The Relevance of Lustrously Colorful Dreams

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Material Information

Title:
The Relevance of Lustrously Colorful Dreams
Abbreviated Title:
Emily Raboteau reviews ed. Thomas Glave’s Our Caribbean: A Gathering of Lesbian and Gay Writing from the Antilles
Physical Description:
2p; Scanned pages,
Creator:
Emily Raboteau
Publisher:
American Book Review Vol 30 No 1
Publication Date:

Subjects

Subjects / Keywords:
Caribbean Area   ( lcsh )

Notes

Funding:
Support for the development of the technical infrastructure and partner training provided by the United States Department of Education TICFIA program.

Record Information

Source Institution:
Caribbean IRN
Holding Location:
Caribbean IRN
Rights Management:
All rights reserved by the source institution.
System ID:
AA00000026:00001


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Full Text

The Relevance of Lustrously Colorful Dreams

Emily R -abta


OUR CARIBBEAN:
A GATHERING OF LESBIAN AND GAY
WRITING FROM THE ANTILLES

Edited by Tholni,. Glave

Duke University Press
http://www.dukeupress.edu
416 pages; cloth. $89.95; paper, $24.95


In his editorial preface to Our Caribbean: A
Gathering of Lesbian and Gay Writing from the
Antilles, activist Thomas Glave describes how
difficult it was to get this anthology published. Sev-
eral presses rejected it on the grounds that the project
was too "narrow" and therefore without appeal. I
cannot imagine anyone judging a book about say,
Asian art, in the same way. Since this groundbreaking


embarrassment of riches is just that broad. I can only
say to those in the publishing world who continue
to think of the Caribbean as little more than a tour-
ist playground and queer life as too fringe to be
of interest to readers. "Shame on you." In myriad
and multiple forms. Our Caribbean's thirty-seven
contributors (representing the Bahamas. Barbados,
Cuba, the Dominican Republic. Grenada, Guyana,
Haiti, Jamaica. Panama, Puerto Rico. St. Vincent.
St. Kitts. Suriname, and Trinidad) give resounding
voice to the often-invisible Caribbean experience and
the often silenced queer experience within it, giving
purchase to William Carlos Williams's assertion that
the local is universal.
Many of the authors in this volume are actually
writing from outside the Caribbean, whether from
the vantage point of migration or exile. A common
theme among their pieces is a longing for home.
In her essay "We Came All the Way from Cuba So
You Could Dress Like This?", Achy Obejas writes


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with complexity and humor about her opportunistic
father's refusal to let her return to their homeland.
The narrator of R. Erica Doyle's charming Brooklyn-
based story, "Tante Merle," is connected to Trinidad
through language and food. Anton Nimblett's, "Time
and Tide," concerns the quest for "home" (also Trini-
dad) as a center for the narrator to make sense of his
messy life after a car accident in New York frightens
him into questioning his choices. "[H]onie was a far
way off, a place I had never been to but knew well
out of my mother's mouth," lusts Audre Lorde for
Grenada in an excerpt from her famous biomythog-
raphy, Zami: A New Spelling of My Name (1982).
These are among the collection's most poignant
offerings in their acute expression of displacement
.and yearning.
Shani Mootoo, of East Indian descent, richly
describes Trinidad's multiculturalism in her colorful
story, "Out on Main Street." Frustrated with the clerk
at the Indian sweetshop who has snubbed her for not
knowing the right name for koorma, the narrator says
to her girlfriend,

"Cultural bastards, Janet, cultural bas-
tards. Dat is what we is. Yuh know, one
time a fella from India who living up here
call me a bastardized Indian because I
didn't know Hindi. And now look at dis,
nah! De thing is: all a we in Trinidad is
cultural bastards, Janet. all a we. Toutes
bagailles! Chinese people, Black people,
White people. Syrian. Lebanese. I look-
ing forward to de day I find out dat place
inside me where I am nothing else but
Trinidadian, whatever dat could turn out
to be."

Mootoo's story is not the only one in Our Caribbean
to use "nonstandard" English to beautiful effect. The
many patois, pidgin, creole, and dialect forms of
English throughout the book are a big part of what

Raboteau continued on next page













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