The Effects of a Sequencial Jazz Style Instructional Program on the Recognition and Appreciation of Various Styles of Jazz

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Material Information

Title:
The Effects of a Sequencial Jazz Style Instructional Program on the Recognition and Appreciation of Various Styles of Jazz
Physical Description:
Project in lieu of thesis
Creator:
Becker, David A
Publisher:
College of Fine Arts; University of Florida
Publication Date:

Thesis/Dissertation Information

Degree:
Master's ( Master of Music)
Degree Grantor:
University of Florida
Committee Chair:
Robinson, Russell L
Committee Members:
Helton, Jonathan A
Wilson, Scott

Subjects

Genre:
Spatial Coverage:

Notes

General Note:
Music Education terminal project

Record Information

Source Institution:
University of Florida
Rights Management:
Copyright David Becker em for non-profit research and educational purposes. Any reuse of this item in excess of fair use or other copyright exemptions requires permission of the copyright holder.
System ID:
AA00025537:00001


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Full Text

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THE EFFECTS OF A SEQUENCIAL JAZZ STYLE INSTRUCTIONAL PROGRAM ON THE RECOGNITION AND APPRECIATION OF VARIOUS STYLES OF JAZZ By DAVID BECKER A PROJECT IN LIEU OF THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF F LORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTERS OF MUSIC EDUCATION UNIVERSITY OF FLORIDA 2014

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DAVE BECKER BIOGRAPHY SAXOPHONES, FLUTE, CLARINET, BAGPIPES, STEEL DRUM In an age where the highly trained musician is more and more challenged in their attempt to find work, saxophonist Dave Becker haswellfound work. He is a walking embodiment of t he diverse, comprehensive musician that the students of today must strive to become tomorrow. He can do it and he can teach it. In addition to live ensemble work in an array of settings from big bands to orchestras to cruise ships to theme parks to conce rt halls, Becker is also a force "on both sides of the glass". A skilled studio musician his many credits include the full package of doubles and then some (woodwinds plus steel drum and bagpipes!) he is also an experienced producer and recording engi neer. Add to that the ability to deliver high quality, on demand arrangements and compositions in any number of styles and the image that emerges is one of an artist and craftsman that is eminently hirable. And that is what he is able to impart to his st udents, both through his example and through his skilled delivery as an educator. Dave Becker earned his undergraduate degree in Music Education at the University of Florida before embarking on the professional career that would continue to develop the diversity of his skill set. Following stints as a bandleader, musician, and arranger for Princess Cruise Lines, Cunard Cruise Lines, Universal Studios and Disney, he settled on the West Coast teaching applied woodwi nds and recording arts at Cuest a College then later joining the faculty of Cal ifornia Polytechnic State University as well. Becker became an in demand studio player and bandleader along California's central coast, writing arrangements for the San Luis Obispo Symphony's Pops concerts, arranging directing and performing in a production of West Side Story with the San Luis Obispo Civic Ballet, and performing and recording Broadway shows for the PCPA Repertory Theatre Company in Santa Maria, CA. Becker's drive to stay at the forefront of the te chnologies that continue to revolutionize every facet of the music industry led him to return to the University of Florida in 2013, where he will earn his Master of Music Education degree in Spring 2014. In addition to playing lead alto in the University of Florida Jazz Ensemble, writing arrangements for the UF Marching Band, and teaching Jazz Arranging and Applied Jazz Saxophone as part of his studies under department chair Scott Wilson, Becker is deeply involved in the university's three year long endeav or to create a musical database as part of the State of Florida Educators for Arts Assessment K 12. He has written, arranged and recorded more than 100 pieces of music illustrating various styles of jazz, pop, rock, ethnic, and world music for the project through the University's Digital Worlds Institute. This work displays the ultimate integration of the many skills Becker has developed and serves as the perfect example of career diversification for the students that he seeks to inspire. In addition to his colle ge teaching experience at Cuest a College and Cal Po ly Dave Becker has also been a clinician at the Gordon Goodwin Big Phat Band Camp and other camps and schools throughout Florida and along the West Coast. He has performed with artists including Wayne Bergeron, Eric Marienthal, Sal Lazano, Pete Christlieb, Gordon Goodwin, Bobby Shew, Andy Martin, Bernie Dresel, Bob McChesney, Dianne Shuur, Ernie Watts, Sam Rivers, John Allred, Ron Miles, Matt Cattingub, Jack Jones, Jeff Miley, James Miley, George Stone, Bob Sheppard, Wynton Marsalis, Marcus Printup, Joe Barati, Manhattan Transfer, The Temptations, and Marvin Hamlish.