UFDC Home  |  Search all Groups  |  Digital Library of the Caribbean  |  UF Institutional Repository  |  UF Institutional Repository  |  SobekCM Help  

Appendix: Guide to Reformatting Audio

http://dloc.com/UF00091653 ( Prior versions of the Manual )
MISSING IMAGE

Material Information

Title:
Appendix: Guide to Reformatting Audio
Physical Description:
Book
Creator:
Mariner, Matt
Taylor, Laurie
Wooldridge, Brooke
Sullivan, Mark
Santamaria-Wheeler, Lourdes
Digital Library of the Caribbean (dLOC) Partners

Subjects

Subjects / Keywords:
Competencies

Record Information

Source Institution:
University of Florida
Holding Location:
University of Florida
Rights Management:
All rights reserved by the source institution.
System ID:
AA00002865:00002


This item is only available as the following downloads:


Full Text

PAGE 1

[Type tex t www.dlo c A Importa n on budg e constrai n Included 1. A 2. A 3. A 4. A 5. F i 6. T Please n o experie n docume n this as a instituti o be suite d 1 See Sou n Harvard C http://hcl. h t ] c .com A udio R n t: Please n o e tary needs n ts. For doc u in this doc u A udio CD to E A nalog to Di g A nalog to Di g A nalog to Di g i eld Record i ypical File S o te: All equ i ces by part n n t should no guide for t h o n’s specifi c d to anothe r n d Directions, h o llege Library h arvard.edu/lib R eforma t o te that the first, and t h u mentation u ment: E ditable Fil e g ital Audio C g ital Inch g ital Phonog i ng Equipm e S ize i pment incl u n ers in the D t be taken a h eir own pu r c needs, sou r ’s. All pric e h ttp://www.dli b Audio Preser v r aries/loebmu s t ting Eq u se recomm e h en proximi t on best pra e Migration C assette Ta p (Reel-to-Re e raph Conve r e nt u ded in this D igital Libra a s an endor s r chases sho u r ce materia e s are based b .indiana.edu/ p v ation Studio’ s s ic/aps/ u ipmen t e ndations f o t y to best p r ctices with p e Conversi o e l) Tape Co n r sion are recom m ry of the C a s ement of a n u ld be cauti o ls, or fitnes s on current p rojects/sound s multiple proj t and W o o r equipmen r actices giv e optimal too o n nversion m ended as e a ribbean usi n n y manufac t o ned that e q s -for-purpo s estimates a d directions/ an d ect reports: Audio Refo o rkflow t and proce s e n those bu d ls, see Sou n e xamples ba s n g this equi p t urer's prod u q uipment s u s e determin a a nd are liste d d rmatting: 1 Steps s sing are ba d getary n d Di r ection s s ed on the p ment. Thi s u ct. Those u u ited to eac h a tions may n d in USD. a sed s 1 s u sing h n ot

PAGE 2

[Type tex t www.dlo c 1. Audi o Standar d preserve format. A of prese r To share required Ripping C forbidde To make Equipme C C Workflo w 1. D h 2. I n 3. O 4. S e 5. S e 6. F i M 7. O d c o d Equipme machine http:// w t ] c .com o CD to Ed i d Audio CDs files from a A fter the fil r vation pro c the files or Where th e C Ds that ar e n by copyri g a preserva t nt and Soft w omputer ru n Dex (free s o w ownload an d ttp://gnuw i n sert the C D O pen CDex e lect the C D e lect “Extr a i les from th e M y Documen t O pen the W A erivative (l o o mpressed, istribution. nt, softwar e are explain w iki.audacit y i table File a re structu r a n audio CD es are extr a essing. make copi e e audio files e under cop y g ht rules in t t ion or back u w are for Wi n n ning Wind o o ftware) d install CD i n.epfl.ch/ a D into the C D D drive fro m a ct CD track e CD will b e t s\ My Musi c A V files in A u o ssy) audio f but may ac t e and work f ed on the A y team.org/ w Migration r ed differen t the files m a cted, they c e s after ref o are under c y right prote c t he US und e u p copy of a n dows: o ws-NT, Win EX: a pps/cdex/ e D drive the menu, (s) to WAV f e saved to t h u dacity and, f iles (MP3, W t better as o f low for thi s udacity we b w iki/How_t o t ly from no r m ust first be c an be han d o rmatting, c o c opy protec t c tion for pu r e r the Digita a CD or to m dows 2000, e n/install/c d making sur e f ile(s)” h e compute r from the o r W MA, OGG V o nline servi c s process us i b site: o _import_C D r mal compu t extracted o d led as com p o pyright cl e t ion in addi t r poses of c o l Millenniu m m igrate a CD or Window s d ex_151.ex e e that the C r as WAV fil e riginal mas t V orbis) that a c e copies fo i ng a Macin t D s Audio Refo r t er media. I o r ripped fr o p uter files f o e arance or p t ion to the s t o pyright viol m Copyright A that is not s -XP with a C e D file name s e s into a su b t er WAV file s are smaller r download t osh runnin g r matting: 2 n order to o m the audi o o r the purp o ermissions a tandard ation is stri c A ct (DMCA) under copy r C D drive s are listed. b folder und e s you can m in size and and g OSX and a o o ses a re c tly r ight: e r: m ake Linux

PAGE 3

[Type tex t www.dlo c 2. Anal o Equipm e Dual-tap variable ~ Large, o v cancelin g ~ H PC Soun d ~ E x S o Audio e d ~ GPL) Installat i Connect C R Sample W R 1 2 3 4 5 t ] c .com o g to Digit a e nt: e cassette d pitch speed $150 $250 v er-ear hea d g function. $20 $150 ( H eadphones) d card with s $50 $300 ( x press OR C o und Card w iting/recor d Free $500 i on: cassette de onnect RCA R CA-to-Mini c W orkflow (a s R ecording an Turn on c Insert th e (using he a Once sati Open Au d In main p a l Audio C a d eck with n o control (Recomme n d phones (pr e Recommen d s upport for Recommen d reative PCI w ith 5.25” I / d ing softwa r (Recomme n ck to PC so u end of RCA c able to PC s suming use audio cass e c assette dec e tape into t a dphones). sfied, rewi n d acity progr a rogram win d a ssette Ta p o ise reducti o n ded: TEAC e ferable to d ed: Sennh e 96kHz/24-b d ed: Creati v Express Sou / O drive for r e n ded: Audac u nd card: -to-Mini ca b sound card’ of Audacit y e tte tape: k t he cassette n d tape and a m. d ow, select p e Conver s o n; microph o W865R Dou b in-ear head p e iser HD201 i t sampling v e Labs SB0 8 nd Blaster X end conne c ity, a free p b le to casse t s line in/mi c y ) deck and p prepare Au d input devic e s ion o ne input ( w b le Auto-Re v phones) wit Lightweigh t 8 80 Sound B l X -Fi Titaniu m c tion). p rogram dis t t te deck’s O c in port. lay it, so as d acity soft w e (your sou n Audio Refo r w ith recordi v erse Casse t h or withou t t Over-Ear B i l aster X-Fi T m Fatal1ty C t ributed un d UTPUT; co n to assess it w are for rec o n d card) r matting: 3 ng control); t te Deck). t noisei naural T itanium PC I C hampion S e d er the GNU n nect mini e s native qu a o rding. and I e ries nd of a lity

PAGE 4

[Type tex t www.dlo c 6 7 8 9 1 0 Further i http:// w t ] c .com Set samp l and the h making a r In order t be neces s prior to p lead-in ti a. Cl b. A f When th e a. P r tr a b. P r n e b e When yo u Save Proj 0 When yo u lossless a Preferen c derivativ e compress distributi o i nformation w iki.audacit y l e quality (l o h ighest sam p r chival mas t t o properly s s ary to begi n p ressing pla y me which w ick on the r e f ter a few s e e tape come s r ess the yell o a ck will en d r ess the blu e e ed to flip t h e gin recordi n i. If you r recor d begin p u are finish e ect) and ei t u are satisfi e nd uncomp r c es]). This s h e (lossy) au d ed, but ma y o n. from Auda c y team.org/ w o wer left o f p ling rate a n t ers, 96kHz i s ync the pla n recording y on the cas s w ill make po s e d RECORD e conds, pre s s to an end, o w STOP bu d e PAUSE but h e cassette n g that side r cassette d e d ing may no t p laying bac k e d recording t her perfor m e d with you r r essed [setti h ould serve d io files (MP y act better c ity’s wiki o n w iki/Transf e f main scree n audio CD c i s recomme n y back devi c with Audac i s ette deck. s t-processin button in A u s s play on y o you may d o tton to cea s ton to paus e over to the on the sam e ck is equip p t be necess a k automatic a your track, m post-proc e r edits, exp o ngs for bitr a as your arc h 3, WMA, O G as online s e n conversio n e rring_tape s n) to desire c an accomm o n ded). c e (cassette i ty by clicki n Doing so wi l g and editi n u dacity o ur playbac k o one of tw o s e recordin g e the recor d alternate s i e track. ped with au a ry, as the t a ally. you should e ssing/editi n o rt the trac k a te can be c h ival maste r G G Vorbis) t h e rvice copie s n and editin g s _and_recor d Audio Refo r d rate (44.1 o date; for t deck) and A n g the red R l l give you a n g much eas k device. o things: g at which p d ing, which i i de, at whic u to-reverse, ape’s alter n save your p n g, or save i k as a WAV o c hanged in E r From it y o h at are sma l s for downl o g : d s_to_com p r matting: 4 kHz is defa u he purpose s A udacity, it R ECORD but t a few secon d ier). p oint the cu i s useful if y h point you pausing th e n ate side wi l p roject (File i t for later. o r AIFF file ( E dit > o u can mak e l ler in size a o ad and p uter_or_CD u lt, s of may t on d s of rrent y ou can e l l > ( both e a nd

PAGE 5

[Type tex t www.dlo c 3. Anal o Equipm e inch t a headpho ~ p a c ( R r e Large, o v cancelin g ~ H PC Soun d ~ E x Audio e d ~ GPL) Installat i Connect C o f Sample W R 1 t ] c .com o g to Digit a e nt: a pe two-tra c ne jack Prices vary. layers/reco r c quire an o l R ecommend e putation o f v er-ear hea d g function; 1 $20 $150 ( H eadphones) d card with s $50 $300 ( x press). iting/recor d Free $500 i on: reel-to-ree l onnect RCA f RCA-to-Mi n W orkflow (a s R ecording a 1 Turn on p a l Inch ( R c k analog r e Only a han d r ders (Otari l der player/ ed: TEAC T A f reliability) d phones (pr e 1 /8 inch to Recommen d s upport for Recommen d d ing softwa r (Recomme n l player to P end of RCA n i cable to P s suming use 1 /4 inch ta p p layer/reco r R eel-to-R e e corder/pla y d ful of com p Inc., Nagr a recorder at A SCAM 32 – a e ferable to inch ada p d ed: Sennh e 96kHz/24-b d ed: Creati v r e n ded: Audac P C sound ca r -to-Mini ca b P C sound ca r of Audacit y p e: r der. e el) Tape C y er (reel-to p anies still m a ), and at v e less cost, m a popular p r in-ear head p p ter e iser HD201 i t sampling v e Labs SB0 8 ity, a free p r d: b le to playe r r d’s line in/ y ) C onversion reel), with m anufactur e e ry high pri c m ost of whic r o-series m o phones) wit Lightweigh t 8 80 Sound B l p rogram dis t r /recorder’ s mic in port Audio Refo r pitch contr o e inch re e c es. It mig h h are fairly o del with a s h or withou t t Over-Ear B i l aster X-Fi T t ributed un d s OUTPUT; c r matting: 5 o l, RCA out p e l-to-reel h t be easier reliable. s trong t noisei naural T itanium PC I d er the GNU c onnect min i p ut, to I i end

PAGE 6

[Type tex t www.dlo c 2 3 4 5 6 7 8 9 1 0 Further i http:// w t ] c .com Load tap e consisten quality ( u Once sati Open Au d In main p Set samp l and the h making a r In order t necessar y to pressi n in time w a. Cl b. A f When th e a. P r tr a b. P r n e b e When yo u Save Proj 0 When yo u lossless a Preferen c derivativ e compress distributi o i nformation w iki.audacit y e spool ont o t across all u sing headp h sfied, rewi n d acity progr a rogram win d l e quality (l o h ighest sam p r chival mas t t o properly s y to begin r e n g play on t h w hich will m a ick on the r e f ter a few s e e tape come s r ess the yell o a ck will en d r ess the blu e e ed to play t e gin recordi n u are finish e ect) and ei t u are satisfi e nd uncomp r c es]). This s h e (lossy) au d ed, but ma y o n. from Auda c y team.org/ w o left side o f legacy play e h ones). n d tape and a m d ow, select o wer left o f p ling rate a n t ers, 96kHz i s ync the pla e cording wi t h e cassette a ke post-pr o e d RECORD e conds, pre s s to an end, o w STOP bu d e PAUSE but t he alterna t n g that side e d recording t her perfor m e d with you r r essed [setti h ould serve d io files (MP y act better c ity’s wiki o n w iki/Transf e f player/rec o e r/recorder s prepare Au d input devic e f main scree n audio CD c i s recomme n y back devi c t h Audacity b deck. Doing o cessing an d button in A u s s play on y o you may d o tton to cea s ton to paus e e side of yo on the sam your track, m post-proc e r edits, exp o ngs for bitr a as your arc h 3, WMA, O G as online s e n conversio n e rring_tape s o rder (loadi s ) play it, s o d acity soft w e (your sou n n) to desire c an accomm o n ded). c e (reel-to-r e b y clicking t g so will giv e d editing m u u dacity o ur playbac k o one of tw o s e recordin g e the recor d o ur inch t a e track. you should e ssing/editi n o rt the trac k a te can be c h ival maste r G G Vorbis) t h e rvice copie s n and editin g s _and_recor d Audio Refo r ng directio n o as to asse s w are for rec o n d card) d rate (44.1 o date; for t e el) and Au d t he red REC O e you a few s u ch easier). k device. o things: g at which p d ing, which i a pe, at whi c save your p n g, or save i k as a WAV o c hanged in E r From it y o h at are sma l s for downl o g : d s_to_com p r matting: 6 n s may not s s its native o rding. kHz is defa u he purpose s d acity, it m a O RD button s econds of l p oint the cu i s useful if y c h point you p roject (File i t for later. o r AIFF file ( E dit > o u can mak e l ler in size a o ad and p uter_or_CD u lt, s of a y be prior eadrrent y ou can > ( both e a nd

PAGE 7

[Type tex t www.dlo c 4. Anal o Equipm e Belt-dri v line out p ~ Large, o v cancelin g ~ H PC Soun d ~ E x Audio e d ~ GPL) Installat i A. C C R B. C C a v Sample W R 1 t ] c .com o g to Digit a e nt: v en turntabl e p ut; USB ou t $130 $300 v er-ear hea d g function; 1 $20 $150 ( H eadphones) d card with s $50 $300 ( x press). iting/recor d Free $500 i on: onnect turn onnect RCA R CA-to-Mini c onnect turn onnect one v ailable US B W orkflow ( a R ecording a v Turn on t a l Phonogr a e capable o f t put (Recomme n d phones (pr e 1 /8 inch to Recommen d s upport for Recommen d d ing softwa r (Recomme n table to PC end of RCA c able to PC table to PC end of USB B port on P C a ssuming u s v inyl record urntable. a ph Conv e f playing at n ded: ION T T e ferable to inch ada p d ed: Sennh e 96kHz/24-b d ed: Creati v r e n ded: Audac sound card : -to-Mini ca b sound card’ via USB ca b cable to tu r C s e of audaci : e rsion both 33-1/ 3 T USB05 LP C in-ear head p p ter e iser HD201 i t sampling v e Labs SB0 8 ity, a free p : b le to turnt a s line in po r b le (plug-an d r ntable’s US ty and RCA 3 add 45 rm p C onversion S phones) wit Lightweigh t 8 80 Sound B l p rogram dis t a ble’s OUTP U r t. d -play) B output; c o output) Audio Refo r p ; integrate S ystem) h or withou t t Over-Ear B i l aster X-Fi T t ributed un d U T; connec t o nnect oth e r matting: 7 d pre-amp w t noisei naural T itanium PC I d er the GNU t mini end o e r end to an w ith I f

PAGE 8

[Type tex t www.dlo c 2 3 4 5 6 7 8 9 *Altern a via Aud a When yo and unc o serve as OGG Vor copies f o Further i http:// w t ] c .com Set recor d play it, s o Once sati Open Au d In main p Set samp l and the h making a r In order t necessar y to pressi n in time w a. Cl b. A f When th e a. P r tr a b. P r w a When yo u Save Proj a tely, you m a city (by se l u are satisfi o mpressed [ s your archiv a bis) that ar e o r download i nformation w iki.audacit y d on platte r o as to asse s sfied, stop r d acity progr a rogram win d l e quality (l o h ighest sam p r chival mas t t o properly s y to begin r e n g play on t h w hich will m a ick on the r e f ter a few s e e track com e r ess the yell o a ck will en d r ess the blu e a nt to cue t u are finish e ect) and ei t m ay record a l ecting USB ed with yo u s ettings for a l master. F e smaller in and distrib u from Auda c y team.org/ w r and set rp m s s its native r ecord. a m d ow, select o wer left o f p ling rate a n t ers, 96kHz i s ync the pla e cording wi t h e cassette a ke post-pr o e d RECORD e conds, low e e s to an end o w STOP bu d e PAUSE but he turntabl e e d recording t her perfor m a record usi as your in p u r edits, ex p bitrate can F rom it you c size and co m u tion. c ity’s wiki o n w iki/Transf e m lift tone quality (usi input devic e f main scree n audio CD c i s recomme n y back devi c t h Audacity b deck. Doing o cessing an d button in A u e r the tone you may d tton to cea s ton to paus e e ’s tonearm your track, m post-proc e ng the pla y p ut) or the t ort the tra c be changed c an make d e m pressed, b n conversio n e rring_tape s arm and pl a ng headpho e (Sound ca n) to desire c an accomm o n ded). c e (reel-to-r e b y clicking t g so will giv e d editing m u u dacity arm of turn t d o one of tw s e recordin g e the recor d to create d you should e ssing/editi n y er/recorde r t urntable’s c k as a WAV d in Edit > P r e rivative (lo b ut may act n and editin g s _and_recor d Audio Refo r a ce it at ed g nes). rd) d rate (44.1 o date; for t e el) and Au d t he red REC O e you a few s u ch easier). table onto d w o things: g at which p d ing, which i d ead air bet w save your p n g, or save i r’s USB con included s o or AIFF file r eferences] ) ssy) audio f i better as o n g : d s_to_com p r matting: 8 g e of record kHz is defa u he purpose s d acity, it m a O RD button s econds of l d esired trac k p oint the cu i s useful if y w een track s p roject (File i t for later. nection eit o ftware. (both lossl e ) This shoul i les (MP3, W n line servic e p uter_or_CD and u lt, s of a y be prior eadk rrent y ou s > her e ss l d W MA, e

PAGE 9

[Type tex t www.dlo c 5. Fiel d 2 8 ch a hours of R R R n r e a Rugged, R d Large, o v cancelin g R Mixer, 8 R Post-pro c by pack a R 6. Typi c 1 min. o f t ] c .com Recordin g nnel field r e recording t i R ecommend e R ecommend e R ecommend e n ote: XLR c a e quired to a re dual-cha n multi-purp o R ecommend e d epending o Reco m Budd y v er-ear hea d g function. R ecommend e channels, o R ecommend e c essing soft w a ge) R ecommend e c al File Siz f uncompre s g Equipme n e corder; ab l i me on a sin e d 2 channe l e d 4 channe l e d 8 channe l a bles and p o a chieve ster e n nel and re q o se, directi o e d: Sennhei s o n recording m mended: D y Preamp (~ $ d phones (pr e e d: Sennhei s nboard effe e d: Alesis M u w are (can b e d: Audacit y e s sed stereo P n t l e to captur e gle battery l : Marantz P l : Roland/ E l : TASCAM H o rts are sing e o sound fr o q uire one p o o nal dynami c s er e825 S ( ~ conditions, D enecke AD$ 120) e ferable to s er HD201 L i cts, USB, m u ltiMix 8 US B e used in li e y (light mixi n P CM audio @ e uncompre array; high P MD661 Port E dirol R-44 P H S-P82 8-ch le-channel ( o m a single m o rt to achie v c micropho n ~ $120) you may n e 20 2 chann e in-ear head p i ghtweight O ultiple anal o B 2.0 (~$33 0 e u of tablet o n g) (Free); A @ 44.1kHz, 1 ssed PCM a u capacity st o able SD Re c P ortable SD R annel Field ( mono), thu s m icrophone v e stereo so u n e (with sta n e ed microp h e l mic prea m phones) wit O ver-Ear Bi n o g I/O conn e 0 ) o p mixer, p o A coustica (~ 1 6bit sampl e Audio Refo r u dio at 24-b o rage optio n c order (~$6 0 R ecorder (~ $ Recorder ( ~ s two chan n ; ” stereo und. n ds) h one pream p m p (~$290); h or withou t n aural Head p ections o wer and fl e $24) e & 1400kb r matting: 9 it/192kHz; 4 n 0 0) $ 1,000) ~ $5,000) n els are cables and p s M-Audio Au d t noisep hones (~$3 e xibility var i ps ~ 10MB 4 + ports d io5). i es


  Home | About dLOC | Collections | Governance | Digitization | Outreach | FAQ | Contact  
  Powered by SobekCM
Acceptable Use, Copyright, and Disclaimer Statement  
© All rights reserved   |   Citing dLOC