds. Indicator-lights on buttons and limit switches ensure that each step works in sequence. You cant do anything out of order,Ž Mr. Bahnerd says. His eyes, all the while, work everything else in sight. He pushes a lighted button. A lock clicks open. Then another. The spans, 130 feet long, 200 tons, start to rise. On the landward side alone, 18 vehicles have backed up toward U.S. 1. A dozen wait on the island side. Three pedestrians, a man on a motorcycle and a cyclist pause alongside. The spans stop, angled up at 77 degrees, and lock in place. Alan Jacksons boat, the Hullbilly, cruises through, and, as it passes under-neath, the bridge tender points to a silhouette, reclining aft on the starboard side, without the big white hat. Alan always sits closest to us,Ž Mr. Bahnerd says. Hey, he waved today!Ž The tender notes the passage in his log: time, name, boat type, direction. Last year, Mr. Bahnerd and other tenders opened the 707 Bridge 3,458 times to let through 4,366 vessels, recording every one. He has installed a big leather chair for comfort, but he moves around so much, to the console, out to the walk-way, down ladders to the bathroom and machine room, that he is more likely to get writers cramp and saddle sore. A bridge tender learns, in a shift or three, that no day is entirely routine and that every minute, every second, counts. Bridge tenders, bound to their post (no breaks, bring your food, toilet down that stairway or metal ladder, there), are paid to be attentive, and as population grows and technology expands, they have more and more to watch. In seconds, humdrum can crumple into emergency. At 707, just then, a voice crackles from the marine radio. This is 707,Ž Bahnerd answers. Go ahead.Ž Northbound, uh, southbound,Ž the boater says, and approaching you from the north.Ž You sure you know which way youre going today?Ž Bahnerd says. No answer. Give me about five minutes to get this traffic through, and well get this bridge up.Ž QQQAS THE BRIDGE TENDER ENGAGES the boater, Barry Meve steps outside for a breath of air and an impromptu tour, a look at the bridges features, from tiny puffs of copper on the tips of gates and spans, meant to ground a lightning strike, to the motor-driven mechanical workings in the bowels of the bridge. In the history of human gadgets, movable bridges might stand among the most ingenious. They are, physically, transformers, mediators between mul-tiple forms of transportation, between boats and motor vehicles and trains, also making a place for walkers and runners and cyclists. Hereabouts, nearly all the draw bridges are bascule, a French word based on see-saw.Ž Gravity allows mas-sive spans to be moved by very small motors. They are far more compact, too, and often more attractive than massive flyover designs, saving adjacent land and improving the landscape. Lift bridges, swing bridges, tilt bridges, all have their own uses. Many of these techniques, or these arts, are ancient. The Egyptians and Romans designed movable bridges. European castles from the 11th century on spanned their moats with retractable bridges, but most were simple wood-plank drops hauled up by hand with ropes or chains on the pegs of wooden spindle gears. Leonardo da Vinci designed a whole series of more advanced drawbridges, and the Dutch, with a surfeit of canals and water-loving sail and flatboats and land-loving ox carts, perfected the vertical draw and the lift. Great painters, among them Camille Corot and Vincent Van Gogh, recorded them. They were something hand-crafted to use and view and admire, something to value. Everybody wanted and needed to get where they were going, but many also wanted to enjoy the journey. We live, now, Mr. Meve suggests, in an age of less handiwork and more urgent convenience. What those invested in its drive-thru mentality value most is time...and never mind that they are hurrying home to download a movie or invest in a gin-and-tonic on the screened-in porch. A lot of these folks are intent on fixing lunch or dinner or caring for kids or older relatives or up against their next deadline or delivery. BRIDGESFrom page 1 MEVE RINGELSTEIN BAHNERD SCOTT B. SMITH / FLORIDA WEEKLYThe Donald Ross bridge (above) has mammoth machinery (left) to raise and lower its bascules.


FLORIDA WEEKLY WEEK OF FEBRUARY 3-9, 2011 NEWS A9 Right NOW, they want a go-ahead, a let-me-go. Operators and overseers of Palm Beach Countys 20 drawbridges, on behalf of county and state government, know, every day, that not just tugs and barges but the world-as-we-know-it is coming at em. The local and regional and sometimes global on-the-move part, anyway. And nearly all of the occupants of that world want to move right on through. Chuck Bahnerd and Tom Ringelstein see that urgency and pretty much every-thing else in their 360-degree visual sweeps and on their video monitor screens, which at a given moment show open water. Never mind the 99-point-nine-nine-whatever of those who enter their province by land or water leave without trouble. You meffle-fifter! Youre holding me up! No tender or supervisor ever suggests that, hey man, you want a hold-up? Try a stagecoach. You want perfection? Try a fairy tale...and, look, in those, what you had waiting for you at a bridge usually came up from underneath, with warts and sharp teeth. That was then; this is NOW, as in present tense. In Florida, where the many waterways meet the many roadways, movable bridges carry the action. Few stalled at the gates seem to buy that part of a very modest toll for liv-ing in a tropical paradise is patience. A stop could be a chance to look around or ease back. To ponder, to reflect, to stand down, to remember or daydream. Skip it! In a drive-thru, sell-em-convenience era, the most-driven drivers of the vehicular kind might define draw-bridges as the intersection of Gotta Get There and Im Losin It! Drawbridges, though, their tenders point out, are not just a convenience or even a necessity; they are a social con-tract and a living negotiation, a declara-tion of compromise. Without the bridges, Barry Meve and his tenders can testify, the intersection of highway and watercourse could become Madcap and Mayhem. Even with them, humanity and politics, science and nature sometimes collide. QQQCHUCK BAHNERD STILL SEES, IN his minds eye, the year-old image of a tug boat and its mammoth barge pushing and dragging toward the 707 Bridge. From the bridge house, Mr. Bahnerd has watched a nearly lookalike scene play out a thousand times or more. Com-mercial traffic, after all, is why the Army Corps of Engineers and legions of work-ers trenched a laid-back, bay-and-inlet, multifarious meander into the Atlantic Intracoastal Canal, a disciplined water-way extending 1,550 miles and serving commerce, travel and recreation. Thou-sands of private boaters come down from New England and the mid-Atlantic and the Carolinas, many others from Canada, bound for South Florida and the Caribbean beyond. Thousands more sail or motor out from homes nearby. Indus-trial, military and government vessels add to the mix. Nearly all of them depend on routine, and routine is nearly always the norm, because so many people work to keep it that way. They also anticipate, some-times celebrate, and often fear and shun, the exception. This tug and barge, Mr. Bahnerd sees, are off-kilter. That keens his nerves. What those closest to drawbridges, designers and engineers and managers and operators, might want most, on and in and around the span, is kilter. A true, reliable line, a predictable flow. This approaching pair is renegade. The tug shows a sudden confusion, nos-ing left, then right, and the barge, barely an eighth of a mile short of the bridge, starts sliding nightmarishly sideways. Watching them come on, he is suddenly helpless. As it is, these days, traffic from all sides is getting heavier, faster, more bombarded with rules and worries, more multi-tasking and device-wielding, less-forgiving. For anyone living with and in drawbridges, vehicles wrongly gunning up a lifted span are foolish; pedestrians caught in elevated limbo are tragic. Deaths, covered in the news, are most searing. Otherwise, few moments are worse than a runaway barge. What saved them that day, saved the tugboat pilot and the bridge tender, saved the vessels and the bridge, was a thin curl of wood, a walkway where electricians can walk out to service the navigation lights. It looks fragile. Bridge people call it the fender system.Ž He hit over there and he bounced off and ricocheted over here,Ž Mr. Bah-nerd says. He hit the catwalk, and it crunched like a box of cereal, going CRUNCH, CRUNCH. There was no damage to the bridge itself. It saved us.Ž So many elements in bridge design, Mr. Meve adds, are designed for safety, starting with backup generators. Mr. Bahnerd recalls when Hurricane Wilma knocked out power across the region in 2005. The bridges kept working. We had no power at my house for almost 14 days,Ž he says. This place was like home to me, you know? I have TV, I have a microwave, I have AC. It got hot out there. I WANTED my eight hours, you know? I ENJOYED coming to work!Ž QQQFLORIDAS MOVABLE BRIDGES HAVE two masters, depending on who owns the road that cross-es them. State and U.S. highways belong to the Florida Department of Transportation; most county and local roads fall to the county. So, hereabouts, the 707 Jupiter Island bridge is Palm Beach Countys, the near-by Jupiter bridge on U.S. 1 is the states, the Donald Ross Road is county, and the PGA Boulevard Bridge in Palm Beach Gardens and the Parker Bridge on U.S. 1 in Palm Beach are state. The DOT remains central. It mandates and staffs inspections, polices safety, pro-vides and seeks funds for maintenance and upgrade and new construction, even at a time when the national belt is tight-ening the life out of local governments. And a bridges architects and overseers appreciate that the success of every crossing depends not just on hardware but on humanity, on the crews providing construction and maintenance, on the person behind the windows, watching and taking action. The bridge brigade also has to deal with the elements. Not just the usual sun-bake and tropical shower and even the rare hurricane. ALL of them. Were talking rust and vibration, wood-boring insects, and pigeons, looking for a shady roost, and cockroaches, who feed on what the pigeons leave. Were talking sand and surf. Salt water is hell on everything,Ž Chuck Bahnerd says, and Barry Meve adds, And salt air, too.Ž Mostly, they have to deal with the mechanism. Showing it at Donald Ross, Mr. Meve steps into The Pit. The level of complexity can seem staggering. The electrical box at Donald Ross, alone, carries 600 wires and con-nections, Dan Doyle, assistant superin-tendent of Palm Beach Countys Road and Bridge Division, says. A host of new materials, including solar powered lights, stainless steel bolts, plastic fenders, lighter and sturdier aluminum railings, especially stronger and more durable concrete, are extending the initial lives of bridges from 50 to 75 years and more and also complicating them. Sometimes an older design is better. Three levels up at Donald Ross, tender Tom Ringelstein is getting ready to raise the bridge and lower the spans. Down in the Pit, in near-silence, Barry Meve is narrating a bygone gear, put in service of shortening the bridges approach. A walking-gear seems simple, partner of gravity, a curved gear with square teethŽ moving on a flat bed with match-ing sockets, lifting two teeth at a time, peeling back as the weight of the spans lifts and shifts with them, replanting as the spans lower again. In moments, the bridges dual gears, one on each side, will usher the heavily weighted tail of the double-spans more than 700 tons of metal and concrete into the Pit, giving the spans room to tilt to their 77 degrees above horizontal and open the waterway to a trimaran and a southbound tug and barge. Even immersed in operational detail, Mr. Meve still finds the sight majestic. He knows how to appreciate the bridge with his ears, too. Walking the Donald Ross Bridge with photographer Scott Smith late last month, Barry Meve heard an odd sound in the northernmost lane. A drawbridge, among other things, generates a clamor, a disharmony of noise. This thump-thumpŽ didnt belong. Above the wall for the machinery room, they didnt support the grat-ing properly at the intersection of the beams,Ž he said. When they put con-crete over it, they couldnt see it. Over the years, where the grating is welded to the top of the beams, it broke some welds loose. They should have put a shim underneath it, welded the shim to the beam and the grating to the shim. It wasnt a safety thing, but well go in and weld it down like it should be.Ž Like any elaborate mechanism, he says, bridges need vigilant care. Inspec-tion and maintenance are crucial. Both the county and the state keep elaborate and detailed schedules, chart aging of materials and need for service such as changing hydraulic oil and sandblasting and repainting, make individual workers responsible. Bridge tenders in Palm Beach County have taken the job personally, he says, for more than a century. He points back to the first bridge at Jupiter Island, the Jupiter Inlet Bridge, built in 1923. That was a wood bridge, and people lived on it,Ž he says. The new bridge was dedi-cated to the Woods and Cato families, who worked as bridge-tenders there from the 1920s to the 1960s. That was a swing bridge and had wood pilings, you had to actually go out and work it. We still have a hand-operated swing bridge out at Point Chosen, Belle Glade.Ž He wonders if more people appreciate the tender, there. QQQIN POMPANO BEACH, LAURA PORTER, her son Daniel and Cole Harper, Lauras nephew and Daniels cousin, know the challenges and live with the criticism. They run Florida Drawbridge Inc., contractor for Florida DOT drawbridges in much of South Florida. They understand the engineering and operational side, too, including the impact of the elements and humanity. Complaints are legion; they smile to hear Chuck Bahnerds story of condo residents on Jupiter Island up in arms over bait-fishers who work off 707 Bridge at night and leave fish parts to raise a stink of their own. Having human eyes on the situation at each bridge, the trio at Florida Draw-bridge says, gives bridge tenders added importance. They keep video footage of water and roadway, and detailed accounts of vessels coming through, and local and federal authorities sometimes ask for them. Nearly all bridge people, they say, hope that the public using drawbridges will appreciate the complexity and chal-lenges, starting with planning, design, financing, approval. Just one lock bar is mechanical, electrical and hydraulic,Ž Daniel Porter says. Theres so much going on with each bridge.Ž Cole Harper says this: In most places, people wait for trains. You get used to that. You can get used to the same thing waiting for vessels to go through. Were sharing these transportation systems, and just because the medium of the ves-sel or car or the train is different, were sharing this land and water and sharing these systems to move over them.Ž Laura Porter adds, Remember that drawbridges, as beautiful as they are, can be very dangerous. There is a lot hap-pening right there, and people should stand back, make sure the bridge tender sees them, and realize that theres a whole process, boats going through, cars going through, big machinery is moving up and down. Its a time to step back and appreciate that.Ž Bridge people work, they say, to keep building another kind of bridge to the public trust. If their enterprise is also a bridge to a public cuss, well, it comes with the territory. They hope, with their everyday efforts, to stay, and work, above it. Q O draw bridge openings in palm beach county

PAGE 10 FLORIDA WEEKLYA10 NEWS WEEK OF FEBRUARY 3-9, 2011 D i AMOND FREE TRANSPORTATIONwithin 15 mile radius of either locationHOURS: Monday– Friday 8:00am–5:30pm LAKE PARK$IXIE(WYs 848-4303(2 blocks south of Northlake Blvd. Behind K-Mart) LAKE WORTHTH!VE.s 586-0888(2 blocks west of I-95. Across from Wayne Akers Ford) Personal checks accepted $26999 INCLUDES: Single original color exterior Complete sealer coat 2 component urethane paint2 YEAR WARRANTY PEELING, CRACKING & FADINGMust present coupon. Offer expires 2/17/2011. $32495 INCLUDES: Single original color exterior $UPONTPAINTs#OMPLETESEALERCOAT 2 component urethane paint Integrated CLEAR for durability & shine5 YEAR WARRANTY PEELING, CRACKING & FADINGMust present coupon. Offer expires 2/17/2011. DUPONT 2K URETHANE DUPONT 2K URETHANE w/CLEAR $79995 INCLUDES: Single original color exterior Sealer coat & top coat paint Dupont paint7 YEAR WARRANTY PEELING, CRACKING & FADINGMust present coupon. Offer expires 2/17/2011. FACTORY BASE COAT + CLEAR COAT Save Over 50% on Your Paint Job 7EWILLBEATANYCOMPETITIVEESTIMATEs7ESTANDBEHIND!,,/527/2+Vans, Pickups and SUVs slightly higher AUTO PAINTING & COLLISION CENTER&AMILYOWNEDOPERATEDSINCEs#ELEBRATINGYEARSINBUSINESSIN0ALM"EACH#OUNTY Good! Better! BEST! groomed for the show ring takes years to learn. A dog must match up favorably to the ideal of his breed, called the standard.Ž Judges mentally compare each dog to the standard, choosing the one who most closely conforms to their vision of a perfectŽ dog. Even with a near-perfect physical appear-ance, a dog needs a skilled handler. Winning isnt easy in a sport where amateurs must compete against expert professional handlers. At every show, one male dog and one female dog will end up with pointsŽ toward their championship in each breed, with the number of points determined by the popularity of each breed in a given region. A dog must get two majorŽ wins of three points or more and 15 total points to become a champion „ a process that can often span months or even years. Showing dogs isnt cheap, by the way, and thousands of dollars can be spent trying to earn a dogs championship. The dogs who make the cut to compete for Best in Show at Westminster often repre-sent a small fortune invested, with little payoff for the owners except to their pride. All of which goes a long way to explain why most dog owners will watch West-minster from their couches, with their own family champions by their sides. (The group and Best-in-Show finals will be aired on the USA Network and CNBC on Feb. 14 and 15, starting at 8 p.m. ET with a time delay on the West Coast. For more information or for breed-ring results and videos throughout the show, visit Q The Westminster Kennel Club Dog Show has long served as an unofficial national cham-pionship for the nations dogshow competitors. The two-day show is always held in New Yorks Madison Square Garden, kicking off this year on Monday, Feb. 14. Westminster is a special show where only champions can compete. At all other dog shows, most competitors are trying to earn their dogs championships. And thats when following the action can get confusing. Dog shows are supposed to be about evaluating breeding stock, with the goal of preserving and improving the dog breeds involved. But over the years, the sport has become a high-stakes and high-cost endeavor thats perhaps the most difficult of all canine competitions for beginners to break into successfully. Even if you have a show qualityŽ dog with no disqualifying or major problems in appearance, winning is tough. Get-ting a dog to look his best in the ring is a subtle art thats difficult to master. In many breeds, the work of getting a dog PET TALES Top dogsWestminster winners are tops in dog-show gameBY GINA SPADAFOR_______________________________Universal Press Syndicate O Pets of the Week >> Brothers Larry and Moe are 1-year-old neutered male domestic short-hair cats. Larry is a little shy and they would both be happy in a quiet home. >>Duke is a 6-year-old neutered male miniature pinscher. He weighs 11 pounds and needs a home with no children. Duke is available for the senior to senior adoption program; the adoption fee is waived for people 55 and over.To adopt a petQ The Peggy Adams Animal Rescue League, Humane Society of the Palm Beaches was founded in 1925 and is a limited-admission non-pro t humane society providing services to more than 10,000 animals each year. It is lo-cated at 3100/3200 Military Trail in West Palm Beach. Adoptable pets and other information can be seen at For adoption in-formation, call 686-6656.The 2008 Westminster Best in Show, Uno, was an immediate hit as an “ordinary” dog who most people could imagine owning. COURTESY PHOTO


Do you hav e new s for Florida Weekly ?Send your items t o: pbne w s@floridaw eekly .com Or use snail mail and send to B ett y W ells, Florida Weekl y 11380 P r osperity F arms R d., Suite 103, P alm B each Gar dens, Fla. 3341 0 Q Send us your news a Experience the beauty and challenge of our championship Fazio-designed golf course and the charm of our old-Florida style clubhouse. a Enjoy our dazzling new Fitness Center and our Har-Tru tennis courts. a Dine in our lovely dining room with panoramic views of the course and unique 18th hole island. a Limited Annual and Executive Memberships are now available. Call Kate at 561-626-6860 or email a Eastpointe Country Club is a private golf and country club conveniently located on Donald Ross Road just west of I-95 (or Hood Road west of I-95). An innovative, new treatment for knee pain. MAKOplasty The potential benefits of MAKOplasty: Rapid recovery More natural feeling knee Smaller incisions Shorter hospital stay 1309 N. Flagler Drive | West Palm Beach This advanced procedure uses robotic arm technology, allowing the surgeon to preserve the knees healthy boneand surrounding ligaments and tendons, while repairing the diseased portions. As a minimally invasive procedure,patients typically experience rapid recovery to their normal lifestyle and activites. For more information or to find a physician specializing in MAKOplastycall 561.650.6023 or visit goodsamaritanmc.comDont let Knee Pain keep you from the things you love. Michael Leighton, MD … Friday, February 11 at 12pm Andrew Noble, MD … Tuesday, February 15 at 10am Gary Wexler, MD … Wednesday, February 23 at 3pm Andrew Noble, MD … Monday, February 28 at 2pmLectures held in the Teleconference Roomat Good Samaritan Medical Center.Refreshments will be served. RSVP to 561-650-6023 Upcoming Lectures:Attend a free lecture to learn more about MAKOplastyfrom our orthopedic surgeons: FLORIDA WEEKLY www.FloridaWeekly.comWEEK OF FEBRUARY 3-9, 2011 NEWS A11 Ibis Golf & Country Club has com-pleted the transition from being a devel-oper-owned coun-try club to a private equity, member-owned club. Ibis was developed and managed by Kitson & Partners, a devel-oper of master-planned communities, golf courses and country clubs. Kitson is based in Palm Beach Gardens. In 2010, membership at Ibis rose to almost 1,500 equity and non-equity members. The assets of the club in West Palm Beach include three Nicklaus Design golf courses, a 50,000-square-foot clubhouse, a 20-acre practice facil-Ibis golf and country club now member-ownedSPECIAL TO FLORIDA WEEKLY ity, 14 tennis courts and a fitness facility with a 25-meter lap pool and spa. The club reports that 69 percent of members voted to approve the turn-over. The Ibis community is a gated collection of 33 neighborhoods located in northern West Palm Beach. Golf professionals include Martin Hall, who heads instruction and is ranked by Golf Digest as one of the games top 50 instructors. Q COURTESY PHOTO Have some fun and help raise money for womens cancer research during the sixth annual Womens Cancer Awareness Day at PGA National Resort & Spa in Palm Beach Gardens. The day is actually three days of events. On Feb. 5, there will be tennis, croquet and a 5k Cancer Cure Walk/Run. On Feb. 8, there will be a cocktail party and auctions. On Feb. 10, play bridge, mahjong and other table games, participate in raffle drawings and Bobbi Brown makeovers and enjoy a luncheon with cocktail party. Approximately 500 women from around the Palm Beaches will be involved in the event, according to organizers. All proceeds benefit Jupiter Medical Centers Ella Mil-bank Foshay Cancer Center and the Daniel C. Searle Clinical Research Trials Access Program. To register, call Elaine Solomon at 694-6151 or email for details. Q Women’s Cancer Awareness Day offers three days of fun

PAGE 12 FLORIDA WEEKLYA12 NEWS WEEK OF FEBRUARY 3-9, 2011 How many times have you seen someone justify hurtful barbs with the dis-claimer: I was just kidding?Ž But were they just kidding? Or did they use their alleged humorŽ as an opportu-nity to dish out a message they didnt have the courage or werent comfortable enough to assert in a straightforward manner. Did they use their humor as a cover to side-step responsibility for the consequences of their insults? Julie (not her real name), a professional woman with advanced degrees, recently reported an experience that she and her husband Mike found to be very disturbing. Mike, bright and knowledge-able, owns a wildly successful business, even though he lacks a formal education. They have many friends from every walk of life. Julie and Mike were recently at a party with couples theyve known for years. Their neighbor Jim teased Mike about his mispronunciation of words in front of the others. Julie was incensed because she knew that Mike can be very sensitive about his limited education and it felt to her that Jim was belittling her husband. She pulled Jim over and quietly confronted him. He dismissed the whole subject by saying, Come on. You know I love Mike like a brother! Mike knew that I was just kidding. He shouldnt be so sensitive. I didnt mean anything by it.Ž We all know that teasing can be a good-natured way of having good times and showing affection among close friends and family. We may lovingly poke fun at an unusual or annoying habit or attribute of another person with no intention of causing hurt. The butt of the joke himself may even call attention to this trait in a self-deprecating manner and laugh along with us. The confusing thing for all of us is that some people welcome certain types of teasing but become offended when we cross over a line. They may have their own quirky criteria about what feels okay and what feels abusive. Conse-quently, we would have no set way of knowing the difference. We all know the locker room mentality of trading jabs. Whether its the others height, receding hairline or bulg-ing waistline, some people seem to enjoy dishing out insults. A lot of this teasing is an attempt to show they are with it,Ž with the intention of being accepted as part of the group. Sometimes the jokester knowingly ridicules the target because he believes it will elevate his status with his buddies. As each person tries to outdo the other by topping things off with the ultimate, the situation can spiral out of control into an ugly power play „ a contest about who is cleverer and in control. The language becomes increasingly more mean-spirited and can even become downright hostile. And if someone dares to protest, he may feel as if he is being blamed for his feelings and harassed fur-ther for not being man enough to tolerate a joke. Its all in good fun? Right? Wrong. Some people do not have the necessary filter and sensitivity to evaluate on their own when the teasing crosses the line. They may indiscriminately toss out jabs, believing that it is all in good fun and will enhance their camaraderie and standing with the others. They may not even have the social judgment to recog-nize the occasions when their jokesŽ are not funny, and when the group at large may view the jokester as inappro-priate and crass. Are you one of those jokesters? Do you get yourself into situations where people let you know that they do not appreciate your comments? Do you find yourself saying Just kiddingŽ one time too many? Then it may behoove you to work on developing an important social skill. It often takes unusual sensitivity to know the difference between teasing that is well received and remarks that will be construed as hostile. If you find your-self getting into trouble with people you care about, then you are better off stopping yourself before you say any-thing that has the potential of being misunderstood. Go out of your way to look for things that are positive so that you promote affec-tion by speaking well. You may even want to have a candid discussion with your friend to clarify how they feel. If you have any sense that youve offended them, a heartfelt apology and a commitment to be more considerate of their feelings in the future would be an important step in preserv-ing the well being of the relationship. If you are the recipient of unwelcome comments, it is important to find a way to tell the other person that their remarks are hurtful to you and stand in the way of your relationship. If the other person tries to deflect responsibility or implies that too much is being made of the remarks, it would be important to reiterate that it is not okay for the other person to poke fun. Standing up for yourself and calling attention to the negative undercurrents of other peoples careless or deliberate jabs is a powerful way for you to demonstrate your personal integrity. Q „ Linda Lipshutz, M.S., LCSW is a psychotherapist serving individuals, couples and families. She holds degrees from Cornell and Columbia and trained at the Ackerman Institute for Family Therapy in Manhattan. She can be reached at her Palm Beach Gardens office at 561 630 2827, or online at www. HEALTHY LIVING linda LIPSHUTZ O llipshutz@floridaweekly.comSay ‘Just kidding?’ too much and it’s probably an insultThis week one of the larger gatherings of grantmakers in the state is taking place in Orlando. The event is the annual con-ference of the Florida Philanthropy Net-work (FPN) which this year is focused on Imagining Florida: Philanthropys Vision for Floridas Future.Ž This annual gathering brings together staff and board members from foundations and other grantmaking organizations. There are leaders attending from the states non-profit sector, state and local government and the private sector. Those gathering will reflect upon the Florida wed like to steward for the benefit of future gen-erations and the role of philanthropy in helping to make that vision a reality. Sessions invite the re-imagination of Floridas art and cultural sector, give assessment of the states economy now and in the future, and inventory the challenges to creating a healthier state. The Gulf oil spill and its aftermath are also on the agenda. Though all founda-tions share similar characteristics, they are different, too, and occasionally flock together on the basis of difference to dis-cuss issues unique to their institutions. Community foundations, for example, will meet in a separate caucus prior to the conference opening. Meetings also take place organized on the basis of interest in addressing issues of common concern. Plenty of networking takes place in the hallways and between ses-sions, the exchanges often highlighting how the search for resources happens in real time, that are an asset toward local problem-solving. Time and the expense invested are precious. Generally, there are very few occasions in philanthropy that prompt opportunities to cross over the bridge into a shared universe. Dol-lars are limited too, so the incentive is high to make good use of the time and to leave with something tangible, an idea, a strategy or a resource of benefit to the work back home. The opening keynote speaker at this event is someone who goes back in time with me, to the decade of the 90s, when I lived and worked in the mid south. The mid southŽ was a term I always thought was more appropriately the deep south.Ž Put Louisiana, Missis-sippi and Arkansas in the same bucket, and its hard to imagine the cultural and economic diversity of this region were middle anything. My career as a philanthropy professional began in these three states. My first trip south from Jackson to New Orleans was to meet my colleague there. At the time, it was as if I had journeyed from one country to another, traveling over Lake Pontchar-train past the bayous and into the arms of les bons tempsŽ roulette. When we became better acquainted and our work was entwined by mutual interests, we sometime traveled together across the diverse landscapes that made up our region. Though time there increased my familiarity with many places, it was still no less stunning than my first journey to later travel west, then north from Jack-son, through the Mississippi delta, and pass over the bridge into the biscuit fest country of Arkansas. This was another century, even then. Now, 20 years later, its a remarkable intersection to be making with an old friend, Linetta Gilbert, given the time and miles traveled, both having made the journey here on the road made by philanthropy. Neither of us could have imagined this crossroads existed in our future. My friend is speaking at the pinnacle of her career. Her leadership is now become legend, acknowledged and respected for the role she played in shaping the founding and growth of a philanthropic movement in underserved communities worldwide. From her sta-tion as a program officer at the Greater New Orleans Foundation to her rise as a senior program officer for the Ford Foundation, her vision helped to instill and grow an excitement about philan-thropy as a grassroots movement in rural communities and communities of color, in places few considered sufficiently worthy to aspire toward philanthropy of their own making. The conventional wisdom at the time was that poor or rural communities had no philanthropic assets. Looking back now, I can deeply appreciate how radical it was to have not only suggested other-wise but to also have made the invest-ment of a lifetime in bringing the vision of community philanthropy into frui-tion. Thats the thing about philanthropy you cant underestimate. It can and has changed the world. Q „ As one of Floridas largest community foundations, the Community Foundation of Palm Beach and Martin Counties advances quality of life, citizen engagement, and regional vitality through its promotion of philanthropy. We have been in existence for more than 35 years, with permanent endowment now totaling more than $100 million. Last year, the foundation awarded more than $3.4 million in grants and led initiatives to address critical issues of common concern among our regions communities, including hunger, homelessness, affordable housing, and the conservation and protection of water resources. We are the trusted steward of over 250 funds created by area families, philanthropists, corporations and private foundations for charitable investment in our regions communities. For more information, visit: Meeting at a crossroads traces the importance of philanthropy leslie LILLY President and CEO of the Community Foundation for Palm Beach and Martin Counties O re with a ccepted mes the h e target e vat e hi s th e ot h er u ltimate, f control a contest contro l i n gl y v en n d d d d d d d d d d d d d d d d h e d u r h to o d fun? h e neces a luate on construed as hostile If you find your self g ettin g into trouble wit h peop l e y ou care a bout, then y ou ar e b etter o ff stoppin g g yourself before yo u say a n yth in g t h at h a s th e other person to poke f for yourself and callin g ne g ative undercurrents careless or deliberate j a w ay f or you to demo n s ona l integrity. Q „ Linda Lipshutz a psychotherapist s als, couples and fam degrees from Corne and trained man In ily T ha r p ly


FLORIDA WEEKLY WEEK OF FEBRUARY 3-9, 2011 NEWS A13 A young loggerhead named Cletus was released on Juno Beach on Jan. 22 after being nursed back to health at the non-profit Loggerhead Marinelife Center. Hundreds of people attended, lining the beach and jamming the parking lot. The center accepts injured and sick sea turtles and nurses them back to health. It depends on volunteers and donations. The center, at 14200 U.S. 1, has a hospital, aquariums and learning exhibits. It also has a gift shop. To donate and for more information see or call 627-8280.LOGGERHEAD MARINELIFE CENTER TURTLE RELEASE 1. Cletus the loggerhead swam in a small pool, awaiting cleanup and release.2. Hospital coordinator Melissa Ranly, left, and volunteers Sandra Wallace, center, and Marci Meyerowich, measured the turtle. It has a microchip, so records will be on file.3. The young loggerhead got a gentle scrub-bing to remove algae before it was released.4 There was hollering and applause from the crowd when Cletus was set loose and swam away.5. Volunteer Sandra Wallace carried turtle toward the water. Its sex could not be deter-mined because it is too young.6. Volunteer Sandra Wallace set Cletus on the sand. Ms. Wallace was celebrating her birthday on the day of the release.7. Cletus flapped toward the Atlantic. It was one of 124 sea turtles cared for by the cen-ter in 2010.8. Cletus dug in and headed toward the water; once in the surf it quickly disap-peared.2 1 5 4 6 78 3BETTY L. WELLS / FLORIDA WEEKLY

PAGE 14 FLORIDA WEEKLYA14 NEWS WEEK OF FEBRUARY 3-9, 2011 www.truetreasuresinc.com1201USHwyOne,NorthPalmBeach (561)625-9569 3926NorthlakeBlvd.,PalmBeachGardens (561)694-2812 617NorthlakeBlvdNorthPalmBeach (561)844-8001ouwillhavefun shoppingwithus!Y TT10X377 Once you make a sale, you write the spot,Ž she says. Then Mrs. Davisson began recording the spots. Public relations executive Dick Gruenwald heard her and asked, Do you ever do remotes?Ž He suggested a half-hour show. Mrs. Davisson said yes and did Turtle TalkŽ at the old Holiday Inn in Jupiter. Mr. Gruenwald also suggested she do Hilton Talk,Ž at the Singer Island Hilton, and her guests included Dick Cavett, Lib-erace, Phyllis Diller, Martin Sheen, Adri-enne Barbeau and Charles Nelson Reilly. Cavett was the only one who intimidated me,Ž Mrs. Davisson says. Theyd come in and co-host The Morning Show,Ž Mrs. Davisson says. They really helped out with the charity Angels of the World.Ž The charity helps the mentally disabled. Mrs. Davisson had worked in the mid70s with the Manatee Dinner Theatre near Port Salerno, where she handled some of the public relations. Then Burt Reynolds got involved.Burt directed Bus Stop. He came in with Sally Field, Bob Urich and Sallys mom,Ž Mrs. Davisson says. That was a forerunner to the Burt Reynolds Dinner Theatre.Ž While there, she worked with actors Maureen OSullivan and Roland Winters, famous as Charlie Chan. But it was her radio career and The Morning ShowŽ that helped launch Mrs. Davissons public relations job at the Burt Reynolds Dinner Theatre. Burt is the one who hired me,Ž she said. Said he listened to me all the time on The Morning Show.Ž In the years since the dinner theater folded, some may forget what a presence Mr. Reynolds had in northern Palm Beach County. Stars poured in to visit him, or to appear at the dinner theater. Tammy Wynette sang there. Dinah Shore was a frequent visitor, so was Sally Field. Burt was always so generous,Ž says Ms. Greene. All of us who worked together there still are close.Ž And that generosity was contagious.Id tell my mom and shed help my friends,Ž says Ms. Greene, who remembers how they helped Andrew Kato mount his first show at the theater. Mr. Kato, now artistic director at the Maltz Jupiter Theatre, in the former din-ner theater, remembers that generosity. Ive known Kathy since we were both waiters in the Burt Reynolds Dinner The-atre days,Ž he says. And on a personal note, Kathy was one of my three female peers who rescued me from geekdom. They did everything in their power to make me even slightly cool.Ž Back in the Burt Reynolds days, there was such a family spirit. We were so close,Ž Mr. Kato says. When I came back to Jupiter, it was like the continuation of our friendship. Fourteen years later, it was like nothing had changed.Ž He applauds the family spirit.Kathy is a carbon copy of her mother,Ž Mr. Kato says. When you have someone like Jan who knows just what to say, well, Kathy had a really great teacher in her mother.Ž Mrs. Davisson, who lived in Florida off and on as a child, and attended St. Theresa High School in Coral Gables, moved to Jupiter in 1969. She always was known as a go-getter. I never was a womans libber because I felt that if I needed to make my way, I could make my way,Ž she says. She led an initiative to create Burt Reynolds Park. She helped document the history of the area „ she was on a first-name basis with pioneers John and Bessie DuBois, who had a home near Jupiter inlet. While Mrs. Davisson was going forward in radio, then onward in the late 70s and 80s as public relations director for Burt Reynolds Dinner Theatre, Kathy Greene was learning from her mom. I had to get off the school bus and cut commercials,Ž Ms. Greene says. She was active in community theater and studied theater in college. Ms. Greene switched majors to political science and earned a degree at St. Leo University. She worked as an assistant to former U.S. Rep. E. Clay Shaw in Washington, then came home to work for former U.S. Rep. Tom Lewis. In retrospect, it was so well-suited to me because of the contacts I made,Ž Ms. Greene says. She would travel to Immoka-lee, Clewiston and Belle Glade to meet with constituents. People would hear my voice then be shocked because of how young I was,Ž Ms. Greene says. Ms. Greene also served a year in Literacy AmeriCorps in the Domestic Peace Corps. I worked with a Dominican nun teaching English,Ž she says. Mrs. Davisson joined WJTW after Tom Boyhan opened the 100-watt station in 2004. I told Kathy for years that she needed to get into radio,Ž Mrs. Davisson says. Its just fun. I always liked doing interviews, and Im always running into stories. There are a lot of interesting people, with so many different facets.Ž Ms. Greene started at the station part time, and is now program director, and the stations Gal on the GoŽ personality. Ms. Greene, a single mom, says the jobs flexible schedule has been a perfect fit. Im in my seventh year at WJTW. It was a custom-made job, and we have a custom-made boss,Ž she says. Theyre just a bundle of energy,Ž says Mr. Boyhan. They have all these great ideas, and sometimes I get sucked into them.Ž One of their ideas: Mrs. Davisson did a show called Take Five.Ž It was five-minute interviews with cultural and political lead-ers. But it took too long,Ž she says. So we did three different five-minute segments.Ž Ms. Greene has taken on Take Five,Ž as Mrs. Davisson has stepped back in an effort to retire. Not that listeners necessar-ily would notice the difference. Mrs. Davisson still has a few advertising and public relations clients. She still records commercials and conducts interviews, and she is known for her no-nonsense approach to her Curtain UpŽ theater reviews. Shes amazing,Ž Mr. Boyhan says. And she says she is retired.Ž Mrs. Davisson has been married 38 years to Paul Davisson and between the two of them they have eight children, 15 grandchildren and six great-grandchildren, with three more on the way. But her passion is theater.I really review shows, but I prefer to say I am trying to save theater,Ž she says. There always is something for everyone and I try to pick up something good.Ž Its all part of a family commitment.Theyre very good for the station,Ž Mr. Boyhan says. They love the arts and entertainment and do such a good job in getting involved in it. Its a perfect match, actually. We each go with our strengths.Ž Ms. Greene takes it all in stride.What I learned all those years is that making a living in radio is tough. But I can do anything. The joy for me is that I am totally involved in the community.Ž Everyone seems to know the family.People always ask about Johnny (her 13-year-old son) or my mom,Ž says Ms. Greene. Any given day, from the bank to the grocery, I know everyone.Ž Mr. Boyhan agrees. You go around town, and Ill bet you cant go two blocks without meeting someone who knows the Greene boys or who knows Kathy,Ž he says. Kathy grew up with two older brothers, so she doesnt take anything from anybody. She grew up tough. Shes not afraid of anything.Ž Mr. Kato echoes that.Shes amazingly articulate and skilled in the craft of radio,Ž he says. When she does radio interviews, she does it with such ease, and she has such memory for details.Ž Its a passion he sees in both women.I think they are real champions „ their energy doesnt come from unhappiness. It comes from a joyful approach to life and wanting to bring joy to others,Ž says Mr. Kato. They are almost religious in their need to be kind.Ž Q RADIOFrom page 1 SCOTT SIMMONS / FLORIDA WEEKLYWJTW’s Gal on the Go, Kathy Greene, with her mom Jan Davisson in the radio station’s Jupiter studio.


FLORIDA WEEKLY WEEK OF FEBRUARY 3-9, 2011 NEWS A15 And shells and bones and little rocks dance on the waves. At times there is a voice, almost silent and totally random. It is perfect. Heaven is not a place after all. But perhaps it is a spiral reaching inward, watching watchers watch improbably. And outward, beyond idio-graphic. Like this. You see: Lying on the outside, the rock opens a door. Here viewing finds format in the form of an odalisque look-ing up. She sees the rock in the sky, first far away. Then larger it becomes, sl owly in process of filling the sky. She has a vague sense that larger might mean I met this guy „ and he looked like he might have been a hat check clerk at an ice rink. Which, in fact, he turned out to be. And I said: Oh boy. Right again. Let X = X. You know, it could be you. Its a sky blue sky. Satellites are out tonight. Let X = X... And I gotta go. Cause I „ I feel „ feel like „ I am „ in a burning building „ and I gotta go...Ž „ Let X = X, Laurie AndersonNothing is more annoying than reading a story all the way through, gasping, only to have the narrator declare at the end that it was a dream. How cheesy is that? Like a lump of something hot that could have been really delicious, but is now queasy and uneasy. Ashamed to eat it, not knowing how to tame its leak-age or manipulate its stringy rebellion, there can be any number of responses. What is certain is that each one is more painful than the last. So I announce at the beginning: This is a dream. And it is not even my dream. Its just a dream. Will knowing that will make it any better? Well see. At see, afloat sitting on a rock pretending to be a lifeboat magic carpet raft. Clouds and breezes and the songs of wild birds punctuate the surround. MUSINGS When a dream is just a dream„ Rx is the FloridaWeekly muse who hopes to inspire profound mutiny in all those who care to read. Our Rx may be wearing a pirate cloak of invisibility, but emanating from within this shadow is hope that readers will feel free to respond. Who knows: You may even inspire the muse. Make contact if you dare. Rx embroidered edging to match the edg-ing on the matching white ankle socks inside the black patent leather shin-ing. Conspicuously, if one were able to enter her, there would be no words to be found. No stepping, no glancing, no touching, no tasting, no scent on the blowing breeze. No thing to hear here. And around her neck was her favorite scarf. It was very long and very narrow and very thin: Just right for a breeze. On its whiteness were blue roses, one after the other dancing in full bloom. All this delighted the child. And the wind was delighted as well. He wrapped tentative non-fingers around the cloth, seducing. No longer fabric, but now diaphanous and ethereal, the woven blooms sailed. The girl seemed to watch. Soon, like Leda dropped by the swan, it was a scarf again. Still. Delicate, but on the rock. And the girl did not know why she merely walked on. It would have been so easy to bend and reach and pick up. But she simply crossed the street.Let X = X. Q closer. And there emerges a vague pru-dent memory that closer heavy rock in descent is danger. What is danger? Does that mean that someone else would hold the dreaming? Who? The speculation is like a soothing panegyric. Who fabricates the hand, larger than rock or sky, that reaches in and stops the falling? Who writes the scene change? Now she is a little girl, age less than two digits. The same breeze is breez-ing. No longer odalisque, she is wearing a yellow coat, yellow as her hair that streams, waving, in the familiar breeze. The coat has a white collar with a bit of


BUSINESS FLORIDA WEEKLY A GUIDE TO THE PALM BEACH COUNTY BUSINESS INDUSTRY WEEK OF FEBRUARY 3-9, 2011 A16 swan songThe Embassy Suites’ Consumer confidence among Floridians soared an unexpected seven points to 77 in January from the revised Decem-ber index score of 70, according to a University of Florida survey. The increase is the largest since the index rose seven points from March to April 2010, and the score of 77 is the highest since the April 2010 mark of 78. The size of this increase in confidence among Floridians was not expected,Ž said Chris McCarty, director of UFs Survey Research Center in the Bureau of Econom-ic and Business Research. Confidence among Floridians had been mired in the low 70s for the past few months, consis-tent with other economic indicators that characterize the Florida economy.Ž The five components that make up the index registered gains with the larg-est increase coming in the perceptions of U.S. economic conditions over the next year category, which climbed 12 points to 78. Confidence in that cat-egory had been mired in the 60s for eight months. Confidence in purchasing big-ticket items such as cars and appliances rose eight points to 84 and perceptions of U.S. economic conditions over the next five years also reached 84, a six-point increase. Perceptions of personal finances now compared with a year ago rose four points to 55 and perceptions of personal finances a year from now rose two points to 83. The sizable increase in confidence is even more surprising, Mr. McCarty said, considering the University of Michigans preliminary reading for U.S. consumer sentiment declined in January to 72.7, unemployment in Florida remains at 12 percent and the Florida housing market dropped in value. Mr. McCarty speculated the unexpected rise resulted from sustained gains in the stock market the past two months and recent media coverage that has focused on an improving economy. Despite the increase in confidence, unemployment and declining housing prices remain troublesome. While most economists expect marked improvement on the job front over the next year, Mr. McCarty said unemployment will remain high. Over time, new jobs out-side the construction sector will replace those lost, and many unemployed Flo-ridians who are near retirement will choose early Social Security at age 62. Mr. McCarty said those factors will reduce unemployment in Florida over the next five years. Mr. McCarty said inflation will become a factor over the next year with the price of gasoline and basic foods increasing. And he warns that inflation could be a long-term problem unlike in previous periods. Although the rise in consumer confidence was unanticipated, Mr. McCarty cautions that the index could return to previous marks. Looking forward, we expect consumer confidence to fall back to the low 70s, particularly as both the federal and state government announce many of the inevitable spending cuts to balance budgets,Ž Mr. McCarty said. Many of those cuts will affect Florida consumers directly and will potentially affect the stock market, which is the most positive indicator this month.Ž Q Surprise: We were more optimistic in January, study showsSPECIAL TO FLORIDA WEEKLYSCOTT SIMMONS / FLORIDA WEEKLYBeethoven (foreground) and Bach spend a leisurely morning in their pond in the lobby of the Palm Beach Gardens Embassy Suites. Bach and Beethoven are playing in harmony again. Not the composers, of course „ theyve been dead two centuries and more. Were talking about Bach and Beethoven, the royal swans in the Palm Beach Gardens Embassy Suites. The two male birds are full-time residents of the hotel lobby, where they swim, preen and entertain guests and each other. Theyve been together three years. And in Palm Beach Gardens, all was peaceful until the flashing lights and the pounding beat of a wedding show upset Bachs baroque sensibili-ties. The swan panicked and flew into the rocks that line their swans pond, injuring himself. Hotel staff acted quickly and sent for a veterinarian, who took Bach away for treatment of a puncture wound. What was the hotel to do?Some staff members wept „ the birds, which can live to be 25 years old, are part of the hotel family, says Rick Netzel, the hotels director of sales. And the birds?They were lost when we had to separate them,Ž Mr. Netzel says. When Bach returned to the hotel, the staff put him up in a room and dosed him with antibiotics. He was returned to his pond last week, and was strutting across his island during a recent visit. They generally sleep on their island,Ž Mr. Netzel says. And when theyre not sleeping?They face the waterfall and groom themselves,Ž Mr. Netzel says. They also are big hams, enjoying the attention they receive from guests. Indeed, they migrate across the pond when called. The kids love them, the guests love them,Ž says Mr. Netzel. They even exist with the koi in the pond. We had a dying fish, and the swans were nudging it along.Ž How do they tell them apart? Mr. Netzel says Bach has a larger head than Beethoven. He also is more aggressive. Unlike their cousins in the wild, Bach and Beethoven have no desire to migrate. The dont fly away, they dont wander,Ž Mr. Netzel says. The swans, vegetarians by nature, dine on a diet of pellets and lettuce. Iceberg, Romaine „ it really doesnt matter,Ž Mr. Netzel says. Theyd probably even eat spinach.Ž Its a life of luxury for two birds the hotel calls a point of distinc-tion.Ž The Peabody hotels have their ducks and nine of the Embassy Suites run by Remington Hospitality Ser-vices have their swans. And during spring training, the swans will see snowbirds „ the hotel hosts the St. Louis Cardinals. And while hotel officials love the Cardinals, they say its the swans that set the hotel apart. They make our hotel different from any other hotel,Ž says Mr. Net-zel. This is something that we bring to the table.Ž Q >> The Embassy Suites Palm Beach Gardens, 4350 PGA Boulevard, Palm Beach Gardens; 622-1000. in the know BY SCOTT


rrs!$6!.#%3/,!2#/lic #CVC056664 'ET3OLAR0OOL(EATING3AVE$SA9EAR !DVANCE3OLARPROUDLYUSES 3UNSTAR3OLAR0ANELSTHATCOME WITHTHE"%34WARRANTYAVAILABLE&ROMTHESAMEMANUFACTURERTHATINSTALLEDSOLARPANr ELSONTHE'OVERNORS-ANSIONHEREIN&LORIDA ANDTHESWIMMINGFACILITIESFORTHE3UMMER/LYMPIC 'AMESIN!TLANTAAND!THENSLearn more at /&&&2%%5NDERWATER ,IGHT3HOWMust purchase by February 28, 2011 Offer or coupon must be presented at time of contract. FLORIDA WEEKLY WEEK OF FEBRUARY 3-9, 2011 A17 Full-service window design company #USTOM$RAPERIESAND"EDDINGs3HUTTERS #ORNICESs2OMAN3HADESs(UNTER$OUGLAS$EALER 7ORKROOMs3HOWROOMs&ABRIC3ELECTION#ENTER Making your view of the Palm Beaches even better for over 30 years! #ALLUSTODAYFORACOMPLIMENTARYINrHOMECONSULTATION 561.401.3227 6ILLAGE3QUARE#OMMONS3UITE0ALM"EACH'ARDENS Homebuilder Toll Brothers is making room for new designer-decorated model homes at Jupiter Country Club by offering a selec-tion of the communitys decorated models. The majority of the homes are for sale fully furnished. This is a fantastic opportunity for buyers who want to be able to begin enjoying the amaz-ing resort lifestyle at Jupi-ter Country Club once they turn the key to their new home,Ž said Fred Pfis-ter, Toll Brothers senior project manager at Jupiter Country Club. All of these magnificent homes are designed with outstanding cus-tom features and amenities, and they are exceptionally priced below their original listing price.Ž The professionally decorated models for sale are from the companys Signature and Heritage single-family home collections. The selection of model homes for sale includes: „ Playa Azul Manor „ A four-bedroom, 3-bath courtyard home with a first floor master suite, pool and spa priced at $1,329,995. „ Carina Tuscan „ A five-bedroom, 4-bath house with a first-floor master suite, priced at $1,099,995. „ Villa Milano Mediterranean „ Situated on an oversized homesite, this five-bedroom home has five baths, two half-baths, a custom pool with deck and raised patio and a designer fireplace, priced at $1,749,995, fully furnished. Toll Brothers has additional models available at Jupiter Country Club, where the company builds single-family homes priced from the upper $700,000s. Toll Brothers at Jupiter Country Club also offers golf villas from the upper $400,000s and Carriage Collection home designs priced from the upper $300,000s. Jupiter Country Club is located in northern Palm Beach County five miles from the beaches of the Atlantic. The centerpiece of the community is an 18-hole Greg Nor-man Signature Golf Course. Call 743-7900 or see Toll Brothers also notes that 10 residences remain at the condominium community of Oceans Edge at Singer Island. Oceans Edge at Singer Island is a Mediterranean-style high-rise with 40 residenc-es ranging in size from about 2,800 square feet to more than 8,000 square feet. Each residence has a private elevator entry in addition to a large, open terrace. The community borders the north end of Singer Island just north of Palm Beach. Amenities include an oceanfront heated pool and spa, fitness center, social room and theatre room. Oceans Edge at Singer Island condominium residences are priced from the low $1 millions to more than $3 million. Call 775-3702 or see Q Toll selling Jupiter models; 10 Singer condos for saleCOURTESY PHOTO Ten condos remain for sale at Ocean’s Edge on Singer Island, Toll Brothers reports.

PAGE 18 FLORIDA WEEKLYA18 BUSINESS WEEK OF FEBRUARY 3-9, 2011 NETWORKING Northern Palm Beach Chamber of Commerce Trustee “Behind The Scenes” Max Planck TourWe take more society and networking photos at area events than we can “ t in the newspaper. So, if you think we missed you or one of your friends, go to www.” and view the photo albums from the many events we cover. You can purchase any of the photos too. Send us your society and networking photos. Include the names of everyone in the picture. E-mail them to society@” HICKEY / FLORIDA WEEKLY1. Mary Helen Johnson and Keith O’Donnell2 Jeff Castner and Philippe Jeck3. Dr. Jean Wihbey, Dennis Stefanacci and Dolly Champey4. Greg Leach and Claudia Hillinger5. Suzanne Neve and Noel Martinez6. Dennis Gallon and William Dennell7. Pete Martinez, JoAnne Berkow and Ed Chase8. Aida Alvarez and Charles Hereford 1 8 2 47 5 6 3


FLORIDA WEEKLY WEEK OF FEBRUARY 3-9, 2011 BUSINESS A19 NETWORKING Red, White & Zin – Kick-off for the 2011 ArtiGras Fine Arts Festival at Store Self Storage & Wine StorageWe take more society and networking photos at area events than we can “ t in the newspaper. So, if you think we missed you or one of your friends, go to www.” and view the photo albums from the many events we cover. You can purchase any of the photos too. Send us your society and networking photos. Include the names of everyone in the picture. E-mail them to society@” SHAFER & MAUREEN DZIKOWSKI / FLORIDA WEEKLY1. Amy Fazio, Beth Williams and Terry Williams2. Deborah Morawski and Angela Mattingly3. Richie and Leslie Liss4. Jim McCarten and Ken Kennerly5. Ian Fike and Russell Johnson6. Madelyn Still and Rhea Slinger7. Mindy Goldberg and Tamra Fitzgerald 8. Brenda Jones and Nicki Brower 9. Guity Livingstone and Sue Oxenhandler10. Ashley Echarte and Allyson Wilcox-Pereverzoff 136 91 0 7 8 45 2

PAGE 20 FLORIDA WEEKLYA20 BUSINESS WEEK OF FEBRUARY 3-9, 2011 LEADERS IN LUXURY HOMESSINGER ISLAND LUXURY RENTALS AVAILABLE FOR SEASON OVER $20 MILLION IN SALES FOR 2010 WE BRING MORE BUYERS TO YOUR HOMECall Us Today! For a complete list of all properties for sale in Palm Beach County: )MAGINE9OURSELF,IVING(ERE Jeannie WalkerLuxury Homes SpecialistJim MONEY & INVESTINGExchange-traded instruments attract interestETF is an acronym for exchange-traded funds. ETN is an acronym for exchange-traded notes. These two instruments continue to grow in popularity. There were only 221 such instruments at year-end 2005. In five years, they have more than quadrupled. Very experienced investors are familiar with ETFs as they have proliferated for the past several years and found their way into many an institutional and retail investors portfolio. As of the end of 2010, they now number 967, with an approximate value of $725 billion. If ETNs are included, the count is 1099 and total assets are $1.008 trillion. (The National Stock Exchange; There are a lot of different types of ETFs and ETNs. So, saying that you are invested in one suggests a broad spec-trum of investment possibilities. Most, but not all, ETFs are similar to mutual funds in that they offer a basket of securities in the fund but, unlike a mutual fund, which is priced/bought and sold at net asset value at the end of the day, ETFs are bought and sold intra-day on the exchanges.Ž ETNs are akin to ETFs but are structured products in that they are senior notes that are obligations of the issuer but are intended to track an underlying asset. The ETFs are promoted as vehicles allowing the benefits of mutual funds but with the added feature of intraday liquidity. But equity ETFs took it in on the chin in May 2010. Their prices are supposed to track closely to the underlying securi-ties in the fund. If they trade away from the underlying value, the difference is supposed to be arbitragedŽ away until parity occurs. But, The (flash) crash (of May 6, 2010) was a blow to investors who thought ETFs diversification provided safety. During the insanity of May 6, many ETFs didnt behave like broadly diversi-fied baskets of stocks „ they performed like single stocks subject to the whims of panicked traders. For some ETFs, the net asset value,Ž or the value of underlying holdings, fell only 8 percent or so even as the market prices of the ETFs plunged 60 percent or more. There was, in other words, a giant disconnect.Ž (Eleanor Laise. After the Crash: New Rules for ETF Investors,Ž June 2, 2010 in Smart Money of The Wall Street Journal Digital Network.) There are also concerns about commodity ETFsƒ and many a commodity ETF has been issued in recent yearsƒ grains, gold, natural gas, etc. Commodi-ties have been hotŽ and ETFs have been hotŽ. Two hotsŽ tend to sizzle. As most investment advisers do not hold a commodities license they can-not sell commodities/managed futures. However, they can sell commodity ETFs. Hence, ETFs are often promoted as a solution for clients wanting commod-ity diversification. Unfortunately, many of these commodity ETFs have serious limitations, in my opinion. ETFs only offer longŽ investing; they can only invest by owning a futures contract; the only way that gain can be realized is if the underlying asset rises in value. But managed futures allow long and short positions. Another issue with commodity ETFs is that they do not always closely track the underlying commodity. How so? Many ETFs charters specify that they will invest in the front months futures contract (e.g. in February 2011, the front month is February 2011.) The problem this causes is that when the front month contract is about to expire, the ETF has to rollŽ to the next front month. The rollŽ is frequently not at the same price of the expiring month and is frequently more expensive. If there is a loss of value on the rollŽ, then the ETF, to break even, must recoup that loss. This pricing problem is called contango,Ž if you wish to further your research. Lastly, the ETF can have poor correlation to the underlying commodity. For instance, perfect price synchronization is a correlation of 1.0; a correlation of only .80 means that a heck of a lot of long-only upward price movement will probably be lost by the ETF. One reason there is imperfect tracking is that the buyers and sellers in futures versus ETFs largely differ. The futures market typically has a host of participants who cannot use ETFs as their hedging mechanism. The farmer who will be selling this years crop or a jeweler needing precious metals typi-cally uses the futures market. Also, ETFs pay for marketing and advertising costs; a futures contract has none. Before buying, determine if you really want long-only exposure to the com-modity. Second, ask your investment adviser how any recommended ETF cor-relates to the underlying asset. Thirdly, ask your broker about what happened to ETFs during the flash crash; maybe the problems encountered have been addressed and/or maybe you need to recognize and accept some limitations. Lastly, you should also talk with your tax adviser about the tax ramifications. (For futures, tax treatment is simple: 60 per-cent of all net gains are taxed at capital gains rates and 40 percent is short term, regardless of the holding period. As you learn more about these instruments, have a dialogue with your invest-ment adviser as to suitability and real, not feigned, diversification solutions. Q „ Jeannette Rohn Showalter is a Southwest Florida-based chartered financial analyst, considered to be the highest designation for investment professionals. She can be reached at jshowaltercfa@ jeannette SHOWALTER CFA O


DERMOT SELLS SINGER ISLAND | Dermot OBrien 561.317.1177 A21 REAL ESTATE A GUIDE TO THE REAL ESTATE INDUSTRYWEEK OF FEBRUARY 2-9, 2011JEWELMarina Grande condooffers marina next door,sweeping viewsINTRACOASTALA 7th-floor condo is offered at Marina Grande, located at 2640 Lake Shore Drive in Riviera Beach. It has 1,980 square feet of space with 3 bedrooms, 3 baths and a laundry room. The master bath has a Jacuzzi tub. The condo has a balcony that is 15 feet by 18 feet. It is listed at $399,000. Other models are available from 1,575 square feet to 2,280 square feet. Contact Betty Assef, owner/agent of RE/MAX Island Properties at 848-2727. Q 1. Amenities at the Riviera Beach condos include a pool, a barbecue and a tness center.2. From the balcony the view includes a backdrop of Singer Island.3. The kitchen in the seventh- oor condo has granite countertops and stainless steel appliances.4. Marina Grande condos overlook the Intracoastal. It is a short trip by water taxi to Peanut Island.COURTESY PHOTOS 1 2 3 4

PAGE 22 FLORIDA WEEKLYA22 REAL ESTATE WEEK OF FEBRUARY 3-9, 2011 REAL ESTATE NETWORKING WCR-JTHS Lunch at Abacoa Golf ClubWe take more society and networking photos at area events than we can “ t in the newspaper. So, if you think we missed you or one of your friends, go to www.” and view the photo albums from the many events we cover. You can purchase any of the photos too. Send us your society and networking photos. Include the names of everyone in the picture. E-mail them to society@” CASADO / FLORIDA WEEKLY 1. WCR chairwomen and sponsors2. Mike Pappas3. Rene Ford and Lynne Rifkin4. Jo Demerac and Jeannine Henrion5. Nancy Goldman and Terri Kasnic6. Elizabeth Varian and Kristen Pietrini7. Kelly Rossow and Mark Gingrich8. Debra Mackles and Andrea Massie9. Joy Gouyd, James Cioffi and Carol Labuhn 1 2 3 8 9 45 67


FLORIDA WEEKLY WEEK OF FEBRUARY 3-9, 2011 REAL ESTATE A23 Presented bySusan M. Bennett Fabulous ocean and intracoastal views -ENSANDWOMENSSPASTENNISs6ALETCONCIERGESERVICES Beautiful beach with 300 ft on the ocean "EACHPOOLAREARESTAURANTs/UTDOORGRILLINGEATINGAREA rDEGREEVIEWFROMRDmOORPRIVATELOUNGE One and two bedroom units available ($249,000 … $699,000) Tiara Luxury Condo SINGER ISLAND Where to put clutter? How to store extra dishes or clothes or memorabil-ia? These are questions that have been asked only since the beginning of the 20th century. Before that, storage was a very different problem. For most fami-lies, their textiles were their most valu-able possessions and were just about the only thing that needed to be stored. The family had to shear the sheep, then clean, card and dye the wool, then make the thread and weave it into fabric. Hundreds of hours of handwork were needed to make a dress or a coverlet, and the family had few spares. Rooms were small, and furniture was placed out of the way. A single cupboard might be put against a wall or built into a corner. Cupboard tops had open shelves to hold dishes, glasses and pots. Bottom sections had shelves behind closed doors to keep fabrics clean and free of smoke. In the bedroom area, there might be a tall cabi-net or cupboard with large drawers for clothing and bedclothes. By Victorian times, houses were being built with a few storage areas, even closets. And by the 1900s, people started wanting cupboards in their kitchens. CountryŽ furniture is popular today, and its simple, informal lines fit in mod-ern houses. Country cupboards were often painted and had just a top molding and perhaps some door trim. Drawer and door pulls were wooden knobs, and hardware was made of iron. Collectors today pay a premium for pieces with original painted finish and original parts, including the back panels. Look carefully for replaced wooden parts, especially the feet or bottom board. Cupboard bottoms were splashed with water when the floor was cleaned and they often decayed. Examine everything else, too. It is easy to make a fake or a marriage.Ž A good cor-ner cupboard with attractive worn paint, even with replaced parts, sells for $1,000 or more. A complete cupboard with rich finished wood and trim can cost about $3,000 to $5,000. Q: My small teapot is marked Imperial Crown China, Austria.Ž What can you tell me about it? A: The Imperial Crown ChinaŽ mark was used from about 1884 to 1914 by Bawo & Dotter, a New York importing company that sold china made in France and Austria-Hungary. It also owned a china decorating company in Fischern, now in the Czech Republic. The company may also have manufactured china in Fischern. Q: My great-aunt gave me a cat-head pin in 1969. I still have it. Its gold-plated or gold-tone metal with wire whiskers that stick out the sides of the face. The cats ears are decorated with red rhinestones. The pin is marked Joseph War-nerŽ on the back. Have you heard of him? A: Your great-aunt gave you a very good piece of costume jew-elry. Joseph Warners Warner Co. started making costume jew-elry in about 1953 and closed some time in the 1970s. Not all War-ner pieces are marked, and some pieces are simply marked Warner.Ž Warner jewelry is well-made and popular. Your pin could sell for $50 or more. Q: I have seen pictures of women wearing white gloves in the 1960s and before. I collect unusual gloves. When were they long? When did women stop wearing them inside at dances and par-ties? A: Gloves were an important fashion accessory until the early 1900s. Elbow-length gloves worn with formal dresses were used as early as the 1500s. In the late 1700s, some women wore gloves to cover the entire arm. In the days of Mary Todd Lincoln, gloves were like shoes today. Women, including Mrs. Lincoln, had hundreds of pairs. Queen Victorias modest dress styles with long sleeves required wrist-length gloves worn both outdoors and in. Manicures and nail polish became popular in the 1920s, and because gloves hid fingernails, every-day gloves dropped out of fashion. But women continued to wear indoor gloves for special occasions. Today collectors of vintage clothes find couture gloves from the past 100 years for low prices. Most major designers, especially the French, Classic cupboards require close inspectionKOVELS: ANTIQUES & COLLECTING terry KOVEL O made gloves. The 1940s Dior New LookŽ included full skirts, belts and short multicolored gloves. In the 1950s and 60s, many Americans traveling to France bought bargain-price high-fashion ladies gloves. Import duty was charged for a pair, not a single, so clever shoppers mailed one box of left-hand gloves home and another box of right-hand gloves to save money. White kid gloves and colorful embroidered or jeweled gloves were favored. The green gloves worn in 2009 by Michelle Obama at the inauguration caused favorable comment, but so far not a fashion trend. Q: I inherited a set of brown Johnson Broth-ers dishes in the Old Britain Castles pat-tern. My grandmother bought them some time in the late 1940s. Is there any lead content that I should be concerned about when using these dishes? The glaze on some pieces has crackling. Are they safe to use? A: Your dishes are safe to use. The glaze does not contain lead, but dont use the dishes to serve greasy food or brightly colored food like beets. The colors will seep through the crazing and stain the ceramic underneath. Old British Castles, one of Johnson Brothers most popular patterns, was first produced in 1930. The 45 castles pictured on vari-ous pieces were copied from photos of engravings originally done in 1792. The pattern was made in blue, brown, green, lavender or mulberry, pink and brown multicolor. Blue and pink are still being made. Johnson Brothers started working in Stoke-on-Trent, England, in 1883 and is now part of WWRD Holdings. Old Brit-ish Castles is being made in China. Tip: Look at your home from the viewpoint of a trespasser. Do bushes hide the windows or doors? Are ladders lying around? Can a window be reached by standing on a table or air conditioning compressor? Does your fence hide the burglar from view while he breaks in? Q „ Terry Kovel answers as many questions as possible through the column. By sending a letter with a question, you give full permission for use in the column or any other Kovel forum. Names, addresses or e-mail addresses will not be published. We cannot guarantee the return of any photograph, but if a stamped envelope is included, we will try. The volume of mail makes personal answers or appraisals impossible. Write to Kovels, (Florida Weekly), King Features Syndicate, 300 W. 57th St., New York, NY COURTESY PHOTO Worn blue paint can be seen on this “country” cupboard. The top part is shallower than the bottom, giving it the name “stepback cupboard.” It sold for $1,180 at a Brunk auction in Asheville, N.C. 105 EMERALD KEY LANE$449,000Lovely 2 story home sits on a fabulous site with magni“ cent long lake views 3BR/2.5BA, separate golf cart garage. Wood & granite kitchen. Spacious master bedroom on “ rst ” oor. 2 guest bedrooms and bath on second ” oor. Screened in pool & spa. Marsha Grass 561 512 7709 I know the community. I live the lifestyle.Ž BALLENISLES 149 ORCHID CAY DRIVE$599,000Tastefully decorated home with beautiful golf & water views offers bright, open ” oor plan 2,890 sf A/C home. 3BR/3BA + of“ ce with built-ins & plantation shutters. 2CG + separate golf cart garage. Double ovens, island breakfast bar. Screened in pool & spa. Before the market changes, Be Smart ... MAKE AN OFFER!


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FLORIDA WEEKLY ARTS & ENTERTAINMENTA GUIDE TO THE PALM BEACH COUNTY ARTS & ENTERTAINMENT SCENE B SECTION WEEK OF FEBRUARY 3-9, 2011Powerful productionCritic Hap Erstein says ‘Spider Woman’ is superb. B4 XRoost at the PelicanThe cafe in Lake Park offers fine fare. B15 X Love at St. Bernard’sHe learned about the perfect sheperd’s pie as a lad in prep school. B8 X Its a Star WarsŽ geeks dream come true. He gets to go to Jupiter.But thats just a day in the life of Charles Ross, who brings his One Man Star Wars TrilogyŽ to the Maltz Jupiter Theatre on Feb. 5. In his show, there are no costumes, no props, no special effects. Just Mr. Ross evoking the drama and the trauma of the intergalactic space series with his body and his voice. Youll be utterly shocked and confused in a very good way,Ž he promises. Its not exactly like the reduced Shake-speare shows, but it has a quality like that. You learn the characters pretty quickly.Ž As a boy, Mr. Ross had plenty of time to learn the characters. I saw the first (film) well over 400 times,Ž he says. I grew up in Northern Canada. We had a VCR and three films. One of the three was Star Wars. Ž And the other films in the series?Maybe 30 times each,Ž he says. At some point, girls became a more impor-tant force.Ž The theater also became a major force. He earned a fine arts degree and later while writing radio plays for the Canadian Broadcasting Corp., he cre-ated a solo Star WarsŽ show. The audiences loved it.Mr. Ross, 36, has performed the show 1,500 times, and it has not grown old for Afraid of the Darth? A one-man approach to ‘Star Wars’ BY SCOTT SIMMONSssimmons@” SEE STAR WARS, B3 X f irstreadingWHEN YOU ARE THE NATIONS LARGEST PROFESSIONAL theater company dedicated to producing exclu-sively new and emerging American plays,Ž as West Palm Beachs Florida Stage is, you need to read a lot of scripts to fill your season. The companys producing director Louis Tyrrell estimates that he personally pores over 200 to 300 plays a year, but the true test of stage worthiness is when the work goes before an audience. With the audience response to even a reading, I learn so much about whether it works, whether it would be available to a wider audience or just the core of our audience,Ž says Tyrrell. The audience tells us a lot.Ž Thats what launched the 1st Stage New Works Festival, now in its fifth year and growing. This BY HAP ERSTEINherstein@” FLORIDA STAGE FESTIVAL FEATURES WITH WRITERS 7 SCRIPTS; HOBNOBBING COURTESY PHOTOPlaywright Israel Horovitz wrote “Beverley.” Florida Stage producing director Louis Tyrrell uses the festival to choose plays to produce.SEE READING, B4 XCOURTESY PHOTOCharles Ross portrays Luke Skywalker in “One Man Star Wars Trilogy.” Casting stonesHe had body odor, but then, she had a booger. B2 X INSIDE


Call 800.533.9148 for reservations or visit today. PGA NATIONAL | RESORT & SPA 400 Avenue of the Champions | Palm Beach Gardens, FL 33418 Valentine’s Day Bring your sweetheart to Ironwood Grille this Valentines Day. Chef Gordon Mayburys delicious dish for two is an intimate prix “ xed four course meal that includes a Delicious dish for two! for each lady who dines with us Monday, February 14th, 2011. FREE $25 Spa gift card FLORIDA WEEKLYB2 ARTS & ENTERTAINMENT WEEK OF FEBRUARY 3-9, 2011 His name was Gunter, and he said hed always dreamed of working outdoors. He had a two-week beard and a plaid shirt rolled at the cuffs like a lumberjack. He invited me for coffee, and we met at a local caf with outdoor seating. While the wind whipped my hair, I could feel my blow dry slip away with the breeze. Still, even without the coiffure, I was creamed and perfumed so that when we sat at our table on the terrace, I thought I looked like a lady. Gunter ordered us espressos, and I dumped a cupful of sugar in mine, trying to ease the bitter taste. He talked about his job and asked about my life, and we made the sort of chitchat that fills a first date. As he spoke, I listened and weighed his features for future romantic potential. With outdoorsy ruggedness comes a certain style. Besides the beard, Gunter had hair that had not been cut in weeks. Longish, just this side of greasy. The skin on his face and hands was tanned, and his eyes crinkled at the corners in the way of camping enthusiasts and cowboys, men who spend their lives beneath the sun. The effect was pleasant, natural, easy. It suited him. But did it suit me?Lobbing stones from my glass house SANDY DAYS, SALTY NIGHTS Artis HENDERSON O Id shown up in a pink dress and highheeled sandals. Earrings hanging to my shoulders. Pedicured. Manicured. Waxed in all the right places. As we sipped the last of our coffee, we talked about my traveling and his camping. Want to see photos from my latest trip?Ž he asked. I have them right here.Ž Gunter moved to the seat next to me to scroll through the images stored on his phone. A damp cloud of body odor rolled with him. I looked at the pictures of green coastlines and forested hills, breathing through my mouth as his ver-dant aroma washed over both of us. And I judged him. In my pretty dress, with silver rings on my fingers and fancy perfume spritzed behind my neck, I judged his messy hair, his unshaven face „ and his overpowering B.O. When the date ended, I thanked him for the coffee and we headed to the exit together. I stopped beside him in front of the caf doors, facing the mirror that hung beside the entryway. I glanced over his shoulder „ a quick, reassur-ing peek at my state of put-together-ness. In that brief moment, my eyes roamed over my reflected face: the lined eyes, the mas-caraed eyelash-es „ and the nose with a booger hang-ing from the left nostril. I started to raise my hand to my face, but I knew Id need privacy for that particular operation. So I left it hanging, the nose intruder that canceled my best efforts. All I could do was stand there as Gunter kissed me on both cheeks, French-style, and then slipped out of the caf. I made my own way up the street, imaging what he must think of my classy broad act, and reevaluated my too-quick assessment of him. After all, its tough to throw stones when youve got a bat in the cave. Q “A damp cloud of body odor rolled with him. I looked at the pictures... breathing through my mouth as his verdant aroma washed over both of us...” ked I have them right here m ove d to t h e seat next to me r ou gh t h e ima g es store d on A damp cloud o f bod y odor h im. I looked at the pictures o astlines and forested hills, h rou gh my mout h as h is ver w a s h e d o v e r bo th of u s. g ed him. In my pretty dress, r ings on my fingers and fancy p ritzed behind my neck, I m essy hair, his unshaven face v erpowering B.O e date ende d, I thanked him e e and we headed to the exit t opped beside him in front o ors, f acin g the mirror that e the entryway. I glanced o ulder „ a quick, reassur my state of put-to g ether t brief moment, m y e y es e r m y re f lected f ace: t he e the ma se lasht h e a g e street imaging what he must think of my c l ass y reeva l uat e a ssess m en Af ter a th row st o g ot a b a t


the art of at midtownrhythm FEBRUARY 3, 2011 from 6-8 PMTHURSDAY CONCERT SERIES CONTINUES For more entertainment “nd us on Facebook & Twitter. Free Events & Free Parking terry hanck blues (BLUES) Terry Hanck is well known for his hard blowing sax, incredible range and gusty vocals. He plays a signature mix of New Orleans Gumbo, West Coast Jump and East Bay Funk, all delivered with a heavy dose of blues and soul. THURSDAY, FEB 17, 2011 thunder road (COUNTRY QUARTET) Features four talented musicians who have been rocking the Treasure & Space Coast for over 20 years and are pumping out most of the current top Country hits. They also have the vocal ability to cover The Eagles, Diamond Rio and other harmony based vocal bands. THURSDAY, FEB 3, 2011 tairon aguilera & his florida latin beat band (LATIN BEAT) Singer-songwriter and guitarist, Tairon Aguilera and his trio deliver Florida Beat Latin sounds. Tairon has been impressing audiences in South Florida from winning top prize in Miamis mega TV Karoke contest, Oye mi Canto, to presenting his music at Latin nights everywhere. THURSDAY, FEB 10, 2011 4801 PGA Boulevard, Palm Beach Gardens, FL 33418On PGA Boulevard, just west of Military Trail between I-95 and the Florida l 561.630.6110 FLORIDA WEEKLY WEEK OF FEBRUARY 3-9, 2011 B3 561-624-08574807 PGA Blvd. just west of I-95 & Military Trail With this ad. Not to be combined with any other offer s. Limit one per customer. Must present at time of sale. Offer good through 2/7/ 2011. LOCATED IN MIDTOWNnext to III Forks Steakhouse OPEN7 DAYS A WEEK SUNDAY BIG GAME SPECIALS Sweet Smokin’ Chicken Wings 2 dozen wings with choice of sauce for $20 Large White Shrimp Platter 2 dozen shrimp for $24 him. He says some of his best times have been performing for fans at conven-tions, and get this: He had never been to a Star WarsŽ fans convention before doing his one-man show. All those Star WarsŽ collectibles? I give them to my nephews.ŽAnd his wife?She doesnt like Star Wars. She doesnt hate it, either. She just never has been a fan.Ž Mr. Ross says he remains awestruck at the way in which Star WarsŽ is a part of most peoples daily lives, regard-less of whether theyve seen the films. There are certain things, like the force, like Yoda or Darth Vader that have worked their ways into the ver-nacular,Ž he says. Ive never seen a sin-gle moment of Seinfeld, and yet there are words like yada yada and Soup Nazi and I know what they mean.Ž He also performs a One Man Lord of the Rings.Ž My job is to do this One Man Star Wars and One Man Lord of the Rings. Its almost a lifestyle,Ž he says. And if the show hasnt taken him to a galaxy far away, at least it has offered an opportunity for Mr. Ross, who lives in Victoria, British Columbia, to see the world. I get to perform at the Sydney Opera House in March,Ž he says. There are not many opportunities for a dorky kid from Canada to perform at the Sydney Opera House „ and Jupiter „ all in the same year!Ž Q STAR WARSFrom page 1 >> Charles Ross performs “One Man Star Wars Trilogy” at 8 p.m. Feb. 5 at the Maltz Jupiter Theatre, 1001. E. Indiantown Road, Jupiter. Tickets: $30; 575-2223 or O in the know The annual Jupiter Jubilee is Feb. 5 from 11 a.m. to 5 p.m. at the Jupiter Com-munity Center. The celebration includes an art show, food court, kids area, civic fair, busi-ness fair, street chalking exhibit and more activities. The jubilee has been hosted by the town of Jupiter each year the first week of February since 2002. Its genesis was the towns 75th anniversary celebration in 2000, when a community event was held at the municipal complex In the spirit of conservation, the Jubilee is a green event, and vendors, exhib-its and attendees are encourages to recycle, re-use, and conserve. Q Palm Beach County Parks and Recreation presents Other Peoples Music,Ž better known as the OPM Band, on Feb. 12 at Seabreeze Ampitheater in Carlin Park in Jupiter. Admission is free to this dance with music from the vintage rock, R&B, jazz and oldies band. Show time is 8 p.m. Bring lawn chairs, blankets and picnic baskets. Pets on leashes are welcome. Q 10th Jupiter Jubilee set for Feb. 5Dance to vintage rock in Jupiter’s Carlin Park COURTESY PHOTOCharles Ross portrays Luke Skywalker in “One Man Star Wars Trilogy.”

PAGE 28 FLORIDA WEEKLYB4 ARTS & ENTERTAINMENT WEEK OF FEBRUARY 3-9, 2011 years festival is Feb. 4-6, during which seven scripts by emerging writers and veteran playwrights will have a hear-ing, along with panel discussions and a public conversation with two-time Tony Award winner Frances Sternha-gen. As Tyrrell notes with a hint of surprise in his voice, 1st Stage was a hit with audiences and playwrights from its inception. It came out of the gate so fully formed and it really landed on all cylinders. It wasnt something that I felt we had to evolve or tweak,Ž he says. Not only did it have that sense of energy and excitement, but it resulted in my selecting at least one and upwards of three to be fully pro-duced in subsequent seasons. This has become the most important tool in my play selection process.Ž While hoping for plays that are stage-ready, Tyrrell will take chances as he supports writers with whom the the-ater has an on-going relationship. Its an education process for the audience too,Ž he adds. Weve all been so conditioned on the hit-flop mentality of New York commercial theater, but a festival like this puts the emphasis on process, and the fluidity of a plays development.Ž While the plays will again be cast with some of South Floridas best act-ing talent, Florida Stage is particularly pleased that one of this years scripts will be read by stage, screen and television actor Sternhagen. She will be featured in the title role of a new play, Beverley,Ž by the renowned Israel Horovitz. In it she plays the love interest of two former World War II flyboys, one British and one Ameri-can, who meet again in their 70s and resume the tug-of-war over her. Although Horovitz had never worked with Sternhagen, he sent her the script and lured her into leaving snowy New York for a weeks work in West Palm. Its so cold here,Ž she says by phone from her home. I said to my son this morning, Im beginning to understand why people move to Florida. Ž As to Beverley,Ž she says, I just found it pleasing. These are interesting people. It will be fun to read, I think.Ž While Tyrrell insists that he does not make any selections for future sea-sons until he hears these scripts with an audience at 1st Stage, he should know that Sternhagen sounds willing to return to be in a full production of BeverleyŽ if it fits her schedule. In her more than half a century in the theater, Sternhagen has worked on numerous new works, like Ernest Thompsons On Golden Pond,Ž Neil Simons The Good DoctorŽ and Jules Feiffers Grown Ups.Ž Yes, its fun to work on a new play, because you know you can help the author sometimes in creating the char-acters,Ž she says. The author hasnt necessarily finished it all.Ž Sternhagen appreciates how avidly the Florida Stage audience is devoted to new work. I think the people who go to Florida Stage do feel as if theyre helping to kind of grow the culture,Ž she says. Being part of what makes theater important.Ž The majority of this years festival scripts come from playwrights who were previously produced at Florida Stage. In addition to the new play by Horovitz (his play Sins of the Moth-erŽ was produced previously), they include: Leveling UpŽ by Deborah Zoe Laufer (The Last Schwartz,Ž End DaysŽ) „ A story of young people who play computer games and one recognized teen genius who is tapped by the National Security Agency to play games with more concrete, global consequences. Its the one play that really centers on younger people, their interests today and the way they live,Ž says Tyrrell. PoetŽ by Kew Henry „ An unconventional biography of author Edgar Allan Poe and the struggle that an artist goes through trying to find his place in the world. Henry is a pen name for Tyrrells wife, Kath-leen Homes, a visual artist turned playwright. Shes been writing for 30 years, but its only when she put her brush down and picked up the pen full time that the work has risen to a level that is quite astonishing,Ž says Tyrrell. The Americans Across the StreetŽ by Carter W. Lewis (The Storytelling Ability of a BoyŽ) „ A possibly autobiographical character sketch of a Pulitzer Prize-winning writer who sits on his front porch with a drink and a cigar, ranting at his neighbors. Carters one of those play-wrights that we want to provide an outlet and an incentive for whatever his next work will be,Ž notes Tyrrell. Brilliant CornersŽ by Andrew Rosendorf (CaneŽ) „ A dysfunctional family drama, in which the parents separate and the children are looking for a rudder in their lives. The two grown children return to their father, both in need of money. The quality of the writing reminds me of some of the authors like Arthur Miller and others of that era,Ž says Tyrrell. CaptivaŽ by Christopher Demos Brown (When the Sun Shone BrighterŽ) „ A dark comedy about the reunion of an extended family on an island getaway goes very wrong when the group is stranded by a late season hurricane. Hes a very smart, thorough playwright, the kind of per-son you want to support,Ž comments Tyrrell. Tiempo de AmorŽ by John Herrera „ A young woman is torn between her passion for an older man and her loyalty to her controlling mother. Set in Havana and Tampa in the 1920s. Its a beautiful relationship story among people and people of a country,Ž says Tyrrell. To me it rings of the style of Chekhov.Ž As Tyrrell summarizes the festival, Its a seven course meal of a theater feast, with Franny Sternhagen as icing on the cake.Ž Q READINGFrom page 1 How do you make a musical from a bleak political novel of brutal prison life? For starters, it helps if you have dedica-tion to the unconventional songwrit-ers John Kander and Fred Ebb, whose resume runs from the cautionary tale of Weimar Germany, Cabaret,Ž to this Broadway seasons short-lived racial history lesson in the form of a minstrel show, The Scottsboro Boys.Ž In 1993, they teamed with playwright Terrence McNally to tackle Manuel Puigs odd couple saga inside a Latin American prison, Kiss of the Spider Woman.Ž After a difficult development period, the show arrived on Broadway, found a sufficiently adventuresome audi-ence and copped seven Tony Awards, including best musical. Still, subsequent productions by regional theaters have been rare, largely because of the shows dark subject matter and the intricate staging demands of this alternately brawny and bombastic material. Challenges such as this are why West Bocas Slow Burn Theatre came into existence a year ago. With a mission of tackling daring, contemporary and intel-ligentŽ musicals, the troupe could hardly shrink from a show such as Spider Woman.Ž In fact, the show has stimu-lated their creative juices, resulting in an exceptional rendering of the problematic musical and making this a good time to check out this ambitious company. Initially, it was hard to fathom what Kander and Ebb saw in this story of gay window dresser Molina and macho free-dom fighter Valentin, thrown together in a meager cell. Valentin is at first hostile to the effeminate, apolitical Molina. But gradually a wary friendship develops, as Molina provides them a means of mental escapism from the squalor by describ-ing and re-enacting the B-movies of his favorite celluloid goddess, Aurora. Of course, it was those movies „ now movie musicals „ that must have at-tracted the songwriters. For just as they served as Molinas means of escaping his situation, so do they become a way to inject song-and-dance into the otherwise downbeat evening. In a similar way, that is what Kander and Ebb did in Cabaret,Ž juxtaposing the desperation of pre-war Berlin with the lively, ironic production numbers at the seamy Kit Kat Club. Typical of Spider WomansŽ movie scene excerpts is the flashy Where You Are,Ž a musical salute to mental escape sung by leggy Renata Eastlick (Aurora) and her chorus boys/prisoners. Some of the movie sequences seem like produc-tion numbers for their own sake, but the show is never far from the prisons dark-toned brutality. Even there, though, the score manages to shoehorn in such musi-cal expressions as Molinas introduction (Dressing Them UpŽ), the prisoners yearning to be free (Over the WallŽ) and the hallucinatory Morphine Tango.Ž Ever since its debut with Bat Boy: The Musical,Ž Slow Burn has been grappling with its problematic playing space, the cavernous auditorium of West Boca High School. With Spider Woman,Ž resident designer Ian T. Almeida demonstrates an ability to think big with a visually interesting multi-layered unit set artfully clutter ed with rickety slats, staircases, ladders and catwalks. The effect is epic and claustrophobic, representing the prison cell and the recesses of Molinas imagination. The set is a somber matte, black but for the movie scenes, lighting designer Lance Blank shows how to change the mood with an injection of Technicolor hues. Further proof that Slow Burn has learned to harness this performance space is Traci Almeidas sound design, a crisply effective balance between the cast and Ivy Adams four-piece combo. Director-choreographer Patrick Fitzwater benefits a great deal from a new arrival in the area, Tom Creatore, whose performance as emotionally fragile, doughy Molina anchors the production with his expressive vulnerability and vocal confidence. Co-artistic director Matthew Korinko is a solid counterpoint as Valentin, notably in his anthem of eventual triumph, The Day After That.Ž Eastlick was a genuine find in Slow Burns recent Rocky Horror ShowŽ as supporting character Magenta, earning her the star spotlight here in the dual roles of Aurora and her death symbol film character, Spider Woman. Go ahead, just try to take your eyes off of her. Also a standout is Mary Gundlach, with her affecting portrayal of Molinas mother. If you go to musicals for escapist entertainment, Slow Burn may not be the company for you. If, however, you are drawn to shows that deliver both on song-and-dance as well as a few punches to the gut, you need to get to know Slow Burn and see its memorable Kiss of the Spider Woman.Ž Q Slow Burn delivers gut-punching drama with ‘Spider Woman’ m c K w d a hap ERSTEIN O THEATER REVIEW COURTESY PHOTOTom Creatore anchors Slow Burn’s produc-tion as Molina (left) and Matthew Korinko provides a solid counterpoint as Valentin. >> KISS OF THE SPIDER WOMAN, Slow Burn Theatre Company at West Boca High School, 12811 West Glades Rd., Boca Raton. Through Feb. 6. Tickets: $30. Call 866-811-4111. O in the know >> 1st STAGE NEW WORKS FESTIVAL, Florida Stage at the Kravis Center’s Persson Hall, 701 Okeechobee Blvd., West Palm Beach. Feb. 4-Feb. 6. Admission: Single tickets, $10. Festival passes, $25-$100. Contact: 585-3433 or 800-514-3837. O in the know COURTESY PHOTOPlaywrights Andrew Rosendorf, Carter W. Lewis and Christopher Demos Brown, whose works are in this year’s festival, discussed writing on a panel at last year’s event. STERNHAGEN


FLORIDA WEEKLY www.FloridaWeekly.comWEEK OF FEBRUARY 3-9, 2011 ARTS & ENTERTAINMENT B5 FREE NIGHT STAY at PGA National Resort400 Avenue of the Champions Palm Beach Gardens, FL 33418When you purchase $300 or more in Spa Gift Certi“cates. Call 877.907.6553 or Visit *Restrictions apply MAYBE THIS YEAR HE NEEDS A HINT. MAYBETHISYEARHENEEDSAHINT HS^W`f[`We DAY PUZZLE ANSWERS A cozy and friendly wine and co + ee lounge o + ering jazz, blues, acous Ÿ c music and moreGREAT WINES • ASSORTED COFFEES IMPORTED BEER • GOURMET DIPS HANDMADE CHOCOLATES Live Music Wednesday–Saturday Feb 5 – DJ Dance Party 9pm Valen Ÿ ne’s Weekend Performances Ask about our Champagne/Chocolate Couples Package Open Wednesday–Saturday 758 Northlake Boulevard, Lake Park (next to Dockside Restaurant) 561-502-2307 Fusion Lounge The Gardens Mall and Scripps Florida are hosting two events in recognition of Scripps Floridas anniversary of the permanent cam-pus in Jupiter. On Feb. 3 at 6 p.m. there will be an awards ceremony on the Grand Court to honor the Palm Beach County School Districts 2010 Science and Engineer-ing Fair middle school and high school awardees. Those winners compete in the 2011 State Science and Engineering Fair of Florida Sid Forbes, founding partner of the Forbes Company, and Dr. Harry Orf, vice president of scientific operations for Scripps Florida, will present the awards. The Forbes com-pany owns The Gardens Mall. On Feb. 5 from 10 a.m. to 3 p.m. the mall hosts Education Day, Cellebrate Science with Scripps Florida.Ž This event includes five hands-on Scripps activity booths throughout the lower level of the mall, each staffed by Scripps Florida scientists. There will be demonstrations in chemistry, energy, advanced technologies, and biology. An interactive robotics station, micro-scopic gene explorations and displays will illustrate the world-class scientific research taking place within Scripps Floridas six academic departments. Q Gardens Mall, Scripps to honor students, stage fair The Kravis Center for the Performing Arts will host the world premiere of the new public TV documentary Steven Caras: See Them DanceŽ on Feb. 24. Presented by Arizona PBS, the film concerns the life and work of Mr. Caras, a former New York City Ballet dancer, who transformed his career to become one of the worlds most renowned dance photographers. Currently a resident of West Palm Beach, Mr. Caras also is a published author, guest lecturer, ballet master and founding chairman of the Randolph A. Frank Prize for the Per-forming Arts in Palm Beach. Directed by Emmy Award winner Deborah Novak, the story begins in the 1950s, when men did not readily pur-sue a career in ballet without escaping unscathed. In spite of the bullying he endured, he persevered, receiving full scholarships to the Joffrey School and the School of American Ballet in New York City. At 18, with only three years of training, he was personally invited by the legendary choreographer George Balanchine to join his company, the New York City Ballet. The program will present rare, behind-the-scenes photographs of bal-let superstars such as Mikhail Barysh-nikov, Suzanne Farrell, Rudolf Nureyev and Natalia Makarova. Interviews with dance icons enhance the film. They include Peter Martins, Mia Michaels, Jacques dAmboise, Patricia McBride, Jean-Pierre Bonnefoux, Allegra Kent, Sean Lavery, Kay Mazzo, Elizabeth Streb and Virginia Johnson, among others. Both director Deborah Novak and Mr. Teachout, author of All in the Dances: A Brief Life of George Balanchine,Ž will engage in a conversation with Mr. Caras onstage at the Kravis Centers world premiere of the documentary. General admission tickets are $20. Tickets are available at the Kravis Cen-ter box office, 701 Okeechobee Blvd. in downtown West Palm Beach; online at or by phone at 832-7469 or 800-572-8471. Q Premiere of Caras documentary is Feb. 24 at the Kravis

PAGE 30 FLORIDA WEEKLYB6 ARTS & ENTERTAINMENT WEEK OF FEBRUARY 3-9, 2011 WHAT TO DO, WHERE TO GO Thursday, Feb. 3 Q Starfish & Coffee Storytime Session at the Loxahatchee River Center … 9:30 a.m. Thursdays, Burt Reynolds Park, 805 N. U.S. 1, Jupiter. Call (561) 743-7123 or visit Q Mos’Art Theatre … Screenings of Disco & Atomic War,Ž 2:10 p.m., Look-ing for Palladin,Ž 4 p.m., Dale Carter Presents,Ž 7:30 p.m. Jan. 27. Tickets: $8. 700 Park Ave., Lake Park; 337-6763. Q Tai-Chi for the Turtles … Join Dr. Keith Cini from Atlantic Healing Arts as he leads five weeks of tai chi classes to raise awareness and money for cleaner oceans and happy turtles while helping you find inner peace. Classes run one hour, and participants are asked to wear comfortable clothing. 6 p.m. Thursdays, Loggerhead Marinelife Center, 14200 U.S. 1, Juno Beach. $10 per person, per class. Call 672-8280, Ext. 107, for reservations; Q Midtown’s Music on the Plaza … A free weekly concert series offering an eclectic mix of musical perfor-mances, 6-8 p.m. Thursdays through April 30, Midtown Palm Beach Gardens, 4801 PGA Blvd., Palm Beach Gardens. Feb. 3: Thunder Road (country quartet). Feb. 10: Tairon Aguilera & His Florida Latin Beat Band. Feb. 17: Terry Hanck Blues. Feb. 24: The Nouveaux Honkies (roots and roll that rock). Free; Q Florida Stage’s 1st Stage Festival 2011 … Featuring Tony Award-winning actress Frances Sternha-gen, Feb. 3-6. Opening reception is 5:30 p.m. Feb. 3. Interview with Miss Stern-hagen is 7 p.m. Feb. 4. Events are at the Kravis Centers Rinker Playhouse, 701 Okeechobee Blvd., West Palm Beach. Individual events priced at $10 and up. Complete schedule is at; 585-3433. Q Fusion Lounge … 6:30 p.m. Feb. 3: Doo Wop Danny Cove on the keyboard; 8:30 p.m. Feb. 4: Heidi and the El Cats Blues; Feb. 5: DJ Dance Party. Fusion Lounge is at 758 Northlake Blvd. (east of I-95 next to Dockside Restaurant), North Palm Beach. 502-2307; Friday, Feb. 4 Q Mos’Art Theatre … Screenings of The Kid/A Dogs Life,Ž Queen of the Lot,Ž Made in DagenhamŽ and School of Rock.Ž Other shows, various times, Jan. 28-Feb. 3. Opening night tickets: $6. Gener-al admission: $8. 700 Park Ave.; 337-6763. Q Downtown’s Got Talent … Show off your talent in singing, dancing or comedy at 7 p.m. Fridays through March 11. Centre Court, Downtown at the Gar-dens, Palm Beach Gardens. 340-1600. Q Lighthouse Starry Nights … Get a lighthouse keepers view of the night sky with a personal tour of the watchroom and gallery. Afterward, relax on the lighthouse deck under the stars with refreshments. 6 p.m. Fridays through April, Jupiter Inlet Lighthouse & Museum, 500 Captain Armours Way (Beach Road and U.S. 1), Jupiter. Tour time is approxi-mately 90 minutes. $20 per person, $15 members, RSVP required. No flip-flops allowed. Children must be 4 feet tall and accompanied by adult; 747-8380, Ext. 101. Q Pia Zadora … Accompanied by Sinatra pianist and musical conductor Vinnie Falcone and his orchestra, Ms. Zadora performs classics like The Lady Is a Tramp,Ž Come Rain or Shine,Ž All of Me,Ž Young at HeartŽ and The Man That Got Away.Ž 8 p.m. Feb. 4, Eissey Campus Theatre, Palm Beach State Col-lege. Tickets: $45-$55; 278-7677. She also appears at 8 p.m. Feb. 5 at Florida Atlantic University in Boca Raton. Tickets: $35-$55; (800) 564-9539. Q Bobby Collins … The comedian plays a show at 8 p.m. Feb. 4 at Atlantic Theatre, 6743 W. Indiantown Road, Jupi-ter. Tickets: $25; 575-4942. Saturday, Feb. 5 Q Kids Story Time … 11:30 a.m. Saturdays, Loggerhead Marinelife Center, 14200 U.S. 1, Juno Beach. Free; Q Women’s Cancer Awareness Day … A three-day event. Feb. 5: Tennis, croquet, 5k Cancer Cure Walk/Run. Feb. 8: Cocktail party and auctions. Feb. 10: Golf, bridge, mahjong and other table games, raffle drawings, Bobbi Brown makeovers and a luncheon with cocktail party. Its at PGA National Resort & Spa in Palm Beach Gardens. All proceeds benefit Jupi-ter Medical Centers Ella Milbank Foshay Cancer Center and the Daniel C. Searle Clinical Research Trials Access Program. Call Elaine Solomon at 694-6151. Q The West Palm Beach Antiques, Flea and Craft Mar-ket … The 50 or so dealers at the biweekly event offer a variety of collectibles, mid-century furniture, crafts and art. Its at Datura Street and Quadrille Boulevard from 9 a.m.-3 p.m. Feb. 5. Admission is free, and free parking is available in the city parking lot on Datura Street across from the market; 833-4440. Q The Main Street Cruise … Monthly car show, with 400 cars, 5-10 p.m. Feb. 5, Abacoa Town Center, Jupiter. Live oldies band plays 7-10 p.m. Q Historic Trolley Excursion … Ride Mollys Trolley on an architectural and culinary excursion through West Palm Beach and Palm Beach and visit local landmarks noted in the Junior League of the Palm Beaches cookbook. 9 a.m.-noon Feb. 5. Begins at Harriet Himmel Theater, CityPlace, West Palm Beach. Tickets: $25 members, $45 non-members. Available at Q Jupiter Jubilee … Celebration of life in Jupiter, with vendors, food, games and exhibits, 11 a.m.-5 p.m. Feb. 5. Jupiter Community Center, Military Trail just south of Indiantown Road, Jupiter. Park-ing and free trolley service available at Jupiter High School. Admission is free; 741-2400. Q Jump for Home Safe … A familyfriendly evening consisting of world-class equestrian competition, horseless jump challenges with awards (for attendees of all ages), a dinner reception under the stars and an array of live and silent auction items. Benefits Home Safe, a non-profit organization helping victims of child abuse and domestic violence. 6 p.m. Feb. 5, Palm Beach International Equestrian Center, 3426 Equestrian Club Road, Wellington. Tickets: $125; 383-9800, Ext. 1309. Q “One Man Star Wars Trilogy … An off-Broadway play featuring Charles Ross portraying all of the char-acters, sound effects and music from all the movies. 8 p.m. Feb. 5, Maltz Jupiter Theatre, 1001 E. Indiantown Road, Jupiter. Tickets: $30; 575-2223. Q Voices of Legends in Concert … With Johnny T, 7:30 p.m. Feb. 5, March 19, MosArt Theatre, 700 Park Ave., Lake Park. Tickets: $15 advance, $18 evening of show; 337-6763. Sunday, Feb. 6 Q Taste in the Gardens Green Market … Gardens Park, 4301 Burns Road, Palm Beach Gardens; 8 a.m. -1 p.m. Live entertainment, produce, plants, flow-ers, handmade crafts and prepared food and drink items. Free; no pets. For vendor information, call 772-6435. Monday, Feb. 7 Q Tim Dorsey … The best-selling author talks about his latest book, Electric Barracuda,Ž at 2 p.m. Feb. 7 at the Jupiter branch of the Palm Beach County Library, 705 Military Trail, Jupiter. A book signing will follow. To register, visit, three weeks prior to event. Sponsored by the Friends of the Library. 744-2301. Q “The Jazz Singer” … Free screening of the first talkie, starring Al Jolson, 7 p.m. Feb. 7, Maltz Jupiter Theatre, 1001 E. Indiantown Road, Jupiter. Tickets: Free, but reservations required; 575-2223; Q Deutsche State Philharmonic … 8 p.m. Feb. 7 concert includes Strauss Till Eulenspiegels Lustige Stre-iche,Ž Beethovens Piano Concerto No. 2 in B-flat majorŽ and Brahms Symphony No. 4 in E minor.Ž 2 p.m. Feb. 8 con-cert includes Webers Oberon Overture,Ž Mozarts Concerto for 2 Pianos No. 10 in E-flat majorŽ and Mahlers Symphony No. 4 in G Major. With conductor Philippe Entremont, pianist Sebastian Knauer and soprano Julie Cherrier. Its at the Kravis Center, 701 Okeechobee Blvd., West Palm Beach. Tickets start at $25; 832-7469. Tuesday, Feb. 8 Q Play and Sign … Classes offer a fun way to learn American Sign Language, 9:30 a.m. Tuesdays through March 1, Com-munity Room, Suite 1108, Downtown at the Gardens, Palm Beach Gardens. Sign up at Q Talking Toddlers … Class tailored to toddlers with little or no exposure to sign language, 10:30 a.m. Tuesdays through Feb. 8, Community Room, Suite 1108, Downtown at the Gardens, Palm Beach Gardens. Sign up at Q Art on the Water … Music and local art, 5:30-9:30 p.m. Tuesdays, Riviera Beach Marina, 200 E. 13th St., Riviera Beach. Q Tai Chi for Arthritis … 11 a.m.12:30 p.m. Wednesdays at Burns Road Recreation Center, 4404 Burns Road, Palm Beach Gardens. Class focuses on muscular strength, flexibility and fitness. Drop-in fee: $9; resident discount fee: $8. 10-class pass fee: $80; resident discount fee: $70. 630-1100; Q Camp, Cocktails and Comedy … A fundraiser for Camp Shalom with featured guest speaker Joel Chasnoff, author of the book The 188th Crybaby Brigade,Ž 7 p.m. Feb. 8, the Hilton Gar-den Inn, PGA Boulevard, Palm Beach Gardens. Tickets: $54 general admission; $100, includes a signed copy of the book; $360 supports 1 child for 1 week of Camp Shalom, and includes 2 admission tickets and a signed copy of the book; $720 sup-ports 1 child for 2 weeks at Camp Shalom, and includes 2 admission tickets and a signed copy of the book; $1,500 supports 1 child for 1 month at Camp Shalom, and includes 4 admission tickets and a signed copy of the book. RSVP at 712-5226 or Q Shirley MacLaine … The actress combines a montage of memorable film moments with private revelations about her extraordinary life, career and spiritual journey, 8 p.m. Feb. 8, the Kravis Center, 701 Okeechobee Blvd., West Palm Beach. Tickerts: $20-$100; 832-7469. Q An Evening of Rodgers & Hart with The John Pizzarelli Quar-tet … With Bob Lappin and the Palm Beach Pops, 8 p.m. Feb. 8, Eissey Campus Theatre, Palm Beach State College, Palm Beach Gardens. Tickets: $75-$85; 832-7677. They also perform Feb. 9-10 at the Kravis Center in West Palm Beach. Tickets: $29-$89; 832-7469. And they play Feb. 11-12 and 14 at Florida Atlantic University in Boca Raton. Tickets: $29-$69; (877) 311-7469. Wednesday, Feb. 9 Q Hatchling Tales … 10:30-11:30 a.m. Wednesdays, Loggerhead Marinelife Center, 14200 U.S. 1, Juno Beach. Free; Q Wimpy Kid Wednesday … 3-5 p.m., Lake Park Public Library, 529 Park Ave, Lake Park. Events and movie. Free; 881-3330. Q Family Game Night … Play along with award-winning party game Wits and Wagers to win gift cards and other prizes. 6:30-9 p.m. Wednesdays through Feb. 9, Centre Court, Downtown at the Gardens, Palm Beach Gardens. Q River Totters Arts n’ Crafts … 9 a.m. second Wednesday of each month (next session is Feb. 9), Loxahatchee River Center, 805 N. U.S. 1, Jupiter. Arts and crafts for kids. Cost: $3; 743-7123. Q Lighthouse Sunset Tour … Take in the sunset views and see the Jupiter Light turn on to illuminate the night sky second and fourth Wednesday of the month. Next tour: Feb. 9. Visitors get an inside look at the nuts & bolts of a working lighthouse watchroom. Tour time approximately 75 minutes. Tours are weather permitting, call for tour time. Must be 4 feet tall to climb, no flip-flops on tour. Jupiter Inlet Lighthouse & Muse-um 500 Captain Armours Way (Beach Road and U.S. 1), Jupiter. $15 per person, RSVP required, 747-8380, Ext. 101, Q “Small Spaces: A Juried Show” … 5:30-7:30 p.m. Feb. 9, A Unique Art Gallery, 226 Center St., A-8, Jupiter; (954) 588-7275. Q Copeland Davis … The pianist and his 10-piece band play an Arts in the Gardens concert, 8 p.m. Feb. 9, Eissey Campus Theatre, Palm Beach State Col-lege, Palm Beach Gardens. Tickets: $25-$30; 207-5900. Ongoing events Q “Young Frankenstein” … The new Mel Brooks musical, through Feb. 6, the Kravis Center, 701 Okeechobee Blvd., West Palm Beach. Tickets start at $25; 832-7469. Q “Freud’s Last Session” … Play by Mark St. Germain, through Feb. 6, Palm Beach Dramaworks, 322 Banyan Blvd., West Palm Beach. Tickets: $47; 514-4042. Q “Contempo” and “ArtyBras” … A juried exhibition featuring contemporary


J>;C7BJP@KF?J;HJ>;7JH;FH;I;DJI March 19 … 12:00pm A Triumph of the Human Spirit One womans search for the meaning of a closet full of shoes. Tina Sloan McPherson March 20 … 8:00pm March 20 … 8:00pm &ORTICKETSrs&ORGROUPSALESr one-man star wars T r ilogy one-man star wars Trilogy &EBRUARYnPM February 22 … March 13 THE movie &EBRUARYnPM

meets Fri. 5-10pm • Sat. & Sun. 10am-5pmEdwards Drive & Centennial Park Downtown Fort Myers Riverfront Monroe St. 215NationallyKnownArtists! Fun for the Entire Family! €Art for Everyone€Kids Art Activities€Food & Entertainment FREE Admission & Activities! Southwest Floridas Premier Art Festival Check out our “Artful Weekend in Fort Myers” Hotel Packages I t ’ s w o r t h t h e d r i v e Cup of Joe Morning Showwith Joe Raineri The Super Bowl is one of the largest sporting events of the year uniting die-hard sports fans. For true sports fans there is only one way to watch the Super Bowl — alone in the comfort of your own home! Top 5 Reasons to Watch the Super Bowl Alone• Best seat in the house. There is nothing worse than attending a Super Bowl party and having to sit on the hard folding chair positioned behind the couch, or worse yet, having to stand for the entire game. • One word — TiVo. Need to hit the bathroom? Is your beer empty and you have an urge to make a sammich? No problem — pause the game and don’t worry about missing a thing. • You can actually watch the game. When you’re at a party there is a good chance that the game itself is not the primary attraction. There wi ll be quite a few people in attendance who are not interested in the game at al l — yet they will be sitting in the prime viewing seats so they don’t miss a comme rcial. • Control the game. True sports fans have the ability to control the outcome of the game. When your team is playing poorly it is likely a result of the fact that you were sitting in the wrong chair, wearing the wrong jer sey or watching on the wrong television. You’ll lose that ability if you’ re at a party or have people over who don’t understand why they all have to huddle ar ound the 15" TV in the garage. • Not real fans. There is nothing more frustrating when your team or the team that y ou ha ve bet on is losing and you have to listen to morons — er, your friends — babble about the game being over or your team being terri ble. When it comes to sports, nobody is allowed to say your favorite team sucks except you. Avoid the risk of throwing the bean dip at someone for pro claiming the game over in the 2nd quarter when your team is down by a touch down. As always, thanks for reading and I hope my sarcastic social commen tary on life will at the very least give you a laugh. Share your thoughts by emailing Tune in weekdays at 8:40 a.m. and hav e a chance to win tickets to the Kravis Center, Sunrise Theatre or The Palm Beach Pops. FLORIDA WEEKLYB8 ARTS & ENTERTAINMENT WEEK OF FEBRUARY 3-9, 2011 In a folder, under my bed, is a 1969 Christmas card from the St. Bernards school in New York City. The reason I happen to have this particular card is because a 6-year-old version of me is on the cover, holding a leash attached to a dog twice my size (care to guess the breed?). The dog would clearly have no problem dragging me the length of Cen-tral Park (where the photo was taken) as a warm up exercise to eating me. In the photo, Im wearing a very smart cap and Angus Young-style AC/DC shorts. I attended St. Bernards during first, second and sixth grade. The last year I was there I didnt quite fit in: I had spent those intervening three years at, for the lack of a better term, a hippie school. Constructed in the middle of a potato field in Bridgehampton (we moved out of the city for three years) it was predictably laid back, accept-ing, artsy and not the best set up for a return to an upscale all-boys preparato-ry school attended by family members of ex-almost-presidents (a Dewey was a classmate of mine) and other power brokers. But during my first two years there I was very happy; apparently happy enough to be asked to represent the school on the front of its annual holiday card. In retrospect my happiness is unsurprising, particularly when I recall my second-grade teacher, Mrs. Goldsmith. Mrs. Goldsmith was the bees knees and my first crush, despite her being a Mrs. (the heart wants what the heart wants). Its true that by now she must be in her late 60s or early 70s, but to me shes still the young, Ray Ban-wearing object of my affection, her hair pulled back in a pony tail while she organizes us for field day or stands by the blackboard holding chalk and look-ing quite fine. But more than Mrs. Goldsmith made lasting impressions on me dur-ing those early years. For example, there were the two unrelated events that took place during lunch. The lunchroom at St. Bernards was in the basement. Big room, long tables and boys in uniform, much like every movie Ive ever seen that took place in an English boarding school. And in that room two things were stamped so firmly on my 6or 7-year-old psyche that they, like my crush on Mrs. Goldsmith, remain quite vivid, even four decades later. The first was mistaking a serving bowl of pickled beets for a huge, glorious mountain of jellied cranberry. The 6-year-old me, much like the present-day me, was quite a fan of canned cranberry jelly and I promptly levered a large forkful of what I assumed was Ocean Spray into my mouth. Ive no idea what twisted version of its pre-beet countenance my face then screwed itself into, but I do know that not yet having learned much restraint I promptly launched the vile stuff back onto my plate. To this day, not a single beet more has passed my lips. The second memory, though, was far better: my discovery of the joys of shep-herds pie. The St. Bernards shepherds pie (at least as it exists in my memory) was lamb/potato perfection in a pan, served up by teachers using too-small slotted spoons. A delicious casserole of spiced, minced lamb with veggies and gravy, topped with a thick layer of creamy mashed potatoes and browned, shepherds pie may have originally been just a convenient way to dispose of left-overs, but it became my oasis of meaty joy in the basement of a boys school in Manhattan. It says a lot about the intrinsic quality of shepherds pie that a boys school in New York City could make one this good, because Gordon Ramsay is too young to have put these lunches together. Far more likely: a hair-net sporting, burned-out shell of a lunch mistress whod rather have been at home watching her stories on television.Unlike other oddball British dishes like spotted dick (which is neither as hilarious nor unpleasant as I wish it were) and blood pudding (which can tend to be a bit more unpleasant than I wish it were), shepherds pie is right up there with a pint of bitter for top honors on the list of English things I want in my belly. And by the way, that list is actu-ally longer than youd think. The Brits have copped an undeservedly poor rep-utation for food. Their obsessions with bangers and minced meat pies alone THE MASHUP How I learned about love – and shepherd’s pie – at St. Bernard’s bradford SCHMIDT O SEE MASHUP, B9 X 9 s I s s d e o n) n p r d f e ) Inretrospectmyhappinessisunsurh i G i m i F th th lu at th lo un m t o b o in w e o n ps cr u re m fo u T a s b e e ousmountainof


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Visit Boston, Nova Scotia, Panama & so much MORE! f r. $1,299 17 Da y S American T reasures Visit Colombia, Panama, Ecuador, Peru & Chile plus a full Canal transit F REE A I R & BUS f r. $ 1,699 8 Da y ALLURE O F TH E SEAS Anniversary Celebration Dec 2011 Cocktail Party, Gift & FREE BUS!NE W S HI P !! fr $749 FLORIDA WEEKLY www.FloridaWeekly.comWEEK OF FEBRUARY 3-9, 2011 ARTS & ENTERTAINMENT B9 MASHUPFrom page B8make England a better culinary strong-hold than most people assume. But when it comes to shepherds pie, its not necessary to take my word for it. Ask yourself a simple question: how many casseroles sound better than one made with lamb, gravy, potatoes and (a few) vegetables? See what I mean? Frankly, Id be comfortable ending this thing right here if I didnt feel it neces-sary to address a few of shepherds pies pretenders.Ive seen some variants in the U.S. that use ground beef in place of ground lamb, which is a big enough insult to the original British dish that I wouldnt be surprised if it reopened hostilities of 200 years ago. And Im betting France wont be lining up on our side this time. Even more disturb-ing, Ive located a recipe for tater tot cas-seroleŽ which claims to be the southern cousinŽ of shepherds pie. If so, its the cousin no one likes to talk about: the middle-aged one who lives in his moms basement and wears his Meister Bru T-shirt in the shower. So in the name of international relations and to prevent any further shepherds pie perversions, this week Im going to tell you how to make a tra-ditional shepherds pie. Its a fairly basic recipe and I suggest you play with it to make it your own. The holy trinity of meat, onions and mashed potatoes has tremendous power and resilience, so as long as you stick to using lamb dont be scared to get creative (like maybe dressing up as an English schoolboy when its time to eat). The Quebe-cois, for example, make it with a corn layer between the meat and potato, which sounds quite tasty to me. You can also try whipping some cheese into the potatoes if you feel there isnt enough fat in the basic version. Adding Worcestershire sauce to the gravy is a nice twist as well, but there are plenty of other ways to make this one yours. If you absolutely must break the only real rule (that would be the inclusion of both lamb and potatoes) and insist on substituting ground beef as a protein, please help preserve the legacy of true shepherds pie by calling it something else, like not-shepherds pie (hunters pie is an acceptable alternative as well). What you absolutely do not want to do, at least if you want it to bear any resemblance to the real version, is add tomato sauce. Mash 2 pounds of potatoes with 4 tablespoons of butter and some milk. Whip them up well and set them aside. Make a mirepoix from 2 peeled carrots, 2 celery stalks and 1 large sweet onion (all of which should be diced) and saut in a pan with copious amounts of b utter until everything is soft. Add 1 pounds of ground lamb and brown well. Add your 1 tablespoon of flour and stir, then add any other vegetables that you would like to make a part of your meat layer (peas work nicely). Add a cup each of beef and chicken stock, 1 teaspoons of rosemary and teaspoon of thyme (double these amounts if you are using fresh herbs) and simmer it for 15 minutes until thick-ened. Pour it all into a baking dish and allow it to rest and firm up a bit. Spread your well-whipped mashed potatoes on top (dont forget a corn layer if you wish to emulate our Northern friends), slice up some butter and scatter the pats on top, then put the casserole in a 400-degree oven for about 30 minutes or until its nicely browned. Let it sit for at least 5 minutes before serving from the baking dish. Q „ For The Mashup, Bradford Schmidt writes about meat, technology, music and mashups thereof. He welcomes suggestions, comments, questions and offerings of prime beef. F rom pa g e B8 B8 B8 B8 8 8 8 B8 B8 8 8 8 8 8 8 8 8 8 8 8 8 B8 8 8 8 8 8 B8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 ment and wears his Meister B ru T-s h irt in t h e sh ow er So in th e n am e of int e rnati o nal sub p le she els e p ie W h d o, re t p la b e ou s i s s an d of ve g a p

PAGE 34 FLORIDA WEEKLYB10 ARTS & ENTERTAINMENT WEEK OF FEBRUARY 3-9, 2011 W SEE ANSWERS, B5 W SEE ANSWERS, B52011 King Features Synd., Inc. World rights reserved. 2011 King Features Synd., Inc. World rights reserved.FLORIDA WEEKLY PUZZLES HOROSCOPES TRICKY BUSINESS By Linda Thistle Q AQUARIUS (January 20 to February 18) The week is filled with positive potentials, but its up to you to make the right choices. The advice of someone who truly cares for you and your well-being can be priceless. Q PISCES (February 19 to March 20) I t s a good time to make yourself available to possibilities of the roman-tic kind. Already paired? Good. In that case, be sure to reassure that special person of your feelings. Q ARIES (March 21 to April 19) S t. V alentines Day magic rules the entire week for romantic Rams and Ewes. Music, which is the food of l ove, is also strong. The weekend offers news both unexpected and anticipated. Q TAURUS (April 20 to May 20) Y our aspects f avor the arts „ which the Divine Bovine loves, loves, loves. Also, for those looking for romantic love, C upid is available for requests. After all, his mother, Venus, rules your sign. Q GEMINI (May 21 to June 20) Lo ving c ommitments continue to grow stronger. Ditto budding relation-ships. A recent move to help start up a new career-linked direction could soon begin to show signs of progress. Q CANCER (June 21 to July 22) S ingle M oon Children might be eager to take that proverbial chance on love. But your more serious side will feel better if you take things sl owly and give your moonstruck self more time. Q LEO (July 23 to August 22) I t s a love fest for Leos and Leonas this week. Paired Cats might expect to be purr-fectly in sync. And with matchmaking friends, single Simbas searching for romance shouldnt have too far to look. Q VIRGO (August 23 to September 2 2) More understanding on both sides can work miracles in restoring ailing relationships to health. Make the first m ove, and youll be closer to your much-wanted reunion. Q LIBRA (September 23 to October 2 2) Accept the fact that you are worthy of being loved, and youll find proof in what is revealed to you over the course of the week. Also accept a compliment offered with great sincer-ity. Q SCORPIO (October 23 to N o vember 21) Planning to take a new direction in life is exciting. And so is a new awareness of someones special affection. Expect a slow and mostly steady development of the situation. Q SAGITTARIUS (November 2 2 t o December 21) Although you might still feel you werent treated quite right in a recent matter, all that will work out in time. Meanwhile, enjoy the weeks special qualities and potentials. Q CAPRICORN (December 22 t o J anuary 19) Deciding not to give up on a troubling romantic situa-tion helps start the healing process. Expect to find some valuable insight into yourself as things move along. Q BORN THIS WEEK: Y our g enerosity gladdens the hearts of others, and you bask in their joy. + Place a number in the empty boxes in such a way that each row across, each column down and each small 9-box square contains all of the numbers from one to nine. + Moderate ++ Challenging +++ ExpertPuzzle Difficulty this week: TRADITIONAL & GOURMET PIZZAS CALZONES • PASTAS • ENTRES SALADS • SANDWICHES • WRAPS ITALIAN SOUPS & DESSERTS 815 US Highway One, Lake Park 561-355-0805 • cor Mon –Thur 11am–10pm • Fri–Sat 11am–11pm • Sun 12noon–9pm TRADITIONAL & GOURMET PIZZAS CALZONES • PASTAS • ENTRES SALADS • SANDWICHES • WRAPS ITALIAN SOUPS & DESSERTS ++++– Florida Weekly ++++– Florida Weekly Ask about our daily specials! $1 OFF ANY ORDERPICKUP OR DELIVERY DURING THE BIG GAME


FLORIDA WEEKLY WEEK OF FEBRUARY 3-9, 2011 B11 EMBASSY SUITES ~ PALM BEACH GARDENS 160 renovated 2-room suites W Meeting space from boardrooms to ballrooms Complimentary full cooked-to-order breakfast Complimentary nightly Manager’s Reception (cocktails & hors d’oeuvres)Corner of PGA Boulevard and Military Trail W 561-622-1000 Capturing the authenticity of global cuisine… with fresh, locally-sourced ingredients Verdeas Wine Bar offers more than 250 rare varietal wines from small vineyards around the USA. Open on Monday/ Valentines Day Now taking reservations Tues … Sat 5 … 10pm 4350 PGA Boulevard (Embassy Suites) 561.691.3130 Valentine’s Day SpecialU One-night stay U $50 Verdea gift certi“ cate U Bottle of champagne$269 PLUS TAX & GRATUITY dan HUDAK O www.hudakonhollywood.comThe makers of The RiteŽ have no right to ask moviegoers to pay money to see it. What a silly, derivative, easy pro-duction this is, saved only marginally by Anthony Hopkins stellar-as-usual per-formance. Part of the problem is that its about exorcisms, a tired, played-out horror subgenre, and its inspired by true events.Ž If you dont believe exorcisms are a necessary evil, and/or that they could ever be part of a true event,Ž do not watch this movie. Coincidentally, skeptical Michael Kovak (Colin ODonoghue) doesnt believe such things himself, but after the head (Toby Jones) of his seminary school threatens to make him pay back his scholarship of nearly $100,000, Michael is forced to go to Rome to attend an exorcism course. There he meets a reporter named Angeline (Alice Braga), whos taking the same course and is superfluous to the story. In fact, you should consider every moment Michael spends with Angeline to be time in your life thats completely wasted. Its not like the movie needed a token female character or anything; the first exorcism Michael observes is Rosarias (Marta Gastini), a pregnant woman with an aunt (Maria Grazia Cuci-notta) whos much hotter than Rosaria could ever hope to be. The man performing the exorcism is Father Lucas (Mr. Hopkins), who takes an unorthodoxŽ approach but consis-tently gets results. He is also Michaels mentor, but the main problem with director Mikael Hafstroms story is this: Early on, we recognize that Michael will eventually become a believer, but it takes way, way too long for him to come around. For example, theres a scene in which iron nails come out of Rosarias mouth while shes possessed, and its during that scene that Michael needs to be con-vinced. But, no. He insists that she swal-lowed the nails and is putting on a performance, or in the very least suffering from mental illness. OK, Michael, you egotistical, non-believing moron: This pregnant woman swallowed 3-inch nails with the intention of spitting them up in front of you just to get you to believe in the devil. Sure. There are no real scares or visual effects here „ which is fine, as its more of a drama than a thriller. Too bad there isnt much drama. The movie often drags with subplots such as Michaels personal baggage, and Mr. ODonoghue isnt a captivating enough screen presence to keep us interested (he does fine in his scenes with Mr. Hopkins, but hes no leading man, and this is his movie). If you decide to go because you want to see Mr. Hopkins, feel free to arrive a half hour late, as it takes that long for him to appear. Still, his acting alone is not enough to make this worthwhile, and given that you have The RiteŽ to skip this movie, you should do so. Q „ Dan Hudak is the chairman of the Florida Film Critics Circle and a nationally syndicated film critic. You can e-mail him at dan@hudakonhollywood. com and read more of his work at www. Strings Attached +++ (Ashton Kutcher, Natalie Portman, Kevin Kline) Casual acquaintances Adam (Mr. Kutcher) and Emma (Ms. Portman) become sex buddies and struggle to keep their relationship strictly physical. Mr. Kutcher and Ms. Portman have great chemistry, and because we like them as a couple and there are some solid laughs, its easy to like the movie. Rated R.The Dilemma ++ (Vince Vaughn, Kevin James, Winona Ryder) When Ronny (Mr. Vaughn) sees his best friends (Mr. James) wife (Ms. Ryder) with another man (Channing Tatum), he struggles to tell his friend at the risk of an important business deal falling through. There arent as many laughs as youll expect; in fact, in some ways it works bet-ter as a drama than it does a comedy. But because it doesnt really work as either, this is one you can skip. Rated PG-13.Rabbit Hole +++ (Nicole Kidman, Aaron Eckhart, Dianne Wiest) Once happily married Becca (Ms. Kidman) and Howie (Mr. Eckhart) try to move on after their 4-year-old son is killed in an accident. To be sure its depressing, but the performances are so good you cant help but admire the movie. Rated PG-13. Q LATEST FILMS CAPSULES ‘The Rite’ REVIEWED BY DAN ............ ++ Is it worth $10? No >> The character of Michael Kovak is based on the experiences of Fr. Gary Thomas, a priest in San Jose, Calif., who has performed 40 (alleged) exorcisms. in the know Proudly serving the Palm Beaches since 1984SPECIALS FOR THE WEEK OF FEBRUARY 3-9, 2011 A Fine Full Service Seafood Market Daily Prepared Gourmet Entres & More Platters, Appetizers, Catering Nautical Gifts & Serving Wares Daily Restaurant Deliveries Nationwide Shipping Featured on the Food Network’s “The Best Of” LARGE KEY WEST PINK SHRIMP Natural, sustainable, delicious $10.95 / poundWith this coupon. Expires 2/16/2011 FRESH DOLPHIN (MAHI) FILLET Fastest growing “sh in the sea $8.95 / poundWith this coupon. Expires 2/16/2011 FRESH WHOLE POMPANO Locally caught$8.95 / pound wholeWith this coupon. Expires 2/16/2011 FRESH FLORIDA STONE CRAB CLAWS $2.00 off per pound / your choice of sizesWith this coupon. Expires 2/16/2011

PAGE 36 FLORIDA WEEKLYB12 ARTS & ENTERTAINMENT WEEK OF FEBRUARY 3-9, 2011 Art Showing of Laurance Rassin at Lamborghini Palm Beach benefiting Autism Speaks FLORIDA WEEKLY SOCIETY We take more society and networking photos at area events than we can “ t in the newspaper. So, if you think we missed you or one of your friends, go to www.” and view the photo albums from the many events we cover. You can purchase any of the photos too. Send us your society and networking photos. Include the names of everyone in the picture. E-mail them to society@” HICKEY/ FLORIDA WEEKLY1. Leah and Chris Marshall2. Joy and Elie Rivollier3. Harriet Caplan and Debra Barron4. Todd Barron and Ronnie Simpson5. Jessica Saine, Laurance Rassin and Kelly Thomas6. Corinne Cohen, Randi Rosen and Salty Cohen7. Michael Barron and Irwin Spector 1 23 4 5 67


FLORIDA WEEKLY WEEK OF FEBRUARY 3-9, 2011 ARTS & ENTERTAINMENT B13 35th Annual American Red Cross Designers’ Show House Preview PartyFLORIDA WEEKLY SOCIETY We take more society and networking photos at area events than we can “ t in the newspaper. So, if you think we missed you or one of your friends, go to www.” and view the photo albums from the many events we cover. You can purchase any of the photos too. Send us your society and networking photos. Include the names of everyone in the picture. E-mail them to society@” PHOTOS1. Andrea Stark, Carole Seligson, and Linda Schaps2. Wally and Betsy Turner3. Jane Beasley, Eddy Taylor and Sheila Crosby4. Walter Ross, Jenny Garrigues, Polly Onet and Lars Bolander5. Ann Maine, Barclay Butera and Lisa Erdmann6. Bill Kopp and Roberta Kozloff7. Jamie and Mac Zahringer 13 4 5 66 2

PAGE 38 FLORIDA WEEKLYB14 ARTS & ENTERTAINMENT WEEK OF FEBRUARY 3-9, 2011 James Blunt Concert at Downtown at The Gardens Music on the Plaza Concert Series at MidtownFLORIDA WEEKLY SOCIETY We take more society and networking photos at area events than we can “ t in the newspaper. So, if you think we missed you or one of your friends, go to www.” and view the photo albums from the many events we cover. You can purchase any of the photos too. Send us your society and networking photos. Include the names of everyone in the picture. E-mail them to society@” GUY / FLORIDA WEEKLY JOSE CASADO / FLORIDA WEEKLY1. Dani DiPonzio, Richard Graham, Shirley Cunliffe, Anita Salzer, Deborah Moreno, William Moreno Sr. and Alice Gamble2. Fleck, Christian Pricelius, Ron and Ginny Friedhoff3. Jan Legg, Renee Schour and Scout4. Scott Learnard and Nancy Taylor 1. Angela Novakoski and Dan Start2. Frasier Simpson, Shauntele Steele and Rey Pupo3. Emelie Andersson, Elina Landeskog and Sofia Soras4. Betty McGuire and Penelope Cruz5. Brent Laine and Michelle Garcia 4 3 2 1 1 23 45


FLORIDA WEEKLY WEEK OF FEBRUARY 3-9, 2011 ARTS & ENTERTAINMENT B15 For many years, a charming French restaurant, Caf du Parc, was a fixture in a little house on U.S. 1 in Lake Park. A few years back the owners decided to retire and gave up the restaurant. Enter the Pelican Cafe.The husband-wife team who own it have fixed up the three-room attractively with clean wall space and wood floors. A small bar runs across the back of the front room, and theres a pleasant out-door deck with umbrella-covered tables for al fresco dining when the weather cooperates. On the rather stormy night we visited, there was no wait and only a handful of tables that were clearing as we arrived. Thats not always the case, particularly on early weekend nights in season and at brunch, when crowds from Singer Island and North Palm flock. An anteroom with bench seating provides a spot to sit for the wait. We have been a tad reluctant to return to the Pelican because on previous visits service ran the gamut from just OK to the point where we left without eating. Not yet had a meal come from the kitchen completely correct as ordered. But greet-ers this evening were friendly and initial service prompt. We were hopeful. A few minutes after we were seated a bowl of hummus and a basket of bread chunks appeared. We also were offered butter, but liked the hummus. It was tasty, though without the garlic and lemon weve come to expect. We suspect its for the diners who dont care for garlic on the front end of a meal. The beans were creamy rather than grainy, and it was a good, unusual start. The bread surface was dried out, however; as though it had been kept near a stove. A fresh loaf or pita chunks fully toasted would have made it perfect. The waiter pointed out the wine list at the back of the menu, but he suddenly disappeared with an Excuse meŽ just as we made our choice. We noted a white listed as Villa Antinori Super Tuscan. We think of a Super Tuscan as a red wine blend, with the majority of the grapes in the glass from Tuscany. The same winery makes a Villa Antinori Bianco and we suspect thats what this was „ we should have asked to see the label. It was smooth and bordered on a chardonnay „ quite drinkable. A generous pour was $11. While we were deciding on entrees, we started with a pizza. The shrimp scampi pizza ($15.95) is definitely meant as an entre unless you share with a whole table. The 12-inch crispy-crust pizza was delicious „ the crust was crunchy and held up well to the load of shrimp, a garlicky sauce and wonderfully gooey cheese on top. It proved too filling to eat much of as an appetizer, however, so we boxed it up for later. Next time, we might come just for a pizza and a glass of wine „ it would make for a walletand appetite-friendly meal. It made us thirsty, however „ and our water glasses went empty for some time, until we finally tagged a busboy for refills. Our server warned us as we ordered the red wine vinaigrette we chose for a field greens salad ($7.95) „ he returned from the kitchen after sending in the order to tell us the chef recommended we have it on the side because it proved so strong for some. (Note to Pelican: If youve had so many complaints about it, why not change it?) We put it on the side „ though the warning was all for noth-ing to us „ we felt it proved bland and without depth. It wasnt emulsified when it came to the table „ therein may be the problem with a strong dressing if diners dont know to stir it until blended. How-ever, the greens were a nice mix and large shavings of Parmesan over all had a good bite; a light lemon vinaigrette tossed with the salad would have been just right. The perfectly cooked pillows of cheese ravioli touted as made in a San Marzano pomodoro ($19.95) are made in house, the owner said. They were just all rightŽ according to my tablemate, who says they lacked distinction. The serving, while generous, stung his wallet, too, he said. Its plain pasta, a little cheese and some sauce,Ž he pointed out. I chose braised short ribs ($26.95). The server said the choices with it included rice or paparadelle, which I chose. The short ribs arrived swimming in a rich broth with carrots and celery pieces and a very large bone (my dog gave it 4 stars). Noodles, however, were absent. I began to think I hadnt ordered them when my friend asked what happened to them. We waited for some time before catch-ing another server again to ask „ he seemed embarrassed that the chef forgot to add them. The dish was whisked away, replated on top of the paparadelle and set out with an apology. The two short ribs were fatty with only a portion of one edible; the other was meaty and tender beyond measure. The veal-bone demi glace for the dish is made in-house, the owner says „ and the ribs are braised in it along with julienned carrots „ a field full „ celery, and a hint of red wine. I would have switched to a red wine to match it at this point, but it wasnt offered and I didnt want to wait to flag down a server again. The dish was so rich we wound up taking most of it home for lunch. We were determined during this trip to the cafe to make it to dessert. The owners mother-in-law contributes a cheesecake, deemed the best by our server. The fat slice ($8.95) arrived with dark cherries and standing easily 4 inches high on the FLORIDA WEEKLY CUISINE jan NORRIS Pelican Cafe a charming place to roost – and the food is tasty Pelican Cafe>> Hours: Tuesday-Saturday, 8 a.m.-9:30 p.m.; Sunday, 8 a.m.-2:30 p.m.>> Reservations: Suggested >> Credit cards: Major cards accepted >> Price range: Appetizers, $4-$12.95; entrees, including pastas, $19.95-$32.95 >> Beverages: Beer and wine >> Seating: Tables indoors and out; bar seating >> Specialties of the house: Mom Frangione’s Sunday pasta, housemade meat lasagna, veal scaloppini, let of sole>> Volume: Low to moderate >> Parking: Free lot >> Web site: www.thepelicancafe.comRatings:Food: + + + Service: + + + Atmosphere: + + + + 612 U.S. Highway 1, Lake Park842-7272 + + + + + Superb + + + + Noteworthy + + + Good + + Fair + Poor in the know O food & wine CALENDAR O The Junior League of the Palm Beaches and the Worth Avenue Association host a fourth annual food and wine festival 6-9 p.m. Feb. 19 on Worth Avenue in Palm Beach. There will be a selection of wine, cock-tails and by-the-bite tastings served by restaurants from around the Palm Beaches. Admission: $45 per person/ $80 per couple; 689-7590 or Whole Foods in Palm Beach Gardens will be selling grilled hotdogs and burgers to recognize the Super Bowl „ and 100 percent of the proceeds go to the Busch Wildlife Sanctuary. The sale will be at the out-door oasis at the store at 11701 Victoria Gardens Avenue, on Feb. 5 from 11:30 a.m. to 1:30 p.m. The PGA Wine Tour in Palm Beach Gardens continues on Feb. 9, with Nick Faldo and Luke Donald. The tasting is from 6 p.m. to 7:30 p.m. at the PGA National Resort and Spa, 400 Avenue of the Champions. Cost is $20. Call 800-533-9280. Seminole Inn holds its monthly wine tastings on Feb. 5. The event features Florida wineries through wine tastings, foods prepared using Florida wines, various drink recipes and historical information about the wineries. The inn is at 15885 S.W. Warfield Blvd. in Indiantown. Call 597-3777. Q „ Submit event listings to s o ds wines, h istorica l e ri es Th e MAUREEN DZIKOWSKI / FLORIDA WEEKLY Diners from Singer Island and North Palm Beach flock to the cafe. The cafe on U.S. 1 in Lake Park has wood floors and a small bar running across the back of the front room. plate. It was delicious „ rich and creamy with just the right tang. We worked to share it, but sent a good portion back to the kitchen „ it would require a tableful of our kind of eaters to polish it off. The menu here isnt lengthy and we like that. Large menus and small kitchens tell me half the foods are premade, ready to reheat for a crowd. The Pelican owner is personable and visits each table, jok-ing with the regulars. He accommodated diners at another table wanting to buy stuffed clams to put in their freezer and serve at home, and weve seen him offer a glass of champagne or wine at the bar to couples, for no apparent reason. Theyre open for breakfast, lunch and dinner and Sunday brunch. Weve enjoyed a couple of brunches here; their house-made doughnuts arent to be missed. They come to the tables hot on Sundays „ usually a good thing, because breakfast is slow coming out of the kitchen. Im coming back sooner rather than later; the menu is nice, and we love the little charmer of a house where the Peli-can roosts. The owner is always there and hes genuinely hospitable, making up for a few service lapses. Q


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